Fear in the Night (1947 film)
|Fear in the Night|
Theatrical release poster
|Directed by||Maxwell Shane|
|Produced by||William H. Pine
William C. Thomas
|Screenplay by||Maxwell Shane|
|Based on||the story "Nightmare"
by Cornell Woolrich
|Music by||Rudy Schrager|
|Edited by||Howard A. Smith|
|Distributed by||Paramount Pictures|
Fear in the Night is a 1947 film noir crime film directed by Maxwell Shane starring Paul Kelly and DeForest Kelley (in his film debut). It is based on the Cornell Woolrich story "And So to Death" (retitled '"Nightmare" in 1943). Woolrich is credited under pen name William Irish. The film was remade by the same director in 1956 with the title Nightmare this time starring Edward G. Robinson playing the cop and Kevin McCarthy.
Bank teller Vince Grayson (DeForest Kelley) dreams that he stabs a man in an octagonal room of mirrors and locks the body in a closet. When he wakes up, he discovers marks on his throat, a strange key and a button in his pocket, and blood on his cuff. Cliff Herlihy (Paul Kelly), his police officer brother-in-law, tries to convince him it was just a dream.
A few days later, while trying to find cover from the rain, the pair finds themselves taking shelter in the strange house from Vince's dream. They discover that the police found two bodies in the house, one in the mirrored room and one run over in the driveway. Mrs. Belknap, who was run over by a car, gave the police a description matching Vince before she died.
At first Vince is hopeful that he is innocent because he does not know how to drive, but he recognizes the victims from his dream. Overcome with remorse, he attempts suicide, but is rescued by Cliff. The detective uncovers clues that point to an evil hypnotist (Robert Emmett Keane) manipulating Vince. They realize that the hypnotist is actually Mr. Belknap in disguise and try to trap him by pretending that Vince wants hush money.
Belknap puts Vince under hypnosis and tries to get him to drown himself. Cliff rescues him from the lake and Mr. Belknap is killed in a car accident as he is trying to evade the police. It is implied that Vince will be acquitted of all charges since he killed the man in the mirrored room in self-defense.
- Paul Kelly as Cliff Herlihy
- DeForest Kelley as Vince Grayson
- Ann Doran as Lil Herlihy
- Kay Scott as Betty Winters
- Charles Victor as Captain Warner
- Robert Emmett Keane as Lewis Belknap, aka Harry Byrd
- Jeff York as Deputy Torrence
When the film was released the film critic for The New York Times panned the film, writing, "Fear in the Night, a minor shocker which opened at the Rialto yesterday, is just about as ridiculous as any that comes in this line ... It is not only silly but rather dull. DeForest Kelley is dopey as the fall guy and Paul Kelly is brisk as his detective friend."
More recently, film critic Dennis Schwartz was more positive and liked the film, writing, "An excellent low-budget psychological thriller directed and written by Maxwell Shane that is based on the story "Nightmare" by Cornell Woolrich. Cinematographer Greenhalgh's shadowy black and white photography gives it a film noir look ... The taut pulp story, dreamy atmospheric settings and brooding mood throughout, all serve the film well. The crisp acting was just right. DeForest Kelley, in his debut performance, does a fine job as the innocent victim."
- Hedda Hopper (13 Dec 1946). "LOOKING AT HOLLYWOOD". Los Angeles Times. p. A3.
- Fear in the Night on Internet Movie Database.
- Nightmare on Internet Movie Database.
- The New York Times. Film review, April 19, 1947. Accessed: July 8, 2013.
- Schwartz, Dennis. Ozus' World Movie Reviews, film review, September 24, 2004. Accessed: July 8, 2013.
|Wikimedia Commons has media related to Fear in the Night (1947 film).|
- Fear in the Night on Internet Movie Database
- Fear in the Night at AllMovie
- Fear in the Night at the TCM Movie Database
- Fear in the Night is available for free download at the Internet Archive
- Fear in the Night informational site and DVD review at DVD Beaver (includes images)
- Fear in the Night analysis by author Thomas C. Renzi at Film Noir of the Week