First Man into Space
|First Man into Space|
Theatrical release poster
|Directed by||Robert Day|
First Man into Space (working title: Satellite of Blood) is an independently made 1959 British black-and-white science fiction horror film from Amalgamated Films, directed by Robert Day and produced by John Croydon, Charles F. Vetter and Richard Gordon. The film was based on a story by Wyott Ordung.
First Man into Space starred Marshall Thompson, Marla Landi, Bill Edwards and Robert Ayres, and was distributed by MGM. The plot was developed from a script that had been pitched to and rejected by AIP.
U. S. Navy Commander Charles "Chuck" Prescott (Marshall Thompson) is not sure if his brother, Lt. Dan Prescott (Edwards), is the right choice for piloting the rocket powered Y-13 to very high altitude. Captain Ben Richards (Robert Ayres) of the Air Force Space Command insists that Dan is their best pilot, even though when piloting the Y-12 into the ionosphere, he began experiencing flight difficulties. Upon landing, Dan broke flight regulations by going to see his girlfriend (Marla Landi), rather than immediately filing his flight report. Despite these concerns, Captain Richards insists that Dan pilot the Y-13 after a thorough check-out and briefing by Dr. Paul von Essen (Jaffe).
The Y-13 takes off, and at 600,000 feet, Dan is supposed to level off and begin his descent. But he continues to climb, firing his rocket emergency boost for more speed. He climbs to 1,320,000 feet (250 miles) and suddenly loses control of the Y-13 while passing through a dense cloud of unknown material, which forces him to eject.
The New Mexico State Police later send a report that a Mexican farmer spotted a parachute, attached to some sort of aircraft, land near his farm, 10 miles south of Alvarado, New Mexico. Chief Wilson (Bill Nagy) meets with Commander Prescott, showing him the wreckage. Tests later show that the automatic escape mechanism and braking chute operated perfectly. The tests also reveal an unknown rock-like material encased on the aircraft's hull; further testing shows this material is completely impervious to X-rays, infrared and ultraviolet light.
Later that night, a wheezing "creature" breaks into Alameda's New Mexico State Blood Bank, brutally murdering one of the blood bank's nurses; the thing then proceeds to drink vast quantities of blood. The next day, the headline of the Santa Fe Daily News reads "Terror Roams State" and tells of brutal and inhuman slaughtering of cattle on a farm right next to where the Y-13 crashed. Both the dead cattle and the blood bank nurse show similar jagged wounds. When Chuck and Chief Wilson examine the nurse's body, Chuck notices shiny specks around the wound, as well as on the blood bank door. They see the same specks on the necks of the dead cattle. Lying under one of them they find a piece of what looks like "a high-altitude oxygen lead" that is used in the Y-13.
Chuck suspects that the killings may have something to do with the crashed Y-13 and requests that Wilson send samples of the specks to Dr. von Essen at Aviation Medicine. The next day, test results show that they are particles of meteor dust that show no signs of structural damage, as would be expected from passage through atmosphere. Later, Dr. von Essen explains the metallurgical test results on the encrustation to Chuck: Wherever the covering occurs on the Y-13 hull, the metal is intact. In places not encrusted, the hull metal has been transformed into a brittle substance, like crumbling carbon, which is then easily reduced to powder. Chuck theorizes that this covering may be some sort of "cosmic protection".
Three more killings are reported. Chuck assumes that the same encrustation that protected the Y-13 hull also coated "everything" inside the cockpit. Which means that the creature behind the killings must be his brother Dan. Chuck theorizes that when the canopy burst, Dan's blood absorbed a high content of nitrogen as the protective encrustation quickly formed over his body, allowing him to survive. But with Dan's metabolism having been altered in space, his body and brain have now became starved of oxygen on Earth; he must now replace that oxygen by consuming any type of oxygen-enriched blood.
When Dan's encrusted helmet is found in a car with his latest victim, Chuck's theory is proven correct. Captain Richards and Chief Wilson put in a call to Washington. Suddenly, the hulking, wheezing, encrusted creature that was once Dan crashes through a nearby window in their building.
Chuck realizes that his brother is finding it difficult to breathe. Dan then has Dr. von Essen open the high-altitude testing chamber while he taps into the building's public address system, warning everyone to stay out of the corridors. Chuck then instructs Dr. von Essen to relay directions over the system to Dan on how to find the high-altitude chamber. Dan follows the directions while Chuck follows behind.
Dan stumbles into the chamber. Chuck realizes his brother's hands are too badly deformed for him to operate the controls, forcing Chuck to enter the chamber to assist Dan. The chamber technician quickly increases the simulated altitude to 38,000 feet, enabling Dan to feel more comfortable. While Chuck breathes through an oxygen mask, Dan's humanity is slowly restored. His breathing is still laboured, and he has no recollection of the events after he ejected from the Y-13. Dan then says, "I just had to be the first man into space". He then collapses completely, breathing his last.
The story idea for First Man into Space was conceived by Vetter, then the partner of producer Gordon. Several script elements for the film came from an original script written by Wyott Ordung titled Satellite of Blood. Ordung showed the script to AIP, who ultimately rejected it. However, Alex Gordon of AIP sent the script over to his brother, who liked its plot ideas; several elements from Ordung's script were then combined with Vetter's story. As a result, Ordung later acknowledged First Man into Space as his personal favourite of the films he had made. Gordon successfully pitched the film idea to MGM. Gordon and Vetter then signed on as producers for the project because of the financial success of their two previous films, Fiend Without a Face (1958) and The Haunted Strangler (1958). Because of MGM's financial involvement, the ₤100,000 budget set for First Man into Space was slightly higher than for the producers' two previous films.
Location filming for First Man into Space took place in the United States near a Brooklyn, New York air base but also in New Mexico. Most of the studio work was shot in a mansion near Hampstead Heath near London, because of the location's similarity to New York's Central Park; some exterior shots were done in Hampstead itself, while additional filming was done at other British locations.
The aircraft seen in First Man into Space included stock footage of the takeoff and launch of the Bell X-1A from a Boeing B-29 Superfortress mother ship. A Redstone rocket launch was also featured.
Edwards, who played pilot Dan Prescott and the space monster, needed his dialogue synched in post-production because of the actor's difficulty with maintaining an American accent during shooting. The costume that Edwards wore was a faux micro-meteor encrusted spacesuit, which had small holes cut in its opaque head and face mask so the actor could see. Wearing the spacesuit proved difficult, and the suit's tendency to heat up inside meant that it could not be worn for extended periods. Breathing also became difficult for Edwards because of the costume's poor air circulation. First Man into Space was directly influenced by The Quatermass Xperiment (1955).
First Man into Space was released by MGM in February 1959 in the UK and US.
Critical reception for First Man into Space has been mixed to positive. TV Guide gave the film a positive review, awarding it 2.5 out of 4 stars and describing it as "a scary and well done sci-fi exploitation film". Allmovie gave the film a mixed review, calling the performances "uneven", but also noted that certain plot points were interesting enough to keep the viewer's interest throughout, with some of the suspense scenes being quite effective. Leonard Maltin awarded the film 2 out of 4 stars, stating that the film was better than its description sounds.
First Man into Space was a commercial success at the box office. According to MGM records, the film earned $310,000 in the United States and Canada and $325,000 elsewhere, resulting in a profit of $95,000.
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