Film budgeting

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Film budgeting refers to the process by which a line producer, unit production manager, or production accountant prepares a budget for a film production. This document, which could be over 130 pages long, is used to secure financing for and lead to pre-production and production of the film. Multiple drafts of the budget may be required to whittle down costs. A budget is typically divided into four sections: above the line (creative talent), below the line (direct production costs), post-production (editing, visual effects, etc.), and other (insurance, completion bond, etc.). The budget excludes film promotion and marketing, which is the responsibility of the film distributor. Film financing can be acquired from a private investor, sponsor, product placement, film studio, entertainment company, and/or out-of-pocket funds.

When it comes to reporting the budget of a film, the amount of the budget represents the gross budget, which is the grand total of actual spending to produce the project and not to be confused with net budget, which represents the final out of pocket for the producer after government incentives or rebates ("If you pay $50 for something but have a mail-in coupon for a $10 rebate, your gross spending still amounts to $50.").[1] One of the consequences of the Sony hack was the release of budget information of many films or TV shows, including the 2015 Adam Sandler film Pixels. The actual cost to produce Pixels, or the "grand total", was $129.6 million and the net budget for Sony came to $111 million after they received a government rebate in Canada that covered a portion of their gross spend (cost) in the amount of just over $18 million.[citation needed] Even though Sony's out of pocket for the film was reduced because of the incentive, it does not negate the fact that the actual cost (amount spent during production to make the film) was still $129.6 million.


  • Story rights: The right to produce a film based on a play, novel, musical or video game, or as a remake or sequel can cost anything from a couple of thousand (e.g., Leaving Las Vegas) to over $10 million (e.g., the video game Halo).
  • Screenplay: An A-list screenwriter may be paid between $100,000 to $2 million to write a script, including $400,000 a week for each rewrite of a film in trouble;[2] script doctors may be called upon to revise the final draft at $100,000 to $200,000 a week. Recently, Columbia Pictures has been offering the best screenwriters 2 percent of the gross profits (after the production and marketing budget has been deducted). An original screenplay by a Writers Guild of America member can cost from its minimum, $69,499[3] and upwards of $5 million (e.g., M. Night Shyamalan's Unbreakable).
  • Producers: Film producers and executive producers are often well-paid, with a top producer earning a seven-figure salary upfront as well as bonuses and a share of the profits. For Spider-Man (2002), producer Laura Ziskin is estimated to have been paid over $30 million.[4]
  • Director: The DGA minimum is about $19,143 per week, for a minimum of ten weeks' work.[5] An A-list film director can command $5 to $10 million per film.
  • Cast: While the bulk of the cast usually gets paid by the Actors Guild standard rate of about $2,300 per week,[6] famous and bankable film stars can demand fees up to $30 million per film, plus perks (trailer, entourage, etc.) and possible gross participation.[7] Sometimes an actor will accept a minimal fee in exchange for a more lucrative share of the profits. Union extras are paid around $130 per day (plus extra for overtime or if they provide their own wardrobe), but on a low-budget film non-union extras are paid less, sometimes nothing at all.
  • Production costs: The cost of producing the film includes crew wages, production design, live set and studio costs, costumes, catering (food and drinks etc.), accommodation, transportation, travel, hotel stay, etc. The director of photography is usually the highest paid member of the crew.
  • Visual effects: The cost of computer-generated imagery effects and other visual effect work in post-production depends largely on the amount of work, the desired quality, and the effects company involved (Industrial Light and Magic is the most prestigious and expensive); extensive effect work, as in Avatar or The Lord of the Rings, can easily cost up to $100,000,000.[citation needed]
  • Music: Typically, the music budget of a major motion picture is about 2 percent of the final total. Some, such as Spider-Man's music budget, have been as high as $4.5 million.[citation needed] The top film composers can ask for a seven-figure salary to compose about an hour of original film score. For well-known artists, like Christina Aguilera (Shark Tale) or Kanye West (Mission: Impossible III), the cost may be around $1 million for an original song;[citation needed] for existing works it may be around $300,000.[citation needed] Sometimes a less-known artist will license the rights to their song for a small fee in exchange for the publicity.

Tactics for cutting costs[edit]

Going over budget[edit]

In the US film production system, producers are typically not allowed to exceed the initial budget. Exceptions have of course been made, one of the most notable examples being Titanic (1997). Director James Cameron ran over budget and offered his fee back to the studio. In other countries, producers who exceed their budget tend to eat the cost by receiving less of their producer's fees. While the US system is profitable and can afford to go over budget, some other countries' film industries tend to be financed through government subsidies.[citation needed]


Though movie studios are reluctant to release the precise details of their movies' budgets, it has occasionally been possible to obtain (clandestinely) details of the cost of films' breakdowns. For an example of a budget for a $2 million independent feature, see Planning the Low-Budget Film by Robert Latham Brown.

Unbreakable (2000 film)[edit]

  • Story rights and screenplay: $5,000,000
  • Producers: $1,878,260
  • Director (M. Night Shyamalan & Assistant): $5,081,749
  • Cast: $35,068,388
  • Production costs: $26,214,709
    • Visual effects: $1,000,000
    • Music: $2,253,456

Total: $74,243,106 [8]

Lara Croft: Tomb Raider – The Cradle of Life (2003 film)[edit]

  • Story rights and screenplay: $4 million
  • Producers: $4 million
  • Director (Jan de Bont): $5 million
  • Cast: $17.25 million
    • Angelina Jolie: $12 million
    • Extras: $250,000
    • Other (inc. Jolie's perks): $5 million
  • Production costs: $67 million
    • Set design and construction: $17.8 million
  • Visual Effects: $13 million
  • Music: $3.3 million
  • Editing: $3 million
  • Post Production costs: $1.6 million

Total: $118 million[9]

Terminator 3: Rise of the Machines (2003 film)[edit]

  • Story rights (Carolco and Gale Anne Hurd): $19.5 million
  • Screenplay: $5.2 million
    • John D. Brancato & Michael Ferris: $1 million
  • Director (Jonathan Mostow): $5 million
  • Producers: $10 million
  • Cast: $35 million
    • Arnold Schwarzenegger: $29.25 million + 20% gross profits
    • Schwarzenegger's perks: $1.5 million
    • Rest of principal cast: $3.85 million
    • Extras: $450,000
  • Production costs: $58 million
  • Post-production costs: $4 million
  • Visual effects: $20 million
  • Music: $2 million
  • Other costs: $33.6 million

Total: $187.3 million[10]

Spider-Man 2 (2004 film)[edit]

  • Story rights: $20 million
  • Screenplay: $10 million
  • Producers: $15 million
  • Director (Sam Raimi): $10 million
  • Cast: $30 million
  • Production costs: $45 million
  • Visual effects: $65 million
  • Music: $5 million

Total: $202 million[11]


The Los Angeles Times presented an extensive special report, dissecting the budget of the 2005 film Sahara. The documents had become public domain after a lawsuit involving the film.[12]

See also[edit]


  1. ^ "How to Set a Household Budget". Retrieved 21 April 2018.
  2. ^ Imber, Peter (2007-11-06). "Inside the WGA: Even at $400K a Week, a Million Insecurities". Retrieved 2012-07-15.
  3. ^ "Schedule of Minimums" (PDF). Writers Guild of America. Archived from the original (PDF) on 31 March 2015. Retrieved 29 April 2015.
  4. ^ Brodesser, Claude; Harris, Dana (2003-04-13). "Tobey's tangled rep web". Variety. Retrieved 2023-08-30. …Maguire felt his sequel compensation didn't reflect the more than $30 million that producer Laura Ziskin earned from the first 'Spider-Man'…
  5. ^ "DGA Rate Cards 2012 - 2013; Minimum Salary Schedule". Directors Guild of America. Retrieved 16 August 2012.
  6. ^ "Pay Rates for Actors". Archived from the original on 2014-02-13. Retrieved 2014-02-10.
  7. ^ Weinraub, Jake (2011-08-02). "Forbes: DiCaprio Beats Depp for Title of Hollywood's Highest Paid Actor". Reuters. Retrieved 2012-01-29.
  8. ^ "The Smoking Gun: Archive: The Sixth Sense". The Smoking Gun. p. 10. Archived from the original on 2006-09-05.
  9. ^ Edward Jay Epstein. "Budget for Tomb Raider-2 With Angelina Jolie". (Requires Flash)
  10. ^ "budget". Retrieved 2014-02-10.
  11. ^ Thomas, Archie (11 June 2004). "Anatomy of a blockbuster". the Guardian.
  12. ^ Glenn F. Bunting (April 15, 2007). "$78 million of red ink?". Los Angeles Times.

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