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For other uses, see Face Off (disambiguation).
FaceOff (1997 film) poster.jpg
Theatrical release poster
Directed by John Woo
Produced by
Written by
Music by John Powell
Cinematography Oliver Wood
Edited by Christian Wagner
Distributed by Paramount Pictures
(United States)
Buena Vista International
Release dates
  • June 27, 1997 (1997-06-27)
Running time
139 minutes[1]
Country United States
Language English
Budget $80 million[2]
Box office $245,676,146[2]

Face/Off is a 1997 American science fiction action film directed by John Woo and starring John Travolta and Nicolas Cage. Travolta plays an FBI agent and Cage plays a terrorist, sworn enemies who assume each other's physical appearance.[3] It was the first Hollywood film in which Woo was given major creative control. The film went on to gross $245 million worldwide. The film was also nominated for an Academy Award in the category Sound Effects Editing (Mark Stoeckinger) at the 70th Academy Awards.


FBI Special Agent Sean Archer (John Travolta) has a personal vendetta against freelance domestic terrorist and homicidal psychopath Castor Troy (Nicolas Cage) who six years earlier killed Archer's son, Michael, while trying to assassinate Archer. Archer lays an ambush to capture Castor and his younger brother, terrorist accomplice Pollux at Los Angeles International Airport. During the ambush, Castor goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but is knocked into a coma before Archer can learn more.

Archer affirms the threat is real, but is unable to convince Pollux to reveal where the bomb is located. At suggestion of his partner Tito, Archer secretly undergoes a highly experimental face transplant procedure by Dr. Walsh to take on Castor's face and appearance. Archer (now played by Cage) is taken to the same high-security prison where Pollux is, and slowly convinces Pollux that he is Castor, gaining information on the bomb's location. Meanwhile, Castor wakes up from his coma prematurely and discovers his face missing. He calls his gang, and they force Dr. Walsh to put Archer's face on him. Castor (now played by Travolta) then kills Dr. Walsh and Tito, eliminating all those that knew about the surgery, and uses his new appearance to take over Archer's life, including getting close to Archer's wife Eve and daughter Jamie. Castor visits the prison where Archer is ready to leave to goad him and leaving Archer to languish, and then goes and disarms his bomb in a dramatic fashion, gaining him respect from Archer's fellow FBI agents.

Archer starts a prison riot that allows him to escape, and he then retreats to Castor's headquarters. There, Archer meets Sasha, the sister of Castor's primary drug kingpin, and her son Adam that bears a striking resemblance to Michael. Archer learns that Adam is Castor's son, whom he once had planned to put under foster care. Castor learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid turns bloody, killing many FBI agents and many of Castor's gang, including Pollux; Archer, Sasha, and Adam are able to escape. Archer's supervisor Director Victor Lazarro blames Castor for the numerous deaths, but Castor, angered over Pollux's death, privately reveals his true identity and kills him, blaming his death on a heart attack. Castor is promoted to Acting Director as plans are made for Lazarro's funeral.

Archer finds safety for Sasha and Adam and approaches Eve; though he is unable to convince her immediately of his true identity, Eve has become suspicious enough to take a sample of Castor's blood to test. When she finds the blood matches that of Castor, she apologizes to Archer, and explains that while Castor is nearly untouchable with his new position, he will be vulnerable at Lazarro's funeral. At the funeral, Archer finds that Castor has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve but after fatally taking a bullet. Before she dies, Archer promises to take care of Adam for her and not allow him to grow up with a life of crime. Castor flees the church with Archer following him. After killing two FBI agents, Castor briefly takes Jamie hostage, but she escapes using a butterfly knife trick Castor ironically taught her. A speedboat chase ensues wherein Archer forces Castor to shore by collision. The two turn to melee and when Castor tries to destroy Archer's face, Archer impales him with a spear gun. As the FBI arrive and surround Archer, Eve is able to convince the agents of Archer's true identity. The face transplant surgery is undone, and Archer (back to Travolta) is able to return home, with Adam having been adopted into his family to keep his promise to Sasha.



Face/Off was a spec script which writers Mike Werb and Michael Colleary tried to sell to a studio from as early as 1990. It took numerous studios, producers and rewrites before John Woo became attached several years later.[4] For the Archer character, Woo considered casting either Michael Douglas or Jean-Claude Van Damme whom he had worked with in Hard Target. When the film was eventually made, Douglas served as an executive producer. Werb and Colleary have cited White Heat (1949) and Seconds (1966) as influences on the plot.[4]

With an $80 million production budget, Face/Off made heavy use of action set pieces including several violent shootouts and a boat chase filmed in the Los Angeles area. The boat scene at the end of the film was shot in San Diego.[5]

Calling the brothers Castor and Pollux is a reference to Greek mythology; Castor and Pollux are the twins transformed by Zeus into the constellation Gemini.

It is unclear whether the film authors were in any way inspired by (or even knew of) "TASS is authorized to declare", a 1984 Soviet spy mini-series where a secret services operative has to modify his face (albeit through much less advanced technology) in order to pass for a different person, but one of the film's secondary characters goes under the same name, Dubov, as the main antagonist in that Soviet mini-series.


Face/Off was released in North America on June 27, 1997 and earned $23,387,530 on its opening weekend, ranking number one in the domestic box office. It went on to become the 11th highest domestic and 14th worldwide grossing film of 1997, earning a domestic total of $112,276,146 and $133,400,000 overseas for a total of worldwide gross of $245,676,146. It was a box office hit.[2] It also became Woo's highest-grossing American film.

The Region 1 DVD of Face/Off was one of the first films to be released on the format on October 7, 1998.[citation needed] A 10th Anniversary Collector's Edition DVD was released on September 11, 2007 and the now-defunct HD DVD on October 30, 2007 in the United States.[6] The new DVD is a 2-disc set including 7 deleted scenes, an alternate ending, and several featurettes.[7]

The film was released on Blu-ray Disc in the United Kingdom on October 1, 2007 by Buena Vista Home Entertainment, and was released in the United States on May 20, 2008 by Paramount Home Entertainment.[8]


The film received universal acclaim. The role reversal between Travolta and Cage was a subject of praise, as were the stylized, violent action sequences. Critic Roger Ebert of the Chicago Sun-Times gave the film three out of four and remarked that, "Here, using big movie stars and asking them to play each other, Woo and his writers find a terrific counterpoint to the action scenes: All through the movie, you find yourself reinterpreting every scene as you realize the "other" character is "really" playing it."[9] Rolling Stone's Peter Travers said of the film, "You may not buy the premise or the windup, but with Travolta and Cage taking comic and psychic measures of their characters and their own careers, there is no resisting Face/Off. This you gotta see."[10] Richard Corliss of Time said that the film "isn't just a thrill ride, it's a rocket into the thrilling past, when directors could scare you with how much emotion they packed into a movie."[11]

Barbara Shulgasser of the San Francisco Examiner called the movie "idiotic" and argued that "a good director would choose the best of the six ways and put it in his movie. Woo puts all six in. If you keep your eyes closed during a Woo movie and open them every six minutes, you'll see everything you need to know to have a perfectly lovely evening at the cinema."[12]

The review aggregation website Rotten Tomatoes gives the film a "Fresh" rating of 92% based on 83 reviews, with an average rating of 7.9/10. The site's consensus reads: "Travolta and Cage play cat-and-mouse (and literally play each other) against a beautifully stylized backdrop of typically elegant, over-the-top John Woo violence."[13] On Metacritic, the film received a metascore of 82 out of 100 from 25 critics, indicating "universal acclaim".[14] The film was nominated for the Academy Award for Best Effects, Sound Effects Editing (Mark Stoeckinger) at the 70th Academy Awards, but lost to another Paramount film Titanic. Face/Off also won Saturn Awards for Best Directing and Writing, and the MTV Movie Awards for Best Action Scene (the speedboat chase) and Best Duo for Travolta and Cage.[citation needed]


Face/Off: Original Soundtrack
Film score by John Powell
Released July 1, 1997
April 26, 2006
Length 41:42
Label Hollywood
Producer Hans Zimmer[15]
John Powell chronology
Professional ratings
Review scores
Source Rating
Allmusic 1.5/5 stars[16]

The Face/Off soundtrack was released by Hollywood Records on July 1, 1997, the week following the film's release.[17]

All music composed by John Powell, except as noted.

No. Title Music Length
1. "Face On"     4:57
2. "80 Proof Rock"     4:29
3. "Furniture"     7:12
4. "The Golden Section Derma Lift"     3:15
5. "This Ridiculous Chin"     6:51
6. "No More Drugs for That Man"   John Powell, Gavin Greenaway 7:27
7. "Hans' Loft"   John Powell, Gavin Greenaway 3:34
8. "Ready for the Big Ride‚ Bubba"     3:53
Total length:

Several pieces of music and songs were used in the film but not included in the soundtrack. These include:


  1. ^ "FACE/OFF (18/Cut)". Buena Vista International. British Board of Film Classification. November 6, 1997. Retrieved April 30, 2013. 
  2. ^ a b c "Face/Off (1997)". Box Office Mojo. August 29, 1997. Retrieved January 14, 2012. 
  3. ^ Turan, Kenneth (1997-06-27). "John Travolta and Nicolas Cage get under each other's skin--literally--in John Woo's return to form, 'Face/Off'". The Los Angeles Times. Retrieved 2010-11-06. 
  4. ^ a b Christopher Heard. Ten thousand bullets: the cinema of John Woo. Los Angeles: Lone Eagle Publ, 2000. ISBN 1-58065-021-X
  5. ^ "Face/Off". Box Office Mojo. Retrieved 2007-06-05. 
  6. ^ Perenson, Melissa J. (2007-01-18). "New HD Disc Titles, New HD Disc Technology". PC World. Retrieved 2007-06-05. 
  7. ^ "Face/Off (US - DVD R1 | HD | BD RA) in News > Releases at DVDActive". Dvdactive.com. Retrieved 2012-01-14. 
  8. ^ "Breaking: Paramount Unveils Blu-ray Launch Plans". High-Def Digest. 2008-04-29. Retrieved 2012-01-14. 
  9. ^ Ebert, Roger (1997-06-27). "Face/Off". Chicago Sun-Times. Retrieved 2007-06-05. 
  10. ^ Travers, Peter (2001-02-09). "Face/Off". Rolling Stone. Retrieved 2007-06-05. 
  11. ^ Corliss, Richard (1997-06-30). "One Dumb Summer: Reviews". Time. Retrieved 2008-11-20. 
  12. ^ Shulgasser, Barbara (1997-06-27). "Trading Faces". San Francisco Examiner. Retrieved 2007-06-05. 
  13. ^ Face/Off at Rotten Tomatoes
  14. ^ Face/Off at Metacritic
  15. ^ "Face Off Original Soundtrack by John Powell". ARTISTdirect. Retrieved 2014-03-11. 
  16. ^ Ankeny, Jason. "Review: Face/Off - John Powell". Allmusic. Rovi Corporation. Retrieved 2014-03-11. 
  17. ^ "Face/Off Soundtrack CD Album". CD Universe. Retrieved 2014-03-11. 

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