|Filmmaker: a diary by george lucas|
|Directed by||George Lucas|
|Produced by||Francis Ford Coppola|
|Written by||George Lucas|
|Starring||Francis Ford Coppola|
|Edited by||George Lucas|
Marcia Griffin (uncredited)
|32 minutes[a 2]|
Coppola was working on The Rain People as a small, intimate film about real-life people, and Lucas decided to make a small, intimate cinema-verite documentary about the making of Coppola's film. Lucas pitched the idea of a documentary to Coppola, who gave Lucas the go-ahead, with the film paid for from Rain People's still photography budget.
The budget of the documentary was $12,000. Lucas filmed and recorded sound for the documentary himself, using an otherwise unutilised 16mm production camera and a Nagra tape recorder. Mona Skager, an associate on Rain People, often saw Lucas on the floor, shooting up through glass-topped tables. "It was basically because the camera was too heavy", she recalled. Ron Colby, producer on The Rain People, described Lucas's work habits: "George was around in a very quiet way. You'd look around and suddenly there'd be George in a corner with his camera. He'd just kind of drift around. But he shot the camera, did his own sound. He was very much a one-man band". Lucas would spend nearly every day shooting the documentary, while working on the script for THX 1138 at night.
Coppola was tolerant of the documentary's production process, although occasionally appeared unhappy when the camera invaded his privacy. Lucas filmed some confrontations between Coppola and actress Shirley Knight, but ultimately rejected most of the footage. "I decided to be discreet, I didn't want to destroy anyone's career", Lucas said later.
The closing shot says the film was made at "Transamerica Sprocket Works", a fictitious company name that Lucas liked the sound of. The film was copyrighted by American Zoetrope/Lucasfilm Ltd.—the first film credit for the unofficial, then-new names of Coppola's and Lucas's respective companies.
Filmmaker was shown at the first incarnation of what would become the Mill Valley Film Festival in October 1977, and later at the first official MVFF in August 1978, both times shown along with The Rain People.
Dale Pollock, author of Skywalking: The Life and Films of George Lucas, wrote of the film in 1983: "Filmmaker remains one of the best documentaries about the production of a movie, as fresh and insightful today as it was in 1968… The thirty-minute film has the fluidity and detail of a written journal coupled with a cinematic sense of movement as the Rain People company goes from location to location". In 1989 Peter Cowie, author of Coppola: A Biography, wrote that Filmmaker was "one of the most important analyses of Coppola's craft and his incipient philosophy". In 1999, Michael Schumacher wrote, "Lucas's documentary, Filmmaker, caught the essence of the ups and downs of making The Rain People, from the exuberance of working on a risky yet fulfilling project that flew in the face of the way movies were normally made in Hollywood to Coppola's angry telephone confrontation with a Warner Bros.-Sever Arts official […]"
Coppola himself later admitted that the documentary "may be better than [The Rain People]". In a behind-the-scenes segment on the film Tetro, Tetro: How to Make Movies, Coppola mentions how he used the same camera dolly on Tetro as he did in The Rain People and as seen in Filmmaker.
According to Pollock, Lucas himself was proud of Filmmaker, his most ambitious effort at that time, and a film that contributed to advancing his career. It was to be his last short film before making his first feature, THX 1138.
- While according to Pollock, Coppola gave Lucas the money for the documentary, he is not credited in the film's credits.
- Myles and Pye incorrectly list Filmmaker as lasting forty minutes.
- Marcia Griffin (Marcia Lucas) is not credited in the film's credits but is credited in Pollock's book as well as Rubin's.
- Pollock 1999, p. 76.
- Myles & Pye 1979, p. 252.
- Schumacher 1999, p. 67.
- Rubin 2006, p. 26.
- Hearn 2005, p. 31.
- Rubin 2006, p. 25.
- Pollock 1999, p. 77.
- Rubin 2006, p. 30.
- Myles & Pye 1979, p. 116.
- Cahill, Greg (October 1–7, 1998). "A Life in Film: Mark Fishkin ushers in Mill Valley Film Fest". Sonoma County Independent. Metro Publishing. Retrieved 2013-01-26.
In October 1977, [Mark Fishkin] and fellow film buffs Rita Cahill and Lois Cole organized a three-day film festival. It featured three film tributes, Coppola's Rain People, and George Lucas' The Filmmaker.
- "Mill Valley Film Festival 1978" (Press release). Mill Valley, CA. 1978.
Sunday, August 12 […] George Lucas created the documentary on the making of The Rain People while assisting Mr. Coppola on the production. This is a rare screening of one of Mr. Lucas's first films, which Coppola candidly admits 'may be better than the picture'.
- Cowie, Peter (1994) [First published in 1989]. "Independence and the Dream of Zoetrope". Coppola: A Biography (Updated; Paperback ed.). Cambridge, Massachusetts: Da Capo Press. p. 53. ISBN 0-306-80598-7.
George Lucas, then "a skinny kid" who had met Francis on the set of Finian's Rainbow, wanted to work with The Rain People. Francis let him make a documentary about the shooting, and the result, entitled Filmmaker, remains one of the most important analyses of Coppola's craft and incipient philosophy. It describes the romantic agony of living in trailers and converted buses, arguing with guilds, unions, and local authorities, and all the time fighting over the phone with the studio backing the production.
- Coppola, Francis Ford (Interviewee) (June 11, 2009). Tetro: How to Make Movies (Behind-The-Scenes Featurette; Web Video). YouTube. Event occurs at 50 seconds. Retrieved 2012-02-08.
I bought this dolly over thirty years ago […] it really warms my heart, the fact that I saved this piece of equipment that I've used through thick and thin. It was used it on The Rain People.
- Pollock 1999, p. 308.
- Kline, Sally (ed.). George Lucas Interviews (Paperback ed.). Jackson, Mississippi: University Press of Mississippi. p. xxi. ISBN 978-1-57806-125-9.
- Hearn, Marcus (2005). "A Hard Road (1944–1971)". The Cinema of George Lucas (Hardcover; Alk. paper ed.). New York, NY: Harry N. Abrams. p. 31. ISBN 978-0-8109-4968-3. LCCN 2004020411.CS1 maint: ref=harv (link)
- Myles, Lynda; Pye, Michael (1979). "George Lucas". The Movie Brats: How The Film Generation Took Over Hollywood (Paperback; First ed.). New York, NY: Holt, Rinehart, Winston (published February 1984). pp. 116, 252. ISBN 978-0-03-042676-6. LCCN 78011901.CS1 maint: ref=harv (link)
- Pollock, Dale (May 31, 1999) [First published 1983]. "Coping with Coppola". Skywalking: The Life and Films of George Lucas (Paperback; Updated ed.). New York, NY: Da Capo Press. pp. 76, 77, 308. ISBN 978-0-306-80904-0. LCCN 90037372.CS1 maint: ref=harv (link)
- Rubin, Michael (2006). "Road Trip". Droidmaker: george lucas and the digital revolution (Hardcover ed.). Gainesville, Florida: Triad Publishing. pp. 25, 26, 30. ISBN 978-0-937404-67-6. LCCN 2005019257.CS1 maint: ref=harv (link)
- Schumacher, Michael (1999). "American Zoetrope". Francis Ford Coppola: A Filmmaker's Life (Hardcover; First ed.). New York, NY: Crown. p. 67. ISBN 978-0-517-70445-5. LCCN 99-12750.CS1 maint: ref=harv (link)
- Phillips, Gene D. (April 16, 2004). "Nightmares at Noon". Godfather: The Intimate Francis Ford Coppola (Alk. paperback; First ed.). Lexington, Kentucky: The University Press of Kentucky. pp. 57 & 58. ISBN 978-0-8131-2304-2. LCCN 2003024590.
- "Before They Were Stars: George Lucas Directs 'Filmmaker'" from The Back Row