|Directed by||Fred M. Wilcox|
|Produced by||Nicholas Nayfack|
|Screenplay by||Cyril Hume|
|Narrated by||Les Tremayne|
|Music by||Bebe and Louis Barron|
|Cinematography||George J. Folsey|
|Edited by||Ferris Webster|
Forbidden Planet (also known as Fatal Planet) is a 1956 American science fiction film from MGM, produced by Nicholas Nayfack, directed by Fred M. Wilcox and starring Walter Pidgeon, Anne Francis, Leslie Nielsen, Warren Stevens, Jack Kelly and Robby the Robot. Shot in Eastmancolor and CinemaScope, it is considered one of the great science fiction films of the 1950s, a precursor of what was to come for science fiction cinema. The characters and isolated setting have been compared to those in William Shakespeare's The Tempest. Its plot contains certain story analogues to the play.
Forbidden Planet is noted for pioneering several aspects of science fiction cinema. For instance, it was the first science fiction picture to depict humans traveling in a faster-than-light starship of their own creation. It was also the first to be set entirely on another planet in interstellar space, far away from Earth. Outside of science fiction, the film was groundbreaking as the first of any genre to use an entirely electronic musical score, courtesy of Bebe and Louis Barron.
The Robby the Robot character is also one of the first film robots that was more than just a mechanical "tin can" on legs; Robby displays a distinct personality and is an integral supporting character in the film.
Forbidden Planet's effects team was nominated for the Academy Award for Best Visual Effects at the 29th Academy Awards. In 2013, the picture was entered into the Library of Congress' National Film Registry, being deemed "culturally, historically, or aesthetically significant."
In the 23rd century, Starship C-57D reaches the distant planet Altair IV to determine the fate of a 20-year-old expedition. Dr. Edward Morbius (Walter Pidgeon), one of the expedition's scientists, contacts the Earth ship. He states no assistance is required, warning the starship not to land; he cannot guarantee their safety. Commander John Adams (Leslie Nielsen) insists on landing co-ordinates.
Adams, Lieutenant Jerry Farman (Jack Kelly), and Lieutenant "Doc" Ostrow (Warren Stevens) are met by Robby the Robot, who transports them to Morbius' residence. There, Morbius claims that an unknown "planetary force" killed nearly everyone and finally vaporized their starship, the Bellerophon, as the last survivors tried to lift off. Only Morbius, his wife (who later died of natural causes) and their daughter Altaira (Anne Francis) were somehow immune. Morbius fears that the Earthmen are in danger, and (silently) that Altaira is intrigued by them.
The next day, Adams finds Farman educating Altaira on kissing; furious, he dismisses Farman and berates Altaira for her naivety and revealing clothes. Altaira is frustrated, but designs a new, more conservative dress to please Adams. That night, an invisible intruder sabotages equipment aboard the starship. Adams and Ostrow go to confront Morbius the following morning. Waiting for Morbius to exit his study, Adams steps outside, only to encounter Altaira wearing her new dress. Adams sincerely apologizes and Altaira notes that she tailored her dress for him. Realizing mutual affection, they kiss.
Upon Morbius' appearance, Adams and Ostrow learn he has been studying the Krell, a highly advanced native race that mysteriously died out suddenly 200,000 years before. In a Krell laboratory Morbius shows them the "plastic educator", a device capable of measuring and enhancing intellectual capacity. When Morbius first used it, he barely survived, but discovered his intellect had been permanently doubled. This enabled him to build Robby and the other "technological marvels" of his home with information obtained from a Krell library. Morbius then takes them on a tour of a vast cube-shaped underground Krell machine complex, still functioning and powered in tandem by 9,200 thermonuclear reactors. Afterwards, Adams demands that Morbius turn over his discovery for Earth supervision. Morbius refuses, citing the danger that Krell technology would pose to humanity if he were to do so prematurely.
In response to the sabotage, Adams orders a force field fence deployed around the starship. This proves useless when the intruder returns and murders Chief Engineer Quinn (Richard Anderson) undetected. The starship's crew later discover it is invisible, only becoming visible when outlined by the fence's energized force field and fire from the crew's weapons. The weapons have no effect, and it kills Farman and two others. Morbius, asleep in the Krell lab, is startled awake by screams from Altaira; at the same instant, the roaring creature vanishes.
Later, while Adams confronts Morbius at his home, Ostrow sneaks away to use the Krell educator; as Morbius had warned, he is fatally injured. Ostrow explains to Adams that the Great Machine was built to materialize anything the Krell could imagine. With his dying breath, he says the Krell forgot one thing: "Monsters from the Id." Adams asserts that Morbius' subconscious created the monster that killed the members of the original expedition and attacked his crew. Morbius refuses to accept this.
After Altaira and Adams declare their love to Morbius, Robby detects the creature approaching. Morbius commands the robot to kill it, but Robby knows it is a manifestation of Morbius; his programming to never harm humans forces Robby to shut down. The monster melts through the almost indestructible Krell metal doors of the laboratory where Adams, Altaira and Morbius have taken refuge. Morbius finally accepts the truth: the creature is "his evil self". He confronts and disowns the creature as it enters, but is fatally injured. The monster then disappears. Before Morbius dies, he has Adams initiate an irreversible chain reaction within the Great Machine. He then warns that Adams and Altaira must be 100 million miles away within 24 hours. From deep space, Adams, Altaira, Robby and the surviving crew witness the destruction of Altair IV.
- Walter Pidgeon as Dr. Edward Morbius
- Anne Francis as Altaira "Alta" Morbius
- Leslie Nielsen as Commander John J. Adams
- Robby the Robot as Himself
- Warren Stevens as Lt. "Doc" Ostrow
- Jack Kelly as Lt. Jerry Farman
- Richard Anderson as Chief Quinn
- Earl Holliman as Cook
- George Wallace as Steve
- Bob Dix as Grey
- Jimmy Thompson as Youngerford
- James Drury as Strong
- Harry Harvey, Jr. as Randall
- Roger McGee as Lindstrom
- Peter Miller as Moran
- Morgan Jones as Nichols
- Richard Grant as Silvers
- Frankie Darro, the stuntman inside Robby the Robot (uncredited)
- Marvin Miller, voice of Robby the Robot (uncredited)
- Les Tremayne as the Narrator (uncredited)
- James Best as a C-57D crewman (uncredited)
- William Boyett as a C-57D crewman (uncredited)
The screenplay by Irving Block and Allen Adler, written in 1952, was originally titled Fatal Planet. The later screenplay draft by Cyril Hume renamed the film Forbidden Planet, because this was believed to have greater box-office appeal. Block and Adler's drama took place in the year 1976 on the planet Mercury. An Earth expedition headed by John Grant is sent to the planet to retrieve Dr. Adams and his daughter Dorianne, who have been stranded there for twenty years. From then on, its plot is roughly the same as that of the completed film, though Grant is able to rescue both Adams and his daughter and escape the invisible monster stalking them.
The film sets for Forbidden Planet were constructed on a Metro-Goldwyn-Mayer (MGM) sound stage at its Culver City film lot and were designed by Cedric Gibbons and Arthur Longeran. The film was shot entirely indoors, with all the Altair IV exterior scenes simulated using sets, visual effects, and matte paintings.
A full-size mock-up of roughly 3/4 of the starship was built to suggest its full width of 170 ft (51 m). The ship was surrounded by a huge, painted cyclorama featuring the desert landscape of Altair IV; this one set took up all of the available space in one of the Culver City sound stages. Principal photography took place from April 18 to late May 1955.
Later, C-57D models, special effects shots, and the full-size set details were reused in several different episodes of the television series The Twilight Zone which were filmed by CBS at the same MGM studio location in Culver City.
At a cost of roughly $125,000, Robby the Robot was expensive for a film prop at this time. [Note 1] Both the electrically controlled passenger vehicle driven by Robby and the truck/tractor-crane off-loaded from the starship were also constructed specially for this film. Robby later starred in the science fiction film The Invisible Boy and appeared in many TV series and films; like the C-57D, Robby (and his passenger vehicle) appeared in various episodes of CBS's The Twilight Zone, usually slightly modified for each appearance.
The animated sequences of Forbidden Planet, especially the attack of the monster, were created by the veteran animator Joshua Meador, who was lent out to MGM by Walt Disney Pictures. According to a "Behind the Scenes" featurette on the film's DVD, a close look at the creature shows it to have a small goatee beard, suggesting its connection to Dr. Morbius, the only character with this physical feature; the bellowing, now visible monster, caught in the crewman's high-energy blaster beams during the attack, is a direct reference to and a visual pun on MGM's familiar roaring mascot, Leo the Lion, seen at the very beginning of Forbidden Planet and the studio's other films of the era.
Forbidden Planet was first released across the U.S. on April 1, 1956 in CinemaScope, Metrocolor, and in some theaters, stereophonic sound, either by the magnetic or Perspecta processes. The Hollywood premiere was held at Grauman's Chinese Theatre, and Robby the Robot was on display in the lobby. Forbidden Planet ran every day at Grauman's Theater through the following September.
Forbidden Planet was re-released to film theaters during 1972 as one of MGM's "Kiddie Matinee" features; it was missing about six minutes of film footage cut to ensure it received a "G" rating from the Motion Picture Association of America. Later video releases carry a "G" rating, though they are all the original theatrical version.
The miniskirt worn by Anne Francis was seen to be the first worn in a Hollywood movie, and resulted in the film being banned in Spain (it was not shown there until 1967).
Forbidden Planet was first released in the pan and scan format in 1982 on MGM VHS and Betamax videotape and on MGM laser disc and CED Videodisc; years later, in 1996, it was again re-issued by MGM/UA, but this time in widescreen VHS and laser disc, both for the film's 40th anniversary. But it was The Criterion Collection that later re-issued Forbidden Planet in CinemaScope's original wider screen 2.55-to-1 aspect ratio, on a deluxe laser disc set, with various extra features on a second disc. Warner Bros. next released the film on DVD in 1999 (MGM's catalog of films had been sold in 1988 to AOL-Time Warner by Turner Entertainment and MGM/UA). Warner's release offered both cropped and widescreen picture formats on the same disc.
For the film's 50th anniversary, the Ultimate Collector's Edition was released on November 28, 2006 in an over-sized red metal box, using the original film poster for its wraparound cover. Both DVD and high definition HD DVD formats were available in this deluxe package. Inside both premium packages were the films Forbidden Planet and The Invisible Boy, The Thin Man episode "Robot Client" ("Robby The Robot", one of the film's co-stars, was also a guest star in both The Thin Man episode and The Invisible Boy) and a documentary Watch the Skies!: Science Fiction, The 1950s and Us. Also included were miniature lobby cards and an 8 cm (3-inch) toy replica of Robby the Robot. This was quickly followed by the release of the Forbidden Planet 50th Anniversary edition in both standard DVD and HD DVD packaging. Both 50th anniversary formats were mastered by Warner Bros.-MGM techs from a fully restored, digital transfer of the film. A Blu-ray disc edition of Forbidden Planet was released on September 7, 2010.
Shortly before the film was released, a novelization appeared in hardcover and then later in mass-market paperback; it was written by W. J. Stuart (the mystery novelist Philip MacDonald writing under the pseudonym), which chapters the novel into separate first person narrations by Dr. Ostrow, Commander Adams, and Dr. Morbius. The novel delves further into the mysteries of the vanished Krell and Morbius' relationship to them. In the novel he repeatedly exposes himself to the Krell's manifestation machine, which (as suggested in the film) boosts his brain power far beyond normal human intelligence. Unfortunately, Morbius retains enough of his imperfect human nature to be afflicted with hubris and a contempt for humanity. Not recognizing his own base primitive drives and limitations proves to be Morbius' downfall, as it had for the extinct Krell. While not stated explicitly in the film (although the basis for a deleted scene first included as an extra with the Criterion Collection's LaserDisc set and included with both the later 50th anniversary DVD and current Blu-ray releases), the novelization compared Altaira's ability to tame the tiger (until her sexual awakening with Commander Adams) to the medieval myth of a unicorn being tamable only by a virgin.
The novel also includes an element never included in the film: when Dr. Ostrow dissects one of the dead Earth-type animals, he discovers that its internal structure precludes it from ever having been alive in the normal biological sense. The tiger, deer, and monkey are all conscious creations by Dr. Morbius using the great machine as companions ("pets") for his daughter and only outwardly resemble their Earth counterparts. Since the Krell's Great Machine can project matter "in any form" it has the power to create life. Thus, the Krell's self-destruction can be interpreted by the reader as a cosmic punishment for misappropriating the life-creating power of the universe. This is why Commander Adams says in his speech to Altaira "... we are, after all, not God."
The novelization receives a 4.4 star rating overall on Amazon.
Forbidden Planet's innovative electronic music score, credited as "electronic tonalities," partly to avoid having to pay any of the film industry music guild fees, was composed by Bebe and Louis Barron. MGM producer Dore Schary discovered the couple quite by chance at a beatnik nightclub in Greenwich Village while on a family Christmas visit to New York City; Schary hired them on the spot to compose his film's musical score. While the theremin (which was not used in Forbidden Planet) had been used on the soundtrack of Alfred Hitchcock's Spellbound (1945), the Barrons' electronic composition is credited with being the first completely electronic film score; their soundtrack preceded the invention of the Moog synthesizer by eight years (1964).
Using ideas and procedures from the book Cybernetics: Or Control and Communication in the Animal and the Machine (1948) by the mathematician and electrical engineer Norbert Wiener, Louis Barron constructed his own electronic circuits that he used to generate the score's "bleeps, blurps, whirs, whines, throbs, hums, and screeches". Most of these sounds were generated using an electronic circuit called a "ring modulator". After recording the basic sounds, the Barrons further manipulated the sounds by adding other effects, such as reverberation and delay, and reversing or changing the speeds of certain sounds.
Since Bebe and Louis Barron did not belong to the Musicians Union, their work could not be considered for an Academy Award, in either the "soundtrack" or the "sound effects" categories. MGM declined to publish a soundtrack album at the time that Forbidden Planet was released. However, film composer and conductor David Rose later published a 7" (18 cm) single of his original main title theme that he had recorded at the MGM Studios in Culver City during March 1956. His main title theme had been discarded when Rose, who had originally been hired to compose the musical score in 1955, was discharged from the project by Dore Schary sometime between Christmas 1955 and New Year’s Day. The film's original theatrical trailer contains snippets of Rose's score, the tapes of which Rose reportedly later destroyed.
The Barrons finally released their soundtrack in 1976 as an LP album for the film's 20th anniversary; it was on their very own Planet Records label (later changed to Small Planet Records and distributed by GNP Crescendo Records). The LP was premiered at MidAmeriCon, the 34th World Science Fiction Convention, held in Kansas City, MO over the 1976 Labor Day weekend, as part of a 20th Anniversary celebration of Forbidden Planet held at that Worldcon; the Barrons were there promoting their album's first release, signing all the copies sold at the convention. They also introduced the first of three packed-house screenings that showed an MGM 35mm fine grain vault print in original CinemaScope and stereophonic sound. A decade later, in 1986, their soundtrack was released on a music CD for the film's 30th Anniversary, with a six-page color booklet containing images from Forbidden Planet, plus liner notes from the composers, Bebe and Louis Barron, and Bill Malone.
The following is a list of compositions on the CD:
- Main Titles (Overture)
- Once Around Altair
- The Landing
- Flurry Of Dust – A Robot Approaches
- A Shangri-La In The Desert / Garden With Cuddly Tiger
- Graveyard – A Night With Two Moons
- "Robby, Make Me A Gown"
- An Invisible Monster Approaches
- Robby Arranges Flowers, Zaps Monkey
- Love At The Swimming Hole
- Morbius' Study
- Ancient Krell Music
- The Mind Booster – Creation Of Matter
- Krell Shuttle Ride And Power Station
- Giant Footprints In The Sand
- "Nothing Like This Claw Found In Nature!"
- Robby, The Cook, And 60 Gallons Of Booze
- Battle With The Invisible Monster
- "Come Back To Earth With Me"
- The Monster Pursues – Morbius Is Overcome
- The Homecoming
- Overture (Reprise) [this track recorded at Royce Hall, UCLA, 1964]
Costumes and props
In late September 2015 several screen-used items from Forbidden Planet were offered in Profiles in History's Hollywood Auction 74, including Walter Pidgeon’s "Morbius" costume, an illuminating blaster rifle, blaster pistol, a force field generator post, and an original Sascha Brastoff steel prehistoric fish sculpture seen outside Morbius' home; also offered were several lobby cards and publicity photos.
In popular culture
In the 1973 cult classic film Lolly-Madonna XXX, the Gutshall boys are watching Forbidden Planet on TV before Pap Gutshall (played by Robert Ryan) enters the scene and shuts off the set, eliciting groans and objections from his disappointed young-uns.
A scene from the science fiction TV series Babylon 5, set on the Epsilon III Great Machine bridge, strongly resembles the Krell's great machine. While this was not the intent of the show's producer, the special effects crew, tasked with creating the imagery, stated that the Krell's machine was a definite influence on their Epsilon III designs.
The phrase "Monsters from the ID" is carved on a relief on the planet Junthor in the Mass Effect universe.
New Line Cinema had developed a remake with James Cameron, Nelson Gidding and Stirling Silliphant involved at different points. In 2007 DreamWorks set up the project with David Twohy set to direct. Warner Bros. re-acquired the rights the following year and on October 31, 2008, J. Michael Straczynski was announced as writing a remake, Joel Silver was to produce. Straczynski explained that the original had been his favorite science fiction film, and it gave Silver an idea for the new film that makes it "not a remake", "not a reimagining", and "not exactly a prequel". His vision for the film would not be retro, because when the original was made it was meant to be futuristic. Straczynski met with people working in astrophysics, planetary geology, and artificial intelligence to reinterpret the Krell back-story as a film trilogy. In March 2009 Straczynski reported that the project was abandoned, and that a new script was requested.
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- "Sesenta años desde que se viera la primera minifalda en la pantalla de un cine." Hoycinema. Retrieved: August 22, 2016.
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- "Notes about film soundtrack and CD." MovieGrooves. Retrieved: January 16, 2015.
- Wierzbicki 2015, p. 167.
- Hollywood Auction 74. California: Profiles in History. 2015. pp. 325 – 328.
Lot 885: Forbidden Planet hero illuminating laser rifle. (MGM, 1956) Est. US$30,000 - $50,000. Lot 886: Forbidden Planet hero illuminating laser pistol. (MGM, 1956). Est.US$20,000 - $30,000. Lot 889: Force Field generator post from Forbidden Planet. Est. US$8,000 - $12,000. Lot 890: Walter Pidgeon "Dr. Morbius" costume from Forbidden Planet. (MGM, 1956). Est. US$20,000 - $30,000. Lot 891: Original Sascha Brastoff Prehistoric Fish steel sculpture used in the home of Dr. Morbius in Forbidden Planet. (MGM, 1956). Est. US$8,000 - $12,000.(Auction took place September 29, 30, October 1, 2015. Catalog 83MB PDF and Prices Realized List PDF available at ProfilesinHistory.com.)
- Alexander 1996[page needed]
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- Seijas, Casey. "J. Michael Straczynski promises his take on ‘Forbidden Planet’ will be something ‘No one has thought of’." MTV Movies Blog, December 1, 2008. Retrieved: January 16, 2015.
- Rich Drees. "Straczynski Rewrites FORBIDDEN PLANET, Blames Internet." filmbuffonline, March 12, 2009. Retrieved: September 21, 2016.
- Alexander, David. Star Trek" Creator: Authorized Biography of Gene Roddenberry. London: Boxtree, 1996. ISBN 0-7522-0368-1.
- Booker, M. Keith. Historical Dictionary of Science Fiction Cinema. Metuchen, New Jersey: Scarecrow Press, Inc., 2010. ISBN 978-0-8108-5570-0.
- Lev, Peter. Transforming the Screen, 1950–1959. History of the American Cinema 7. Oakland, California: University of California Press, 2006. ISBN 0-520-24966-6.
- Miller, Scott. "Return to the Forbidden Planet." Sex, Drugs, Rock & Roll, and Musical Theatre. Boston: Northeastern University, 2011. ISBN 978-1-5555-3743-2.
- Prock, Stephan. "Strange Voices: Subjectivity and Gender in 'Forbidden Planets Soundscape of Tomorrow." Journal of the Society for American Music, 8.3 (2014), pp. 371-400.
- Ring, Robert C. Sci-Fi Movie Freak. Iola, Wisconsin: Krause Publications, a division of F+W Media, 2011. ISBN 978-1-4402-2862-9.
- Stuart, W. J. Forbidden Planet (A Novel), New York: Farrar, Strauss and Cudahy, 1956.
- Wierzbicki, James. Louis and Bebe Barron's Forbidden Planet: A Film Score Guide. Metuchen, New Jersey: Scarecrow Press, 2005. ISBN 978-0-8108-5670-7.
- Wilson, Robert Frank. Shakespeare in Hollywood, 1929–1956. Madison, New Jersey: Fairleigh Dickinson University Press, 2000. ISBN 0-8386-3832-5.
|Wikiquote has quotations related to: Forbidden Planet|
|Wikimedia Commons has media related to Forbidden Planet.|
- Forbidden Planet at the American Film Institute Catalog
- Forbidden Planet at the Internet Movie Database
- Forbidden Planet at the TCM Movie Database
- Forbidden Planet at AllMovie
- Forbidden Planet at Rotten Tomatoes
- DVD Journal review
- NPR: Barron Score
- "Strange Voices: Subjectivity and Gender in Forbidden Planet's Soundscape of Tomorrow" in Journal of the Society for American Music
- Cinematographic analysis of Forbidden Planet
- "Geological Time Termination in a SciFi Biosphere: An Alternative View of THE FORBIDDEN PLANET"