Frederica von Stade

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Frederica von Stade
Frederica von Stade.jpg
Born (1945-06-01) June 1, 1945 (age 74)
Somerville, New Jersey, United States
Alma materMannes School of Music, New York City
OccupationSinger (mezzo-soprano)
Spouse(s)
Peter Elkus
(m. 1973; div. 1990)
Michael G. Gorman (m. 1990)
ChildrenJenny Rebecca Elkus (b. 1977), Anna Lisa Elkus (b.1980)

Frederica von Stade (born June 1, 1945) is an American singer. Since her debut in New York in 1970, she has performed in operas, musicals, concerts and recitals in venues throughout the world, including the Met, La Scala, the Opéra de Paris, the Vienna State Opera, the Salzburger Festspielhaus, Covent Garden, Glyndebourne and Carnegie Hall. Conductors with whom she has appeared include Abbado, Bernstein, Giulini, Karajan and Solti. She has also been a prolific and eclectic recording artist, and has made many appearances on television. A high, lyric mezzo-soprano able to sing music more usually undertaken by sopranos, she is especially associated with the bel canto and French repertoires and with contemporary American music, particularly the works of Jake Heggie. Among her signature roles are Penelope, Rosina, Charlotte, Cendrillon and Mélisande, and, in trousers, Cherubino, Hänsel and Octavian.

Her divorce from her first husband, Peter Elkus, was important in the development of American matrimonial case law, helping to establish the principle that the economic value of a performer's career and celebrity status could be marital property subject to equitable distribution.

Background[edit]

Von Stade's grandparents, Francis Skiddy von Stade Sr. and Kathryne Nevitt Steele von Stade, pictured in 1910

Von Stade's surname derives from the Hanseatic port city of Stade.[1] One of her forebears served as Stade's mayor.[2]

Von Stade is a member of a wealthy family long prominent in northeastern American high society, with roots in Ireland and the Isle of Man as well as in northern Germany.[3][4] Her great-grandfather was Charles Steele, lawyer, banker and partner of J. P. Morgan.[5] Her grandfathers were Edward W. Clucas, stockbroker and yachtsman, and Francis Skiddy von Stade Sr.,[5] importer of bristles, President of the Saratoga Association[6] and chairman of the United States Polo Association. Her great-aunt, Eleanor Steele Reese, was a concert and opera singer who gave up music for an ascetic life of ranching and rural charity.[7][8] Von Stade's parents were First Lieutenant Charles S. von Stade,[5] winner of the 1941 US Open Polo Championship,[9] and Sara Clucas von Stade,[10] a descendant of Jonathan Trumbull,[10] the last colonial Governor of Connecticut, who became a valued advisor of George Washington during the War of Independence.

Early life[edit]

Von Stade's mother introduced her to opera at Salzburg's Festspielhaus, where she would later often sing herself

Von Stade's father was killed in action in Germany on April 10, 1945, when his jeep ran over a landmine.[11] The many letters that he had written to von Stade's mother later inspired Kim Vaeth and Richard Danielpour to devise the song cycle Elegies for her.[11]

Von Stade was born in Somerville, New Jersey on June 1, 1945,[2] a premature baby weighing 21/2 pounds.[12] Her mother nicknamed her Flicka - Swedish for "little girl" - after one of her father's polo ponies.[13]

On December 6, 1946, von Stade's mother married Lieutenant Colonel (later Brigadier General) Horace W. Fuller,[5] a decorated war hero who had fought both as a Marine and in the special forces of the Office of Strategic Services, the clandestine precursor of the CIA.[14][15][16] After demobilization, Fuller was sent to Europe by the State Department to help implement the Marshall Plan.[15] He and his family spent several years in Greece and Italy.[3] Von Stade's memories of her childhood in Athens inspired one of the poems in her lyric cycle Paper Wings, which was set to music by Jake Heggie and features on his CD The faces of love.[17]

The Fullers divorced in 1951.[14] Von Stade's mother returned to the US and took up a secretarial position with the CIA in Washington, DC,[7][2] enrolling her daughter in the Holy Trinity School, Georgetown.[2] (In later years, she launched a catering business; von Stade recalled helping her mother and brother prepare a wedding banquet for four hundred,[18] and it was "Soupe à Sara" that von Stade contributed to the Metropolitan Opera Cookbook.[19] Ultimately von Stade's mother crossed the Atlantic again, settling in a Georgian ruin[2] in Ballitore, County Kildare, Ireland.[5])

Von Stade's immediate family was musical. Her father had used to play the piano,[7] and was known to his comrades for his beautiful voice;[20] at Yale, her brother sang in the Whiffenpoof a cappella chorus;[7] and her mother liked listening to operas on the radio.[1] When von Stade was sixteen, her mother took her to the Salzburg Festival to hear Karl Böhm conducting Elizabeth Schwarzkopf and Christa Ludwig in Der Rosenkavalier;[2][21] she enjoyed it greatly (and was enchanted when she discovered the nearby village of St Wolfgang, to which she returned decades later to film Christmas with Flicka.[22]) At her Sacred Heart Convent schools in Bethesda, Maryland[23][2] and Noroton, Connecticut[5] she learned classical music of a graver kind, joining in the choral singing of Mozart, Handel, Palestrina, Roland de Lassus and Josquin des Prez.[24] But the genre that she loved best was the musical theatre of Broadway.[21] She went ten times to hear Ethel Merman in Annie get your gun,[21] and when she was asked to entertain at parties, she sang popular melodies that she had picked up by ear.[25]

After graduating, von Stade spent a year in Paris as a nanny to three children,[10] studying piano at the École Mozart.[21] She heard Schwarzkopf in recital at the Théâtre des Champs Élysées,[21] and Carmen at the Opéra.[10] Once back in New York, she worked as a secretary for the American Shakespeare Festival,[2] as a sales assistant in the stationery department of Tiffany's[7] and as a singer in oblivious cocktail bars ("customers were not expected to listen, and didn't").[7][clarification needed] But she also began auditioning for small parts in summer stock musicals.[2] Eventually she made her stage debut in the Long Wharf Theater in New Haven, Connecticut, playing Beauty in a production of Beauty and the Beast.[2][dubious ]

A friend's $50 dare prompted her to apply to a conservatory.[10] Hoping to learn how to read music and how to play the piano well enough to handle pop tunes at parties,[25] she auditioned at New York's Mannes School of Music with Mignon's Connais tu le pays?,[25] and was accepted as a student singer. She was funded by help from her family and part-time secretarial work, including a day's temping as Ethel Merman's PA.[26][25] Despite a disappointing evening at a Metropolitan Opera Arabella - "Awful, no melody"[2] - she chose to make opera her speciality, because it offered the quickest route to a degree.[21] Under the tutelage of Sebastian Engelberg, she discovered talents in herself that she had not anticipated,[2] yet she was still so unsure of herself that she contemplated a switch to nursing.[2] After a good review of her Lazuli in the college's production of Chabrier's L'Étoile, however, she found enough self-confidence to enter the Met's 1969 recruitment competition.[2] Her singing of Charlotte's letter aria from Werther got her through to the semi-finals,[10] and Rudolf Bing was sufficiently impressed to sign her up on a comprimario contract without further ado.[10]

Career[edit]

1970s[edit]

The Metropolitan Opera in the Lincoln Center, New York City, was where von Stade's operatic career began

Von Stade debuted at the Met on January 10, 1970, as one of the Three Boys in Die Zauberflöte,[27] singing from a vertiginously airborne basket: "We were so scared by the time we got down to the stage that we didn't even know what opera we were in".[25] Her subsequent comprimario roles were Bersi, Cherubino, Hänsel, Lola, Maddalena, Mercédès, Nicklausse, Preziosilla, Tosca's Shepherd, Siébel, Suzuki, Tebaldo, Virginella, a Flowermaiden in Parsifal, an Unborn Child in Die Frau ohne Schatten, Wowkle ("Part of my job was to zip Tebaldi up before her high B-flats"[2]), Flora ("The dress was too long, and I kept tripping over it"[25] and a Stéphano whose swordplay almost cost Franco Corelli a finger.[2][27]

The Met allowed von Stade to work in other theatres too.[10] In 1971, she gave her first performance with the San Francisco Opera as an F. Scott Fitzgerald-inspired Sextus,[25] later giving her first Cherubino in Santa Fe opposite the Countess of debutante Kiri Te Kanawa.[10] "It was two of the newcomers who left the audience dazzled: Frederica von Stade as Cherubino and Kiri Te Kanawa as the Countess. Everyone knew at once that these were brilliant finds. History has confirmed that first impression."[28] Santa Fe also saw her creating Maria in the posthumous premiere of Villa-Lobos's Yerma.[29] In 1972, she returned there for her first Zerlina and Mélisande ("At the point where Pelléas was coming toward me singing 'Je t'aime, je t'aime', I was trying to decide whether to go to a certain pizza parlor after the show").[10][18]

The Met's Goeran Gentele advised her to interrupt her Met career with a period abroad.[30] After recording her first LP in February 1973 - Haydn's Harmoniemesse, conducted by Leonard Bernstein[31] - she went to Paris to sing Cherubino at Versailles and at the Garnier under Georg Solti in the Giorgio Strehler production that introduced the intendancy of Rolf Liebermann.[30] Summer saw her Glyndebourne debut under John Pritchard in Peter Hall's production of the same opera.[32] In the autumn, she returned to San Francisco as Dorabella;[33] and, at Christmas, she came back to the Met as a per-performance contracted principal, debuting her Rosina.[10]

In 1974, she made her Washington Opera debut as Monteverdi's Penelope,[10] having been drawn to the part by Janet Baker's assumption of it for Hall.[10] In Houston, she created Nina in the premiere of Thomas Pasatieri's The Seagull.[10] She sang Cherubino under Herbert von Karajan in her debut at Salzburg,[34] and in San Francisco sang her first Cenerentola.[33] In Alice Tully Hall, she performed a programme of songs, arias and duets with Judith Blegen and the Chamber Music Society of Lincoln Center,[10] subsequently becoming the first singer admitted to the Society as a member.[3]

In 1975, she went to Houston for her first Octavian ("He has had the best, and it's been done with taste and finesse").[10][2] Rosina was her debut role at the Royal Opera House, Covent Garden in March.[35] In the autumn, she returned to the Met as Adalgisa: "Unfortunately it wasn't as well prepared as I would have wished."[36]

In 1976, she gave her first recital at Carnegie Hall: forgetting the words of Charles Ives's Tom sails away, she fell across Michael Tilson Thomas's piano in laughter and embarrassment.[10] She was the only American invited to join the opera companies of both Paris and La Scala when they visited the US in honour of its bicentennial, singing Cherubino with the French tourists and Cenerentola with the Italians.[2][36] In December, she rejoined the La Scala company at their home in Milan, debuting in a concert performance of La damnation de Faust.[37]

Her 1977 began with President James Carter's New Spirit Inauguration Concert, singing Take care of this house from Bernstein's 1600 Pennsylvania Avenue under the baton of the composer.[38][39] Cherubino introduced her to the Vienna State Opera in May.[40] In October, she sang Béatrice in concert under Seiji Ozawa,[41] reflecting her especial affinity with the French repertoire: "French is my favorite because I identify with it and I can completely understand it".[42]

In 1978, she sang her first Charlotte in Houston.[10][43] In the summer of 1979, she sang Massenet's Cendrillon during the opera festival at Ottawa's National Arts Centre, a performance that was also telecast.[2]

1980s[edit]

Von Stade appeared at Covent Garden in the 1970s, 1980s and 1990s, starring in Il barbiere di Siviglia, Werther, La donna del lago and Pelléas et Mélisande

On January 18, 1980, BBC TV broadcast Call me Flicka, an hour-long documentary profile of von Stade filmed over two years in Europe and America. She was seen singing arias by Mozart, Rossini and Massenet, as well as songs by Marie-Joseph Canteloube, George Gershwin and Joni Mitchell.[44] In the autumn, she went to Paris to sing Iphise in Jean-Philippe Rameau's Dardanus; an account of the production's troubles was later written by its conductor.[45] In 1981, she was Elena in Houston in the twentieth century's first American staging of Rossini's La donna del lago.[2] In 1982, she went to Santa Fe to sing her first Mignon.[46] In the autumn, she came back to the Met after a hiatus of six years, singing Idamante opposite Luciano Pavarotti in Jean-Pierre Ponnelle's telecast production of Idomeneo.[47]

In 1983, Hamburg heard her as the Composer in Ariadne auf Naxos.[2] At Carnegie Hall, she was the cynosure of a festival of French opera, starring in semi-staged performances of Cendrillon, Mignon and La Périchole.[48] In Minnesota, she premiered Casa Guidi, a song cycle written for her by Dominick Argento.[49] She sang her first Blanche in the Met's production of Poulenc's Les dialogues des Carmélites.[47] In 1984, she sang her first Amina in San Francisco's La Sonnambula.[50] In 1985, she sang at the inauguration of President Ronald Reagan's second term of office.[51] In 1987, Granada TV filmed a documentary, The Show Boat Story, about the making of her recording of Jerome Kern's musical.[52]

In 1988, she went to Tanglewood to sing A little bit in love from Wonderful Town in a telecast gala celebrating Bernstein's seventieth birthday.[53] Also telecast was Dallas's premiere of The Aspern Papers, in which she created the role of Tina that Argento had written for her.[54] In 1989, she went to London to sing Mozart's Requiem for Carlo Maria Giulini,[55] and to Santa Fe for the US's first staging of Chérubin.[54]

1990s[edit]

San Franciso's War Memorial Opera House was von Stade's home theatre during the 1990s

In 1990, von Stade was invited to the White House to give a song recital for Presidents George H. W. Bush and Mikhail Gorbachev.[56] (Her uncle, Taft Broadcasting Company vice-president Frederick H. von Stade,[57] was a Bush family friend[58]). In 1990 too a telecast Flicka and friends: von Stade, Hadley and Ramey in concert featured numbers from Show Boat.[59] In 1991, she went to London's Barbican Hall to portray the naughty child in a concert presentation of L'Enfant et les sortilèges.[60] In New York, she sang in a telecast of the Richard Tucker Music Foundation's Gala XVI.[61]

In 1992, she went to London's Barbican for a filmed, semi-staged production of Bernstein's On the Town.[62] In New York, she was at Avery Fisher Hall for the telecast gala marking Rossini's bicentenary.[63] At Santa Fe, she sang her first Xerxes, losing her way in her first big aria: "I came offstage and told my manager, 'I'm here to tell you that you don't actually die from shame'".[64][65]

In 1994, she created the role of the Marquise written for her by Conrad Susa in San Francisco's telecast The dangerous liaisons,[50] finally granting Frank Corsaro his wish of twenty years earlier that she should one day play a villain.[18]

In 1995, the Met honoured her quarter-century of service with a new Pelléas et Mélisande produced by Jonathan Miller.[47] In 1997, she sang in San Francisco's telecast Golden Gate Gala.[59] In 1998, she was in San Francisco again for her debut as Countess Geschwitz in Alban Berg's Lulu;[50] in New York, she sang in a telecast gala with the San Francisco Symphony Orchestra.[59] In 1998 too she premiered the Danielpour song cycle Elegies.[66] 1999 saw her in a Mostly Mozart Festival telecast from Lincoln Center.[59] In Paris, she sang her first Hanna in The merry widow.[67] In Los Angeles, she appeared in A little night music as Desiree Armfeldt, singing a role that had been especially enlarged for her.[68]

2000s[edit]

Jake Heggie is the composer with whom von Stade has worked most often

In 2000, von Stade went to San Francisco Opera to create the role of Mrs de Rocher in Heggie's Dead man walking;[50] she had been offered the leading part of Sister Helen Prejean, but had declined it in favour of a younger colleague.[69] She shares Prejean's opposition to capital punishment ("an extreme form of state-sponsored vengeance that only demeans and dehumanizes everyone").[69]

In 2001, she sang in the telecast gala that opened Philadelphia's Kimmel Center for the Performing Arts.[59] In 2002, she made her belated debut at the BBC Proms in London's Royal Albert Hall, singing Shéhérazade;[70] she had been scheduled to headline the festival's Last Night the year before, but had been thwarted by the grounding of aircraft in the aftermath of the events of September 11.[71] In 2002 too she sang with the Mormon Tabernacle Choir in the festivities accompanying the Winter Olympic Games in Salt Lake City.[59] In 2005, she sang Despina in San Francisco,[50] the Grande Duchesse de Gérolstein in Los Angeles[72] and Ottavia in Houston's L'incoronazione di Poppea.[73] At the 57th Emmy Awards, she appeared with William Shatner, singing Alexander Courage's Star Trek theme.[74]

In 2008, she created Madeline in Houston's world premiere of Three Decembers, a chamber opera written for her by Heggie.[75] In 2009, she went to Kitchener, Ontario, to premiere Nathaniel Stookey's Into the bright lights, a cycle of songs setting three poems that she had written about ageing, singing and her love of her children.[12][76] Also in 2009, she went to Washington to sing with Bill Cosby, James Taylor, and President Barack Obama at the seventy-seventh birthday celebrations of Senator Edward Kennedy.[77](As a 10-year-old, she had helped to babysit some of Robert Kennedy's children.[78]) She took with her some young singers from the Bay area whose musical training she had helped to advance.[79]

2010s[edit]

Ricky Ian Gordon gave von Stade one of her most recent operatic roles in A Coffin in Egypt

In 2010, von Stade was again accompanied by some of her young protégés when she paid a visit to Garrison Keillor's radio show, A Prairie Home Companion.[12] In New York, she was honoured at the Metropolitan Opera Guild's annual Waldorf-Astoria luncheon,[80] and gave a farewell recital at Carnegie Hall.[80] In 2011, the Herbst Theater, San Francisco, was where many colleagues joined her for Celebrating Frederica von Stade, a gala to raise funds for some of her charities.[81] San Francisco Opera honoured her with a farewell tribute in 2012.[78]

In 2014, she returned to Houston to create Myrtle in A coffin in Egypt, an opera written for her by Ricky Ian Gordon.[82] In 2015, she created Winnie in Heggie's Great Scott in Dallas,[83] and twice appeared with the Dallas Street Choir, a chorus of people enduring homelessness.[84] In 2018, she visited Philadelphia to create the role of Danny, an Alzheimer's sufferer, in Lembit Beecher's chamber opera Sky on swings.[85] She continues to sing, to teach and to help young people from disadvantaged backgrounds to enjoy and perform classical music.[12][78] Among the charities with which she has been most deeply involved are the Steinerite Sophia Project and the Berkeley Young Musicians Programme.[78] (Oakland's St Martin de Porres School, which she supported for many years, was closed by its presiding bishop in 2017.[78])

Personal life[edit]

Von Stade's peripatetic life has taken her from New Jersey to Greece, Italy, Washington DC, New York, Paris and Long Island, but she has now made her home in the San Francisco Bay Area for more than a quarter of a century

At Mannes, von Stade met Peter K. Elkus, bass-baritone, photographer[2][21] and, later, teacher,[86] a son of Richard J. Elkus, chairman of Ampex.[5] Von Stade and Elkus were married in Paris in the Spring of 1973.[5] In the late 1970s, they moved from their high-rise West Side apartment overlooking the Lincoln Center and the Hudson River[21] to a rented Parisian house near the Bois de Boulogne.[2] Their elder daughter was born in 1977; Jenny Rebecca was named after a Carol Hall song that von Stade favoured as an encore.[2] Jenny Elkus duets with her mother on Frederica von Stade sings Brubeck - Across your dreams.[87] Anna Lisa Elkus was born in 1980.[2] Von Stade's lyric cycle Paper Wings, set to music by Heggie, presents vignettes of Lisa's childhood.[88]

As Jenny approached school age, the Elkuses relocated to a Colonial mini-estate on Long Island.[3][2] Elkus coached his wife until 1985: "It's the same old story," said von Stade. "You can't learn to drive from your husband. A husband-and-wife team is a risky thing, [...] We thought we were strong enough to defy it, and we weren't."[86] The Elkuses divorced in 1990,[86] the litigation that accompanied their parting becoming a staple of legal textbooks.[89]

On December 30, 1990, von Stade married Michael G. Gorman, a San Francisco manufacturer and, later, banker, the father of three children.[90][13] The Gormans lived in a 1910 Tudor Revival house in the middle of Alameda,[91][92] before moving to the waterfront.[78] Their first grandchild, Charlotte Frederica, was born in 2010.[81]

Von Stade became a Roman Catholic Christian as a child, led to her faith by nuns, priests and a convert grandmother, and attracted by the theatricality of its rituals.[23] Catholicism continues to inform her philosophy,[12] reconcile her to her experience of suffering[12] and guide her work as a musician and philanthropist.[69]

Recordings[edit]

Von Stade has sung on more than a hundred recordings, including symphonic works, sacred music, operas, musicals, art songs, pop songs, folk songs, jazz and comedy. Her recordings have garnered twelve Grammy nominations and two Grammy wins, two Grand Prix du Disque awards, the Deutsche Schallplattenpreis, Italy's Premio della Critica Discografica, and "Best of the Year" citations by Stereo Review and Opera News.[59][93] Her personal favourites are her Arthaus video and Decca audio recordings of Le nozze di Figaro, her EMI Pelléas et Mélisande, her DG Mahler Symphony No. 4, her pop album Flicka - Another side of Frederica von Stade and her jazz album Frederica von Stade sings Brubeck - Across your dreams.[12]

All of the von Stade recordings first released on vinyl have now been issued on silver disc as well, but six are only available on CD in collections. Frederica von Stade Live! and Shéhérazade are only available in the 18-CD set Frederica von Stade: The Complete Columbia Recital Albums, and Judith Blegen & Frederica von Stade: Songs, Arias & Duets, Frederica von Stade: Song Recital, Frederica von Stade:Italian Opera Arias and the Mahler album Songs of a Wayfarer, Rückert-Lieder and songs from Des Knaben Wunderhorn are only available in that same anthology and in the 4-CD set Frederica von Stade: Duets, Arias, Scenes and Songs. The two SACDs in the discography are hybrid discs which are compatible with any CD machine. Recordings highlighted in blue are the subject of ancillary articles which deal with their cover art, personnel, track listings, release histories and critical reception.

CDs and SACDs of music by a single composer[edit]

May 1977; Orfeo.

CDs and SACDs of music by more than one composer[edit]

CD collections[edit]

  • Frederica von Stade: Duets, Arias, Scenes & Songs; 4 CDs, Newton Classics, 2012.
  • Frederica von Stade: The Complete Columbia Recital Albums; 18 CDs, Sony, 2016.

DVDs[edit]

  • Dvořák: Dvořák in Prague, a celebration; conducted by Seiji Ozawa; recorded in Smetana Hall in December 1993; Kultur.
  • Humperdinck: Hansel and Gretel; sung in English; conducted by Thomas Fulton and produced by Nathaniel Merrill; recorded at the Metropolitan Opera in December 1992; Deutsche Grammophon.
  • Mozart: Grosse messe c-moll KV427; conducted by Leonard Bernstein; recorded April 1990; Deutsche Grammophon.
  • Mozart: Idomeneo; conducted by James Levine and produced by Jean-Pierre Ponnelle; recorded at the Metropolitan Opera in November 1982; Deutsche Grammophon.
  • Mozart: Le nozze di Figaro; conducted by John Pritchard and produced by Peter Hall; recorded at Glyndebourne in 1973; Arthaus Musik.
  • Mozart: Le nozze di Figaro; conducted by James Levine and produced by Jean-Pierre Ponnelle; recorded at the Metropolitan Opera in December 1985; Metropolitan Opera.
  • Rossini: La Cenerentola; conducted by Claudio Abbado and produced by Jean-Pierre Ponnelle; filmed in Vienna in 1981; Deutsche Grammophon.
  • Richard Strauss: New Year's Eve Concert 1992 - Richard Strauss Gala; conducted by Claudio Abbado; recorded in Berlin in 1992; Kultur.
  • A Carnegie Hall Christmas Concert; conducted by André Previn; recorded December 1991; Kultur.
  • Christmas with Flicka; conducted by Julius Rudel; filmed in Austria, copyright 1987; Kultur.
  • Christmas with the Mormon Tabernacle Choir and Orchestra at Temple Square, also issued as The Wonder of Christmas with the Mormon Tabernacle Choir and Orchestra at Temple Square; conducted by Craig Jessop and Mack Wilberg; recorded December 2003; MTC.
  • Glyndebourne Festival Opera Gala Evening; conducted by Andrew Davis and Bernard Haitink; recorded 1992; Image Entertainment.
  • The Metropolitan Opera Centennial Gala; conducted by James Levine et al.; recorded October 1983; Deutsche Grammophon.
  • The Metropolitan Opera Gala 1991 - 25th Anniversary at Lincoln Center; conducted by James Levine; recorded September 1991; Deutsche Grammophon.
  • James Levine's 25th Anniversary Metropolitan Opera Gala; recorded April 1996; Deutsche Grammophon.

Laserdiscs and VHS videocassettes[edit]

Writings[edit]

  • Autobiographical essay on Le nozze di Figaro in Hamilton, David (ed.): The Metropolitan Opera Encyclopedia: Thames and Hudson; 1987.
  • Preface to Bretan, Nicolae: Religious music; Editio Musica; 1989.
  • Recipe for Soupe à Sara in Bond, Jules J. (ed.): The Metropolitan Opera Cookbook; Stewart Tabori & Chang; 1994.
  • Autobiographical essay: Frederica von Stade: Voyage à Paris RCA Victor Red Seal CD; 1995
  • Song: And then the setting sun; music by Jake Heggie; 1996.
  • Song: The car ride to Christmas; music by Jake Heggie; December celebration: new carols by seven American composers Pentatone SACD; 1996.
  • Song cycle: Paper wings; music by Jake Heggie; The faces of love: the songs of Jake Heggie BMG CD; 1997.
  • Autobiographical essay in Martin, James (ed.): How can I find God?: the famous and the not-so-famous consider the quintessential question; Liguori; 1997.
  • Song: Sophie's song; music by Jake Heggie; The faces of love: the songs of Jake Heggie BMG CD; 1998.
  • Autobiographical essay: Frederica von Stade: French opera arias Sony CD; 1998.
  • Essay on Charles S. von Stade; Danielpour: Elegies Sony CD; 2001.
  • Autobiographical introduction to Siberell, Anne: Bravo! Brava! A night at the opera; Oxford University Press; 2001.
  • Song: To my Dad; music by Jake Heggie; Flesh & stone: songs of Jake Heggie Classical Action CD; 2004.
  • Song cycle: Into the bright lights; music by Nathaniel Stookey; AMP; 2009.
  • Autobiographical essay: Gramophone, May 2010.

Honours[edit]

Von Stade was honoured with an award in 1983 at the White House by President Reagan in recognition of her significant contribution to the arts, and by France's second highest honour in the Arts as an officer of the Ordre des Arts et des Lettres.[59] In April, 2012 was elected to the American Academy of Arts and Sciences. She holds honorary doctorates from the universities of Boston and Yale, the Mannes School of Music, the Cleveland Institute of Music, the San Francisco Conservatory of Music and the Georgetown University School of Medicine.[94][59]

Elkus v. Elkus[edit]

During von Stade's marriage to Peter Elkus, he gave up singing and teaching in order to travel with her, attend her rehearsals and performances, coach and critique her, photograph her for album covers and magazine articles and help care for their daughters. In the year of their wedding, she earned $2,250; by the time that their marriage was dissolved, her income had grown to $621,878. In a case heard at the Appellate Division of the Supreme Court of New York, Elkus's counsel argued that the economic value of von Stade's career and celebrity status had been enhanced by the contributions and efforts that he had made in support of her, and that the difference which they had made to this value constituted marital property subject to equitable distribution. Overturning an order of the Supreme Court of New York County made by Walter M. Schackman, J. on September 26, 1990, Rosenberger, J. found for Elkus on July 2, 1991. The finding constituted a significant precedent in American matrimonial case law, establishing that the former spouse of any performing artist could in principle be entitled to a share of the artist's earnings indefinitely.[95]

Trivia[edit]

Von Stade was the idol of key character Maggie in the CBS series Northern Exposure (her interpretation of Baïlèro from Canteloube's Chants d'Auvergne appeared on its original soundtrack album).[96]

References[edit]

  1. ^ a b Koopman, John: Im Gespräch: Frederica von Stade; Das Opern Glas, Apr 1990, p. 41
  2. ^ a b c d e f g h i j k l m n o p q r s t u v w x y z Tassel, Janet: A real thoroughbred; Opera News, Apr 1983, p. 17
  3. ^ a b c d Swan, Annalyn: The sweetheart of American opera; Newsweek, 4 Apr 1983, p. 51
  4. ^ Fox, Sue: My hols; The Sunday Times Travel Supplement, Jul 2002, p. 18
  5. ^ a b c d e f g h New York Times, 11 Feb 1973, p. 68
  6. ^ "F Skiddy von Stade".
  7. ^ a b c d e f Berthoud, Roger: La dame aux beaux plombages; Illustrated London News. 1 Aug 1988, p. 20
  8. ^ "Steele Reese Foundation". Steele Reese Foundation. Retrieved July 26, 2018.
  9. ^ Laffaye, Horace A.:The Polo Encyclopedia, 2nd edition, 2015, p. 385
  10. ^ a b c d e f g h i j k l m n o p q r Anon: Current Biography 1977, p. 414
  11. ^ a b Danielpour: Elegies; CD booklet
  12. ^ a b c d e f g Serinus, Jason Victor: Flicka's farewell opens doors; sfcv.org, 8 Jun 2010
  13. ^ a b Prior, Ginny: The world is Frederica von Stade's stage, but Alameda is home; ginnyprior.com, 7 Dec 2005
  14. ^ a b New York Times, 18 Aug 1989, p. 20
  15. ^ a b apnews.com, 17 Aug 1989: Horace Fuller, retired Marine General, dies at 81
  16. ^ specialforcesroh.com
  17. ^ Heggie: The faces of love; CD booklet
  18. ^ a b c Anon: Von Stade: forget the magic; Time, 13 Dec 1976, p. 101
  19. ^ Bond, Jules J.:Metropolitan Opera Cookbook, 1994
  20. ^ fieldsofhonor-database.com
  21. ^ a b c d e f g h Jacobson, Robert: Flicka and Richard; Opera News, 24 Jan 1976, p. 16
  22. ^ Christmas with Flicka DVD
  23. ^ a b Martin, James: How can I find God?, 2014, p. 56
  24. ^ Anon: Flicka; The New Yorker, 7 May 1979, p. 35
  25. ^ a b c d e f g von Buchau, Stephanie: Our friend Flicka; Opera News, 10 Apr 1971, p. 26
  26. ^ Trelawny, Petroc: interview with von Stade and Kiri Te Kanawa; BBC TV, 21 Jun 2019; https://www.youtube.com/watch?v=BTsMTyS0yDM
  27. ^ a b Metropolitan Opera archive[full citation needed]
  28. ^ Scott, Eleanor (1976). The First Twenty Years of The Santa Fe Opera. Santa Fe, New Mexico: The Sunstone Press. OCLC 2856854.
  29. ^ Mesa, Franklin: Opera: an encyclopedia of world premieres and significant performances, 2015, p.293
  30. ^ a b Smith, Patrick J.: Frederica von Stade, musician of the month; High Fidelity / musical america, Dec 1973, p. MA-8
  31. ^ Leonard Bernstein: The Royal Edition No. 36 of 100, CD booklet
  32. ^ Glyndebourne Festival archive[full citation needed]
  33. ^ a b San Francisco Opera archive[full citation needed]
  34. ^ Salzburg Festival archive[full citation needed]
  35. ^ Royal Opera House, Covent Garden archive[full citation needed]
  36. ^ a b Blyth, Alan: Frederica von Stade; Gramophone, Feb 1977, p. 1263
  37. ^ Feeney, Anne: Artist biography; allmusic.com/artist/frederica-von-stade
  38. ^ Bernstein: The Bernstein songbook, CD booklet
  39. ^ Frederica von Stade: the complete Columbia recital albums, CD booklet
  40. ^ Vienne State Opera archive[full citation needed]
  41. ^ New York Magazine, 19 Sep 1977, p. 38
  42. ^ Rosenwald, Peter J.: Cinderella of the opera; Horizon, Sep 1979, p. 22
  43. ^ Call me Flicka, BBC TV
  44. ^ Radio Times, 10 Jan 1980
  45. ^ Leppard, Raymond: Raymond Leppard on music, 1993
  46. ^ New York Times, 10 Aug 1982
  47. ^ a b c Metropolitan Opera archive
  48. ^ Rockwell, John: For Frederica von Stade, a lyric voice has not been a handicap; New York Times, 27 Mar 1983
  49. ^ Argento: Casa Guidi, CD booklet
  50. ^ a b c d e San Francisco Opera archive
  51. ^ Cooper, Sid: It looked so good in the window, 2008, p. 183
  52. ^ The Show Boat Story, Granada TV, 1989
  53. ^ Boston Symphony Orchestra archive
  54. ^ a b Paolucci, Bridget: A time for soul-searching; Opera News, 9 Apr 1988, p. 29
  55. ^ Philharmonia Orchestra programme, 18 and 20 Apr 1989
  56. ^ Korchilov, Igor: Translating history, 1999, p. 254
  57. ^ New York Times, 14 Jan 1979, p. 53
  58. ^ Bush, George H. W.: All the best, George Bush, 2013, p. 33
  59. ^ a b c d e f g h i http://www.fredericavonstade.com
  60. ^ London Symphony Orchestra programme, 28 April 1991
  61. ^ A salute to American music, CD booklet
  62. ^ Bernstein: On the Town, CD booklet and Laserdisc sleeve
  63. ^ The Rossini bicentennial birthday gala, CD booklet and Laserdisc sleeve
  64. ^ Kosman, Joshua: Frederica von Stade looks back on stellar career; sfgate.com, 27 Nov 2011
  65. ^ New York Times, 9 Aug 1993, p. 11
  66. ^ Danielpour: Elegies, CD booklet
  67. ^ Paris Opera archive
  68. ^ Jones, Kenneth: Little Night Music is now operetta in Houston's reused revival Jan. 29 - Feb. 14; playbill.com, 29 Jan 1999
  69. ^ a b c Spoto, Donald: Flicka in 3/4 time; Opera News, March 2000, p. 24
  70. ^ BBC Proms archive
  71. ^ Slatkin, Leonard: Conducting business, 2012
  72. ^ Burgess, Mark: Los Angeles Opera The Grand Duchess; operawest.com, 24 Oct 2005
  73. ^ L'incoronazione di Poppea, Los Angeles Opera, 25 Nov - 16 Dec; operatattler.typepad.com, 22 Dec 2006
  74. ^ emmys.com/news/rhythm-gets-going-unforgettable-musical-opening-and-tribute
  75. ^ Heggie: Three Decembers, CD booklet
  76. ^ musicsalesclassical.com
  77. ^ Kennedy, Senator Edward M. True compass: a memoir, 2011
  78. ^ a b c d e f Gilmore, Sue: The sublime songstress; diablomag.com, 26 Mar 2018
  79. ^ Murphy, Katy: Oakland children to sing tribute to Sen. Ted Kennedy; eastbaytimes, 3 Mar 2009
  80. ^ a b Von Stade, Frederica: Diary; Gramophone, May 2010, p. 20
  81. ^ a b D'Souza, Karen: A farewell for Frederica von Stade; mercurynews.com, 21 Nov 2011
  82. ^ Gordon: A coffin in Egypt, CD booklet
  83. ^ Heggie: Great Scott, CD booklet
  84. ^ dallasstreetchoir
  85. ^ apnews.com/76033f107
  86. ^ a b c Kellow, Brian: Cherubino grows up; Opera News, 1 Apr 1995, p. 38
  87. ^ Frederica von Stade sings Brubeck - Across your dreams, CD booklet
  88. ^ Heggie: The faces of love, CD booklet
  89. ^ Katz, Sanford N.: Family law in America, 2014
  90. ^ New York Times, 21 Jan 1991, p. 4
  91. ^ Barnes, Carolyn: A visit to the home of Frederica von Stade; losaltosonline.com, 27 Jun 2000
  92. ^ Levaux, Janet: Alameda tour to feature six historic homes; eastbaytimes.com, 12 Sep 2016
  93. ^ https://www.grammy.com/grammys/artists/frederica-von-stade-0
  94. ^ Rosenberg, Donald: Frederica von Stade captivates audience at the Cleveland Institute of Music; cleveland.com, 18 May 2009
  95. ^ Elkus v. Elkus, Supreme Court of New York, 169 A.D.2d 134; 572 N.Y.S.2d901
  96. ^ Caldera, Vernon (February 15, 2011). "Video: Frederica von Stade Gives Her Final Operatic Performance in Houston". Retrieved July 22, 2018.

Sources[edit]