Federico Zeri

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Federico Zeri (August 21, 1921 – October 5, 1998) was an Italian art historian specialised in Italian Renaissance painting.[1][2] He wrote for the Italian newspaper La Stampa, and was a well known television-personality in Italy.[3]

Zeri was born in central Rome, and graduated from Sapienza University of Rome in 1945. Not wishing to enter the academic world, he worked in the Ministry of Public Education until 1952.[1] In 1948 he was nominated director of Galleria Spada in Rome.[4]

In 1963 Zeri was among the founding members of the Getty Villa's board of trustees. He left in 1984, after his argument that the Getty kouros was a forgery and should not be bought, was rejected.[1][5]

Following this episode, Zeri became notorious for denouncing forgeries and mis-attributions. In 1984, when four students in Livorno hoaxed both the city and Modigliani experts into believing that a group of sculptures they have made were authentic, he was one of the few who called on their amateurish style.[6] Zeri also argued that some of the frescoes in the Basilica of San Francesco d'Assisi, were made by of Pietro Cavallini and not Giotto.[1] Zeri's insistence that a painting can be attributed to an artist, by means of a careful examination or connoisseurship, without resort to external evidence such as documents or dates, met controversial responses.[7]

Zeri edited and researched catalogues of the collections of many institutions, including the Frederick Mason Perkins collection in the Sacro Convento in Assisi; Accademia Carrara; Museo Civico Amedeo Lia, La Spezia; Galleria Spada, Rome; The Metropolitan Museum of Art, New York; The Walters Art Museum, Baltimore.[8] and Narodna Galerija in Ljubljana (with Ksenija Rozman).

Zeri died at the age of 77,[3] in his villa in Mentana on October 5, 1998.[4] He bequeathed his estate to the University of Bologna, complete with his library and papers, a collection of about 400 ancient inscriptions[9] and a grand collection of photographs. Most photographs documented artworks from Italy and elsewhere, some done by himself and some acquired from other collections. The collections and accompanying database are managed, partly digitized, by the Federico Zeri Foundation.[10]

All through his life, Zeri maintained close connections with Bernard Berenson, Roberto Longhi, and his teacher Pietro Toesca. he taught art history professor at the University of Rome,[11] and had visiting positions[4] at Harvard, where he delivered a series of lectures on Lauro De Bosis in 1962,[12] and at the Columbia University in New York.


  1. ^ a b c d Hanley, Anne (1998-10-07). "Obituary: Federico Zeri". The Independent. Retrieved 2014-01-09.
  2. ^ "Federico Zeri - Monoskop". monoskop.org. Retrieved 2016-02-06.
  3. ^ a b "Federico Zeri, Italian Art Historian, 77". The New York Times. 1998-10-07. Retrieved 12 January 2014.
  4. ^ a b c "Federico Zeri, eccentric Art Historian". Fondazione Federico Zeri. Retrieved 12 January 2014.
  5. ^ "Zeri, Federico". Dictionary of Art Historians. Retrieved 8 January 2014.
  6. ^ Hope, Charles (2013-08-15). "The Art of the Phony". The New York Review of Books. ISSN 0028-7504. Retrieved 2014-01-11.
  7. ^ Lugli, Emanuele (2008). "Connoisseurship as a system: Reflections on Federico Zeri's Due dipinti, la filologia e un nome". Word & Image. 24 (2): 162–175. doi:10.1080/02666286.2008.10405738. ISSN 0266-6286. Retrieved 2014-01-12.
  8. ^ "Villa Zeri and the Epigraphs collection". Fondazione Federico Zeri. Retrieved 11 January 2014.
  9. ^ "repository: Federico Zeri Foundation". Archives Directory for the History of Collecting in America. Frick Collection. Retrieved 8 January 2014.
  10. ^ Italian Art Critic Zeri Dies. Associated Press. (October 5, 1998)
  11. ^ "Sequence 9062-3 (Page 46-47)", Report of the President of Harvard College and reports of departments. 1962-1963, President's Report. Harvard University Library PDS, retrieved 2014-01-14

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