Carte de visite portrait of the artist
|Died||24 January 1907 (aged 84)|
Félix-Joseph Barrias (13 September 1822 – 24 January 1907) was a French painter. He was well known in his day for his paintings of religious, historical or mythical subjects, but has now been largely forgotten. Artists who trained in his studio and went on to achieve fame include Edgar Degas, Gustave Achille Guillaumet and Henri Pille.
Félix-Joseph Barrias was born on 13 September 1822 in Paris. His brother was Louis-Ernest Barrias (1841-1905), who became a well-known sculptor. His father was a painter on porcelain, and taught Félix-Joseph Barrias, who proved to be an adept pupil and was able to earn his own living by the age of 16.
Félix-Joseph Barrias then studied under Léon Cogniet. He won the Prix de Rome in 1844 with his picture of Cincinnatus Receiving the Deputies of the Senate. This let him travel to Italy for further studies. In 1847 he exhibited at the Salon for the first time with his Young Girl Carrying Flowers and Roman Spinner. Barrias received a third class medal in 1847 and a second class medal in 1851 for his The Exiles of Tiberius (Louvre). At the Exposition Universelle (1855) he received a second class medal for his painting Jubilee Year of 1300 in Rome.
Barrias made many paintings on religious, historical or mythical subjects. He also made frescoes for the Church of Saint-Eustache, Paris, Grand Hôtel du Louvre and Chapel of Saint Genevieve in the church of Sainte-Trinité, Paris. He was commissioned in the 1860s to contribute an illustration to an album of works on prayer compiled by William Thompson Walters, as were other noted painters of the day such as William-Adolphe Bouguereau, Jean-Léon Gérôme and James Tissot.
A large painting by Barrias was exhibited at the 1862 International Exhibition in London, depicting the French army landing in the Crimea. In 1868 Barrias painted The Legend of the Golden Fleece on the ceiling of Drapers' Hall, London. Barrias created mural works for the Paris Opera of Charles Garnier, and in the 1880s painted a decoration for the Mercers' Hall in London. Barrias exhibited portraits at the Salons of 1879, 1880 and 1881. He made lithograph illustrations for Didot's editions of Virgil and Horace.
Barrias taught Edgar Degas (1834-1917) in 1853. Other pupils included Gustave Achille Guillaumet (1840-1884), Fernand Pelez (1848-1913), Étienne-Prosper Berne-Bellecour (1838-1910), Jehan Georges Vibert (1840-1902), Henri Pille (1844-1897), Henri Michel-Lévy (1844-1914) and Jean-Jacques Scherrer (1855-1916). Barrias was made a chevalier of the Legion of Honour on 12 July 1859, and an officer on 3 February 1897. He died on 24 January 1907 at the age of 84.
According to a contemporary critic, his art "is worthy of an artist who is always distinguished by a severe execution, a happy imagination, and a graceful conception of the whole effect. A painter of style, Felix Barrias has neither the solemnity nor the coldness of those who usually claim this title; very careful of the dignity of his art in these times of easy painting, he has never made a compromise with the taste of the day, and for this reason, in every essay on decorative art his name is written in advance. However, his paintings have not stood the test of time, and he is now largely forgotten.
- Anointing of David by Samuel (1842) - Petit Palais, Paris
- Cincinnatus Receiving the Deputies of the Senate (1844)
- Sappho d'Ereze (1845) A photograph was published in A. Cipollini's 1890 Saffo, but the original has been lost.
- Young Girl Carrying Flowers (1847)
- A Gaul and His Daughter Imprisoned in Rome (1847)
- Roman Spinner (1847)
- The Exiles of Tiberius (1850) - purchased for the Gallery of the Luxembourg
- Michel Angelo in the Sistine Chapel (1857)
- Easter Communion (1861)
- Picardy (1863) - allegorical picture for the grand stairway of the Museum of Amiens
- The Repose (1866)
- Electra at the Tomb of her Father (1875)
- L'Homme est en mer! (1875) - subject from Victor Hugo
- Eve (1877)
- The Fairy of the Pearls (1878)
- Mont-Dore in the time of Augustus (1882)
- Death of Chopin (1885) The painting is in the National Museum, Kraków.
- The Triumph of Venus (1886)
- Camille Desmoulins in the Palais Royal (1888)
The Temptation of Christ by the Devil (1860), Philbrook Museum of Art
- Barrias, Félix Joseph: Legion of Honor.
- Soubies 1905.
- Van Deusen 2007.
- Viardot 1883, p. 35.
- Grunchec 1985, p. 147.
- Viardot 1883, p. 36.
- Johnston 1999, p. 36-37.
- McDermott 1862, p. 207.
- Willsdon 2000, p. 80.
- Growe 2001, p. 8.
- Boggs 1962, p. 85.
- Champlin & Perkins 1887, p. 189.
- Clair 2004, p. 100.
- Paintings of the Day ... 1893, p. 460.
- Shepherd Gallery 1975, p. 349.
- Lobstein 2008, p. 49.
- Reboullet, Seinguerlet & Mehl 1888, p. 360.
- Viardot 1883, p. 35-36.
- Johnston 1999, p. 37.
- Reynolds 2010, p. 264.
- Szabo 2009, p. 75.
|Wikimedia Commons has media related to Félix-Joseph Barrias.|
- "Barrias, Félix Joseph". Legion of Honor. January 1907. Retrieved 2014-02-08.
- Boggs, Jean Sutherland (1962-01-01). Portraits by Degas. University of California Press. p. 85. GGKEY:P9KUUQGDLZA. Retrieved 2014-02-08.CS1 maint: ref=harv (link)
- Champlin, John Denison; Perkins, Charles Callahan (1887). Cyclopedia of painters and paintings. C. Scribner's sons. Retrieved 2014-02-08.CS1 maint: ref=harv (link)
- Clair, Jean (2004). The Great Parade: Portrait of the Artist as Clown. Yale University Press. ISBN 978-0-300-10375-5. Retrieved 2014-02-08.CS1 maint: ref=harv (link)
- Growe, Bernd (2001). Edgar Degas, 1834-1917. Taschen. ISBN 978-3-8228-1136-8. Retrieved 2014-02-08.CS1 maint: ref=harv (link)
- Grunchec, P. (1985). The Grand Prix de Rome: Paintings from the École des Beaux-Arts, 1797-1863. Washington, DC: International Exhibitions Foundation. ISBN 0883970759.
- Güell-Baró, Margarida (2009). "A la découverte d’un peintre décorateur oublié: première approche de la vie et de l’oeuvre de Félix Joseph Barrias (1822 – 1907)". num. 7. Paris, Les Cahiers de l'Histoire de l'art. p. 99-113. Retrieved 2020-04-12.CS1 maint: ref=harv (link)
- Johnston, William R. (1999-09-22). William and Henry Walters, the Reticent Collectors. JHU Press. ISBN 978-0-8018-6040-9. Retrieved 2014-02-08.CS1 maint: ref=harv (link)
- Lobstein, Dominique (2008). Défense et illustration de l'Impressionnisme: Ernest Hoschedé (1837-1891) et son "Brelan de salons" (1890). L'Échelle de Jacob. ISBN 978-2-913224-76-6. Retrieved 2014-02-08.CS1 maint: ref=harv (link)
- McDermott, Edward (1862). The popular guide to the International exhibition of 1862. Retrieved 2014-02-08.CS1 maint: ref=harv (link)
- "Paintings of the Day - "Intended" by Etienne Prosper Berne-Bellecour". The Illustrated American, Volume 13. Illustrated American Publishing Company. 1893.
- Reboullet, Adolphe Le; Seinguerlet, Eugène; Mehl, Charles (1888). Revue alsacienne. Nancy, Berger-Levrault et cie. Retrieved 2014-02-08.CS1 maint: ref=harv (link)
- Reynolds, Margaret (2010-12-15). The Sappho Companion. Random House. ISBN 978-1-4464-1376-0. Retrieved 2014-02-08.CS1 maint: ref=harv (link)
- Shepherd Gallery (1975). Ingres & Delacroix through Degas & Puvis de Chavannes: the figure in French art, 1800-1870. Shepherd Gallery. Retrieved 2014-02-08.CS1 maint: ref=harv (link)
- Soubies, Albert (1905). L.-E. Barrias (1841-1905): Notes biographiques. Flammarion.CS1 maint: ref=harv (link)
- Szabo, Jason (2009-05-08). Incurable and Intolerable: Chronic Disease and Slow Death in Nineteenth-Century France. Rutgers University Press. ISBN 978-0-8135-4710-7. Retrieved 2014-02-08.CS1 maint: ref=harv (link)
- Van Deusen, Mary S. (2007). "Felix Joseph Barrias (1822-1907)". Retrieved 2014-02-08.CS1 maint: ref=harv (link)
- Viardot, Louis (1883). "Barrias, Félix-Joseph". The masterpieces of French art illustrated: being a biographical history of art in France, from the earliest period to and including the Salon of 1882. Gebbie. p. 35. Retrieved 2014-02-08.CS1 maint: ref=harv (link)
- Willsdon, Clare A. P. (2000). Mural Painting in Britain 1840-1940: Image and Meaning. Oxford University Press. ISBN 978-0-19-817515-5. Retrieved 2014-02-08.CS1 maint: ref=harv (link)