|Birth name||Deborah Foisy|
1 June 1952 |
|Genres||singer-songwriter, Folk music, women's music|
|Occupation(s)||Songwriter, musician, poet|
Ferron, born Deborah Foisy on singer-songwriter and poet. In addition to gaining notoriety as one of Canada's most respected songwriters, Ferron first became one of the most influential lyrical songwriters of Women's Music circuit,  and an important influence on later musicians such as Ani DiFranco, Mary Gauthier and the Indigo Girls. From the mid-eighties on, Ferron's songwriting talents have been recognized and appreciated by music critics  and broader audiences, with comparisons being made to the writing talents of Van Morrison, Bob Dylan, and Leonard Cohen.1 June 1952 , is a Canadian-born
Born in Toronto, Ontario, Canada, raised around Richmond, Canada, she learned to play guitar at age 11, and left home at 15. Ferron attended Total Ed, an alternative high school in Vancouver, B.C., graduating in 1973. Of her earliest musical memories, she wrote, "my mother's French Canadian family played music. I heard guitars and banjo and accordion and scrub board and my grandfather clogging. I put it together...music meant fun, meant love and laughter. I started writing songs when I was 10, never saved them after some kids at school found them and teased me about it. I wrote songs and remembered them and when I forgot them I felt they were not important anymore. The next time I saved a song I was 18. It was 1970." It was with that first saved song that she made her professional debut in 1975, playing the song "Who Loses" at a benefit for the Women's Press Gang, a Vancouver-based feminist publishing house.
1970s and 1980s
While still based in Vancouver, Ferron established her own record label, Lucy Records, and released her debut album, self-titled, in 1977. The album was recorded in a video studio on two-track equipment, and, as she stated, "the production quality was pretty poor". Nonetheless, all one thousand copies printed sold quickly.
Shortly after two self-produced albums, Ferron (1977) and Ferron Backed Up (1978) she joined forces with Gayle Scott, who would prove to be her longtime manager, executive producer, and partner in Lucy Records/Penknife Productions, LTD. producing the next two albums, and launching concert touring throughout the states. 1980's Testimony was her first professionally produced album, originally distributed through Holly Near's Redwood Records label, it brought her much interest in the United States, particularly in the women's music community. The title song became something of an anthem for many in the women's music community, was notably covered by Sweet Honey in The Rock, and featured, playing dramatically over the closing of the second season of The L Word.
Her 1984 album Shadows on a Dime received a rating of four stars (out of five) from Rolling Stone magazine, which called Ferron "a culture hero" and the album "cowgirl meets Yeats...a thing of beauty." Shadows earned a place on renowned music critic Robert Christgua's "Dean's List" for 1984.
1990s and beyond
Awarded a Canada Arts Council grant in 1985 to further develop her musicianship, she ended up taking several years off from touring and recording. During this time, she earned some of her living as a carpenter's assistant, bartender, and day care worker, before reinvesting in her music career. Ferron returned to the studio and the road in 1990 with Phantom Center released by Chameleon Records, and produced by Joe Chiccarelli. The album featured backing vocals by a then relatively unknown Tori Amos, and consequently is highly sought after by collectors. Later, in September 1995, Phantom Center would be re-released on EarthBeat! Records with a new mix of the song "Stand Up" featuring vocals by Indigo Girls.
Between 1992 and 1994, Ferron released three albums on her own Cherrywood Station label (Not a Still Life 1992, Resting with the Question 1922, Driver 1993). The twelve song Driver was first licensed by EarthBeat! Records in 1994, and was highly acclaimed by critics as a masterwork and nominated for a Juno Award in 1995. Following this success, Ferron signed to Warner Bros. enabling her to create Still Riot in the studio with producer db Benedictson for release in the fall of 1996. During her brief tenure with Warner they released Driver as a re-issue, Phantom Center as a re-mixed album, and Still Riot as Ferron's ninth full album project. Initially contracted with Warner for a 7 year, 3 record contract, the deal was terminated early and by 1997 Ferron was back to putting out her own work on the Cherrywood Station label.
In 1996 Ferron received an OUTmusic Award for Lifetime Achievement at the Gay & Lesbian American Music Awards.
For the later half of the nineties, Ferron continued to tour, offer songwriting workshops, and turned her attention back to self-produced projects. As a benefit for the non-profit Institute for Musical Arts (IMA) dedicated to teaching and supporting women and girls in the musical arts, Ferron released Inside Out (1999), covering well-known tunes from the 1950s–1970s. She published a handmade book, THe (h)UNGeR POeMs, while she was teaching classes at IMA. She gathered some of her earlier, then out-of-print recordings to create Impressionistic (2000), a retrospective double album with a 24-page, autobiographical booklet. Her 57-page book, Catching Holy, Poems 2006–2008 was offered by Nemesis Publishing in 2008.
In 2004 she returned to the very island, in British Columbia, where some of her earliest recorded songs were written, to create Turning into Beautiful produced by independent music award winning Canadian producer db Benedictson. Turning into Beautiful reunited the award winning musicians from the Driver and Still Riot projects for the release tour. In 2007 she began re-releasing a series of CDs as her Collected Works, and so far Testimony, Driver, Shadows on a Dime, and Turning into Beautiful have appeared completely re-jacketed with previously unreleased photographs.
In 2008, Ferron released Boulder, produced by admirer/musician turned collaborator Bitch (with JD Samson for one song) on the Short Story Records label. Boulder includes guest appearances by Ani Difranco, Amy Ray and Emily Sailers (Indigo Girls), JD Samson (Le Tigre), Sam Parton (Be Good Tanyas), Tina G (God-des) and Julie Wolf. A CD with live performances, Girl on a Road was released in 2011. Bitch produced the newest Ferron CD Lighten-ing released in 2013 with the film Thunder packaged as a two-disc set.
In addition to her performance career, Ferron has taught master classes in writing in places including Omega Institute, NY, The Rowe Conference Center in Massachusetts, IMA in Bodega, California, and in Provincetown, Massachusetts. She was instrumental in opening up a retreat center near Three Rivers, Michigan called The Fen Peace and Poetry Camp for Women. In 2009 to 2010, Ferron created commissioned textile art—wall hangings, quilts, and pillows—that features her lyrics and poetry. For Ferron, "artistic expression is not only essential, it's revolutionary." "Art is really the expression of the soul," Ferron says. "I'm asking women to remember that if we remember our soul, we keep our soul, and we can do it through artistic connections. Art is connected to the soul, and the soul is connected to God, and God is connected to humility, so if you want to take control of a person's soul, don't let them have art. To me it's a revolutionary act to continue keeping your artist soul alive".
- Ferron (1977)
- Backed Up (1978)
- Testimony (1980)
- Shadows on a Dime (1984)
- Phantom Center (1990)
- Not a Still Life (1992, live)
- Resting With the Question (1992)
- Driver (1994)
- Still Riot (1996)
- Inside Out (1999)
- Impressionistic (2002)
- Turning into Beautiful (2005)
- Boulder (2008)
- Girl on a Road (2011, live)
- Lighten-ing (2013)
- 2002: Ferron was featured in the documentary on women's music directed by Dee Mosbacher, Radical Harmonies:The Story of Women's Music 
- 2009: Ferron: Girl on a Road, a filmography on the musician directed by Gerry Rogers, was released and screened at film festivals and in television broadcast 
- 2012: Thunder filmed by Billie Jo Cavallaro and co-directed with Bitch was an Official Selection at the Wild Rose Independent Film Festival in 2013.
- Not A Still Life Songbook. (50 pp.; musical notation and lyrics; wire-bound to lay flat.) Nemesis Publishing, Vashon, WA. (1993)
- "Courting the Muse: Thoughts on the Art of Songwriting. Sentimental Education." Sing Out!: The Folk Song Magazine 39(3):55–57. (1994)
- THe (h)UNGeR POeMs. (Printed in two formats: a "bound card" version, and an unbound version consisting of 10 leaves on linen held inside an artisanal envelope of handmade paper; autographed.) Big Universe Productions, Bodega, CA. (1997) (Third edition (2000) )
- Catching Holy. Poems 2006–2008. (57 pp.; perfect binding.) Nemesis Publishing, Three Rivers, MI. (2008) 
- Stephen, Holden (9 September 1994). "CRITIC'S NOTEBOOK; In the Flux And Flukes Of Pop Fads, 21 Albums For Adults". New York Times.
- National Arts Centre, Centre national des. "B.C. Music Legends: Scène Colombie-Britannique". www.bcscene.ca. Retrieved 2016-03-30.
- Mitchell, Justin (7 July 1988). "Songwriter Ferron Takes Desert `Option`". Chicago Tribune. Scripps Howard News Service.
- Japenga, Ann (8 March 1985). "For This Singer, Home Is A Deer Spot In Canada". LA Times.
- Consadine, J.D. (21 June 1998). "Girl power doubled You may not think it at first, but there is a harmony of purpose between the funky Spice Girls and the punky Ani DiFranco.". The Baltimore Sun.
- Carson, Mina; Lewis, Tisa; Shaw, Susan M. (2015). Girls Rock!: Fifty Years of Women Making Music. Lexington: University Press of Kentucky. p. 104.
- Stephen, Holden (22 October 1982). "'WOMEN'S MUSIC': DEBUT BY FERRON". New York Times.
- Deitz, Roger (13 July 1996). "Canada's Ferron Wages a 'Still Riot': Warner Artist Transcends 'Feminsit' Pigeonhole". Billboard. Published by Nielsen Business Media, Inc. 108 (28): 11.
- Shewey, Don (7 June 1984). "FERRON: Shadows On A Dime". Rolling Stone.
- Campbell, Roddy (2004). "Too Long In Exile". Penguin Eggs 24 (reprinted on Ladyslipper Music: 30–32.
- Heselgrave, Douglas (3 December 2008). "Out of the Cage: An Interview with Ferron". Restless and Real.
- Sandra Thomas 2002 "Totally Cool School." Vancouver Courier (21 May)
- Schwartz, Ellen. Born a Woman, Polestar Press 1988 ISBN 0-919591-25-6 p44
- "Ferron Career". MTV Artists. Retrieved 2016-03-30.
- Zuckerman, Amy (8 February 1991). "Back on Center: The Return of Folk-Artist Ferron". Santa Cruz Sentinel.
- Schwartz, Ellen. Born a Woman, Polestar Press 1988 ISBN 0-919591-25-6 p45
- McFadden, Margaret T. (2014). The L Word: Contemporary approaches to film and television series: TV milestones. Indiana: Wayne State University Press. p. 109. ISBN 0814338259.
- Christgau, Robert. "Pazz & Jop 1984: Dean's List". Retrieved 29 March 2016.
- Niedeworder, Saylor (31 January 1991). "Ferron Displays Refreshing Imagery in Lyrics". Smalltown Papers, Bellevue.
- "Ferron (2)". Discogs. Retrieved 2016-03-29.
- "JUNO Awards1995 - Best Roots & Traditional Album : Ferron". The JUNO Awards. Retrieved 2016-03-29.
- Flick, Larry (19 October 1996). "First GLAMA Awards Honor Curtis, Callen". Billboard. 108 (42).
- Ferron (2008). CATCHING HOLY. Nemesis Publishing. ISBN 9781304221704.
- Himes, Geoffrey (16 September 2005). "FERRON "Turning Into Beautiful"". The Washington Post.
- "Ferron". Omega. Retrieved 2016-03-30.
- Bell, Ed (2001). "A Provincetown Writing Workshop with Ferron". Provincetown Magazine 24: 36, 38–39.
- Esters, Stephanie (18 March 2007). "Ferron to open women's retreat near Three Rivers.". Kalamazoo Gazette.
Additional Reference Material
- Laura Post 1997 "Ferron: Taking a New Step in an Old Direction." Backstage Pass: Interviews with Women in Music, pp. 52–59. New Victoria Publishers, Norwich, Vermont.
- Scott Alarik 2003 Deep Community: Adventures in the Modern Folk Underground, pp. 207–208. Black Wolf Press: Cambridge, MA.
- Susan Booker Morris 2009. "There is a Way Through Constant Sorrow". Singing for Themselves: Essays on Women in Popular Music. Cambridge Scholars Publishing, 26 March 2009. p. 56
- Stephen Holden 1994 "Dylan’s Children, Without the Sanctimony." The New York Times (20 November) Section II: 1, 34.
- David Johnson 1996 "Ferron, On Tour, Retains Her Mystery". Philadelphia Inquirer (3 October) Entertainment