This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. (April 2017) (Learn how and when to remove this template message)
This article relies too much on references to primary sources. (April 2017) (Learn how and when to remove this template message)
1958 (age 59–60)|
After a classical training in piano, Rousseau tried multiple instruments (including bass guitar, drums, electric guitar, and percussions) and finally chose the keyboards.
After completing his studies in electronics, he was hired by the Defense Nationale in 1978 to work on the final tests of the neutronic head, the detonator for the French atomic bomb. After two years of this work, he quit.
In 1980, he met Francis Mandin, a young electronic music fan, who convinced him to become a partner in Music Land, a music store in Paris and a laboratory for future electronic instruments.
In 1981, after working on the finalization of the first polyphonic sequencer (MDB Polysequencer), he met Jean Michel Jarre, who was looking for a musical programmer capable of manipulating this instrument for his China Tour. Rousseau was able to reproduce on stage all the sequences that Jarre had taken months to record without having to use playback tapes. This experience marked a turn in his career. Returning to Paris, he continued to participate in the recording of the live album Concerts en Chine.
Later that year, Rousseau met Greek musician Vangelis, who was recording The Friends of Mr Cairo at Studio Davout in Paris, and became friends with Jean-Philippe Rykiel. The following year, Rousseau was called back to London by Vangelis for the recording of the music score of Ridley Scott's Blade Runner. This was the start of a complementary work relationship that was to last over twenty years.
In 1987, in association with Thierry Rogen, Rousseau created French recording Studio Mega. During the next four years, he recorded with many leading French artists of the time, including Mylène Farmer, Jean-Louis Murat, Louis Bertignac, Indochine, and Kassav.
In 1990, Jean Michel Jarre used Rousseau again to rewrite all the intros of the music for La Défense Concert. On stage, Rousseau's job was to synchronize the sequences and to reproduce live all the special effects characteristic of Jarre's music. This concert made it into the Guinness World Records as having the largest concert audience (2,500,000 people).
The year after, Vangelis moved to Paris and recorded the album The City at Studio Mega, which took more than six months. Rousseau then followed the Greek composer to Holland for Eureka, the European community project initiated by François Mitterrand on the theme of Industry and Transport. This concert took place on the Rotterdam docks and was transmitted by satellite to many European countries.
In 1992, Vangelis convinced Rousseau to leave Studio Mega in order to create Astron Studio in Neuilly. They consecutively recorded the music scores of La Peste by Luis Puenzo, Lunes de Fiel by Roman Polanski, and 1492: Conquest of Paradise by Ridley Scott. After Vangelis moved back to Greece, Rousseau traveled back and forth to Athens for the production of the shows Antigone (1993), La Nuit des Poètes (1994), and Tribute to El Greco (1995).
Rousseau released another solo album, MÖ, in 1994, which was inspired by Asian music and would open the way to ethno-lounge music. He continued on his solo career, releasing Spirit in the Woods (1995), dedicated to trees, then Abyss (1996), a concept that Rousseau refers to as "no music," an experience realised with neurologists specialised in musicotherapy. In 1997, he released Woods, an electro-wood fusion with voices from forest people and tribal rhythms.
In 1997, Rousseau rejoined Vangelis in Athens for the opening ceremony of the world championship of athletics.
Meanwhile, Rousseau composed the soundtracks for 40 ethnozoological documentary films and released in 1999 the collection of five albums Terres de Légendes.
Vangelis' project Mythodea initiated in 1993, was finally completed in 2001. Rousseau coordinated the electro-orchestral show starring Jessye Norman and Kathleen Battle and performed by the London Metropolitan Orchestra, directed by Blake Neely. This music was chosen by NASA for the 2001 mission "Mars Odyssey."
In 2002, Rousseau released Travels a musical Travelog, and in 2003, Recall an exclusive release by Nature et Découvertes.
In 2005, Rousseau signed with Milan-Universal and came out with a new album, Tears.
- Music Land (with Jean-Philippe Rykiel) Promo single for the Music instrument shop
- FR2 (with Francis Rimbert) - April Orchestra vol 48
- Earth - April orchestra vol 61
- Overview - Koka Media
- Illustrator series (1990–1992)
- Mö (1994)
- Spirit in the Woods (1995)
- Abyss (1996)
- Woods (1997)
- Terres de Légendes series (1999–2000)
- Travels (2002)
- Recall (2003)
- Tears (2005)
- Harmonia (1997)
- World Voices (1998)
- Buddha Bar III - IV - V (2000–2004)
- Private Lounge (2002)
- Asian I & II (2000–2002)
- Les Chants Magnetiques (1980)
- China Concert Tour (1981)
- Concerts en Chine (live album 1982)
- Musique pour supermarché / Music for supermarket (One copy only LP 1983)
- Zoolook (1984)
- Le Défense concert (1990)
- Blade Runner (film by Ridley Scott 1983)
- Friends of Mr Cairo (1984)
- Themes (1990)
- Oceanic (1998)
- La Peste (film by Luis Puenzo 1991)
- Rotterdam concert (1992)
- 1492, Conquest of Paradise (film by Ridley Scott 1992)
- 1492, (album 1992)
- Opening Show IAFF (1997)
- Mythodea (Concert with Jessye Norman 2001)
- Alexander (film by Oliver Stone 2004)
- Blade Runner Trilogy (album 2007)
- El Greco (album 2007)
- Paris May 1968 (album 2008)
- Operation Cornet de Beef
- Les Visiteurs I
- les Visiteurs II
- Les Anges Gardien
- La vengeance d'une blonde
- Les Filles du Botaniste