Four Women (song)

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"Four Women"
Song by Nina Simone from the album Wild Is the Wind
Released April 1966
Recorded 1965
Genre soul, gospel
Label Philips Records
Writer(s) Nina Simone
Composer(s) Nina Simone
Producer(s) Hal Mooney
Wild Is the Wind track listing
"I Love Your Lovin' Ways"
(1)
"Four Women"
(2)
"What More Can I Say"
(3)

"Four Women" is a song written by jazz singer, composer, pianist and arranger Nina Simone, released on the 1966 album Wild Is the Wind. It tells the story of four different African-American women. Each of the four characters represents an African-American stereotype in society. Thalami Davis of The Village Voice called the song "an instantly accessible analysis of the damning legacy of slavery, that made iconographic the real women we knew and would become."[1]

African-American female archetypes[edit]

  • The first of the four women described in the song is "Aunt Sarah" a character who represents African-American enslavement. Nina Simone's description of the woman emphasizes the strong and resilient aspects of her race, "strong enough to take the pain" as well as the long-term suffering her race has had to endure, "inflicted again and again".
  • The second woman who appears in the song is dubbed "Safronia", a woman of mixed race ("my skin is yellow") forced to live "between two worlds". She is portrayed as an oppressed woman and her story is once again used to highlight the suffering of the black race at the hands of white people in positions of power ("My father was rich and white/He forced my mother late one night").
  • The third woman is that of a prostitute referred to as "Sweet Thing". She finds acceptance with both black and white people, not only because "my hair is fine", but also because she provides sexual gratification ("Whose little girl am I?/Anyone who has money to buy").
  • The fourth and final woman is very tough, embittered by the generations of oppression and suffering endured by her people ("I'm awfully bitter these days/'cause my parents were slaves"). Simone finally unveils the woman's name after a dramatic finale during which she screams, "My name is Peaches!"

Style[edit]

Musically speaking the song is based on a simple groove based melody with piano, bass guitar and Hammond organ accompaniment. The song gradually builds in intensity as it progresses, and reaches a climax during the fourth and final section. Simone's vocal becomes more impassioned, cracking with emotion and her steady piano playing becomes frenzied and at times dissonant, possibly to reflect the instability of the character. The song ends with Simone wailing, with ear splitting conviction, the name "Peaches".

Cover versions and uses in popular culture[edit]

The group Reflection Eternal which is made up of rapper Talib Kweli and producer Hi-Tek has a version titled "For Women" on their debut album Train of Thought.

Berlin soul singer Joy Denalane, featuring Sara Tavares, Chiwoniso & Deborah, interpreted the song on her debut album Mamani.

A cover version of this song was featured in the ending credits of the 2010 movie For Colored Girls, featuring a sample of Nina Simone singing the 1st verse (as Aunt Sarah) with newly re-recorded vocals performed by Nina's daughter, Simone, singing Safronia's verse, Laura Izibor singing the role of Sweet Thing, and Ledisi singing Peaches' verse.

The song was also on the 2010 show Black Girls Rock!.

Misinterpretation[edit]

Much to Simone's dismay, and despite her intention to highlight the injustice in society and the suffering of African-American people, some listeners interpreted the song as racist. They believed it drew on black stereotypes, and it was subsequently banned on several major radio stations.[2][3]

References[edit]

  1. ^ Davis, Thulani (29 April 2003). "Nina Simone, 1933-2003". The Village Voice. Retrieved 29 April 2012. 
  2. ^ "Nina Simone Returns ... 25 Years Later|". St. Paul Pioneer Press. 13 April 1993. banned by some radio stations 
  3. ^ Brown, George F. (14 December 1966). "San Juan Entertainment". The Virgin Islands Daily News. p. 14. Retrieved 28 April 2012.