First Man into Space

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This article is about the film. For the first human in space, see Yuri Gagarin.
First Man into Space
Directed by Robert Day
Produced by John Croydon
Charles F. Vetter
Richard Gordon
Written by Wyott Ordung
John Croydon
Charles F. Vetter
Starring Marshall Thompson
Marla Landi
Bill Edwards
Robert Ayres
Amalgamated Productions
Distributed by Metro-Goldwyn-Mayer
Release date
  • 27 February 1959 (1959-02-27)
Running time
78 min.
Language English
Budget $131,000
Box office $635,000

First Man into Space (working title: Satellite of Blood) is an independently made 1959 UK black-and-white science fiction horror film from Amalgamated Films, directed by Robert Day and produced by John Croydon, Charles F. Vetter, and Richard Gordon. It was based on a story by Wyott Ordung.

The film starred Marshall Thompson, Marla Landi, Bill Edwards and Robert Ayres, and was distributed by MGM. It was developed from a script that had been pitched to and rejected by AIP.

First Man into Space was directly influenced by The Quatermass Xperiment.[1]


U. S. Navy Cmdr. Charles "Chuck" Prescott (Thompson) is not sure if his brother, Lt. Dan Prescott (Edwards), is the right choice for piloting the rocket powered Y-13 to very high altitude. Capt. Ben Richards (Ayres) of the Air Force Space Command insists that Dan is their best pilot, even though when piloting the Y-12 into the ionosphere, he began experiencing flight difficulties. Upon landing, Dan broke flight regulations by going to see his girlfriend (Landi), rather than immediately filing his flight report. Despite these concerns, Capt. Richards insists that Dan pilot the Y-13 after a thorough check-out and briefing by Dr. Paul von Essen (Jaffe).

The Y-13 takes off, and at 600,000 feet, Dan is supposed to level off and begin his descent. But he continues to climb, firing his rocket emergency boost for more speed. He climbs to 1,320,000 feet (250 miles) and suddenly loses control of the Y-13 while passing through a dense cloud of unknown material, which forces him to eject.

The New Mexico State Police later send a report that a Mexican farmer spotted a parachute, attached to some sort of aircraft, land near his farm, 10 miles south of Alvarado, New Mexico. Chief Wilson (Bill Nagy) meets with Cmdr. Prescott, showing him the wreckage. Tests later show that the automatic escape mechanism and braking chute operated perfectly. The tests also reveal an unknown rock-like material encased on the aircraft's hull; further testing shows this material is completely impervious to X-rays, infrared and ultraviolet light.

Later that night, a wheezing "creature" breaks into Alameda's New Mexico State Blood Bank, brutally murdering one of the blood bank's nurses; the thing then proceeds to drink vast quantities of blood. The next day, the headline of the Santa Fe Daily News reads "Terror Roams State" and tells of brutal and inhuman slaughtering of cattle on a farm right next to where the Y-13 crashed. Both the dead cattle and the blood bank nurse show similar jagged wounds. When Chuck and Chief Wilson examine the nurse's body, Chuck notices shiny specks around the wound, as well as on the blood bank door. They see the same specks on the necks of the dead cattle. Lying under one of them they find a piece of what looks like "a high-altitude oxygen lead" that is used in the Y-13.

Chuck suspects that the killings may have something to do with the crashed Y-13 and requests that Wilson send samples of the specks to Dr. von Essen at Aviation Medicine. The next day, test results show that they are particles of meteor dust that show no signs of structural damage, as would be expected from passage through atmosphere. Later, Dr. von Essen explains the metallurgical test results on the encrustation to Chuck: Wherever the covering occurs on the Y-13 hull, the metal is intact. In places not encrusted, the hull metal has been transformed into a brittle substance, like crumbling carbon, which is then easily reduced to powder. Chuck theorizes that this covering may be some sort of "cosmic protection".

Three more killings are reported. Chuck assumes that the same encrustation that protected the Y-13 hull also coated everything inside the cockpit. Which means that the creature behind the killings must be his brother Dan. Chuck theorizes that when the canopy burst, Dan's blood absorbed a high content of nitrogen as the protective encrustation quickly formed over his body, allowing him to survive. But with Dan's metabolism having been altered in space, his body and brain have now became starved of oxygen on Earth; he must now replace that oxygen by consuming any type of oxygen-enriched blood.

When Dan's encrusted helmet is found in a car with his latest victim, Chuck's theory is proven correct. Capt. Richards and Chief Wilson put in a call to Washington. Suddenly, the hulking, wheezing, encrusted creature that was once Dan crashes through a nearby window in their building.

Chuck realizes that his brother is finding it difficult to breathe. Dan then has Dr. von Essen open the high-altitude testing chamber while he taps into the building's public address system, warning everyone to stay out of the corridors. Chuck then instructs Dr. von Essen to relay directions over the system to Dan on how to find the high-altitude chamber. Dan follows the directions while Chuck follows behind.

Dan stumbles into the chamber. Chuck realizes his brother's hands are too badly deformed for him to operate the controls, forcing Chuck to enter the chamber to assist Dan. The chamber technician quickly increases the simulated altitude to 38,000 feet, enabling Dan to feel more comfortable. While Chuck breathes through an oxygen mask, Dan's humanity is slowly restored. His breathing is still labored, and he has no recollection of the events after he ejected from the Y-13. Dan then says, "I just had to be the first man into space". He then collapses completely, breathing his last.



The story idea for First Man into Space was conceived by Vetter, then the partner of producer Gordon. Several script elements for the film came from an original script written by Wyott Ordung titled Satellite of Blood; Ordung showed the script to AIP, who ultimately rejected it. However, Alex Gordon of AIP sent the script over to his brother, who liked its plot ideas; several elements from Ordung's script were then combined with Vetter's story. As a result, Ordung later acknowledged First Man into Space as his personal favorite of the films he had made.[2] Gordon successfully pitched the film idea to MGM. Gordon and Vetter then signed on as producers for the project because of the financial success of their two previous films, Fiend Without a Face and The Haunted Strangler. Because of MGM's financial involvement, the ₤100,000 budget set for First Man into Space was slightly higher than for the producers' two previous films.[3][4]

Filming took place in the U.S. near a Brooklyn, New York air base but also in New Mexico. Most of the film was shot in a mansion near Hampstead Heath near London, because of the location's similarity to New York's Central Park; some exterior shots were done in Hampstead itself, while additional filming was done at other UK locations.[4][5]{

Edwards, who played pilot Dan Prescott and the space monster, needed his dialogue synched in post-production because of the actor's difficulty with maintaining an American accent during shooting. The costume that Edwards wore was a faux micro-meteor encrusted spacesuit, which had small holes cut in its opaque head and face mask so the actor could see. Wearing the spacesuit proved difficult, and the suit's tendency to heat up inside meant that it could not be worn for extended periods. Breathing also became difficult for Edwards because of the costume's poor air circulation.[4]


The film was released by MGM in February 1959 in the UK and US.[6]


Critical reception for the film has been mixed to positive. TV Guide gave the film a positive review, awarding it 2.5 out of 4 stars and describing it as "a scary and well done sci-fi exploitation film".[7] Allmovie gave the film a mixed review, calling the performances "uneven", but also noted that certain plot points were interesting enough to keep the viewer's interest throughout, with some of the suspense scenes being quite effective.[8] Leonard Maltin awarded the film 2 out of 4 stars, stating that the film was better than its description sounds.[9][page needed]

Box office[edit]

The film was a commercial success at the box office. According to MGM records, the film earned $310,000 in the U.S. and Canada and $325,000 elsewhere, resulting in a profit of $95,000.[3]

DVD releases[edit]

Image Entertainment released the film on DVD on June 17, 1998.[10]

Criterion Collection release cover art

The Criterion Collection later re-released the film on DVD in 2007 as a part of its Monsters and Madmen box set.[11]

See also[edit]



  1. ^ Hamilton, 2013, pp. 39-–41.
  2. ^ Weaver and Askwith 2011, pp 68–79.
  3. ^ a b "The Eddie Mannix Ledger." Margaret Herrick Library, Center for Motion Picture Study (Los Angeles).
  4. ^ a b c Weaver 2006. pp. 179–180.
  5. ^ "Filming Locations: 'First Man Into Space' (1959)." Retrieved: 25 December 2015.
  6. ^
  7. ^ "Review: 'First Man Into Space'." TV, 12 November 2014. Retrieved: 25 December 2015.
  8. ^ Eder, Bruce. "Review" 'The First Man into Space' (1959)." AllMovie, November 12, 2014. Retrieved: December 25, 2015.
  9. ^ Maltin et al. 2010
  10. ^ "Releases: 'The First Man into Space '(1959)." AllMovie. Retrieved: 25 December 2015.
  11. ^ "Monsters and Madmen - The Criterion Collection." Retrieved: 25 December 2015.


  • Hamilton, John. The British Independent Horror Film, 1951–70. Hailsham, UK: Hemlock Books, 2013. ISBN 978-1-903254-33-2.
  • Maltin, Leonard, Spencer Green and Rob Edelman. Leonard Maltin's Classic Movie Guide. New York, Plume, 2010. ISBN 978-0-452-29577-3.
  • Weaver, Tom. Interviews with B Science Fiction and Horror Movie Makers: Writers, Producers, Directors, Actors, Moguls and Makeup. Jefferson, North Carolina: McFarland & Company, 2006. ISBN 978-0-7864-2858-8.
  • Weaver, Tom and Robin Askwith. The Horror Hits of Richard Gordon. Albany, Georgia: Bear Manor Media, 2011. ISBN 978-1-5939-3641-9.

External links[edit]