Food presentation

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This article is about food presentation. For food processing in general, see Food preparation.
Palatschinke, a thin filled pancake, here presented on a plate with chocolate sauce, whipped cream, and powdered sugar
Elaborately decorated tea party birthday cake

Food presentation is the art of modifying, processing, arranging, or decorating food to enhance its aesthetic appeal.

The visual presentation of foods is often considered by chefs at many different stages of food preparation, from the manner of tying or sewing meats, to the type of cut used in chopping and slicing meats or vegetables, to the style of mold used in a poured dish. The food itself may be decorated as in elaborately iced cakes, topped with ornamental sometimes sculptural consumables, drizzled with sauces, sprinkled with seeds, powders, or other toppings, or it may be accompanied by edible or inedible garnishes.

Historically, the presentation of food has been used as shows of wealth and power. Such displays often emphasize the complexity of a dishes composition as opposed to its flavors. For instance, ancient sources recall the hosts of Roman banquets adding precious metals and minerals to food in order to enhance its aesthetic appeal. Additionally, Medieval aristocrats hosted feasts involving sculptural dishes and shows of live animals. These banquets existed to show the culture and affluence of its host, and were therefore tied to social class. Contemporary food aesthetics reflect the autonomy of the chef, such as in nouvelle cuisine and Japanese bento boxes. Dishes often involve both simplistic and complex designs. Some schools of thought, like French nouvelle cuisine, emphasize minimalism while others create complicated compositions based on modern aesthetic principles.[1] Overall, the presentation of food reflects societal trends and beliefs.

Plating[edit]

The arrangement and overall styling of food upon bringing it to the plate is termed plating.[1] Some common styles of plating include a 'classic' arrangement of the main item in the front of the plate with vegetables or starches in the back, a 'stacked' arrangement of the various items, or the main item leaning or 'shingled' upon a vegetable bed or side item.[2] Item location on the plate is often referenced as for the face of a clock, with six o'clock the position closest to the diner. A basic rule of thumb upon plating, and even in some cases prepping, is to make sure you have the 5 components to a dish; protein, traditionally at a 6 o'clock position, vegetable, at a 2 o'clock position, starch at an 11 o'clock position, sauce and garnish.

History[edit]

Ancient Rome[edit]

Roman banquet scene from Herculanum, Italy

Banquets were important social events, usually hosted in private residences for friends and clients. The Romans placed great focus on the appearance of their dining room (triclinium), decorating it with murals and mosaics, as well as lavish sculptures and furniture.[3] The overall purpose of a private banquet was entertainment, not only through live performances, but also through the presentation of the food itself. The meal consisted of three courses- appetizers, main course, and dessert- brought out in elaborate rituals.[2] For instance, the main course was sometimes served to the tune of trumpets at particularly luxurious events. Foods that were particularly valued were wild game, such as pheasant and boar, certain kinds of fish, and wild berries, mainly because of their exoticism and high price. Some ancient writers recount Emperor Claudius adding crushed pearls to wine and flecks of gold to peas solely to increase their cost. Others recall live animals being served as shows of entertainment and richness. For instance, at one event mackerels were pickled live in order to showcase their silvery bodies thrashing in vinegar. Overall, Roman aristocrats desired to showcase their wealth and luxury through the presentation of food.[4]

Medieval Europe[edit]

Medieval aristocrats also desired to entertain and impress through food. Banquets were usually huge feasts with diverse choices of dishes. Social etiquette dictated that the wealthy and powerful be given beautiful and elaborate dishes while the poor be given simple food, usually scraps.[5] Such banquets not only entertained guests, but also showed the wealth of the host. In particular, the patron sometimes commissioned artists to create complicated sculptures made from food items to awe and inspire.[6] A popular sculpture was a pregnant woman modeled in marzipan or sugar paste. Other favorites were pies or cakes designed to expel live birds when cut open and multicolored jellies stacked together, dyed with spices and vegetable matter. Furthermore, since these foods often were not preserved properly and were somewhat rotted when stored, the mask of decaying food was covered with spices and other aromas. This indicates the medieval hosts concern with presentation as opposed to flavor.[4]

Contemporary[edit]

In the same way, contemporary food reflects both personal and societal aesthetic beliefs. While cuisine in the past was intrinsically related to wealth and social status, contemporary cuisine is much less distinguished by class. The disintegration of highbrow and lowbrow foods has led to increased accessibility of various foods.[7] Now, it is possible to find a hamburger at a five star restaurants and exotic cuisines on street corners. Therefore, contemporary food presentation is determined much more by modern aesthetics and creativity than displays of wealth and power.

France[edit]

Nouvelle cuisine is a school of French cooking that rejects ostentatious displays of food in favor of simple presentation and high quality ingredients. In contrast to historical chefs that obeyed the orders of patrons, this manner of cooking elevates the chef from a skilled worker to an inventor and artist. The aesthetic of nouvelle cuisine emphasizes minimalism, serving fewer courses and utilizing simple plating.[8] Chefs were extremely creative in constructing innovative recipes and plating.

Japan[edit]

Example of a bento box

A bento box is a Japanese meal traditionally consisting of rice, meat/fish, and vegetables served in a portable box. In Japan, as well as in the United States, a large focus is placed on the aesthetic arrangement of the food. There have even been contests to see who can come up with most inventive way of creating bento boxes, allowing for creativity in amateur chefs and everyday people. Sometimes bento boxes are used to make sculptural designs, such as rice shaped to look like animals.[6]

Science[edit]

Modern science can illuminate how and why people respond in certain ways to food plating and presentation. According to a sociological study people react differently to various aesthetic principles such as color, composition (including number of components, placement of components, and use of negative space), design, and the organization of a plate. They found that participants responded best to plates with four different colors, three different components, some empty space, and with a disorganized and casual design. This research is particularly important because understanding how food presentation affects how people eat can be used used in the study of health and nutrition. For instance, another study showed that participants who ate off of uncleaned tables (i.e all uneaten food was left on the table) ate less than those that had their tabled periodically cleaned. This is presumably because those that could see the leftovers of what they had eaten were less likely to take more food. This could be useful, for instance, in combatting the obesity endemic.[9] Another example of science in food aesthetics is the development of molecular food in Spain, which emphasizes the essence of food using scientific elements.[10] Molecular science can break down the roles of carbohydrates and protein in order to isolate what creates particular tastes. For instance, modern science makes it possible to freeze ice cream using liquid nitrogen and create wine using sugars, creating efficient and visually interesting new dishes.[11]

See also[edit]

Gallery[edit]

References[edit]

  1. ^ a b McBride, Ann (2010). Gastronomica. University of California Press. pp. 38–46. doi:10.1525/gfc.2010.10.1.38. JSTOR 10.1525/gfc.2010.10.1.38. 
  2. ^ a b Raff, Katharine. "The Roman Banquet Essay Heilbrunn Timeline of Art History, The Metropolitan Museum of Art". The Met’s Heilbrunn Timeline of Art History. 
  3. ^ NAGY, HELEN (2005-01-01). "Review of The Roman Banquet: Images of Conviviality". Vergilius (1959-). 51: 131–136. JSTOR 41587315. 
  4. ^ a b Leith, Prue (1987). The Fine Art of Food. Journal of the Royal Society of Arts, vol. 135, no. 5373. pp. 687–698. JSTOR 41374374. 
  5. ^ Clark, Priscilla P. (1975). Thoughts for Food, I: French Cuisine and French Culture. American Association of Teachers of French. p. 10. 
  6. ^ a b Bermingham, Ann (2010). Food Masquerade. Gastronomica, vol. 10, no. 2. pp. 9–12. 
  7. ^ Johnston, Josée; Baumann, Shyon (2007-01-01). "Democracy versus Distinction: A Study of Omnivorousness in Gourmet Food Writing". American Journal of Sociology. 113 (1): 165–204. doi:10.1086/518923. JSTOR 518923. 
  8. ^ Rao, Hayagreeva (2009). Market Rebels: How Activists Make or Break Radical Innovations, The French Revolution: Collective Action and the Nouvelle Cuisine Innovation. Princeton University Press. pp. 69–94. 
  9. ^ Zampollo, Francesca; Wansink, Brian; Kniffin, Kevin M.; Shimizu, Mitsuru; Omori, Aki (2012-02-01). "Looks Good Enough to Eat How Food Plating Preferences Differ Across Cultures and Continents". Cross-Cultural Research. 46 (1): 31–49. doi:10.1177/1069397111418428. ISSN 1069-3971. 
  10. ^ Albala, Ken (May 2011). Food Cultures of the World Encyclopedia, Volume 4. Greenwood. p. 335. 
  11. ^ Nicholas Kurti and Herve This-Benckhard (1994). "Chemistry and Physics in the Kitchen" (PDF). Scientific American. 

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