Floyd Collins (musical)

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Floyd Collins
Floyd Collins (Original Cast Recording).jpg
Cover art of the original cast album
Music Adam Guettel
Lyrics Adam Guettel
Tina Landau (additional lyrics)
Book Adam Guettel
Awards Lucille Lortel Award, Outstanding Musical
Obie Award, Score

Floyd Collins is a musical with music and lyrics by Adam Guettel, book by Tina Landau, and additional lyrics by Landau. The story is based on the death of Floyd Collins near Cave City, Kentucky in the winter of 1925. The musical opened Off-Broadway on February 9, 1996, where it ran for 25 performances. There have been subsequent London productions as well as regional U.S. productions.

Productions[edit]

The musical premiered at the American Music Theater Festival, Philadelphia, in 1994.[1]

Floyd Collins opened Off-Broadway at Playwrights Horizons, New York City, on February 9, 1996 and closed on March 24, 1996 after 25 performances. Directed by Landau, the cast included Christopher Innvar as Floyd Collins, Martin Moran as Skeets Miller, Jason Danieley as Homer Collins, and Theresa McCarthy as Nellie Collins, as well as Cass Morgan, Brian d'Arcy James, Matthew (Matt) Bennett and Michael Mulheren. The musical won the Lucille Lortel Award for Outstanding Musical, and the 1995-1996 OBIE Award for its score. In 2003, a reunion concert was held at Playwrights Horizons with Romain Frugé as Floyd Collins and most of the original cast.

The show toured the United States and made its London debut at the Bridewell Theatre in July 1999, with Nigel Richards as Floyd, Anna Francolini as Nellie and Craig Parnell as Homer. The production was directed by Clive Paget.[2] A London revival was produced at The Vault, Southwark Playhouse in February and March 2012.[3] The production was directed by Derek Bond, with Glenn Carter as Floyd, Robyn North as Nellie, Gareth Chart as Homer and Ryan Sampson as Skeets. The production was produced by Peter Huntley and was long-listed for the Ned Sherrin Award for Best Musical at the Evening Standard Awards [4] and won Best Musical Production at the 'Offies'the Off-West-End Awards.[5] A Chicago revival was produced at BoHo Theatre in June and July 2012.[6] The production was directed by Peter Marston Sullivan, with Jim DeSelm as Floyd, Jon Harrison as Homer, and Sarah Bockel as Nellie. Floyd Collins had its North Carolina regional premiere in August 2011 at the Carolina Actors Studio Theatre in Charlotte.[7]

The finale song is the title track of Audra McDonald's 2000 album How Glory Goes, and was also included on Brian Stokes Mitchell's 2006 self-titled album.

Plot summary[edit]

As originally written, the character list included Floyd Collins, Homer Collins, Nellie Collins, and Johnnie Gerald; as rewritten the role of Johnnie Gerald was merged with that of Homer Collins. As currently performed, the roles include Bee Doyle, Dr Hazlett, three reporters, a Con Man, Lee Collins, Homer Collins, Floyd Collins, Clif Rony, Jewlle Estes, Nellie Collins, Skeets Miller, Miss Jane, H. T. Carmichael and Ed Bishop.

Floyd Collins, exploring Sand Cave, uses the echoes of his voice to sound out the region, and falls through a tight passageway when his foot became trapped, wedged in position by a small rock. His family and his fellow cavers try to free him; when it becomes clear that his rescue will not be easy, his brother Homer spends the night in the cave with him. William Burke "Skeets" Miller, a small man, is able to squeeze through and visit with Floyd, relaying stories which were printed in the news. Despite efforts by miners, the National Guard and the Red Cross, attempts at rescue fail, and the crowd grows outside the cave as a media circus ensues.

Seventeen days after Floyd had entered the cave, a shaft finally reaches him. He had died three days earlier.

The play's musical style is drawn from bluegrass, Americana, and "more complex musical forms that have their antecedents in the likes of Bartok, Janacek and Stravinsky".[8]

Songs[edit]

Response[edit]

Despite having a run of only 25 performances, the show left a strong impression on contemporary theatre. John Simon, writing for New York Magazine, proclaimed that Floyd Collins was "the original and daring musical of our day." He also wrote that "Floyd Collins reestablishes America's sovereignty in a genre it created, but has since lost hold of: it is the modern musical's true and exhilarating ace in the hole."[9]

The New York Times wrote that "Mr. Guettel establishes himself as a young composer of strength and sophistication."[10]

Recordings[edit]

The original cast recording was released on Nonesuch on March 18, 1997.[11]

The following songs are not included on the recording:

  • And She'd Have Blue Eyes
  • The Ballad of Floyd Collins (reprise) (act 1)
  • Where a Man Belongs

References[edit]

  1. ^ Pareles, Jon."Review:Dreamers and Exploiters in a Slice of Americana",The New York Times, April 18, 1994
  2. ^ Jennett, Mark."Floyd Collins", culturevulture.net, accessed February 20, 2009
  3. ^ Official London Theatre. "Floyd Collins", OfficialLondonTheatre.com. accessed February 10, 2011
  4. ^ London Evening Standard Theatre Awards 2012 - Longlist revealed, October 29, 2012
  5. ^ The Stage
  6. ^ Teachout, Terry. "The First Great Post-Sondheim Musical", wsj.com, accessed 23 June 2012
  7. ^ Toppman, Lawrence (April 16, 2012) “Musical 'Floyd Collins' a hole new ballgame”, Charlotte Observer
  8. ^ Spencer, David."Floyd Collins review", aislesay.com, accessed February 20, 2009
  9. ^ Original review republished in John Simon on Theater: Criticism, 1974-2003, 641-43 (2005)
  10. ^ Brantley, Ben."Theater Review:Carnival Above Ground, Tragedy Below",The New York Times, March 4, 1996
  11. ^ "Floyd Collins" listing amazon.com, accessed February 20, 2009

External links[edit]