For What It's Worth
|"For What It's Worth"|
|Single by Buffalo Springfield|
|B-side||"Do I Have to Come Right Out and Say It?"|
|Released||December 23, 1966|
|Recorded||December 5, 1966|
|Studio||Columbia Square, Hollywood|
|Buffalo Springfield singles chronology|
"For What It's Worth (Stop, Hey What's That Sound)" (often referred to as simply "For What It's Worth") is a song written by Stephen Stills. Performed by Buffalo Springfield, it was recorded on December 5, 1966, released as a single on Atco Records on December 23, 1966, and peaked at No. 7 on the Billboard Hot 100 chart in the spring of 1967.
Although "For What It's Worth" is often considered an anti-war song, Stephen Stills was inspired to write the song because of the Sunset Strip curfew riots in November 1966—a series of early counterculture-era clashes that took place between police and young people on the Sunset Strip in Hollywood, California, beginning in mid-1966, the same year Buffalo Springfield had become the house band at the Whisky a Go Go on the Sunset Strip. Local residents and businesses had become annoyed by how crowds of young people going to clubs and music venues along the Strip had caused late-night traffic congestion. In response, they lobbied Los Angeles County to pass local ordinances stopping loitering, and enforced a strict curfew on the Strip after 10 p.m. The young music fans, however, felt the new laws infringed upon their civil rights.
On Saturday, November 12, 1966, fliers were distributed on the Sunset Strip inviting people to join demonstrations later that day. Several of Los Angeles' rock radio stations also announced a rally outside the Pandora's Box club on the corner of Sunset Boulevard and Crescent Heights. That evening, as many as 1,000 young demonstrators, including future celebrities such as Jack Nicholson and Peter Fonda (who was handcuffed by police) gathered to protest against the curfew's enforcement. Although the rallies began peacefully, trouble eventually broke out. The unrest continued the next night, and periodically throughout the rest of November and December, forcing some clubs to shut down within weeks. It was against the background of these civil disturbances that Stills recorded "For What It's Worth" on December 5, 1966.
Stills said in an interview that the name of the song came about when he presented it to the record company executive Ahmet Ertegun (who signed Buffalo Springfield to the Atlantic Records-owned ATCO label). Stills said: "I have this song here, for what it's worth, if you want it." Another producer, Charlie Greene, claims that Stills first said the above line to him, but credits Ahmet Ertegun with giving the single the parenthetical subtitle "Stop, Hey What's That Sound" in order that the song would be more easily recognized.
The song was recorded on December 5, 1966 at Columbia Studios, Hollywood. Tom Dowd claimed he mixed the song at Atlantic's studio in New York, though this has been disputed. Dowd did take part in the production of Cher's version of the song in 1969. The song is distinguished with the use by Neil Young of the "guitar harmonics" technique and sound.
"For What It's Worth" quickly became a well-known protest song. In 2006, when interviewed on Tom Kent's radio show Into the '70s, Stills pointed out that many people think the song is about the Kent State shootings of 1970, even though its release predates that event by over three years. Neil Young—Stills' bandmate in both Buffalo Springfield and Crosby, Stills, Nash & Young (CSNY)—would later write "Ohio" in response to the events at Kent State.
An all-star version of "For What It's Worth", with Tom Petty and others, was played at Buffalo Springfield's induction into the Rock and Roll Hall of Fame in 1997; Neil Young did not attend the event.
The song is a staple of period piece films about 1960s America, such as Forrest Gump, and often used as a common shorthand to quickly establish the atmosphere of 1960s counterculture movement and protests.
On August 17, 2020, Billy Porter sang "For What It's Worth" for the 2020 Democratic National Convention backed by Stephen Stills on guitar, a nod to the song's resurgent use in the summer 2020 American protests.
Covers and sampling
"For What It's Worth" has been covered, sampled, and referenced in numerous musical performances. Versions include those by The Staple Singers (US #66 in 1967), Art (1967 single from Supernatural Fairy Tales), Ken Lyon & Tombstone, Rush, Cher, The Candyskins, Oui 3 (UK #28), Queensrÿche (on their album Take Cover), Miriam Makeba (on her album Keep Me in Mind), Public Enemy, Ozzy Osbourne and (həd) p.e. (retitled Children). Cher's 1969 cover did not make the Billboard Hot 100; AllMusic retrospectively called her version "mature [and] forceful".
Sergio Mendes and Brasil'66 recorded a version of this song. It reached #10 in the Adult Contemporary Music Chart on 09/19/1970. Singer Karen Philipp suggested to Sergio that he should cover the song. Karen does all of the vocals for this song by overdubbing. Two versions of this song exist: The mono 45 has a more extreme overdubbing of Karen's vocals with a different organ solo than the LP. The LP version is in stereo with a different vocal arrangement.
"For What It's Worth" is performed by an opossum and a chorus of woodland animals on episode 2.21 of The Muppet Show. The third verse is rewritten by an uncredited writer to give the song an anti-hunting theme.
The hip-hop group Public Enemy sampled "For What It's Worth" on their 1998 song "He Got Game", which also featured Stephen Stills. Oui 3 adapted the song for their 1993 debut single of the same name, which reached number 26 in the UK chart. In 2017, Haley Reinhart released a cover of the song as the third single from her third studio album, What's That Sound? In 2018, The Lone Bellow released a cover of the song as a single.
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- For What It's Worth, retrieved March 10, 2020