Frankenstein, or The Vampire's Victim
|or The Vampire's Victim|
Sheet music cover
|Lyrics|| Richard Butler |
Henry Chance Newton
|Book|| Richard Butler |
Henry Chance Newton
|Productions||1887 West End|
Frankenstein, or The Vampire's Victim (sometimes called Frankenstein, or The Model Man) is a musical burlesque written by Richard Henry (a pseudonym of Richard Butler and Henry Chance Newton). The music was composed by Meyer Lutz. The piece is a burlesque of the Mary Shelley novel Frankenstein and the Adelphi Theatre drama based on the novel.
Opening at the Gaiety Theatre, London on 24 December 1887, the production was a flop, closing after a week. It starred Nellie Farren as Dr. Frankenstein and Fred Leslie as a monster who is in touch with his feminine side. The Victorian audiences found the piece too feminist in tone. In addition, the public was annoyed at George Edwardes, who had reduced the size of the inexpensive "pit" in favour of more "stalls". The piece also featured Marion Hood as the doctor's love interest Tartina; E. J. Lonnen as the vampire Visconti; Emily Cross as Mary Ann; Sylvia Grey as Tamburina, goddess of the sun; Sybil Grey as Vanilla; the dancer John D'Auban as Demonico; and Frank Thornton as Schwank.
This type of work, the Victorian burlesque, was popular in Britain at the time. Other examples include The Bohemian G-yurl and the Unapproachable Pole (1877), Blue Beard (1882), Ariel (1883, by F. C. Burnand), Galatea, or Pygmalion Reversed (1883), Little Jack Sheppard (1885), Monte Cristo Jr. (1886), Miss Esmeralda (1887), Mazeppa, Faust up to Date (1888), Ruy Blas and the Blasé Roué (1888), Carmen up to Data (1890), and Don Juan (1892, with lyrics by Adrian Ross).
John Hollingshead had managed the Gaiety Theatre from 1868 to 1886 as a venue for variety, continental operetta, light comedy, and numerous musical burlesques composed or arranged by the theatre's music director, Wilhelm Meyer Lutz. Hollingshead called himself a "licensed dealer in legs, short skirts, French adaptations, Shakespeare, taste and musical glasses." In 1886, Hollingshead ceded the management of the theatre to George Edwardes, whom he had hired in 1885. Edwardes expanded the burlesque format from one act to full-length pieces with original music by Lutz, instead of scores compiled from popular tunes, and choreography by the theatre's dance-master, John D'Auban. Nellie Farren, as the theatre's "principal boy," and Fred Leslie starred at the Gaiety for over 20 years. Leslie wrote many of its pieces under his pseudonym, "A. C. Torr". In the early 1890s, as Burlesque went out of fashion, Edwardes changed the focus of the theatre from musical burlesque to the new genre of Edwardian musical comedy.
- Hollingshead (1903), pp. 14 and 55
- Hollingshead (1903), p. 53
- Stuart, Roxana. "Stage blood: vampires of the 19th-century stage", p. 331, Popular Press, 1994 ISBN 0-87972-660-1
- Programme for Carmen up to Data Archived December 10, 2008, at the Wayback Machine.
- Arthur Lloyd Music Hall site (on Gaiety) Cuttings Archived January 4, 2008, at the Wayback Machine. accessed 01 Mar 2007
- "Theatrical Humour in the Seventies", The Times, 20 February 1914, p. 9, col. D
- Stewart, Maurice. 'The spark that lit the bonfire', in Gilbert and Sullivan News (London) Spring 2003.
- Ganzl, Kurt, "Musicals", London: Carlton (1995), p. 56 ISBN 0-7475-2381-9; Hyman, Alan, "The Gaiety Years", London: Cassell (1975), p. 64 ISBN 0-304-29372-5
- Information about versions of Frankenstein, including this burlesque
- Hollingshead, John. Good Old Gaiety: An Historiette & Remembrance (1903) London:Gaity Theatre Co
- Hollingshead, John. Gaiety Chronicles (1898) A. Constable & co.: London (available online here)