|Born||April 26, 1916|
Manhattan, New York, U.S.
|Died||July 20, 2000 (aged 84)|
Carmel-by-the-Sea, California, U.S.
|Known for||Painted backgrounds for Disney's classic films|
|Spouse(s)||Joan Earle (m. ?–2000) (his death)|
|Awards||Winsor McCay Award, 1998 for lifetime achievement in the art of animation Disney Legends, 2015, Animation|
Eyvind Earle (April 26, 1916 – July 20, 2000) was an American artist, author and illustrator, noted for his contribution to the background illustration and styling of Disney animated films in the 1950s. The Metropolitan Museum of Art, New York, Rahr West Art Museum, Phoenix Art Museum and Arizona State University Art Museum have purchased Earle's works for their permanent collections. His works have also been shown in many one-man exhibitions throughout the world.
Earle's first New York exhibition was at the Charles Morgan Galleries in 1937. In a 1939 exhibition, the Metropolitan Museum of Art purchased one of his works for its permanent collection. His work at this time was realistic painting. In the 1940s he painted more than 800 Christmas card designs for the American Artist Group.
In 1951 he joined Disney as an assistant background painter and received credit for the experimental background painting in the Goofy short, For Whom the Bulls Toil. In 1953 he created the look of Toot, Whistle, Plunk and Boom, a short animated film which won an Academy Award and a Cannes Film Festival Award. He also worked on Peter Pan, Working for Peanuts, Pigs is Pigs, Paul Bunyan, and Lady and the Tramp. He was responsible for the styling, background and colors for the highly acclaimed Sleeping Beauty.
Earle returned to full-time painting in 1966, producing watercolors, oils, sculptures, drawings, scratchboards, and limited-edition serigraphs. Much of this work was not exhibited in his lifetime.
Earle's work and distinct graphic styling has continued to inspire new generations of artists and animators, serving to influence the look of other animated films. These have included the Disney features Pocahontas and Frozen, as well as the graphic style of Sony's first computer animated film, Open Season.
The Banner Saga, a video game by developers Stoic, draws heavily from Earle's style and contains a character named after him. He is credited for 'Artistic Inspiration'.
In May 2017 The Walt Disney Family Museum hosted an 8-month original retrospective exhibit: Awaking Beauty: The Art of Eyvind Earle. An accompanying hard cover exhibition catalog was published under the same name ISBN 978-1681882710.
- Animazing bio of Eyvind Earle Archived December 1, 2010, at the Wayback Machine
- Art Business News, Nov 2005.
- Sacvan Bercovitch, Cyrus R. K. Patell, The Cambridge History of American Literature, Cambridge University Press, 2002, p536. ISBN 0-521-49731-0
- The Art of Frozen, Charles Solomon, Chronicle Books, 2015
- The Art of Open Season, Linda Sunshine, Insight Editions, 2006