Francis F. Lee

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
Francis Fan Lee
Portrait of Francis F. Lee.jpg
Francis F. Lee (2015)
Born (1927-01-28) January 28, 1927 (age 92)
NationalityAmerican
Alma materMassachusetts Institute of Technology
OccupationInventor,
Engineer and Academic
EmployerLexicon, INC
Massachusetts Institute of Technology

Francis Fan Lee (李凡, born January 28, 1927) is an inventor, entrepreneur, and professor emeritus of Electrical Engineering and Computer Science at the Massachusetts Institute of Technology (MIT). He was born January 28, 1927 in Nanjing, China, and became a naturalized US citizen on November 15, 1954. Lee is the founder of Lexicon (company) (originally American Data Sciences).[1] He is best known for three inventions: the Digital Cardiac Monitor (1969), the Digital Audio Signal Processor (1971), and the Digital Time Compression System (1972).[2] In 1984, Lexicon won an Emmy Award for Engineering Excellence for the Model 1200 Audio Time Compressor and Expander, widely used in the television industry.[3]

Education[edit]

In September 1948, during the Chinese Civil War, Lee left Shanghai aboard the USS General W.H. Gordon to complete his undergraduate education at the Massachusetts Institute of Technology. He studied Electrical Engineering and earned his Bachelor of Science in 1950 and Master of Science in 1951. In Fall 1952, Lee entered the PhD program at MIT. He withdrew in 1954 to pursue his career, returned in 1964, and completed his PhD in Electrical Engineering in 1965.[4]

Early career[edit]

In 1954, Lee took a full-time position as Research Engineer with the Servomechanism Laboratory.[5] He was part of a team working on the first Digitally Controlled Milling Machine [6] In 1955, Lee joined the Bizmac Computer Division of RCA. He left a year later to join the UNIVAC super-computer division of Remington Rand.[7][8]

Project MAC[edit]

In 1963, Lee accepted a one-year appointment to work on Project MAC, a time-sharing Multiple Access Computer being developed at MIT under the direction of Robert Fano.[9] Fano launched Project MAC with a 6-week summer session that drew 57 people (including Lee) from universities, industry, and government for brainstorming and collaboration.[10] At the end of the session, Lee described his work on speeding up computer memory in "Lookaside Memory Implementation" (1963).[11] Six years later, Lee presented "Study of Look-Aside Memory," at the IEEE (Institute of Electrical and Electronic Engineers) conference: Transactions on Computers, held in June 1969. Lee's paper was published in IEEE Transactions on Computers.[12] Look-Aside Memory is a forerunner of cache memory.[13][14][15]

Reading Machine Project[edit]

At the end of his Project MAC appointment, Lee resumed his graduate studies at MIT and joined Dr. Samuel Jefferson Mason's Cognitive Information Processing Group in the Research Laboratory of Electronics at MIT[16] Lee's group worked on a reading machine for the blind, the first system that would scan text and produce continuous speech.[17] For his Ph.D. thesis, Lee developed a method for converting printed words into phoneme-based spoken language.[4] Lee presented and published two papers on this work.[18][19]

Later professional life and inventions[edit]

In 1965, Lee joined the MIT faculty as an Associate Professor of Electrical Engineering and Computer Science. He was promoted to full professor in 1968 and served until early retirement in 1987. In 1969, Lee founded American Data Sciences (ADS) with junior partner Charles L. Bagnaschi, an engineer. The company's name was changed to Lexicon Inc. in 1971. Their focus was applying digital delay to audio technology and language instruction.[20][21] In 1973, Lee brought in Ron Noonan as CEO to diversify Lexicon in the professional audio market.[22]

Digital Cardiac Monitoring System[edit]

Lee applied his knowledge of digital design to Electrocardiography (ECG) technology.[23] At the time, waveforms moved left to right across the screen, then returned to a starting point. A digital delay device would allow heartbeats to be monitored with a continuous moving image on a cathode ray terminal (CRT). Lee brought in Professor Stephen K. Burns, an MIT colleague with a strong interest in bio-medical electronics, to help develop the machine, patented in 1971.[24] Lee and Burns licensed the machine first to Becton Dickinson Company, a bio-medical company, followed by Hewlett-Packard and General Electric Company.

Audio Delay System[edit]

The cardiac digital delay unit led to Lee's work in digital audio delay. At the time, sound delay technology (used to create deliberate echo-effects) relied on tape loops and recording devices.[25] MIT lecturer Barry Blesser suggested making a version of Lee's digital delay apparatus that could pass audio signals.[26] With Bagnaschi, they created the first digital signal processor.[27] Steve Temmer, the president of New York City’s Gotham Audio, heard about the experiment and commissioned 50 units of what would be sold as the Gotham Delta-T 101 in 1971, introducing digital delay to the live sound industry. The Delta-T 101 was soon repurposed in recording studios as a device for creating echo effect.[26][1][23][28][29]

Digital Digital Time-Compression and Expansion: Varispeech[edit]

Lexicon Varispeech.jpg

In 1972, Lee filed a patent for a device that could compress or expand the time duration of sound waves while preserving normal sound quality.[30] That year, Lexicon introduced Varispeech, an electronic speech compressor for use in the language instruction market, specifically to help blind students access text more quickly and persons with speech disorders study spoken language.[3][31] Varispeech, the first commercially available pitch shifter, could speed up or slow down recorded speech, while maintaining normal pitch.[32]

Audio Time Compressor and Expander[edit]

An advanced version of Varispeech—the Time Compressor 1200—was introduced in 1981.[33] The device coupled audio time-compression with visual components, allowing broadcasters to show movies and recorded programs at an accelerated rate without audio distortion. Programming and advertisements could be made to fit time slots without cutting. Technicians referred to this process as "lexiconning."[3] Lexicon CEO Ron Noonan described the technology avoiding the "tyranny of scissors." The device was also promoted for creative uses, such as heightening excitement in a TV program or news broadcast by speeding up time.[34][35] Lexicon's Time Compressor Model 1200 received an Emmy in 1984 from the National Academy of Television Arts and Sciences for its technical contributions to editing.[36][37]

Controversy and creativity[edit]

Critics argued that the Time Compressor technology, particularly when applied to movies and older television programs, amounted to "defacing" a creative work, analogous to colorization.[3] Film director Elliot Silverstein argued that, "To use these devices before the artist completes his work makes it part of the creative process. But once the artist has completed his work, to change it without his permission, however subtly, may prejudice his honor or reputation."[3] However, some artists took advantage of the creative possibilities. Stanley Kubrick, for example, used the time-compression device to speed up the sound of guns firing in Full Metal Jacket to intensify the battle scenes.[3] American musician and producer Chris Walla used the early model, Varispeech, to create audio effects, such as making "everything sound like Dr. Who."[32] Pat Metheny describes using Lexicon digital reverb and digital delay technology to "create the 'chorused' thing that i guess i would have to say i was the first to use extensively in jazz and that seemed to have influenced a lot of other guys to do the same."[38][39]

Selling Lexicon[edit]

The company went public in 1985 on the London Stock Exchange. In 1995, Lexicon was sold to Harman International Industries.[40]

Awards[edit]

1984: Emmy Award for Lexicon's Time Compressor Model 1200. Awarded by National Academy of Television Arts and Sciences (NATAS) for Technical Contribution to Editing.[36]

References[edit]

  1. ^ a b Hoffman, Frank (2004). Encyclopedia of Recorded Sound. Routledge. pp. 1215–1216. ISBN 978-0415938358.
  2. ^ Holms, Thom (2006). The Routledge Guide to Music Technology. Routledge. p. 168. ISBN 978-0415973243.
  3. ^ a b c d e f Scardino, Albert (11 September 1989). "TV's Pace and Ads Increase as Time Goes By". The New York Times. Retrieved 2 December 2014.
  4. ^ a b Lee, Francis F. "A Study of Grapheme to Phoneme Translation of English". DSpace@MIT.edu. Retrieved 28 December 2014.
  5. ^ "MIT History - MIT Servomechanisms Laboratory". libraries.mit.edu.
  6. ^ Lee, Francis F., Project 7163, Engineering Memorandum (2 notebooks) 1953-1954 p. 36. Retrieved 26 December 2014. Numerical Control: Making a New Technology, by J. Francis Reintjes. New York: Oxford University Press, 1991 p. 73
  7. ^ Lee, Francis F. "Universal Code Translator". www.google.com/patents. Retrieved 7 December 2014.
  8. ^ Lee, Francis F. "Reversible Code Converter". www.google.com/patents. Retrieved 7 December 2014.
  9. ^ Belzer, Jack; et al. (1979). Encyclopedia of Computer Science and Technology. New York: Marcel Dekker. pp. 339–360.
  10. ^ Chiou, Stefanie; et al. "A Marriage of Convenience: The Founding of the MIT Artificial Intelligence Laboratory" (PDF). web.mit.edu. Retrieved 28 December 2014.
  11. ^ Project Mac Memorandum MAC-M-99" (August 19, 1963) cited by csg.csail.mit.edu p. 4. Retrieved 30 December 2014.
  12. ^ Lee, Francis F. (1969). "Study of Look Aside Memory". IEEE Transactions on Computers. 8 (11): 1062–1064. doi:10.1109/t-c.1969.222581.
  13. ^ Saltzer, Jerome H.; Kaashoek, M. Frans (2009). Principles of Computer System Design: An Introduction. Morgan Kaufmann. p. 390. ISBN 0123749573.
  14. ^ Smith, Alan Jay (1982). "Cache Memories". ACM Computing Surveys. 14 (3). doi:10.1145/356887.356892.
  15. ^ Kaplan, KR and Ro Winder (1973). "Cache-Based Computer Systems". Computer. 6 (3): 30–36. doi:10.1109/c-m.1973.217037.
  16. ^ "Quarterly Progress Report (QRE) "Cognitive Information Processing" no. 76 1965".; no 80 1966
  17. ^ RLE Timeline 1960-1979. Retrieved 3 January 2015
  18. ^ "F.F. Lee "Automatic grapheme-to-phoneme translation of English" Presented at the Seventy-third Meeting of the Acoustical Society of America, Journal of the Acoustical Society of America (JASA), New York, April 20 (1967). MIT Publications and Reports, Meeting Papers Presented" (PDF).
  19. ^ "Machine-to-man communication by speech part 1: generation of segmental phonemes from text" the American Federation of Information Processing Societies (AFIPS) Spring Joint Computer Conference (1968). Published in: Proceedings of the Spring Joint Computer Conference 1968], pp. 333-338 ACM New York, NY, USA ©1968 ACM Digital Library
  20. ^ The Digital Revolution. Retrieved 2 January 2015.
  21. ^ The Routledge Guide to Music Technology, Thom Holmes (Routledge: 2006).
  22. ^ "Lexicon Celebrates 35 Years of Digital Audio". Lexicon. Cline Media. Retrieved 29 November 2014.
  23. ^ a b "Signal Processing - Dangerous Music".
  24. ^ Lee, Francis F. "Monitor method and apparatus for physiological signals and the like". www.google.com/patents. Retrieved 6 December 2014.
  25. ^ The Telos Alliance, "Under the Hood" "What You Need to Know About Audio Time Management for Radio," Neil Glassman. "Delay goes digital." Retrieved 3 January 2015.
  26. ^ a b personal conversations with Barry Blesser, Francis Lee, Charles Bagnaschi. Circa 1980.
  27. ^ Lee, Francis F. "Signal Processing Apparatus". www.google.com/patents. Retrieved 10 January 2015.
  28. ^ AES: The Digital Revolution: - 1999-2004, Steven E. Schoenherr. Retrieved 5 January 2015
  29. ^ Inc, Nielsen Business Media (1 June 1996). "Billboard". Nielsen Business Media, Inc. – via Google Books.
  30. ^ Lee, Francis F. "Apparatus for the Modification of the Time Duration of Wave Forms". www.google.com/patents. Retrieved 10 December 2014.
  31. ^ Learning Through Listening: Applying Listening Skills to the Curriculum.Proceedings of a Special Study Institute Sponsored by the Division of Special Education, California State Department of Education. p. 36. Retrieved 6 January 2015
  32. ^ a b Costello, Sean. "The first digital pitch shifter: Lexicon Varispeech". The Halls of Valhalla. Retrieved 19 December 2014.
  33. ^ "Lexicon Digital Audio Processors of the 1980s - Preservation Sound". www.preservationsound.com.
  34. ^ "New Lexicon Digital Audio Processor Alters Speed Without Pitch Distortion" (PDF). www.americanradiohistory.com. Retrieved 10 January 2015.
  35. ^ Winfrey, Lee. "Machine Lets Films Survive Television's Test Of Time Slots". www.philly.com. Retrieved 10 January 2015.
  36. ^ a b "Introducing Lexicon model 1200C income expander" (PDF). www.americanradiohistory.com. Retrieved 10 December 2014.
  37. ^ "Engineering Excellence" (PDF). American Radio History. Retrieved 26 December 2014.
  38. ^ Set, Powered by Cyclone Enterprise: A Cyclone Interactive Mutlimedia Group, Inc. e-Solution. "Pat Metheny : Question & Answer". www.patmetheny.com.
  39. ^ Forte, Dan (December 1981). "Pat Metheny - Jazz Voice of the 80s". Guitar Player.
  40. ^ Steve Schoenherr, The Digital Revolution, "Digital Audio Revolution" Audio Engineering Society website. Retrieved 6 January 2015.