A standard 3-valved B♭ flugelhorn
(valved aerophone sounded by lip vibration)
|Developed||Early 19th century|
|Part of a series on|
The flugelhorn (//), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B♭ (some are in C). It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B♭ soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled.
The German word Flügel means wing or flank in English. In early 18th century Germany, a ducal hunt leader known as a Flügelmeister blew the Flügelhorn, a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a predecessor of the bugle.
Structure and variants
The flugelhorn is generally pitched in B♭, like most trumpets and cornets. It usually has three piston valves and employs the same fingering system as other brass instruments, although four-valve versions and rotary-valve versions also exist. It can therefore be played by trumpet and cornet players although it has different playing characteristics. The flugelhorn mouthpiece is more deeply conical than either trumpet or cornet mouthpieces, but not as conical as a French horn mouthpiece. The shank of the flugelhorn mouthpiece is similar in size to a cornet mouthpiece shank.
Some modern flugelhorns feature a fourth valve that lowers the pitch a perfect fourth (similar to the fourth valve on some euphoniums, tubas, and piccolo trumpets, or the trigger on trombones). This adds a useful low range that, coupled with the flugelhorn's dark sound, extends the instrument's abilities. Players can also use the fourth valve in place of the first and third valve combination (which is somewhat sharp).
A compact version of the rotary valve Flugelhorn, is the oval shaped Kuhlohorn in B♭. It was developed for the German protestant trombone choirs.
The tone is fatter and usually regarded as more mellow and dark than the trumpet or cornet. The sound of the flugelhorn has been described as halfway between a trumpet and a French horn, whereas the cornet's sound is halfway between a trumpet and a flugelhorn. The flugelhorn is as agile as the cornet but more difficult to control in the high register (from approximately written G5), where in general it locks onto notes less easily.
Use and performances
The flugelhorn is a standard member of the British-style brass band, and it is also used frequently in jazz. It also appears occasionally in orchestral and concert band music. Famous orchestral works with flugelhorn include Igor Stravinsky's Threni, Ralph Vaughan Williams's Ninth Symphony, and Michael Tippett's third symphony. The flugelhorn is sometimes substituted for the post horn in Mahler's Third Symphony, and for the soprano Roman buccine in Ottorino Respighi's Pines of Rome. In HK Gruber's trumpet concerto Busking (2007) the soloist is directed to play a flugelhorn in the slow middle movement. The flugelhorn figured prominently in many of Burt Bacharach's 1960s pop song arrangements. It is featured in a solo role in Bert Kaempfert's 1962 recording of "That Happy Feeling". Flugelhorns have occasionally been used as the alto or low soprano voice in a drum and bugle corps.
Another use of the flugelhorn is found in the Dutch and Belgian "Fanfareorkesten" or fanfare orchestras. In these orchestras the flugelhorns, often between 10 and 20 in number, have a significant role, forming the base of the orchestra. They are pitched in B♭, with sporadically an E♭ soloist. Due to poor intonation these E♭ flugelhorns are mostly replaced by the E♭ trumpet or cornet.
This section does not cite any sources. (September 2018) (Learn how and when to remove this template message)
Joe Bishop, as a member of the Woody Herman band in 1936, was one of the earliest jazz musicians to use the flugelhorn. Shorty Rogers and Kenny Baker began playing it in the early fifties, and Clark Terry used it in Duke Ellington's orchestra in the mid-1950s. Chet Baker recorded several albums on the instrument in the 1950s and 1960s. Miles Davis further popularized the instrument in jazz on the albums Miles Ahead and Sketches of Spain, (both arranged by Gil Evans) though he did not use it much on later projects. Other prominent flugelhorn players include Freddy Buzon, Freddie Hubbard, Tom Browne, Lee Morgan, Bill Dixon, Wilbur Harden, Art Farmer, Roy Hargrove, Randy Brecker, Hugh Masekela, Feya Faku, Tony Guerrero, Gary Lord, Jimmy Owens, Maynard Ferguson, Terumasa Hino, Woody Shaw, Guido Basso, Kenny Wheeler, Tom Harrell, Bill Coleman, Thad Jones, Arturo Sandoval, Lee Loughnane of the rock band Chicago, Mike Metheny, Harry Beckett, and Ack van Rooyen. Most jazz flugelhorn players use the instrument as an auxiliary to the trumpet, but in the 1970s Chuck Mangione gave up playing the trumpet and concentrated on the flugelhorn alone, notably on his jazz-pop hit song "Feels So Good". Mangione, in an interview on ABC during the 1980 Winter Olympics, for which he wrote the theme "Give It All You Got", referred to the flugelhorn as "the right baseball glove".
Pop flugelhorn players include Probyn Gregory (Brian Wilson Band), Ronnie Wilson of the Gap Band, Rick Braun, Mic Gillette, Jeff Oster, Zach Condon of the band Beirut, Scott Spillane of the band Neutral Milk Hotel, and Terry Kirkman of the band The Association. Marvin Stamm played the flugelhorn solo on "Uncle Albert/Admiral Halsey" by Paul and Linda McCartney.
- Yurochko, Bob (2001). A Short History of Jazz. p. 182. ISBN 9780830415953.
- "Flügelhorn". Encyclopaedia Britannica. Retrieved 2 September 2018.
- Baines, Anthony (January 1993). Brass Instruments: Their History and Development. Courier Corporation. p. 230. ISBN 9780486275741.
- Baines, Anthony C.; Herbert, Trevor. "Flugelhorn". Grove Music Online. Oxford Music Online. Retrieved 17 March 2017. (subscription required)
- Forsyth, Cecil (1922). Orchestration. p. 165.
- "Stravinsky: Threni | News | The Harvard Crimson". www.thecrimson.com. Retrieved 25 October 2019.
- Stumpf II, Robert. "Classical Net Review - Maestrino - Stokowski Conducts New Music". Classical Net. Retrieved 25 October 2019.
- Clements, Andrew (28 February 2019). "Tippett: Symphonies Nos 3 & 4; Symphony in B flat review | Andrew Clements's classical CD of the week". The Guardian. Retrieved 25 October 2019.
- "Symphony No.3 (Mahler, Gustav) - IMSLP: Free Sheet Music PDF Download". imslp.org. Retrieved 25 October 2019.
- "BIS Records - HK Gruber - Busking". bis.se. Retrieved 25 October 2019.
- Watkins, Jack (24 April 2017). "How we made Brassed Off". The Guardian. Retrieved 25 October 2019.
- "Brassed Off (1996) - IMDb". Retrieved 25 October 2019.
- Dudgeon, Ralph T.; Streitwieser, Franz X. (2004). The Fluegelhorn (in English and German) (Bochinsky ed.). Bergkirchen. ISBN 3-932275-83-7.
- Sadie, Stanley; Tyrrell, John, eds. (2001). "Flugelhorn". The New Grove Dictionary of Music and Musicians (2nd ed.). London.
- Kernfeld, Barry, ed. (2002). "Flugelhorn". The New Grove Dictionary of Jazz (2nd ed.). London.
|Wikimedia Commons has media related to Flugelhorns.|