File:Iñigo Manglano-Ovalle Gravity is a Force to be Reckoned With 2009.jpg
Iñigo_Manglano-Ovalle_Gravity_is_a_Force_to_be_Reckoned_With_2009.jpg (442 × 226 pixels, file size: 28 KB, MIME type: image/jpeg)
Summary[edit]
 | This is a two-dimensional representation of a copyrighted sculpture, statue or any other three-dimensional work of art. As such it is a derivative work of art, and per US Copyright Act of 1976, § 106(2) whoever holds copyright of the original has the exclusive right to authorize derivative works. Per § 107 it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright. It is believed that the use of a picture
qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement. |
| Description |
Gravity Is a Force To Be Reckoned With (steel, glass, wood, mixed media. 25' x 25' x 13', Installation view at MASS MoCA, 2009) by Iñigo Manglano-Ovalle. The image illustrates a significant mature body of work and thematic focus in Iñigo Manglano-Ovalle's career, his architectural installations using cultural forms and movements as metaphors to examine social systems involving class, identity, and the utopianism of modernist aesthetics and technology. This particular work was exhibited extensively in notable venues and institutions and widely discussed in art publications by prominent writers. |
|---|---|
| Source |
Artist Iñigo Manglano-Ovalle. Copyright held by the artist. |
| Article | |
| Portion used |
Installation view |
| Low resolution? |
Yes |
| Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a key mature body of work and thematic focus in Iñigo Manglano-Ovalle's career: his architectural installations, which used cultural forms and movements as metaphors to examine social systems involving class, identity, and the utopianism of modernist aesthetics and technology. In this body of work (several of which are discussed in the article), he often introduced "interventions" into existing or precedent architectural, such as additions, or in this case, inverting an entire structure to comment on its aims and philosophy. Because the article is about an artist and his work, the omission of the image would significantly limit a reader's understanding and ability to visualize this important type of work in his career. Manglano-Ovalle's work of this type and this work in particular are discussed in the article and by critics cited in the article, as representative of this body of work. |
| Replaceable? |
There is no free equivalent of this work by Iñigo Manglano-Ovalle, nor does the work currently exist as it was exhibited, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Iñigo Manglano-Ovalle//en.wikipedia.org/wiki/File:I%C3%B1igo_Manglano-Ovalle_Gravity_is_a_Force_to_be_Reckoned_With_2009.jpgtrue | |
File history
Click on a date/time to view the file as it appeared at that time.
| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 12:44, 23 July 2019 | | 442 × 226 (28 KB) | Mianvar1 (talk | contribs) | {{Non-free 3D art|image has rationale=yes}} {{Non-free use rationale | Article = Iñigo Manglano-Ovalle | Description = ''Gravity Is a Force To Be Reckoned With'' (steel, glass, wood, mixed media. 25' x 25' x 13', Installation view at MASS MoCA, 2009) by Iñigo Manglano-Ovalle. The image illustrates a significant mature body of work and thematic focus in Iñigo Manglano-Ovalle's career, his architectural installations using cultural forms and movements as metaphors to examine so... |
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