Evil Genius (video game)
|Publisher(s)||Vivendi Universal Games[a]|
|Genre(s)||Real-time strategy, simulation|
Evil Genius is a single player real-time strategy and simulation video game developed by Elixir Studios and published by Vivendi Universal Games, released on September 28, 2004. Since March 2, 2006, the intellectual property rights of the game have been owned by Rebellion Developments.
The game is inspired by the spy thriller genre (notably the James Bond film series), and is set in an alternative 1960s–70s era. Most closely resembling Dungeon Keeper, the gameplay puts players in charge of a villainous force attempting to achieve global domination whilst fending off the forces of justice; to this end the gameplay is split between management of a base and the completion of "acts of infamy" in the rest of the world. The game has stylish, cartoon-like visuals and contains a great deal of tongue-in-cheek humour, particularly playing to clichés of the spy genre.
Evil Genius contains a mixture of real-time strategy and simulation elements, and is described by Rebellion Developments as a "real-time mad scientist lair management strategic simulation". Gameplay is split between managing a lair, together with the "minions" that populate it, and the "World Domination screen". The game is set in a non-specific time period, with the use of historic regions (the Eastern Bloc) and events (the Cuban Missile Crisis) suggestive of the 1960s and 70s, albeit in an alternate timeline; furthermore, the styling of the game is reminiscent of the 1960s Atomic Age designs. Evil Genius consists of a single game mode wherein the ultimate goal is to build a doomsday device and force the capitulation of the world to the player's "Evil Genius". This figure is selected at the beginning of the game from one of three choices—Maximilian, Alexis or Shen Yu—and acts as the player's avatar; if killed, the game ends.
The first lair is constructed within the base of a mountain on a desert island. During the course of the game the player relocates to a larger, tropical island, the extinct volcano at the center of which is used as the foundation for a rocket silo. The lair comprises various rooms, each of which contains objects for use by minions, either for the replenishment of certain "stats" (e.g. objects in the Mess Hall restore endurance) or to provide a function (e.g. the Power Plant room contains objects that generate power and allow the lair to function). Corridors connect the rooms within the lair and can also contain traps, which serve as one of several ways to deter agents of justice and their attempts to enter the base and gather evidence, steal money, or sabotage equipment. Trap results vary from simple confusion and movement impairment to stat reduction and death, and catching agents within a combination of traps will reward the player with money. New objects can eventually be unlocked through the Laboratory via combining already-existing items with pieces of equipment.
The player's forces include their Evil Genius, unique henchmen, and various minions. The Evil Genius and henchmen may be directly controlled by the player while minions are managed through the use of orders (such as: create room, buy/build item, move item, or even attack or weaken target). Minions are all initially recruited as Construction minions which are the only type that can create rooms in the lair. As the game progresses, Construction minions may also be trained to specialize in one of three color-coded fields: military (orange), scientific (blue), or social (purple). Each field has three successive minion levels, with the third level having two specialized branches. All of the minion specializations are unlocked by acquiring and interrogating civilian hostages, after which their skills can be passed on to other minions via training equipment. Henchmen are unique named characters that are much stronger than conventional Minions and can be upgraded with two special moves after gaining experience. Each of the three Evil Geniuses are paired with a specific henchmen that is available from the beginning of the game, while additional henchmen may be recruited as the game progresses.
In addition to managing their lair, the Evil Genius's plans frequently involve taking action across the world. This is managed through the "World Domination screen", consisting of an interactive map of the world divided into regions to which the player is able to send minions from their lair to steal money or to plan and commit missions known as "Acts of Infamy". These Acts can be used to obtain loot to adorn the lair (increasing minion statuses), capture civilian hostages (to interrogate them), and to garner "Notoriety". Many Acts advance the ultimate goal of constructing the doomsday device. Acts require variable amounts and types of minions, and each carries a degree of risk. Although, the player has no direct control over a mission, they can increase the chance of success by mixing minion classes and allocating greater numbers; the danger of committing Acts is compounded by the occasional appearance of Agents in certain regions, which the player can choose to hide their minions from. Some Acts of Infamy are references to historical events, such as the Cuban Missile Crisis, while others are comical, such as a "humanitarian mission" to destroy Nashville, Tennessee and rid the world of country music.
The lair must be defended from the "forces of justice": five government counter-terrorist agencies under whose control the world is split. S.A.B.R.E controls Western Europe, Australasia, the Indian Subcontinent and Southern Africa. P.A.T.R.I.O.T controls North America and the "Pacific Allies" (Japan, South Korea, and Taiwan). H.A.M.M.E.R controls the Soviet Union, the Eastern Bloc, and Cuba. A.N.V.I.L controls China and Southeast Asia. S.M.A.S.H controls the remainder of the world with the Middle East, Northern and Central Africa, South America, and Antarctica. Any Act of Infamy carried out within a region, and even the mere presence of minions (but especially if they are siphoning money back to the lair) will increase the level of notice, or "Heat", of the alliance that controls it, triggering a proportionate response: those alliances with the highest levels of heat will send their most skilled forces. Agents, appearing singularly or in groups, are divided according to their roles: Investigators, who will try to uncover evidence of illegal operations, thus increasing "Heat"; Saboteurs, whose goal is to destroy parts of the base; Thieves, who will attempt to steal back stolen items and cash; and Soldiers, who will assault minions, Henchmen and the Evil Genius him/herself. As the player acquires "Notoriety", they will attract the attention of "Super Agents", one from each of the five alliances; these agents combine two of the aforementioned roles, require special objectives to be met to permanently defeat, and are able to kill Henchmen over time by depleting their pool of lives.
Evil Genius has an average review score of 78% and 75 out of a possible 100, according to the review aggregators GameRankings and Metacritic respectively, which indicates "generally favourable reviews." Most critics praised the game for its humour and unique take on the god-game genre, but also criticised it for its frustrating micromanagement and annoying bugs.
GameSpot gave the game a 7.3 out of 10, stating that "while Evil Genius' dry, campy humor is often amusing from the start, it takes quite a bit of time and effort to pull off acts of infamy and establish your notoriety among global powers" and states "Evil Genius is hampered by some frustratingly haphazard pacing as well as issues with the artificial intelligence of your minions."
IGN gave Evil Genius a 7.8 out of 10, the reviewer stating that "Evil Genius hearkens back to the glorious Bullfrog creation Dungeon Keeper. Not only did it have us building a base underground (far, far underground), but also put us in the shoes of a sadistic dungeon master with imps, demons, and horned reapers to "control." There are quite a few differences in the two titles, but the influence is certainly there" but went on to say that "Had there been more interactivity with during acts of infamy on the World Domination Map, less micromanagement for taking care of enemies, more information passing between the map and the base screens, and more useful information about why things happened the way they did, Evil Genius really could have been genius... but in a good way."
Eurogamer gave Evil Genius a 7 out of 10, commenting that "even as we sit here picking over the carcass, we're not actually all that angry about the things that are wrong with the game. They're bad on paper, but they didn't interfere hugely with our having fun - a sure sign that that Evil Genius overcomes its flaws and ultimately satisfies."
Evil Genius' music score, composed by James Hannigan, received a BAFTA nomination for Best Original Music in 2004. Hannigan has spoken of how the work he did for the game stands out amongst his oeuvre, on account of its "uniqueness".
Financial reports at the end of 2004 revealed Elixir Studios had begun work on a sequel to Evil Genius. However, the studio's closure in 2005 led to the project's cancellation. While Rebellion purchased the intellectual property rights to Elixir's titles, the franchise remained dormant for several years aside from being re-released on digital platforms before the sudden 2010 release of the Facebook app Evil Genius: WMD, which took the IP and applied it to the FarmVille style of apps popular at the time. This app was later shut down in favor of Evil Genius Online, another Facebook app, due to the intensely negative reception of WMD. Announced and entering open beta in 2013, Evil Genius Online was released as a Facebook application and later released on iOS and Android. The full version launched in early 2015. Similar to the original, Evil Genius Online maintained the idea of attaining power and building elaborate lairs and hiring minions, progressing using timed missions that could be sped up or bypassed with virtual currency. Evil Genius Online shut down on February 6, 2017.
In a blog post on their website, Rebellion Developments addressed rumours about a 'sequel' that had been circulating via Twitter. Specifically, the post said that this was not in reference to Evil Genius Online, but instead concerned a fully featured PC follow-up:
We’ve always wanted to make a fully-featured PC follow-up. We’ve taken concepts for an Evil Genius sequel to publishers before but we weren’t able to secure the funding we needed. However since then, we’ve looked into alternative ways to get this game funded and created. We are going to make this happen. And it’s going to be soon.
In July 2017, Rebellion announced that it had been developing Evil Genius 2 since Q2 2017. At E3 2019 Rebellion premiered the first trailer for the sequel, titled Evil Genius 2: World Domination, and stated that the game would be released on Steam sometime in 2020.
In June 2020, it was announced that James Hannigan, the main composer of Evil Genius, would be returning to score Evil Genius 2: World Domination.
In August 2020, it was announced that the game would be delayed until "The first half of 2021".
- Released under the Sierra Entertainment brand name.
- Alex (2 March 2006). "Rebellion - Bought EG Rights!". Evil Genius Chat. Jonathan Mayer and Mark Sowash. Retrieved 10 June 2010.
- Sefton, Jamie (July 14, 2006). "Demis Hassabis, part two". Computer and Video Games. Retrieved 2009-09-06.
- Meer, Alec (December 2008). "Retro: Evil Genius". Rock, Paper, Shotgun. Retrieved 11 April 2015.
- "Evil Genius". Rebellion Developments. Retrieved 10 April 2015.
- Elixir Studios (2004), p. 4.
- Elixir Studios (2004), pp. 8–9.
- Elixir Studios (2004), pp. 15–17.
- Elixir Studios (2004), p. 15.
- Elixir Studios (2004), p. 23.
- "Evil Genius for PC". GameRankings. Archived from the original on 2019-12-09. Retrieved 2020-05-07.
- "Evil Genius for PC Reviews". Metacritic. Retrieved 2020-05-07.
- Lee, Garnett (October 1, 2004). "Evil Genius Review - 1UP". 1UP. Archived from the original on January 5, 2010. Retrieved 2008-09-28.
- "Evil Genius Review - Computer and Video Games". Computer and Video Games. September 21, 2004. Retrieved 2008-09-28.
- Bramwell, Tom (October 1, 2004). "Evil Genius Review - EuroGamer". EuroGamer. Retrieved 2008-09-28.
- Parker, Sam (September 28, 2004). "Evil Genius Review - GameSpot". GameSpot. p. 2. Retrieved 2008-09-28.
- Rausch, Allen (September 28, 2004). "Evil Genius Review - GameSpy". GameSpy. Retrieved 2008-09-28.
- Adams, Dan (September 28, 2004). "Evil Genius Review - IGN". IGN. p. 3. Archived from the original on March 21, 2011. Retrieved 2008-09-28.
- "Recent Events - Conversations with Screen Composers: James Hannigan". Royal Albert Hall. Archived from the original on 23 April 2012. Retrieved 11 April 2015.
- Hannigan, James. "Interview: James Hannigan". GSoundtracks. Retrieved 17 April 2015.
I was quite pleased with Republic and Evil Genius, because I had quite a lot of free reign [sic?] with those and Elixir were trying to do something new and interesting. The music isn't hugely complex, but there's a uniqueness about it that I think helps identify the games.
- "GameSpy: Evil Genius 2 In The Works - Page 1". pc.gamespy.com. Retrieved 2017-04-01.
- Evil Genius Online, "Evil Genius Online", Evil Genius Online, 2015
- "Important EGO Update | Rebellion". www.rebellion.co.uk. Retrieved 2017-04-01.
- Cooke, Robbie. "AN OPEN LETTER TO THE EVIL GENIUS COMMUNITY". Rebellion Developments. Retrieved 8 April 2015.
- Saed, Sharif (July 4, 2017). "Evil Genius 2 is finally happening at Rebellion". VG247. Retrieved July 4, 2017.
- "Evil Genius 2 - Coming 2020". evilgeniusgame.com. Retrieved 25 June 2019.
- "Composer James Hannigan returns to score Evil Genius 2 – TheSixthAxis". Retrieved 2020-08-04.
- "Evil Genius 2: World Domination Gets Worldwide Delay". Retrieved 2020-10-06.
- Elixir Studios (2004). "Evil Genius Manual" (PDF). Steam. Rebellion Developments. Retrieved 11 April 2015.CS1 maint: ref=harv (link)