This article needs additional citations for verification. (May 2015) (Learn how and when to remove this template message)
Conroy, c. 1960
|Born||January 15, 1936|
New York City, U.S.
|Died||April 6, 2005 (aged 69)|
Iowa City, Iowa, U.S.
|Alma mater||Haverford College|
|Genre||Memoir, novel, short story, essay, travelogue|
Frank Conroy (January 15, 1936 – April 6, 2005) was an American author. He published five books, including the highly acclaimed memoir Stop-Time. Published in 1967, this ultimately made Conroy a noted figure in the literary world. The book was nominated for the National Book Award.
Early life and education
Frank Conroy was born on January 15, 1936 in New York, New York to an American father and a Danish mother. Conroy graduated from Haverford College, and was director of the influential Iowa Writers' Workshop at the University of Iowa for 18 years, from 1987 until 2005, where he was also F. Wendell Miller Professor. He was previously the director of the literature program at the National Endowment for the Arts from 1982 to 1987.
Conroy's published works include the memoir Stop-Time (1967); a collection of short stories, Midair (1985); a novel, Body and Soul (1993), which is regarded as one of the finest evocations of the experience of being a musician; a collection of essays and commentaries, Dogs Bark, but the Caravan Rolls On: Observations Then and Now (2002); and a travelogue, Time and Tide: A Walk Through Nantucket (2004). His fiction and non-fiction have appeared in such journals as The New Yorker, Esquire, GQ, Harper's Magazine and Partisan Review. He was named a Knight of the Order of Arts and Letters by the French government.
In addition to writing, Conroy was an accomplished jazz pianist, winning a Grammy Award in 1986 for liner notes. His book Dogs Bark, But the Caravan Rolls On: Observations Then and Now includes articles that describe jamming with Charles Mingus and with Charlie Watts and Bill Wyman. The latter session occurred when Conroy was writing about the Rolling Stones for Esquire. Conroy had arrived at a mansion for the interview, found nobody there, and eventually sat down at a grand piano and began to play. Someone wandered in, sat down at the drums, and joined in with accomplished jazz drumming; then a fine jazz bassist joined in. They turned out to be Watts and Wyman, whom Conroy did not recognize until they introduced themselves after the session.
Death and recognition
Conroy is the subject of Mentor: A Memoir by Tom Grimes, his former student at the Iowa Writers Workshop and long-time friend.
- Frank Conroy at Find a Grave
- Identity Theory interview with Frank Conroy
- Lacy Crawford (Fall 2004). A Final Conversation, with Frank Conroy, Narrative Magazine.
- Two Frank Conroy manuscripts are housed at the University of Iowa Special Collections & University Archives.
- 1994 Whiting Writers' Award Keynote Speech