Footlight Parade

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Footlight Parade
Risqué, theatrical release, movie posters were commonly used, to promote Pre-Code, burlesque-type, film musicals
Directed byLloyd Bacon
Busby Berkeley
(musical numbers)
Produced byRobert Lord
Screenplay byManuel Seff
James Seymour
Story byUncredited:
Robert Lord
Peter Milne
StarringJames Cagney
Joan Blondell
Ruby Keeler
Dick Powell
Music byHarry Warren (music)[1]
Al Dubin (lyrics)[1]
Sammy Fain (music)[2]
Irving Kahal (lyrics)[2]
CinematographyGeorge Barnes
Edited byGeorge Amy
Distributed byWarner Bros. Pictures
Release date
  • September 30, 1933 (1933-09-30) (premiere')
  • October 21, 1933 (1933-10-21) (general)
Running time
102 minutes[3]
CountryUnited States
Budget$703,000 (est.)[4][5]
Box office$1,601,000 (U.S.)
$815,000 (international)[4][5][6]

Footlight Parade is a 1933 American, pre-Code, musical film starring James Cagney, Joan Blondell, Ruby Keeler and Dick Powell and featuring Frank McHugh, Guy Kibbee, Hugh Herbert and Ruth Donnelly. The movie was written by Manuel Seff and James Seymour from a story by Robert Lord and Peter Milne, and directed by Lloyd Bacon, with musical numbers created and directed by Busby Berkeley. The film's songs were written by Harry Warren (music) and Al Dubin (lyrics)[1] and Sammy Fain (music) and Irving Kahal (lyrics),[2] and include "By a Waterfall", "Honeymoon Hotel", and "Shanghai Lil".

Kent (James Cagney) rallies his troops for their tall order: create three lavish prologues in three days

In 1992, Footlight Parade was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".


Chester Kent (James Cagney) replaces his failing career as a director of Broadway musicals with a new one as the creator of musical numbers called "prologues", short live stage productions presented in movie theaters before the main feature is shown. He faces pressure from his business partners to constantly create a large number of marketable prologues to service theaters throughout the country, but his job is made harder by a rival who is stealing his ideas, probably with assistance from someone working inside his company. Kent is so overwhelmed with work that he doesn't realize that his secretary, Nan (Joan Blondell), has fallen in love with him, and is doing her best to protect him as well as his interests.

Kent's business partners announce that they have a big deal pending with the Apolinaris theater circuit, but getting the contract depends on Kent impressing Mr. Apolinaris (Paul Porcasi) with three spectacular prologues, presented on the same night, one after another at three different theatres. Kent locks himself and his staff in the offices to prevent espionage leaks while they choreograph and rehearse the three production numbers. Kent then stages "Honeymoon Hotel", "By a Waterfall", featuring the famous 'Human Waterfall', and "Shanghai Lil", featuring Cagney and Ruby Keeler dancing together.


Cast notes:

Musical numbers[edit]

  • "Honeymoon Hotel" – by Harry Warren (music) and Al Dubin (lyrics)
  • "Shanghai Lil" – by Harry Warren (music) and Al Dubin (lyrics)
  • "By a Waterfall" – by Sammy Fain (music) and Irving Kahal (lyrics)
  • "My Shadow" – by Sammy Fain (music) and Irving Kahal (lyrics)
  • "Ah, the Moon Is Here" – by Sammy Fain (music) and Irving Kahal (lyrics)
  • "Sitting on a Backyard Fence" – by Sammy Fain (music) and Irving Kahal (lyrics)



The "By a Waterfall" production number featured 300 choreographed swimmers

Cagney, a former song-and-dance man, actively campaigned the executives at Warner Bros. for the lead in Footlight Parade, which became his first on-screen appearance as a dancer.[9] Cagney had only fallen into his gangster persona when he and Edward Woods switched roles three days into the shooting of 1931's The Public Enemy. That role catapulted Cagney into stardom and a series of gangster films, which throughout his career, Cagney found to be as much a straitjacket as a benefit.[10]

Cagney's character, Chester Kent, was modeled after Chester Hale, a well-known impresario at the time, and the offices he worked in were based on the Sunset Boulevard offices of the prologue production company "Fanchon and Marco" in Los Angeles.[7]

Although early casting reports had Stanley Smith playing the juvenile lead eventually played by Dick Powell, the film became the third pairing of Powell and Ruby Keeler after 42nd Street (1933) and Gold Diggers of 1933, the first two Warner Bros. Busby Berkeley musicals.[9] Remarkably, considering the success of those two films, Berkeley was not the original choice to choreograph – Larry Ceballos was signed to direct the dance numbers, and sued Berkeley and the studio for $100,000 for breach of contract when he was not allowed to do so. Ceballos also claimed to have created a number later used in the Warner Bros. film Wonder Bar, which was credited to Berkeley.[citation needed]

Dorothy Tennant was originally tapped to play Mrs. Gould instead of Ruth Donnelly. Other actors considered for various roles included Eugene Pallette, George Dobbs and Patricia Ellis.

Footlight Parade was shot at the Warner Bros. studio in Burbank, California, and cost an estimated $703,000 to make (or approximately $13 million in 2012 dollars). It premiered on September 30, 1933, and was released generally on October 21.[11][12][13]

The film made a profit of $819,080.[4]

Bea (Ruby Keeler) was not an immediate fan of Scotty (Dick Powell)


Like many of the Pre-Code films of the time, including musicals, promotion of these productions was done using advertisement of scantily clad women on movie release posters, lobby cards and promotional photographs, as seen of Joan Blondell.[1] [2]


The film was one of Warners biggest hits of the year.[14]

Pre-Code era scenes[edit]

The film was made during the Pre-Code era, and its humor is sometimes quite risqué, with multiple references to prostitution and suggestions of profanity largely unseen again in studio films until the 1960s, when the Production Code collapsed. For example, Dick Powell's character is being "kept" by Mrs. Gould until he falls in love with another girl.

Joan Blondell tells her roommate, who tries to steal Cagney away from her, that as long as there are sidewalks, the roommate will have a job. In the Shanghai Lil number, it is clear that Lil and all the other girls are prostitutes working the waterfront bars. One character in the film, played by actor Hugh Herbert acts as the censor for Kent's productions, constantly telling Kent certain parts of his production numbers have to be changed. His character is portrayed as buffoonish and comical, saying disagreeable lines to Kent such as "You must put brassieres on those dolls..." (referring to actual toy dolls) "...uh uh, you know Connecticut."


The film is recognized by American Film Institute in these lists:

See also[edit]


  1. ^ a b c Allmovie Overview
  2. ^ a b c TCM Full Credits
  3. ^ a b Footlight Parade at the American Film Institute Catalog Edit this at Wikidata
  4. ^ a b c Sedgwick, John (2000) Popular Filmgoing in 1930s Britain: A Choice of Pleasures University of Exeter Press. p.168 ISBN 9780859896603
  5. ^ a b Warner Bros financial information in The William Shaefer Ledger. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 1-31 p 15 DOI: 10.1080/01439689508604551
  6. ^ "Which Conema Films Have Earned the Most Money Since 1947?". The Argus Weekend Magazine. Melbourne: National Library of Australia. March 4, 1944. p. 3. Retrieved August 6, 2012.
  7. ^ a b c "Footlight Parade" notes,; accessed July 27, 2015.
  8. ^ TCM Music
  9. ^ a b Miller, Frank. Footlight Parade (1933; article),; accessed July 27, 2015.
  10. ^ Nixon. Rob. The Public Enemy (1931; article),; accessed July 27, 2015.
  11. ^ Business Data for Footlight Parade,; accessed July 27, 2015.
  12. ^ Release Dates for Footlight Parade,; accessed July 27, 2015.
  13. ^ Overview for Footlight Parade,; accessed July 27, 2015.
  14. ^ By, D. W. (1934, Nov 25). TAKING A LOOK AT THE RECORD. New York Times (1923-Current File) Retrieved from
  15. ^ "AFI's Greatest Movie Musicals Nominees" (PDF). Retrieved 2016-08-13.

External links[edit]