Flight of the Bumblebee
This article needs additional citations for verification. (July 2014) (Learn how and when to remove this template message)
"Flight of the Bumblebee" (Russian: Полёт шмеля) is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. Its composition is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's being a rather incidental part of the opera, it is today one of the more familiar classical works because of its frequent use in popular culture.
The piece closes Act III, Tableau 1, during which the magic Swan-Bird changes Prince Gvidon Saltanovich (the Tsar's son) into an insect so that he can fly away to visit his father (who does not know that he is alive). Although in the opera the Swan-Bird sings during the first part of the "Flight", her vocal line is melodically uninvolved and easily omitted; this feature, combined with the fact that the number decisively closes the scene, made easy extraction as an orchestral concerto piece possible.[not verified in body][clarification needed]
Here is the text of the scene where the Swan-Bird sings during this music:
|(Гвидон спускается с берега в море. Из моря вылетает шмель, кружась около Лебедь-Птицы.)
|(Gvidon goes down from the shore into the sea. Out from the sea flies a bumblebee, whirling around the Swan-Bird.)
Although the "Flight" does not have a title in the score of the opera, its common English title translates like the Russian one (Полёт шмеля = Polyot shmelya). Incidentally, this piece does not constitute one of the movements of the orchestral suite that Rimsky-Korsakov derived from the opera for concerts.
Those familiar with the opera Tsar Saltan may recognize two leitmotifs used in the Flight, both of which are associated with Prince Gvidon from earlier in the opera. These are illustrated here in musical notation:
- Gvidon's Leitmotifs in "Flight of the Bumblebee"
The music of this number recurs in modified form during the ensuing tableau (Act III, Tableau 2), at the points when the Bumblebee appears during the scene: it stings the two evil sisters on the brow, blinds Babarikha (the instigator of the plot to trick Saltan at the beginning into sending his wife away), and in general causes havoc at the end of the tableau. The readers of Alexander Pushkin's original poem, upon which this opera is based, will note that Gvidon is supposed to go on three separate trips to Saltan's kingdom, each of which requires a transformation into a different insect.
"Flight of the Bumblebee" is recognizable for its frantic pace when played up to tempo, with nearly uninterrupted runs of chromatic sixteenth notes. It is not so much the pitch or range of the notes that are played that challenges the musician, but simply the musician's ability to move to them quickly enough. Because of this and its complexity, it requires a great deal of skill to perform. Often in popular culture, it is thought of as being notoriously hard to play.
In the "Tsar Saltan" suite, the short version is commonly played, taking less than two minutes. In the Opera version, the three-minute fifty-five-second version is performed.
In popular culture
- Big band trumpeter Harry James did a cover of the piece in 1941.
- "Flight of the Bumblebee" was featured, along with other compositions by Rimsky-Korsakov, in the fictional 1947 biopic Song of Scheherazade.
- A piano-based version by B. Bumble and the Stingers reached No. 21 on the Billboard Hot 100 in 1961.
- Japanese band Takeshi Terauchi & Bunnys recorded an instrumental rock cover of this song on their 1967 album, Let's Go Unmei.
- The song was featured in the first episode of The Muppet Show, in which Gonzo attempts to eat a tire on stage with the song playing in the background.
- The radio program The Green Hornet used "Flight of the Bumblebee" as its theme music, blended with a hornet buzz created on a theremin. The music became so strongly identified with the show and the character that it was retained as the theme for the later TV series. This version was orchestrated by Billy May and conducted by Lionel Newman, with trumpet solo by Al Hirt, in a jazz style nicknamed "Green Bee". This particular version was later featured in the 2003 film Kill Bill.
- Manowar bassist Joey DeMaio recorded a version titled "Sting of the Bumblebee," played entirely on bass guitar.
- Trans-Siberian Orchestra has included the piece into the song A Last Illusion on its Beethoven's Last Night album.
- The Great Kat recorded a thrash metal version on her 1990 album Beethoven on Speed.
- The music inspired Walt Disney to have a bumblebee featured in a segment of the 1940 animated film Fantasia that would sound as if it were flying around a movie theater. Although this did not appear in the final film, it anticipated the eventual invention of surround sound. However, in his film Melody Time, Disney included an animated segment using Freddy Martin's "Bumble Boogie", a jazz arrangement of the piece.
- Originally, for a Guinness World Record of fastest guitarist and violinist, "Flight of the Bumblebee" must be played flawlessly at an increased speed. A guitar world record at 620 bpm was held by John Taylor. In 2012, Guinness World Records rested the Fastest musician records, stating that "we are unfortunately unable to continue monitoring these categories. It has become impossible to judge the quality of the renditions, even when slowed down"
- In the Scott Hicks film Shine, Geoffrey Rush's character David Helfgott wanders out of a rainy night into a cafe and amazes the few patrons there by playing a piano version of "Flight of the Bumblebee."
- Bob Dylan wrote and recorded a song called "It's the Flight of the Bumblebee" with The Band during the Basement Tapes sessions that quotes the original during the piano intro.
- A D&B remix is made for Tetris 99. It is played when there are only 10 players remaining in a single game, and the player is in the top 10.
- It was featured in the 2017 Chinese film Our Shining Days, where one team used Chinese Folk Instruments and the Other team used Western Classical Music Instruments to play the song together at the same time.
- The music is played in the 2002 film Drumline when A&T's head of the band wants to impress a band of a rival college.
- Harry James, Harry James: Big Bands, CD, Time Life Music, 1992, liner notes
- Whitburn, Joel The Billboard Book of Top 40 Hits, Billboard Books, New York, 1992
- Holman, Tomlinson (2007). Surround sound: up and running. Focal Press. pp. 3, 4. ISBN 978-0-240-80829-1. Retrieved April 3, 2010.
- "(Italian version)". Youtube.com. February 27, 2009. Retrieved April 21, 2012.
- "(world record)". guinnessworldrecords.com. January 9, 2012. Retrieved May 23, 2016.
- "Fastest Guitar Player - Guinness World Records Classics". October 18, 2012 – via YouTube.
- "Reasons applications are rejected". Guinness World Records. Archived from the original on October 21, 2017. Retrieved July 24, 2019.
Fastest musician (Fastest violin player, piano player, etc.): after conducting a full and thorough review Guinness World Records has concluded that we are unfortunately unable to continue monitoring these categories. It has become impossible to judge the quality of the renditions, even when slowed down.
- Bartell, John (March 31, 2017). "14-year-old going for fastest guitar record". KXTV.
UPDATE: The Guinness Book of World Records no longer judges "fastest musicians" any more.