Festina lente (Classical Latin: [fɛsˈtiː.naː ˈlɛn.teː]) or speûde bradéōs (σπεῦδε βραδέως, pronounced [spêu̯.de bra.dé.ɔːs]) is a classical adage and oxymoron meaning "make haste slowly" (sometimes rendered in English as "more haste, less speed"). It has been adopted as a motto numerous times, particularly by the emperors Augustus and Titus, the Medicis and the Onslows.
The original form of the saying, σπεῦδε βραδέως speũde bradéōs, is Classical Greek, of which festina lente is the Latin translation. The words σπεῦδε and festina are second-person-singular present active imperatives, meaning "make haste", while βραδέως and lente are adverbs, meaning "slowly".
Nihil autem minus perfecto duci quam festinationem temeritatemque convenire arbitrabatur. Crebro itaque illa iactabat: σπεῦδε βραδέως; ἀσφαλὴς γάρ ἐστ᾽ ἀμείνων ἢ θρασὺς στρατηλάτης; et: "sat celeriter fieri quidquid fiat satis bene."
(He thought nothing less becoming in a well-trained leader than haste and rashness, and, accordingly, favourite sayings of his were: "Hasten slowly"; "Better a safe commander than a bold"; and "That which has been done well has been done quickly enough.")
Certain gold coins minted for Augustus bore images of a crab and a butterfly to attempt an emblem for the adage. Other such visualizations include a hare in a snail shell; a chameleon with a fish; a diamond ring entwined with foliage; and perhaps most recognizably, a dolphin entwined around an anchor.
Cosimo I de' Medici, Grand Duke of Tuscany took festina lente as his motto and symbolised it with a sail-backed tortoise. This emblem appears repeatedly throughout his Palazzo Vecchio where it was painted by the artist Giorgio Vasari. There are about 100 instances in the palace decorations and frescos and there are now tours with the object of finding them all.
The Renaissance printer Aldus Manutius adopted the symbol of the dolphin and anchor as his printer's mark. Erasmus (whose books were published by Manutius) featured the phrase in his Adagia and used it to compliment his printer: "Aldus, making haste slowly, has acquired as much gold as he has reputation, and richly deserves both." Manutius showed Erasmus a Roman silver coin, given to him by Cardinal Bembo, which bore the dolphin-and-anchor symbol on the reverse side.
The French poet and critic Nicolas Boileau, in his Art poétique (The Art of Poetry) (1674) applied the dictum specifically to the work of the writer, whom he advised in those words:
Hâtez-vous lentement, et sans perdre courage,
Vingt fois sur le métier remettez votre ouvrage,
Polissez-le sans cesse, et le repolissez,
Ajoutez quelquefois, et souvent effacez.
(Slowly make haste, and without losing courage;
Twenty times redo your work;
Polish and re-polish endlessly,
And sometimes add, but often take away)
Sir Matthew Hale was naturally a quick man; yet, by much practice on himself, he subdued that to such a degree, that he would never run suddenly into any conclusion concerning any matter of importance. Festina Lente was his beloved motto, which he ordered to be engraved on the head of his staff, and was often heard to say that be had observed many witty men run into great errors, because they did not give themselves time to think...— Bishop Burnet, The Life and Death of Sir Matthew Hale
The meaning of the phrase is that activities should be performed with a proper balance of urgency and diligence. If tasks are rushed too quickly then mistakes are made and good long-term results are not achieved. Work is best done in a state of flow in which one is fully engaged by the task and there is no sense of time passing.
In physics, the name "Festina Lente Limit" has been applied to the Strong Confinement Limit, which is a mode of an atom laser in which the frequency of emission of the Bose–Einstein condensate is less than the confinement frequency of the trap.
Laßt uns auch diesmal doch nur die Mittelstraße betreten! Eile mit Weile! das war selbst Kaiser Augustus' Devise.
(Let us again take the middle course. Make haste slowly: that was even Emperor Augustus' motto.)
In Bram Stoker's 1897 novel Dracula, Dr. Van Helsing says of Count Dracula,
"He has all along, since his coming, been trying his power, slowly but surely; that big child-brain of his is working. Well for us, it is, as yet, a child brain; for had he dared, at the first, to attempt certain things he would long ago have been beyond our power. However, he means to succeed, and a man who has centuries before him can afford to wait and to go slow. Festina lente may well be his motto."
- Suetonius, John Carew Wolfe (1998), "Lives of the Caesars", Suetonius, vol. 1, ISBN 978-0-674-99570-3
- C. Suetonius Tranquillus, translated by Alexander Thomson, The Live of the Twelve Caesars, Project Gutenberg
- W. Deonna (1954), "The Crab and the Butterfly: A Study in Animal Symbolism", Journal of the Warburg and Courtauld Institutes, The Warburg Institute, 17 (1/2): 47–86, doi:10.2307/750132, JSTOR 750132, S2CID 192413638
- Gabriele Simeoni (1559), Le Imprese Heroiche et Morali, ISBN 978-1-149-36798-8
- Gary M. Bouchard (2000), "Colin Clout's "Stayed Steps"", Colin's campus: Cambridge life and the English eclogue, ISBN 978-1-57591-044-4
- Aleta Alekbarova (20 June 2010), "M. Durmius' Aureus", L'Age d'Or de la Poésie latine
- Hope B. Werness (2006), "Turtle", The Continuum Encyclopedia of Animal Symbolism in Art, ISBN 978-0-8264-1913-2
- Marcia Feuerstein (2017), "Camillo Sitte's winged snail – Festina lente and escargot", Confabulations, Routledge, pp. 131–140, ISBN 978-1-4724-6932-8
- The story of the turtle and the sail, Associazione MUS.E
- Desiderius Erasmus, William Watson Barker (2001), The adages of Erasmus, University of Toronto Press, ISBN 0-8020-4874-9
- "Some rare or unpublished Roman gold coins", The Numismatic Chronicle and Journal of the Numismatic Society, Royal Numismatic Society, 7–8: 225
- John McMichaels, "Allegories of Rhetoric and Dialectic in Shakespeare's Plays", Allegoria Paranoia
- Charles Dudley Warner, ed. (1896), A Library of the World's Best Literature, vol. V, New York: The International Society, p. 2144,
The translator originally chose "Gently make haste", here turned back to "Slowly make haste", which is more faithful to the French "lentement"
- Jean de la Fontaine (1842), The Fables of La Fontaine, translated by Elizur Wright Jr., London: William Smith, p. 36
- Mark Antony Lower (1860), "Onslow", Patronymica Britannica
- Gilbert Burnet (1681), The Life and Death of Sir Matthew Hale, William Shrowsbery, p. 86
- Karlin Sloan, Lindsey Pollak, "Festina Lente", Smarter, faster, better, p. 91
- Stef Lewandowski (5 August 2013), Makefulness, Medium
- Filip Floegel (2003), Optical Loading of a Bose–Einstein Condensate (PDF), archived from the original (PDF) on 2012-02-25
- Timothy Judd (16 August 2017), Festina Lente: Three Pieces Which Alter Our Perception of Speed and Time,
The result is music which is both fast and slow
- Scottish notes and queries, D. Wyllie and son, 1895, p. 104
- Ian C. Bradley, ed. (2001), The Complete Annotated Gilbert and Sullivan, Oxford University Press, pp. 392–3, ISBN 9780198167105
- Stoker, Bram. Dracula. London: Arcturus Publishing, 1897. pages 282-283. Print.
- "Robin Sloan's Low-Tech Triumph", Mother Jones, 14 November 2012,
This phrase that’s repeated in the novel—festina lente—what’s that all about?