Fernanda Eberstadt

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Fernanda Eberstadt
Born (1960-11-10) November 10, 1960 (age 56)
New York City
Occupation Novelist, essayist, critic
Language English
Nationality American
Citizenship American
Alma mater Magdalen College, Oxford

Fernanda Eberstadt (born 1960 in New York City) is an American writer.[1][2][3][4]

Early life[edit]

She is the daughter of two patrons of New York City's avant-garde, Frederick Eberstadt, a photographer and psychotherapist, and Isabel Eberstadt, a writer. Her paternal grandfather was Ferdinand Eberstadt, a Wall Street financier and adviser to presidents; her maternal grandfather was the poet Ogden Nash.[2][5] One of her brothers, Nicholas Eberstadt, is a scholar at the American Enterprise Institute.

She went to the Brearley School in New York City.[6] As a teenager, she worked at Andy Warhol's Factory[1] and for Diana Vreeland at the Metropolitan Museum of Art. Her first published piece was a profile in Andy Warhol's "Interview" in 1979 of the travel writer Bruce Chatwin.

At age eighteen, Eberstadt moved to the United Kingdom, where she was one of the first women to attend Magdalen College, Oxford, from which she graduated in 1982.[2]

Writing career[edit]

In 1985, Alfred A. Knopf, Inc. published the 25-year-old Eberstadt's first work of literary fiction, titled Low Tide. This told the story of Jezebel, daughter of an English art dealer and a mad Louisiana heiress, and her fatal love affair with two young brothers. It takes place in New York, Oxford and Mexico. Praise for her work landed her an interview with intellectual William F. Buckley on his television program, Firing Line, where she appeared with Bret Easton Ellis, who had published Less Than Zero the same year.

Her next novel Isaac and His Devils came in 1991 and was again widely acclaimed, described by Library Journal as a "rich novel, full of promise for the author's future". Set in rural New Hampshire, the novel's hero is Isaac Hooker, a half-deaf, half-blind, hugely fat and ambitious boy-genius and his struggle to fulfill his parents' blighted dreams.

Her third novel, published in 1997 and set in the late 1980s New York art world, When the Sons of Heaven Meet the Daughters of the Earth, recounted the rise and fall of the now young painter, Isaac Hooker.

Eberstadt began writing essays and criticism for such publications as Commentary, The New Yorker, Vogue, The New York Times Magazine, and Vanity Fair.

Her widely cited essay "The Palace and the City", about the Sicilian writer Giuseppe Tomasi di Lampedusa and the politics of urban restoration in Palermo, was published in the December 23, 1991, issue of The New Yorker. Writer Daniel Mendelsohn in "Le Figaro" cited Eberstadt's essay "The Palace and the City" as his all-time favorite piece in "The New Yorker." http://www.lefigaro.fr/lefigaromagazine/2011/09/10/01006-20110910ARTFIG00015-un-journal-de-reves.php

In more recent years, she has worked extensively for The New York Times Magazine, publishing profiles of the Nobel Prize-winning novelist Orhan Pamuk, of Moroccan-based Spanish writer Juan Goytisolo, and the Portuguese novelist José Saramago, as well as of indie-rock group CocoRosie. Her work appeared in Architectural Digest.[7]

Following her pattern of a six-year interval between novels, Eberstadt published The Furies in 2003. Praised by Kirkus Reviews, Booklist, Publishers Weekly, and The New York Times Book Review, fellow writer Bret Easton Ellis called it "spellbinding",[citation needed] and The New York Observer said "The Furies veers pretty close to genius."[citation needed]

John Updike, reviewing Little Money Street in The New Yorker, described Eberstadt as "ambitious, resourceful novelist".

Life in France[edit]

In 1998, Eberstadt went to live on a vineyard in the French Pyrenees, outside the city of Perpignan. She became friends with a family of French gypsy musicians. Her first work of non-fiction, Little Money Street—In Search of Gypsies and Their Music in the South of France, which portrays that friendship, was released by Knopf in March 2006. Luc Sante called the book "passionate, intimate, at once exhilarating and despairing, a rich and profound work of high nonfiction literature. A portrait of the Gypsies of southwestern France, it is also about family, about consumerism, and about the ruthlessness of a world in which there is no more open world."[citation needed]

Eberstadt and her husband, Alastair Meddon Oswald Bruton, a journalist whom she married on June 5, 1993,[5] live in France; they have two children.[6]

Eberstadt's sixth book, a novel called RAT, was published by Alfred A. Knopf in March 2010. RAT tells the story of a 15-year-old girl who set off on a journey from rural France to London, with her adopted brother in search of her birth father and a better life. Booklist called it "mythic, gritty and unforgettable". Cathleen Medwick in "The New York Times Book Review" praises Eberstadt's "shrewd and sensuous fifth novel." Medwick hails Eberstadt's preoccupation with "the footloose life of the wilfully dispossessed" and writes that "in her novels, idealists and fast trackers wrestle with thorny problems of love and social identity." *



  1. ^ a b Joyce, Cynthia (May 5, 1997). "The Salon Interview: Fernanda Eberstadt". Salon.com. Archived from the original on January 26, 2011. Retrieved February 3, 2010. 
  2. ^ a b c Lesher, Linda Parent (February 2000). The best novels of the nineties: a reader's guide. McFarland. p. 414. ISBN 978-0-7864-0742-2. Retrieved February 3, 2010. 
  3. ^ Block, Summer (May 29, 2006). "Fernanda Eberstadt". Identity Theory. Retrieved February 3, 2010. 
  4. ^ Kaufman, Marjorie (May 4, 1997). "Opening a Window to the Inner Souls of Artists, in a New Novel". The New York Times. Retrieved February 3, 2010. 
  5. ^ a b "WEDDINGS; Miss Eberstadt, Mr. Bruton". The New York Times. June 6, 1993. p. 914. Retrieved February 3, 2010. 
  6. ^ a b "Little Money Street—About this Author". Random House. Archived from the original on April 3, 2012. Retrieved February 3, 2010. 
  7. ^ http://www.architecturaldigest.com/contributors/fernanda-eberstadt
  8. ^ John Updike (April 10, 2006). "Drawn to Gypsies". The New Yorker. Eberstadt's mildly melancholy coda to her dire portrait of contemporary European Gypsies leaves us with the mollifying impression that all parties end untidily, all lives are more or less muddles, and we all are, as the French officially term nomadic minorities, "gens du voyage."