In ancient Roman religion and magic, the fascinus or fascinum was the embodiment of the divine phallus. The word can refer to the deity himself (Fascinus), to phallus effigies and amulets, and to the spells used to invoke his divine protection. Pliny calls it a medicus invidiae, a "doctor" or remedy for envy (invidia, a "looking upon") or the evil eye.
The English word "fascinate" ultimately derives from Latin fascinum and the related verb fascinare, "to use the power of the fascinus", that is, "to practice magic" and hence "to enchant, bewitch" Catullus uses the verb at the end of Carmen 7, a hendecasyllabic poem addressing his lover Lesbia; he expresses his infinite desire for kisses that cannot be counted by voyeurs nor "fascinated" (put under a spell) by a malicious tongue; such bliss, as also in Carmen 5, potentially attracts invidia.
Fescennine Verses, the satiric and often lewd songs or chants performed on various social occasions, may have been so-named from the fascinum; ancient sources propose this etymology along with an alternative origin from Fescennia, a small town in Etruria.
The Vestal Virgins tended the cult of the fascinus populi Romani, the sacred image of the phallus that was one of the tokens of the safety of the state (sacra Romana). It was thus associated with the Palladium. Roman myths, such as the begetting of Servius Tullius, suggest that this phallus was an embodiment of a masculine generative power located within the hearth, regarded as sacred. When a general celebrated a triumph, the Vestals hung an effigy of the fascinus on the underside of his chariot to protect him from invidia.
Augustine, whose primary source on Roman religion was the lost theological works of Marcus Terentius Varro, notes that a phallic image was carried in procession annually at the festival of Father Liber, the Roman god identified with Dionysus or Bacchus, for the purpose of protecting the fields from fascinatio, magic compulsion:
Varro says that certain rites of Liber were celebrated in Italy which were of such unrestrained wickedness that the shameful parts of the male were worshipped at crossroads in his honour. … For, during the days of the festival of Liber, this obscene member, placed on a little trolley, was first exhibited with great honour at the crossroads in the countryside, and then conveyed into the city itself. … In this way, it seems, the god Liber was to be propitiated, in order to secure the growth of seeds and to repel enchantment (fascinatio) from the fields.
As a magic symbol
Phallic charms, often winged, were ubiquitous in Roman culture, appearing as objects of jewellery such as pendants and finger rings, relief carvings, lamps, and wind chimes (tintinnabula). Fascinus was thought particularly to ward off evil from children, mainly boys, and from conquering generals. The protective function of the phallus is usually related to the virile and regenerative powers of an erected phallus, though in most cases the emotion, shame, or laughter created by obscenity is the power that diverts the evil eye.
There are very few Roman images of people wearing a phallic charm. Varro notes the custom of hanging a phallic charm on a baby's neck,[a] and examples have been found of phallus-bearing rings too small to be worn except by children. A 2017 experimental archaeology project suggested that some types of phallic pendant were designed to remain pointing outwards, in the direction of travel of the wearer, in order to face towards any potential danger or bad luck and nullify it before it could affect the wearer. Other symbols may have been interchangeable with the phallus, such as the club of Hercules.
The victory of the phallus over the power of the evil eye may be represented by the phallus ejaculating towards a disembodied eye. This motif is shown in several examples of Roman art. For example, the motif is known from multiple relief sculptures from Leptis Magna in present-day Libya, as well as several instances on Hadrian's Wall. A 1st-century BC terracotta figurine shows "two little phallus-men sawing an eyeball in half."
The "fist and phallus" amulet was prevalent amongst soldiers. These are phallic pendants with a representation of a (usually) clenched fist at the bottom of the shaft, facing away from the glans. Several examples show the fist making the manus fica or "fig sign", a symbol of good luck. The largest known collection comes from Camulodunum. Some examples of the fist-and-phallus amulets incorporate vulvate imagery as well as an extra apotropaic device.
A simple phallic relief from Eboracum (York, UK).
- Varro, On the Latin language, VII.97
- The neuter form fascinum is used most often for objects or magic charms, masculine fascinus for the god.
- David Wray, Catullus and the Poetics of Roman Manhood (Cambridge University Press, 2001), p. 152.
- Gian Biagio Conte, Latin Literature: A History (Johns Hopkins University Press, 1987, 1994), p. 23.
- R. Joy Littlewood, A Commentary on Ovid: Fasti Book 6 (Oxford University Press, 2006), p. 73; T.P. Wiseman, Remus: A Roman Myth (Cambridge University Press, 1995), p. 61 online.
- Joseph Rykwert, The Idea of a Town: The Anthropology of Urban Form in Rome, Italy, and the Ancient World (MIT Press, 1988), pp. 101 and 159 online.
- Pliny, Natural History 28.4.7 (28.39).
- Augustine of Hippo, De civitate Dei 7.21; Williams, Roman Homosexuality, p. 92.
- English translation by R.W. Dyson, Augustine: The City of God against the Pagans (Cambridge University Press, 1998, 2002), p. 292 online.
- Arnobius, Adversus nationes 4.7, explicitly connects Tutunus to the fascinus; see Robert E.A. Palmer, "Mutinus Titinus: A Study in Etrusco-Roman Religion and Topography," in Roman Religion and Roman Empire: Five Essays (University of Pennsylvania Press, 1974), pp. 187–206.
- Williams, C. A. (1999). Roman Homosexuality: Ideologies of Masculinity in Classical Antiquity. City University of New York. p. 92.
- Johns, C. (1982). Sex or Symbol? Erotic Images of Greece and Rome. London: British Museum Press.
- Parker, A. (2018). "The Bells! The Bells! Approaching tintinnabula in Roman Britain and Beyond". In Parker, A.; Mckie, S. Material Approaches to Roman Magic: Occult Objects and Supernatural Substances. TRAC Themes in Roman Archaeology 2. Oxford: Oxbow. pp. 57–68.
- Dasen, V. (2015). "Pobaskania: Amulets and Magic in Antiquity". In Boschung, D.; Bremmer, J. N. The Materiality of Magic. Morphomata 20. pp. 177–204.
- Martin Henig, Religion in Roman Britain (London: BT Batsford LTD, 1984), pp. 185–186 online, with image of example.
- Whitmore, A. (2017). "Fascinating fascina: apotropaic magic and how to wear a penis". In Cifarelli, M.; Gawlinkski, L. What shall I say of clothes? Theoretical and Methodological Approaches to the Study of Dress in Antiquity. Boston, MA: American Institute of Archaeology. pp. 47–65.
- Daniel Ogden, Magic, Witchcraft, and Ghosts in the Greek and Roman Worlds: A Sourcebook (Oxford University Press, 2002), p. 225 online.
- Parker, A. (2017). "Protecting the Troops? Phallic Carvings in the North of Roman Britain". In Parker, A. Ad Vallum: Papers on the Roman Army and Frontiers in celebration of Dr Brian Dobson. BAR British Series 631. Oxford: British Archaeological Report. pp. 117–130.
- "PAS Record: LIN-2BE126". Portable Antiquities Scheme. Retrieved 13 July 2018.
- Crummy, N. (1983). Colchester Archaeological Report 2: The Roman Small finds from excavations in Colchester 1971-9. Colchester: Colchester Archaeological Trust.
- Parker, A. (2015). "The Fist-and-Phallus Pendants from Roman Catterick". Britannia. 46: 135–149. doi:10.1017/S0068113X15000161.
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