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Fall Breaks and Back to Winter (W. Woodpecker Symphony)

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"Fall Breaks and Back to Winter"
Song

"Fall Breaks and Back to Winter (W. Woodpecker Symphony)" is an instrumental composed by Brian Wilson for American rock band the Beach Boys. Released in 1967 as the second track on the group's album Smiley Smile, the composition derives from "Fire" – a piece recorded by Wilson several months earlier, but left unreleased due to his paranoia.

Composition

Wilson said of this version, "That was sort of a song about a cold winter scene. We tried to paint a picture of winter and then spring, late summer, and then broke into winter. We used the 'Woody Woodpecker' theme because it was descriptive to us of spring and summer."[1]

Biographer David Leaf noted its "bizarre woodpecking" percussion, the use of a squeeze box that emulates the iconic Woody Woodpecker laugh, and wordless vocals by the Beach Boys.[2] Musicologist Daniel Harrison described the track (along with other Smiley Smile tracks) as "a kind of protomiminal rock music", and that "the lack of formal or harmonic development makes the listener focus upon other quaities such as instrumentation, timbre, and reverberation. A concentrated listening effort thus goes quickly to subtle details.[3]

Legacy

In 1996, "Falls Breaks and Back to Winter" was included in David Toop's Ocean of Sound, a 2-CD compilation album meant to accommodate his book of the same name.

Cover versions

  • 1970 (1970): Gary Usher, Add Some Music To Your Day: A Symphonic Tribute To Brian Wilson
  • 1993 (1993): David Garland, I Guess I Just Wasn't Made For These Times (David Garland Performs Brian Wilson)
  • 1998 (1998): Jim O'Rourke, Smiling Pets

References

  1. ^ Benci, Jacopo (January 1995). "Brian Wilson interview". Record Collector (185). UK.
  2. ^ Leaf, David (1990). Smiley Smile/Wild Honey (CD Liner). The Beach Boys. Capitol Records.
  3. ^ Harrison, Daniel (1997). "After Sundown: The Beach Boys' Experimental Music" (PDF). In Covach, John; Boone, Graeme M. (eds.). Understanding Rock: Essays in Musical Analysis. Oxford University Press. pp. 33–57. ISBN 9780199880126. {{cite book}}: Invalid |ref=harv (help)