However, a false document is also a technique employed to create verisimilitude in a work of fiction. By inventing and inserting documents that appear to be factual, an author tries to create a sense of authenticity beyond the normal and expected suspension of disbelief for a work of art. The goal of a false document is to convince an audience that what is being presented is factual.
Forged documents in business are typically for financial gain.
A material's certification, essentially a report of its composition and properties, may be forged. A low-property material, produced for lower cost, may be passed as a higher-property material, which has a higher price. The difference becomes illicit profit. Counterfeit fasteners have low-strength alloys or inferior production processes, but are sold as high-strength fasteners.
Similarly, parts, systems, and processes for high-valued operations may have their quality-assurance documents forged. Substandard items may be cheaper or simply more readily available. Nuclear power plants in Japan and Korea have found components with forged safety documents. See also: Information Assurance
A forged document, the Zinoviev Letter, brought about the downfall of the first Labour Government in Britain. Conspiracies within secret intelligence services have occurred more recently, leading Harold Wilson to put in place rules to prevent in the 1960s phone tapping of members of Parliament, for example.
The Protocols of the Elders of Zion, purporting to describe a Jewish plan for global domination, was first published in Russia in 1903, translated into multiple languages, and disseminated internationally in the early part of the 20th century.
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Fiction writers sometimes use the technique of inventing a piece of literature or non-fiction and referring to this work as if it actually existed, typically by quoting from the work.
One of the earliest examples of the technique can be found in the 16th century chivalric romance, Amadis of Gaul (1508), written by Garci Rodríguez de Montalvo. Montalvo claimed to have discovered sections of a story that he had written himself.
Blurring the line of reality and fiction is an important component of horror, mystery, detective, science fiction and fantasy narratives due to their unusual demands on verisimilitude; a typically descriptive narrative form may not engender in the reader the necessary sense of wonder and danger. For this reason, false documentary techniques have been in use for at least as long as these literary genres have existed. Frankenstein draws heavily on a forged document feel, as do Dracula, The Strange Case of Dr. Jekyll and Mr. Hyde and many of the works of Jules Verne, Edgar Allan Poe and H.G. Wells. Vladimir Nabokov's Pale Fire is a particularly elaborate variation.
False documents intentionally blur the boundaries between fiction and fact, and, in some cases, the difference between an artistic achievement and a convincing forgery is slight. Sometimes the false-document technique can be the subject of a work instead of the technique behind the work itself; however, these two approaches are not mutually exclusive, as many texts that engage "falseness" operate on both a literal and thematic level.
In practice, false-document effects can be achieved in many ways. Tactics have included the following: fake police reports, newspaper articles, bibliographical references, documentary footage, or using the legal names of performers or writers in a fictional context. Supplementary material such as badges, identity cards (IC), diaries, letters or artifacts can also be included, and this extends the exercise beyond the confines of the text.
The following is a partial list of false supporting documents in fiction:
- Voltaire's novel Candide purports to be assembled from the notes of a deceased "Monsieur le docteur Ralph", likely because the novel pokes fun at most of the powers of Europe at the time.
- Stephen King's novel Carrie includes many excerpts from a fictional committee's findings on the events in the novel, as well as excerpts from a book on the events in the novel titled The Shadow Exploded.
Dictionary of the Khazars
- Milorad Pavić's Dictionary of the Khazars is a work of fiction in the form of three fictional encyclopedias, which incorporate viewpoints that provide inconsistent descriptions of the events they describe.
The Dirty Dozen
- The climax of the novel by E.M. Nathanson is presented in the form of an official military report. In the film based on the novel, The Dirty Dozen, the climactic attack on a German chateau is done as an elaborate action sequence. The official military report appears as a brief voice-over narration in the final scene.
- Bram Stoker's novel Dracula is told in the form of numerous documents, including journals and newspaper articles. A brief introduction claims that they are all real.
- Miguel de Cervantes claims that all chapters but the first in Don Quixote are translated from an Arabic manuscript by Cide Hamete Benengeli, parodying a plot device of chivalry books. For instance, Joanot Martorell in the introductory letter to Tirant lo Blanc claims to be not the creator of a fiction, but the translator of an English historical manuscript.
- Either/Or, an influential philosophical text by Søren Kierkegaard, purports to be a collection of texts discovered and edited by Kierkegaard's pseudonymous author Victor Eremita. In it are contained the writings of an "Aesthete" (called A), as well as the letters of a Judge Vilhelm (called B), both found accidentally by Eremita in an antique writing desk. An additional layer to the book includes the famous Seducer's Diary, itself supposedly discovered by the Aesthete.
For Want of a Nail
- Business historian Robert Sobel wrote For Want of a Nail, a fictional history of an alternate North America which included hundreds of fictional footnotes and a bibliography listing over a hundred fictional histories and biographies.
The Glory of the Empire
- The 1971 novel La Gloire de l'Empire (The Glory of the Empire) by Jean d'Ormesson is a deadpan history of the imaginary Empire and its influence on literature and art, complete with citations to a host of real and fictional sources, and a footnote referring to itself.
- Jonathan Swift's Gulliver's Travels was originally attributed to Lemuel Gulliver, the main character, and was apparently an autobiographical account of four of his sea voyages. It includes a memorandum from Gulliver to his publisher.
The Handmaid's Tale
- Margaret Atwood's novel The Handmaid's Tale closes with a chapter set at a conference taking place some time after the events of the rest of the book, in which scholars question the authenticity of the earlier manuscript.
House of Leaves
- House of Leaves by Mark Z. Danielewski is a novel taking the form of a commentary on a discussion of a documentary film called The Navidson Record. Although it contains extensive footnotes to both real and imagined books, academic papers, scientific reports, films, and television broadcasts, neither The Navidson Record nor the discussion on it actually exist.
How is This Going to Continue
- How Is This Going to Continue?, a novel by James Chapman, presents itself as the libretto to a musical work by a composer whose (fictional) entry in The Grove Dictionary of Music is quoted at length. The apparatus is supported by extensive source notes, some of which refer to non-existent sources. Moreover, much of the book consists of false quotations by famous musicians, intermingled with actual quotations and with quotes by fictional characters.
- Robert Graves' novel I, Claudius is written as a recently discovered autobiography penned by the late Emperor.
If On a Winter's Night a Traveller
- Italo Calvino's novel If On a Winter's Night a Traveller deals extensively with the concepts surrounding false documents, including serially representing the contents of the novel itself as a false document.
Jonathan Strange & Mr. Norrell
- Dozens of fictional footnotes referencing events, books of magical scholarship, and biographies in Jonathan Strange & Mr Norrell, the debut novel by Susanna Clarke.
The King in Yellow
- The King in Yellow appearing in the book of the same name by Robert W. Chambers purports to be an actual play that is capable of driving the reader insane.
The Name of the Rose
- The Name of the Rose by Umberto Eco pretends to be a recovered manuscript. The story partly concerns the discovery of Aristotle's book on Comedy, which is in fact a lost book.
- Daniel Defoe's Robinson Crusoe was supposedly the autobiography of the title character, an English castaway who spent 28 years on a remote island. The account was published as a true story, in a genre called histories. It was, however, fiction inspired by events in the life of Alexander Selkirk.
The Scarlet Letter
- Nathaniel Hawthorne's book The Scarlet Letter opens with an account of the author himself finding the letter and records which tell the story of Hester Prynne, which is narrated in the rest of the book. The existence of the records has never been proven; the opening is generally considered to be a literary device.
The Screwtape Letters
- The Screwtape Letters, written by C. S. Lewis, is purported to be a series of missives from a demonic teacher at a college to his protégé.
- The books in Lemony Snicket's A Series of Unfortunate Events conclude with supposed letters from Snicket himself to his editor, containing a summary of his submitted manuscript for the following book in the series. Since Lemony Snicket is both the fictional narrator of the stories as well as the author's pseudonym, it creates a false sense that the stories are written from truth.
- Isaac Asimov's story "The Endochronic Properties of Resublimated Thiotimoline" is a fictional research paper about a compound that dissolves before being added to water that cites only and entirely false sources. Also by Asimov is the Foundation series which has quotes from the fictitious Encyclopedia Galactica.
- Nick Bantock's series of Griffin and Sabine works consist of a series of letters and postcards between the two main characters.
- Jorge Luis Borges created a number of false documents scattered throughout his works, including the First Encyclopaedia of Tlön that appears in the short story "Tlön, Uqbar, Orbis Tertius", the entire bibliography for the fictional author Pierre Menard, and an imaginary novel purportedly written by Bombay lawyer Mir Bahadur Ali entitled The Approach to Al-Mu'tasim, which was "reviewed" by Borges in his story of the same name. Borges' analysis of metafiction in the essay "When Fiction Lives in Fiction" deals extensively with the teleological nature of false documents.
- Michael Crichton's Eaters of the Dead is a fabricated recreation of the Old English epic Beowulf in the form of a scholastic translation of Ahmad ibn Fadlan's tenth-century manuscript. Many of his other novels, such as The Andromeda Strain and Jurassic Park, also incorporated large quantities of fabricated scientific documents in the form of diagrams, DNA sequences, footnotes and bibliography.
- Both the books Fantastic Beasts & Where to Find Them and Quidditch Through the Ages, which were written by Harry Potter author J.K. Rowling as a way to raise funds for Comic Relief, are written as reference books for the wizarding world. The books, which are referenced many times in the Harry Potter books, even have footnotes about other books, which do not exist, for future reading, and a foreword by Albus Dumbledore, which explains why they are releasing the book to a muggle audience. Fantastic Beasts also has handwritten marginal commentary by both Harry and Ron. The Harry Potter books themselves also contain fictional documents and books, such as The Tales of Beedle the Bard, which was later created in a similar fashion to Fantastic Beasts and Quidditch Through the Ages. Other false documents that appear in the books include articles from The Daily Prophet, a wizarding world newspaper which usually referenced events that were pertinent to the plots of the books, and The Life and Lies of Albus Dumbledore, a "tell-all" book which became pertinent to the plot of the final book in the Harry Potter series.
- The Red Book of Westmarch and a surviving copy of it called The Thain's Book, portions of which were "translated" by J. R. R. Tolkien into his books The Hobbit and The Lord of the Rings. Tolkien also physically fabricated several pages of another fictional book, the Book of Mazarbul.
- A Princess of Mars by Edgar Rice Burroughs claims to be the manuscript of John Carter relating his adventures on Mars, except for the first chapter explaining how the manuscript was received. Burroughs has also used this technique extensively in his other novels, particularly the tales of Pellucidar.
- The Third Policeman and The Dalkey Archive by Flann O'Brien contains not only quotes from the works of a fictitious Irish philosopher named de Selby, but also has numerous footnotes and references to other fictitious authors writing about de Selby and his books.
- Dean Koontz's novels included quotations from The Book of Counted Sorrows, which did not exist until, at the urging of his fans, he created it.
- Various of Jack Vance's novels include quotations from Life, the "philosophical encyclopedia" of Baron Bodissey, as well as verses of the "mad poet" Navarth, and other fictional works.
A special case is represented by two examples fashioned to represent traditional academic scientific publications:
- The Snouters: Form and Life of the Rhinogrades, by Zoologist Gerolf Steiner, purports to be a non-fictional natural history study, and was written, published, and presented as if it were an actual scientific treatise documenting the recently extinct indigenous wildlife ("Rhinogradentia") of the equally fictitious Hi-yi-yi archipelago. There is nothing in the work itself that indicates it is a work of fiction.
- In a remarkably similar vein, science fiction artist and author Wayne Douglas Barlowe wrote Expedition: Being an Account in Words and Artwork of the 2358 A.D. Voyage to Darwin IV, which was a natural history study of an alien planet and its indigenous wildlife, written as though published in the year 2366.
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The 1978 British comedy film The Rutles was done in the style of rock documentary which treated the fake band The Rutles as if they were a real band. It included mock-ups of album covers and other ephemera as well as fake videos. It also included figures such as Mick Jagger and Paul Simon as themselves, although it also included other members of The Rolling Stones and The Beatles playing various characters as well as numerous recognizable comedy actors, so there was no real intent to fool the audience. The success of the project did, however, lead to the fictional group recording two hit records and actually performing live concerts. The film would start a genre of its own, called mockumentary, and become hugely influential on later similar films, such as This is Spinal Tap and Hard Core Logo.
The 1983 Woody Allen film Zelig was an elaborate mix of real newsreel footage from the 1930s and fake footage mixed together with fake interviews with real actors playing themselves as well as actors playing roles to tell the story of the Allen character and presented as a documentary. Although the film looks realistic, the intent was not to actually fool the audience who would have been in on the joke.
The 1992 mockumentary Bob Roberts was also a political mystery filmed as a fake documentary. This time, there was no soundtrack album in spite of the importance of music in the film, as the film's writer, director and star Tim Robbins was concerned that the politically right-wing content would be taken too seriously and used by actual right-wing politicians.
Peter Jackson's 1995 film Forgotten Silver was billed and introduced as a serious documentary, purporting to tell the story of 'forgotten' New Zealand filmmaker Colin McKenzie. A large portion of the viewing audience were fooled until the directors revealed they were "only joking."
The 1996 Canadian film Hard Core Logo, about a punk band, was done in the style of a documentary. As part of the film's promotional campaign, some ads were placed in music magazines from fake music collectors claiming to be looking for albums from the band. In lieu of a proper soundtrack album, the filmmakers instead produced an album called A Tribute to Hard Core Logo which pretended to be a tribute album to the non-existent band. One of the bands on the album, The Headstones, featured singer Hugh Dillon, who also starred in the movie as a singer of the fictional band. Most of the bands who actually did appear as themselves in the movie, such as Art Bergman, The Modernettes and D.O.A., were not on the fake tribute album. A proper soundtrack album would be released much later. The fictional band's music was done by a real band named "Swamp Baby" with vocals by Dillon. The film also features rock journalists and DJs as themselves.
When the 1999 film The Blair Witch Project was released, the extensive marketing campaign claimed it to be a real documentary, compiled from footage discovered abandoned in a forest. After the film's success, a soundtrack album was produced which was supposed to be made up of music one of the characters had on her walkman when she "disappeared," although the film itself has little music in it.
The 2004 film C.S.A.: The Confederate States of America is a political satire which explores issues of slavery and racism by assuming that the American Civil War was won by the Confederacy. The film is presented as a BBC television documentary which includes false television ads for racist products which, at the end of the movie, are revealed to have been real at some point in the 20th Century.
2005 Canadian film The Life and Hard Times of Guy Terrifico, about a country rock singer, was also done as a fake documentary with appearances by Kris Kristofferson, Ronnie Hawkins, Merle Haggard and Levon Helm playing themselves. The film was also released with a soundtrack album which pretended to be a genuine album from the fictional singer. There was also a promotional campaign with magazine ads and posters which implied that the character was real.
The 2006 film The Death of a President was filmed in the style of a television documentary, filmed years after the event, to tell the story of the fictional assassination of U.S. President George W. Bush, and the aftermath, to realistic effect.
The 2008 film Cloverfield purports to be video footage shot by witnesses of a monster attacking New York City, and recovered by the US Army as evidence. It begins with a title screen claiming the footage was found in "US Site 447, formerly known as Central Park."
Documentary filmmaking, and other attempts at actual documentation, can wittingly and unwittingly participate in the form as its goals of authenticity are so closely aligned with direct false documentation (that is, in both cases, there is an element of authenticity and an element of narrative fudging). In Schwarzenegger's Pumping Iron, for example, Arnold talks about how his father died in the months preceding a major bodybuilding competition. He uses this anecdote to illustrate how important the final months before a competition are to a truly dedicated bodybuilder. He says that, though his father's funeral was set during the penultimate month, he did not attend because he could not be distracted from training. However, in the companion book, it is revealed that at the time of printing, Arnold's father had not died. It does not say the story was a lie, it merely provides contrary evidence. Schwarzenegger was executive producer of both the film and the companion book. It has been theorized by Professor Sally Robinson that Schwarzenegger was intentionally undermining his own narrative, effectively creating a mildly self-deprecating re-examination of his own obsessions for perfection at any cost. In the end, whether Arnold intentionally fabricated the story, for a desired effect, is left to the audience (in interviews associated with the re-release of the film, he says he did).
Artist JSG Boggs's life and work have been extensively explored by author and journalist Lawrence Weschler. Boggs draws currency with exceptional care and accuracy, but he only ever draws one side. He then attempts to buy things with the piece of paper upon which he has drawn the currency. His goal is to pass each bill for its face value in common transactions. He buys lunch, clothes, and lodging in this manner, and after the transactions are complete, his bills fetch many times their face value on the art market. Boggs does not make any money from the much larger art market value of his work, only from reselling the goods bought, the change and receipts and other such materials. He has been arrested in many countries, and there is much controversy surrounding his work.
Orson Welles' F for Fake is a prime example of a film which is both about falsification (art forgery and the journalism surrounding art forgery) as well as having falsified moments within the film. The movie follows the exploits of a famous art forger, his biographer Clifford Irving, and the subsequent fake autobiography of Howard Hughes that Irving tries to publish. The issues of veracity and forgery are explored in the film, while at the same time, Welles tricks the audience by incorporating fake bits of narrative alongside the documentary footage.
In video games
In video games, the adventure genre has most frequently given rise to the use of false documents to create a sense of immersion. The feelies pioneered by text adventure company Infocom include many examples, such as blueprints, maps, documents, and publications designed within the context of each game's fictional setting. A more recent development, the alternate reality game, is intrinsically tied to the concept; an ARG may exist solely as a collection of false documents that build a fictional storyline and puzzles connected to it.
A prominent example of false document in the videogame genre is the Resident Evil series, which, from the first installment, uses newspaper clippings and television news reports that report the alleged cannibalistic murder of the victims found in the Arklay Mountain region. While the rest of the series does not do this as much as the first, there are still a few cases that it happens, such as the opening sequence of Resident Evil 4.
There is a long history of producers creating tie-in material to promote and merchandise movies and television shows. Tie-in materials as far-ranging as toys, games, lunch boxes, clothing and so on have all been created and in some cases generate as much or more revenue as the original programming. One big merchandising arena is publishing. In most cases such material is not considered canon within the show's mythology; however, in some instances the books, magazines, etc. are specifically designed by the creators to be canonical. With the rise of the Internet, in-canon online material has become more prominent.
The following is a list of "false document" in-canon supplemental material:
- Twin Peaks spawned three canon books:
Additionally, a set of trading cards was produced which are also canon.
A number of hoaxes have involved false documents:
- Salamander Letter
- The Report From Iron Mountain
- The Oera Linda book
- The Hitler Diaries
- The Protocols of the Elders of Zion
- Les Dossiers Secrets d'Henri Lobineau
As a field of study
False documents were recently the topic of a graduate-level seminar in the humanities at the University of Michigan. The seminar was taught by Professor Eileen Pollack. While the form has existed for at least two hundred years, the focused study of it is fairly recent.
- False documentation
- Alternate reality game
- A Racial Program for the Twentieth Century, an anti-Semitic forgery
- April Fools' Day RFC
- Conspiracy theory
- Donation of Constantine
- Epistolary novel
- Fictional book
- Fictional guidebook
- Frame tale
- Literary forgery
- Literary technique
- Fictitious entry
- Questioned document examination
- Urban legend
- Voynich manuscript