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4th century BC Iberian falcata (M.A.N., Madrid).

The falcata is a type of sword typical of pre-Roman Iberia. The falcata was used to great effect by the armies of Carthage in their wars against Rome.


The term falcata is not ancient. It seems to have been coined by Fernando Fulgosio in 1872,[1] on the model of the Latin expression ensis falcatus "sickle-shaped sword" (which, however, refers to the Harpe). He presumably chose falcata rather than falcatus because both the Portuguese and Spanish word for sword, espada, is feminine, although there are other presumable theories. The name caught on very quickly and is now firmly entrenched in the scholarly literature.


The falcata has a single-edged blade that pitches forward towards the point, the edge being concave near the hilt, but convex near the point. This shape distributes the weight in such a way that the falcata is capable of delivering a blow with the momentum of an axe, while maintaining the longer cutting edge of a sword and some facility to execute a thrust. The grip is typically hook-shaped, the end often stylized in the shape of a horse or a bird. There is often a thin chain connecting the hooked butt of the Iberian with the hilt. Although usually a single-edged weapon, double-edged falcatas have been found.[citation needed]


The falcata was derived from the sickle-shaped knives of the Iron Age; that too explains their ritual uses.[clarification needed] It is thought to have been introduced in the Iberian Peninsula by the Celts who introduced iron working there. There are several historians[who?] who believe that its origin is parallel to the Greek kopis and is not derived from it. Meanwhile, others believe the design was carried over from Greece via merchants and traders. It may also have been an Etruscan invention.[2]

Quality and manufacture[edit]

Roman armies in the Second Punic War and later, during the Conquest of Hispania, were surprised by the quality of these weapons, used by Iberian mercenaries and warriors. The overall quality of the falcata came not only from the shape, but also from the quality of the iron. Steel plates were buried in the ground for two to three years, corroding the weakened steel from them. The blade was made from three layers of this steel, joining them in a bloomery.[3]

Ornamental and liturgical uses[edit]

Decorated hilt of a 4th or 3rd century BC falcata from Almedinilla, Córdoba (M.A.N., Madrid).

In the early times of the Celtic tribes in Iberia, its use was more ornamental and liturgical than military. Highly decorated falcata have been found in tombs, for example the Falcata de Almedinilla. The scarcity of the falcata during early times was due to the expense and scarcity of iron in the region.

In ancient texts[edit]

Since "falcata" is not a term used in Classical Latin, it is difficult to tell when, or even if, it is being referred to in ancient literature. There is, however, one passage that is generally agreed to refer to this type of sword, in Seneca's De Beneficiis 5.24:

A veteran who had been a bit too rough with his neighbors was pleading his case before Julius Caesar. "Do you remember," he said, "Imperator, how you twisted your ankle near Sucro?" When Caesar said he did remember: "Then you certainly remember that when you were lying to rest under a tree that was casting just a tiny shadow, in a very tough terrain with just that one lonely tree sticking out, one of your men laid out his cloak for you?"

Caesar said "Why shouldn't I remember, even if I was exhausted? Because I was unable to walk I couldn't go to the nearby spring, and I would have been willing to crawl there on hands and knees, if it were not for a good soldier, a brave industrious chap, hadn't brought me water in his helmet?" to which the man replied,

"Then, Imperator, you could recognize that man, or that helmet?" Caesar answered that he couldn't recognize the helmet, but certainly the man, and added, a bit irritated I think, "And you certainly are not him!" "It's not surprising," said the man, "that you do not recognize me, Caesar; for when that happened I was whole. Afterwards, at Munda my eye was gouged out, and my skull smashed in. Nor would you recognize that helmet if you saw it: it was split by a Hispanian saber (machaera Hispana)."

Caesar awarded the case to the veteran.

See also[edit]


  1. ^ In: Fulgosio, Fernando (1872): "Armas y utensilios del hombre primitivo en el Museo Arqueológico Nacional", in José Dorregaray (ed.),Museo Español de Antigüedades, Madrid, Vol. I, pp. 75-89.
  2. ^ Warfare in the Classical World, John Warry, 1995
  3. ^ Diodorus Siculus 5.33.4


  • Aranegui, C. y De Hoz, J. (1992): “Una falcata decorada con inscripción ibérica. Juegos gladiatorios y venationes”, en Homenaje a Enrique Pla Ballester, Trabajos Varios del SIP 89, 319-344
  • Cuadrado Díaz, E. (1989): La panoplia ibérica de “El Cigarralejo” (Mula, Murcia). Documentos. Serie Arqueología. Murcia
  • Nieto, G. y Escalera, A. (1970): “Estudio y tratamiento de una falcata de Almedinilla”, Informes y trabajos del Instituto de Restauración y Conservación, 10
  • F. Quesada Sanz: "Máchaira, kopís, falcata" in Homenaje a Francisco Torrent, Madrid, 1994, pp. 75-94.
  • Quesada Sanz, F. (1991): “En torno al origen y procedencia de la falcata ibérica”. In J. Remesal, O.Musso (eds.), La presencia de material etrusco en la Península Ibérica, Barcelona
  • Quesada Sanz, F. (1990b): “Falcatas ibéricas con damasquinados en plata”. Homenaje a D. Emeterio Cuadrado, Verdolay, 2, 45-59
  • Quesada Sanz, F. (1992a): Arma y símbolo: la falcata ibérica. Instituto de Cultura Juan Gil-Albert, Alicante
  • Quesada Sanz, F. (1992b): “Notas sobre el armamento ibérico de Almedinilla”, Anales de Arqueología Cordobesa, 3, 113-136
  • Quesada Sanz, F. (1997a): “Algo más que un tipo de espada: la falcata ibérica”. Catálogo de la Exposición: La guerra en la Antigüedad. Madrid, pp. 196–205
  • Quesada Sanz, F. (1997b): El armamento ibérico. Estudio tipológico, geográfico, funcional, social y simbólico de las armas en la Cultura Ibérica (siglos VI-I a.C.). 2 vols. Monographies Instrumentum, 3. Ed. Monique Mergoil, Montagnac, 1997
  • Quesada Sanz, F. (1998): “Armas para los muertos”. Los íberos, príncipes de Occidente Catálogo de la Exposición. Barcelona, pp. 125–31

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