Farewell, My Lovely (1975 film)

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Farewell, My Lovely
Poster Farewell My Lovely 1975.jpg
Theatrical release poster
Directed by Dick Richards
Produced by Elliott Kastner
Jerry Bruckheimer
George Pappas
Screenplay by David Zelag Goodman
Story by Farewell, My Lovely
Raymond Chandler
Starring Robert Mitchum
Charlotte Rampling
John Ireland
Sylvia Miles
Anthony Zerbe
Music by David Shire
Cinematography John A. Alonzo
Edited by Joel Cox
Walter Thompson
Distributed by Avco Embassy Pictures
Release date
  • August 8, 1975 (1975-08-08) (United States)
Running time
95 minutes
Country United States
Language English
Budget $2.5 million[1]
Box office $2,000,000
(United States)[2]

Farewell, My Lovely is a 1975 American neo noir film, directed by Dick Richards and featuring Robert Mitchum as private detective Phillip Marlowe. The picture is based on Raymond Chandler's novel Farewell, My Lovely (1940), which had previously been adapted for film as Murder, My Sweet in 1944.[3] The film also stars Charlotte Rampling, John Ireland, Jack O'Halloran, Sylvia Miles and Harry Dean Stanton, with an early screen appearance by Sylvester Stallone. Mitchum returned to the role of Marlowe three years later in the 1978 film The Big Sleep, making him the only actor to portray Philip Marlowe more than once on the big screen.


In 1941 Los Angeles, against a seamy backdrop of police corruption, cheap hotel rooms, illegal gambling and jewel trafficking, private detective Philip Marlowe is holed up in a hotel room and growing more weary by the hour. As he explains to his police lieutenant friend Nulty: "I've got a hat, a coat and a gun; that's it."

Marlowe has been hired by a huge and surly ex-convict, Moose Malloy, to find his old girlfriend Velma, whom he hasn't seen in seven years. At the same time, Marlowe is investigating the murder of a client named Marriott who was a victim of blackmail and a stolen necklace made of jade.

While encountering connections to both cases, Marlowe develops an attraction to the married and seductive Helen Grayle. As the body count mounts, Marlowe survives attempts on his life, which include being drugged and held captive by a psychotic brothel madam named Amthor and her thugs. The action comes to a head with a shootout on a gambling boat off the L.A. coast.



Sir Lew Grade had previously invested in Kastner's film Dogpound Shuffle. The producer approached him to invest in Farewell My Lovely and Grade agreed, knowing the movie could be easily be pre-sold to TV. Grade later financed The Big Sleep.[4]

According to Robert Mitchum, Kastner originally wanted the role of Philip Marlowe to be played by Richard Burton, with whom Kastner had worked a number of times. However Burton was busy so they approached Mitchum. The star later recalled:

The producer, Elliott Kastner, comes by with Sir Lew Grade, the British tycoon. He has a black suit, a black tie, a white shirt and a whiter face. 'I know nothing about motion pictures,' Sir Lew says. 'What I know is entertainment: Ferris wheels, pony rides.' I suggested we buy up the rights to Murder, My Sweet with Dick Powell, re-release it and go to the beach. But, no, they hired a director, Dick Richards, so nervous he can't hold his legs still. They have all the hide rubbed off them, He started doing TV commercials. He was accustomed to, you know, start the camera, expose 120 feet of film and tell somebody to move the beer bottle half an inch clockwise. He does the same thing with people.[5]

Mitchum reprised the role of Philip Marlowe three years later in The Big Sleep, although that film was set in the present day and in England, rather than shot as a period piece in the detective's customary setting of Los Angeles.

Marlowe's client, Moose Malloy, is played by Jack O'Halloran, a former professional prizefighter. Mitchum called O'Halloran "one great find on this picture. At least, he's a find if we can ever find him again... They hired him for $500 a week. He looked perfect for the part. One time he hit the producer. One of the producers. We had seven of them. We called them the Magnificent Seven. Jack was swinging this poor bastard around his head like an Indian war club. I tried to explain to him: 'The guy can be talked to, Jack.' He shakes his head. 'Mitch,' he says, 'I was crying too hard.'"[5]

Mitchum says Charlotte Rampling "arrived with an odd entourage, two husbands or something. Or they were friends and she married one of them and he grew a mustache and butched up. She kept exercising her mouth like she was trying to swallow her ear. I played her on the right side because she had two great big blackheads on her left ear, and I was afraid they'd spring out and lodge on my lip."[5]

Sylvester Stallone, in an early role prior to Rocky, has a small role as an employee of the brothel's sadistic madam (played by Kate Murtagh).

Jim Thompson, author of popular crime novels like The Getaway and The Grifters, appears in the film as Judge Grayle.

Joe Spinell, who played Willi Cicci in The Godfather and Stallone's boss in Rocky, is featured as Nicky, a hired thug for Frances Amthor. Spinell was in poor health but it was his friend Robert Mitchum, who made sure that Spinell's scenes were filmed first so that he could get to the doctors if required.

Mitchum later admitted "This kid Richards, the director, he's got something. It'll be a good picture."[5]


Critical response[edit]

Critic Roger Ebert gave the film a positive review and wrote, "These opening shots are so evocative of Raymond Chandler's immortal Marlowe, archtypical [sic] private eye, haunting the underbelly of Los Angeles, that if we're Chandler fans we hold our breath. Is the ambience going to be maintained, or will this be another campy rip-off? Half an hour into the movie, we relax. Farewell, My Lovely never steps wrong...in the genre itself there hasn't been anything this good since Hollywood was doing Philip Marlowe the first time around. One reason is that Dick Richards, the director, takes his material and character absolutely seriously. He is not uneasy with it, as Robert Altman was when he had Elliott Gould flirt with seriousness in The Long Goodbye. Richards doesn't hedge his bet."[6]

A review in Variety was more critical, calling it "a lethargic, vaguely campy tribute to Hollywood's private eye mellers of the 1940s and to writer Raymond Chandler, whose Philip Marlowe character has inspired a number of features. Despite an impressive production and some firstrate performances, this third version fails to generate much suspense or excitement."[7]

Film critic Dennis Schwartz believes that actor Robert Mitchum was well-cast and wrote, "The film's success lies in Mitchum's hard-boiled portrayal of Marlowe, its twisty plot and the moody atmosphere it creates through John A. Alonzo's photography. Los Angeles looms as a nighttime playground for hoods, beautiful women and suckers ready to be taken by all the glitzy signs leading them astray."[8]

It maintains an 84% film rating on Rotten Tomatoes.[9]

Box office[edit]

The film was profitable. TV rights were sold to NBC for $1.2 million.[1]



Previous adaptations[edit]

See: Farewell, My Lovely -- Film adaptations

The novel had been adapted for the screen twice before: in 1942, as The Falcon Takes Over directed by Irving Reis and featuring George Sanders as The Falcon in place of Philip Marlowe;[10] and in 1944, as Murder, My Sweet, featuring Dick Powell as Marlowe and directed by Edward Dmytryk.[11]

Mitchum played Marlowe again in 1978's The Big Sleep, becoming the only actor to play the character in two feature films. Actors who played Marlowe in earlier movies, include Dick Powell (1944), Humphrey Bogart (1946), Robert Montgomery (1947), George Montgomery (1947), James Garner (1969) and Elliott Gould (1973).


An original motion picture vinyl soundtrack album composed by David Shire was released in 1975 by United Artists Records. The album contained 11 tracks.[12]

Track listing

  • 1. Main Title (Marlowe's Theme)
  • 2. Velma / Chinese Pool Hall / To the Mansion
  • 3. Mrs. Grayle's Theme
  • 4. Amthor's Place
  • 5. Mrs. Florian Takes the Full Count
  • 6. Marlowe's Trip
  • 7. Convalescence Montage
  • 8. Take Me to Your Lido
  • 9. Three Mile Limited
  • 10. Moose Finds His Velma
  • 11. End Title (Marlowe's Theme)

See also[edit]


  1. ^ a b The great movie money show. Michael Pye. The Sunday Times (London, England), Sunday, July 13, 1975; pg. 47; Issue 7935. (966 words)
  2. ^ "Farewell My Lover - Box Office Data". The Numbers. Retrieved August 21, 2013. 
  3. ^ Farewell, My Lovely at the American Film Institute Catalog.
  4. ^ Lew Grade, Still Dancing: My Story, William Collins & Sons 1987 p 246
  5. ^ a b c d http://www.rogerebert.com/interviews/robert-mitchum-bring-me-a-miltown-sweetheart
  6. ^ Ebert, Roger (January 1, 1975). "Farewell, My Lovely". Chicago Sun-Times. 
  7. ^ "Farewell, My Lovely". Variety. January 1, 1975. 
  8. ^ Dennis, Schwartz (November 21, 2004). "Farewell, My Lovely". Ozus' World Movie Reviews. 
  9. ^ Farewell, My Lovely at Rotten Tomatoes. Accessed: August 21, 2013.
  10. ^ The Falcon Takes Over on IMDb.
  11. ^ Murder, My Sweet on IMDb.
  12. ^ Soundtrack Collector web site. Accessed: August 21, 2013.

External links[edit]