This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these template messages)(Learn how and when to remove this template message)
Theatrical release poster
|Directed by||Gérard Corbiau|
|Produced by||Véra Belmont|
|Written by||Marcel Beaulieu|
Enrico Lo Verso
|Music by||Johann Adolf Hasse (composer: additional music)|
Nicola Porpora (composer: additional music)
Ewa Malas-Godlewska (singer)
Derek Lee Ragin (singer)
|Cinematography||Walther van den Ende|
|Edited by||Joëlle Hache|
|Distributed by||Sony Pictures Classics (Region 1 DVD)|
|Box office||$11.5 million|
Farinelli is a 1994 internationally co-produced biographical drama film directed by Gérard Corbiau and starring Stefano Dionisi, Enrico Lo Verso, Elsa Zylberstein and Jeroen Krabbé. It centers on the life and career of the 18th-century Italian opera singer Carlo Broschi, known as Farinelli, considered the greatest castrato singer of all time; as well as his relationship with his brother, composer Riccardo Broschi.
The prologue begins with Carlo Broschi, the famous castrato Farinelli, reminiscing about his childhood as a singer in the church choir. A newly castrated boy runs in and warns Carlo that his voice will result in death, then kills himself. Carlo is traumatized and refuses to sing a composition by his older brother Riccardo for his voice teacher, Nicola Porpora. He cries and runs to his father, who comforts him, but extracts a promise that he will never refuse his voice to his brother again.
The film proper opens in Madrid, Spain, at the palace of King Philip V. Riccardo Broschi (Enrico Lo Verso) demands to see his brother Carlo (Stefano Dionisi), now known by his nickname, Farinelli. Carlo refuses him.
The rest of the film is told in flashback. Eighteen years earlier, Carlo and Riccardo watched an itinerant trumpet player humiliate a young castrato. Angered, Carlo humiliates the trumpeter, to the delight of the crowd. Riccardo seduces a pretty lady in the crowd, using his brother as bait: Carlo begins to make love to her, then Riccardo steps in to complete the act. Meanwhile, George Frideric Händel (Jeroen Krabbé) has heard Farinelli sing from his carriage. He asks Carlo to come to England and perform, but Riccardo demands to be included. Handel sneers at Riccardo as a hack, humiliates Carlo as a freak, and leaves.
Several years pass, and Carlo is now famous. He impresses the Comtesse Mauer (Marianne Basler), a beautiful and rich young woman more interested in books than opera. The brothers maintain their sexual accommodation: Carlo seduces the comtesse´s maid and Riccardo consummates the sex act. Carlo receives a letter from Handel, who wants to hear Carlo sing in Dresden. Carlo suddenly falls ill with a fever during which Riccardo repeats a story he has told Carlo since he was a child: Carlo had been injured in a fall from a horse, and the castration surgery was necessary to save his life. In Dresden, Handel meets Carlo just before the curtain rises and tells him the King of England wants him to sing. Unnerved by Handel's offer, Carlo faints on stage. A self-satisfied Handel departs; Carlo waits for him in vain.
Carlo is soon invited to London by the young Alexandra Harris (Elsa Zylberstein). Handel's Covent Garden opera house is bankrupting the nearby Opera of the Nobility, run by Carlo's old vocal teacher Porpora (Omero Antonutti). In London, Carlo and Riccardo meet Margareth Hunter (Caroline Cellier) and her crippled son Benedict (Renaud du Peloux de Saint Romain). Carlo proposes to her, but she refuses out of respect for her late husband. Carlo begins to realize that Riccardo's highly ornamented compositions lack true artistry; he covets Handel's operas and tries to impress him. Alexandra, who is in love with Carlo, steals some of Handel's music for Carlo to perform. The relationship between the two brothers deteriorates. Searching Riccardo's house for the stolen music, Handel confronts him and sabotages the relationship. Beguiled by Handel, Riccardo reveals (in a flashback-within-a-flashback) that Carlo was a superb singer as a child, and when their father died, the fear of losing that voice prompted him to drug Carlo and castrate him illegally, then promise to compose for him a great opera: "Orpheus."
That evening, Handel meets with Farinelli backstage. He tells Farinelli the secret of his castration and allows him to sing the stolen music. Shocked and heartbroken, Carlo sings Handel's music (the aria Lascia ch'io pianga ) so beautifully that Handel faints.
The flashback ends. We learn that Carlo and Alexandra fled from Riccardo to the royal court of Spain, and has not sung in public since his triumph at the Opera of the Nobility three years earlier. Carlo has never forgiven Riccardo, but Alexandra, who understands the bond between the brothers, tries to reconcile them: she steals Riccardo's "Orpheus." Carlo sees that Riccardo has finally written the promised masterpiece, but still can't forgive. Carlo sings for King Philip during a solar eclipse. As Riccardo listens to Carlo sing, he is overwhelmed by guilt and the broken relationship, and attempts suicide by slashing his wrist. After falling unconscious from blood loss, he is brought to the house Carlo and Alexandra share, where he recovers. Carlo, realizing the atonement of his brother's actions, forgives Riccardo for castrating him. Together, the brothers make love to Alexandra.
Some months pass. Alexandra is now pregnant with Riccardo's child, whom Carlo and Alexandra treat as their own. The film ends as Riccardo leaves Madrid to seek his fortune as a composer, taking comfort in the fact that in leaving Carlo with a child to father, he has given his brother back his "share of humanity."
|Stefano Dionisi||Carlo Maria Broschi|
|Enrico Lo Verso||Riccardo Broschi|
|Jeroen Krabbé||George Frideric Handel|
|Caroline Cellier||Margaret Hunter|
|Renaud du Peloux de Saint Romain||Benedict|
|Omero Antonutti||Nicola Porpora|
|Marianne Basler||Comtesse Mauer|
|Pier Paolo Capponi||Broschi|
|Graham Valentine||Prince of Wales|
|Jacques Boudet||Philip V|
|Delphine Zentout||Young admirer|
Although Dionisi provided the speaking voice (originally in French), Farinelli's singing voice was provided by the Polish soprano Ewa Malas-Godlewska and a countertenor, Derek Lee Ragin, who were recorded separately and then digitally merged to recreate the sound of a castrato. Its musical director was the French harpsichordist and conductor Christophe Rousset. The musical recording was made at a concert hall, the Arsenal in Metz, with the orchestra Les Talens Lyriques.
The film is not dubbed into English; it is spoken in French and Italian with subtitles. This matches fairly well the actual situation at the time, when French was the lingua franca of Europe, much as English is throughout the world today, and most letters, commentaries, official documents and books were written in French even well beyond the borders of France. In many scenes Riccardo Broschi speaks to his brother in Italian, while Carlo replies in French; also, the English court visiting the Covent Garden Theatre speaks in French to the actors and composers, and that is also acceptable from an historical standpoint.
Controversy over historical depictions
The plot is completely fictional. Although based on real-life events, the film took dramatic license with the basic facts of Farinelli's life. The relationship between the Broschi brothers (including their sexual exploits), the rivalry with Handel, and Farinelli "rock star" fame are spurious. Riccardo Broschi had much less importance in Farinelli's career than is depicted in the film, while Porpora's influence (and that of other composers of the Neapolitan School) is de-emphasized. The movie also offers a different explanation for how Carlo came to take the stage name Farinelli than has been historically ascertained.
Although settings, scenery, costumes and props are historically accurate, the producers took many liberties with the physical appearances of the characters. According to some critics, the actors did not look like the Broschi brothers, and the actors were given modern hairstyles and retained modern mannerisms. Nicola Porpora's disheveled and scruffy appearance is historically inaccurate, and more appropriate for a commoner of the era than a wealthy and distinguished composer. Additionally, few actors are depicted wearing wigs, which was practically mandatory for the main characters (given their social status).
The film was given an "R" rating by the MPAA due to depictions of adult themes and sexuality. The movie is available on a Region 1 DVD with a spoken track in French and Italian (with small amounts of German and English spoken by Handel), and English and Spanish subtitles. A director's cut blu-ray edition was released in France, Italy, and South Korea, but all of them lack English subtitles. The Korean version also includes a DVD-Audio 2.0 disc.
- List of submissions to the 67th Academy Awards for Best Foreign Language Film
- List of Belgian submissions for Academy Award for Best Foreign Language Film
- Haynes, Bruce, The End of Early Music, Oxford University Press US, 2007, p. 25. ISBN 0-19-518987-6
- "The 67th Academy Awards (1995) Nominees and Winners". oscars.org. Retrieved 26 September 2015.