In musical set theory, a Forte number is the pair of numbers Allen Forte assigned to the prime form of each pitch class set of three or more members in The Structure of Atonal Music (1973, ISBN 0-300-02120-8). The first number indicates the number of pitch classes in the pitch class set and the second number indicates the set's sequence in Forte's ordering of all pitch class sets containing that number of pitches.
In the 12-TET tuning system (or in any other system of tuning that splits the octave into twelve semitones), each pitch class may be denoted by an integer in the range from 0 to 11 (inclusive), and a pitch class set may be denoted by a set of these integers. The prime form of a pitch class set is the most compact (i.e., leftwards packed or smallest in lexicographic order) of either the normal form of a set or of its inversion. The normal form of a set is that which is transposed so as to be most compact. For example, a (second inversion) major chord contains the pitch classes 7, 0, and 4. The normal form would then be 0, 4 and 7. Its (transposed) inversion, which happens to be the minor chord, contains the pitch classes 0, 3, and 7; and is the prime form.
The major and minor chords are both given Forte # 3-11, indicating that it is the eleventh in Forte's ordering of pitch class sets with three pitches. In contrast, the Viennese trichord, with pitch classes 0,1, and 6, is given Forte # 3-5, indicating that it is the fifth in Forte's ordering of pitch class sets with three pitches. The normal form of the diatonic scale, such as C major; 0, 2, 4, 5, 7, 9, and 11; is 11, 0, 2, 4, 5, 7, and 9; while its prime form is 0, 1, 3, 5, 6, 8, and 10; and its Forte # is 7-35, indicating that it is the thirty-fifth of the seven-member pitch class sets.
Sets of pitches which share the same Forte number have identical interval vectors. Those that have different Forte numbers have different interval vectors with the exception of z-related sets (for example 6-Z44 and 6-Z19).
In the language of combinatorics, the Forte numbers correspond to the binary bracelets of length 12: that is, equivalence classes of binary sequences of length 12 under the operations of cyclic permutation and reversal. In this correspondence, a one in a binary sequence corresponds to a pitch that is present in a pitch class set, and a zero in a binary sequence corresponds to a pitch that is absent. The rotation of binary sequences corresponds to transposition of chords, and the reversal of binary sequences corresponds to inversion of chords. The most compact form of a pitch class set is the lexicographically maximal sequence within the corresponding equivalence class of sequences.
There are two methods of computing Forte number and prime form, the second introduced in John Rahn's Basic Atonal Theory and used in Joseph N. Straus's Introduction to Post-Tonal Theory. This affects sets 5-20, 6-Z29, 6-31, 7-20, and 8-26. The article, "List of pitch-class sets", appears to use the Rahn algorithm. For example, the Forte prime for 6-31 is [0,1,3,5,8,9].
- Friedmann, Michael L. (1990). Ear Training for Twentieth-century Music, p.46. ISBN 9780300045376. "The 'Forte number' for a set class is composed of two digits separated by a hyphen. The first integer specifies the number of different pitch classes in the set class, the second the position of the set class on Forte's list."
- Tsao, Ming (2007). Abstract Musical Intervals: Group Theory for Composition and Analysis, p.98. ISBN 9781430308355. A Forte number, "consists of two numbers separated by a hyphen....The first number is the cardinality of the set form...and the second number refers to the ordinal position..."
- Schiff, David (1983/1998). The Music of Elliott Carter.
- Carter, Elliott (2002). The Harmony Book, "Appendix 1". ISBN 9780825845949.