Friday the 13th (1980 film)
|Friday the 13th|
|Directed by||Sean S. Cunningham|
|Produced by||Sean S. Cunningham|
|Written by||Victor Miller|
|Music by||Harry Manfredini|
|Edited by||Bill Freda|
Georgetown Productions Inc.
Sean S. Cunningham Films
|Distributed by||Paramount Pictures
Warner Bros. Pictures
|Box office||$59.8 million|
Friday the 13th is a 1980 American slasher horror film directed by Sean S. Cunningham and written by Victor Miller. The film concerns a group of teenagers who are murdered one by one while attempting to re-open an abandoned campground, and stars Betsy Palmer, Adrienne King, Harry Crosby, Laurie Bartram, Kevin Bacon, Jeannine Taylor, Mark Nelson and Robbi Morgan. It is considered one of the first "true" slasher movies.
Prompted by the success of John Carpenter's Halloween, the film was made on an estimated budget of $550,000 and released by Paramount Pictures in the United States and by Warner Bros. in Europe. When originally released, the film received negative reviews from film critics. It grossed over $39.7 million at the box office in the United States. In the years that followed, the film has received much more positive retrospective reviews, and it has become a cult classic. It was also the first movie of its kind to secure distribution in the USA by a major studio, Paramount Pictures. The film's box office success led to a long series of sequels, a crossover with the A Nightmare on Elm Street franchise and a 2009 series reboot.
In the summer of 1958, two camp counselors; Barry and Claudette sneak away from a campfire to have sex in a neighboring barn loft. Unbeknownst to them, they are being followed by an unseen assailant, who is recognized by the pair before they are brutally attacked and killed.
21 years later; in the summer of 1979, a girl named Annie arrives at the town of Crystal Lake asking for a ride out to the camp. Despite warnings from the town crazy Ralph about "camp blood" a truck driver named Enos agrees to give her a ride. On the way he too warns her of a death curse supposedly on the camp after a drowning in 1957, two murders in 1958 and several non-fatal incidents following that. She heeds his warning, but can't back out. He drops her off halfway to the camp, and she manages to find a ride in a Jeep. She becomes panicked when the unspeaking driver drives past the camp's entrance and she tries to flee, but the driver surprises her in the forest and slashes her throat with a hunting knife. Meanwhile, three new counselors; Marcie, Ned and Jack arrive at the camp and meet the camp's owner Steve Christy and two of his hands; Bill and Alice as well as another counselor, Brenda. After setting them up, Steve heads to town for supplies, leaving the others alone. The sheriff arrives shortly after, looking for Crazy Ralph, who appears shortly after he leaves, disturbing them by proclaiming they are "all doomed" before leaving.
As a storm rolls in, Ned spots someone in one of the cabins and goes to investigate. Meanwhile, Marcie tells Jack about a recurring dream of rain turning into blood before the storm moves in on them and they go to a nearby cabin to have sex, unaware that Ned is in the upper bunk, dead from a slashed throat. After Marcie leaves the cabin to wash up, Jack is killed when an arrow is shoved through the back of his neck from under his bed, Marcie is attacked in the bathroom by someone who slams an ax into her face. Bill, Alice and Brenda are playing strip Monopoly when Brenda realizes her cabin windows are open and decides to turn in. As she lays in her cabin, she hears what sounds like a child calling for help and she is lured out onto the archery range where she is killed (off screen). At the main cabin, Alice hears Brenda's screams and she and Bill go searching for their friends, but finding a bloody ax in a bunk they find they have more questions than answers. Bill convinces Alice that it's a prank and they return to the cabin. Meanwhile, Steve returns to the camp on foot and recognizes someone at the entrance before being stabbed and killed. The attacker then turns off the generator and Bill leaves alone to fix it.
Alice awakens sometime later and goes searching for Bill, only to find his body pinned to the generator room door by arrows. She flees back to the main cabin and Brenda's body is hurled through the window. A jeep pulls up and she runs out for help and encounters a woman named Mrs. Voorhees, an old friend of the Christy family. She discovers Brenda's body and begins to recall losing her own son Jason, who drowned in 1957 because the counselors watching him were having sex and not paying attention. She then grows unstable and pulls a knife on Alice and attacks her with it. Alice bludgeons her with a fireplace poker and runs out of the cabin, discovering Annie and Steve's bodies as she flees. Mrs. Voorhees finds her again, and again Alice escapes, hitting Pamela so hard this time she believes she is dead. Retreating to the lake, Mrs. Voorhees attacks again with a machete, after a violent battle on the beach, Alice gains control of the weapon and decapitates her attacker. Stricken with shock, Alice then pushes a canoe out onto the lake and falls asleep.
The next morning, police investigating see Alice on the lake and call to her. Suddenly, the decomposing body of Jason leaps from the lake, dragging her under the water. She wakens in the hospital, having recalled the murders and the boy in the lake, but the sheriff claims they didn't find any boy. After a pause of confusion she then proclaims that "he's still there" before the camera returns to the lake, now at peace.
Friday the 13th was produced and directed by Sean S. Cunningham, who had previously worked with filmmaker Wes Craven on the film The Last House on the Left. Cunningham, inspired by John Carpenter's Halloween, wanted Friday the 13th to be shocking, visually stunning and "[make] you jump out of your seat". Wanting to distance himself from The Last House on the Left, Cunningham wanted Friday the 13th to be more of a "roller-coaster ride".
This film was intended to be "a real scary movie" and at the same time make the audience laugh. Friday the 13th began its life as nothing more than a title. Initially, A Long Night at Camp Blood was the working title during the writing process, but Cunningham believed in his "Friday the 13th" moniker, and quickly rushed out to place an advertisement in Variety. Worried that someone else owned the rights to the title and wanting to avoid potential lawsuits, Cunningham thought it would be best to find out immediately. He commissioned a New York advertising agency to develop his concept of the Friday the 13th logo, which consisted of big block letters bursting through a pane of glass. In the end, Cunningham believed there were "no problems" with the title, but distributor George Mansour stated, "There was a movie before ours called Friday the 13th: The Orphan. It was moderately successful. But someone still threatened to sue. Either Phil Scuderi paid them off, but it was finally resolved."
The film was shot in and around the townships of Blairstown and Hope, New Jersey in the fall (September) of 1979. The camp scenes were shot on a working Boy Scout camp, Camp No-Be-Bo-Sco. The camp is still standing and still works as a summer camp.
The script was written by Victor Miller, who has gone on to write for several television soap operas, including Guiding Light, One Life to Live and All My Children. Miller delighted in inventing a serial killer who turned out to be somebody's mother, a murderer whose only motivation was her love for her child. "I took motherhood and turned it on its head and I think that was great fun. Mrs. Voorhees was the mother I'd always wanted—a mother who would have killed for her kids." Miller was unhappy about the filmmakers' decision to make Jason Voorhees the killer in the sequels. "Jason was dead from the very beginning. He was a victim, not a villain." The idea of Jason appearing at the end of the film was initially not used in the original script, and was actually suggested by makeup designer Tom Savini. Savini stated that "The whole reason for the cliffhanger at the end was I had just seen Carrie, so we thought that we need a 'chair jumper' like that, and I said, 'let's bring in Jason'".
A New York-based firm, headed by Julie Hughes and Barry Moss, was hired to find eight young actors to play the camp's staff members. Cunningham admits that he was not looking for "great actors", but anyone that was likable, and appeared to be a responsible camp counselor. The way Cunningham saw it, the actors would need to look good, read the dialogue somewhat well, and work cheap. Moss and Hughes were happy to find four actors, Kevin Bacon, Laurie Bartram, Peter Brouwer, and Adrienne King, who had previously appeared on soap operas. The role of "Alice" was set up as an open casting call, a publicity stunt used to attract more attention to the film. King earned an audition primarily because she was the friend of someone working in Moss and Hughes’s office. After she auditioned, Moss recalls Cunningham commenting that they saved the best actress for last. As Cunningham explains, he was looking for people that could behave naturally, and King was able to show that to him in the audition.
With King cast in the role of lead heroine Alice, Laurie Bartram was hired to play Brenda. Kevin Bacon, Mark Nelson and Jeannine Taylor, who had known each other prior to the film, were cast as Jack, Ned, and Marcie respectively. It is Bacon and Nelson's contention that, because the three already knew each other, they already had the specific chemistry the casting director was looking for in the roles of Jack, Ned, and Marcie. Taylor has stated that Hughes and Moss were highly regarded while she was an actress, so when they offered her an audition she felt that whatever the part would "be a good opportunity".
Friday the 13th was Nelson's first feature film, and when he went in for his first audition the only thing he was given to read were some comedic scenes. Nelson received a call back for a second audition, which required him to wear a bathing suit, which Nelson acknowledges made him start to wonder if something was off about this film. He did not fully realize what was going on until he got the part and was given the full script to read. Nelson explains, "It certainly was not a straight dramatic role, and it was only after they offered me the part that they gave me the full script to read and I realized how much blood was in it." Nelson believes that Ned used humor to hide his insecurities, especially around Brenda, whom the actor believes Ned was attracted to. Nelson recalls an early draft of the script stating that Ned suffered from polio, and his legs were deformed while his upper body was muscular. Ned is believed to have given birth to the "practical joker victim" of horror films. According to author David Grove, there was no equivalent character in John Carpenter's Halloween, or Black Christmas before that. He served as a model for the slasher films that would follow Friday the 13th.
The part of Bill was handed over to Harry Crosby, son of Bing Crosby. Robbi Morgan, who plays Annie, was not auditioning for the film when she was offered the role. While in her office, Hughes just looked a Morgan and proclaimed "you're a camp counselor". The next day Morgan was on the set. Morgan only appeared on-set for a day to shoot all her scenes. Rex Everhart, who portrays Enos, did not film the truck scenes with Morgan, so she had to either act with an imaginary Enos, or exchange dialogue with Taso Stavrakis—Savini's assistant—who would sit in the truck with her. It was Peter Brouwer's girlfriend that helped him land a role on Friday the 13th. After recently being written off the show Love of Life, Brouwer moved back to Connecticut to look for work. Learning that his girlfriend was working as an assistant director for Friday the 13th, Brouwer asked about any openings. Initially told casting was looking for big stars to fill the role of Steve Christy, it was not until Sean Cunningham dropped by to deliver a message to Brouwer's girlfriend, and saw him working in a garden, that Brouwer was hired.
Estelle Parsons was initially asked to portray the film's killer, Mrs. Voorhees, but eventually declined. Her agent cited that the film was too violent, and didn't know what kind of actress would play such a part. Hughes and Moss sent a copy of the script to Betsy Palmer, in hopes that she would accept the part. Palmer could not understand why someone would want her for a part in a horror film, as she had previously starred in films such as Mister Roberts, The Angry Man, and The Tin Star. Palmer only agreed to play the role because she needed to buy a new car, even when she believed the film to "be a piece of shit." Stavrakis subbed for Betsy Palmer as well, which involved Morgan's character being chased through the woods by Mrs. Voorhees, although you only see a pair of legs running after Morgan. Palmer had just arrived into town when those scenes were about to be filmed, and was not in the physical shape necessary to chase Morgan around the woods. Morgan's training as an acrobat assisted her in these scenes, as her character was required to leap out of a moving jeep when she discovers that Mrs. Voorhees does not intend to take her to the camp. Betsy Palmer explains how she developed the character of Mrs. Voorhees:
Being an actress who uses the Stanislavsky method, I always try to find details about my character. With Pamela […] I began with a class ring that I remember reading in the script that she'd worn. Starting with that, I traced Pamela back to my own high school days in the early 1940s. So it's 1944, a very conservative time, and Pamela has a steady boyfriend. They have sex—which is very bad of course—and Pamela soon gets pregnant with Jason. The father takes off and when Pamela tells her parents, they disown her because having […] babies out of wedlock isn't something that good girls do. I think she took Jason and raised him the best she could, but he turned out to be a very strange boy. [She took] lots of odd jobs and one of those jobs was as a cook at a summer camp. Then Jason drowns and her whole world collapses. What were the counselors doing instead of watching Jason? They were having sex, which is the way that she got into trouble. From that point on, Pamela became very psychotic and puritanical in her attitudes as she was determined to kill all of the immoral camp counselors.
Cunningham wanted to make the Mrs. Voorhees character "terrifying", and to that he believed it was important that Palmer not act "over the top", which had become commonplace since Jack Nicholson's turn as Jack Torrance in The Shining. There was also the fear that Palmer's past credits, as more of a wholesome character, would make it difficult to believe she could be scary. Ari Lehman, who had previously auditioned for Cunningham's Manny's Orphans, failing to get the part, was determined to land the role of Jason Voorhees. According to Lehman, he went in very intense and afterward Cunningham told him he was perfect for the part. In addition to the main cast, Walt Gorney came on as "Crazy Ralph", the town's soothsayer. The character of Crazy Ralph was meant to establish two functions: foreshadow the events to come, and insinuate that he could actually be the murderer. Cunningham has stated that he was apprehensive about including the character, and is not sure if he accomplished his goal of creating a new suspect.
When Harry Manfredini began working on the musical score, the decision was made to only play music when the killer was actually present so as to not "manipulate the audience". Manfredini pointed out the lack of music for certain scenes: "There's a scene where one of the girls [...] is setting up the archery area [...] One of the guys shoots an arrow into the target and just misses her. It's a huge scare, but if you notice, there's no music. That was a choice." Manfredini also noted that when something was going to happen, the music would cut off so that the audience would relax a bit, and the scare would be that much more effective.
Because Mrs. Voorhees, the killer in the original Friday the 13th, appears onscreen only during the final scenes of the film, Manfredini had the job of creating a score that would represent the killer in her absence. Manfredini borrows from the 1975 film Jaws, where the shark is likewise not seen for the majority of the film but the motif created by John Williams cued the audience to the shark's invisible menace. Sean S. Cunningham sought a chorus, but the budget would not allow it. While listening to a Krzysztof Penderecki piece of music, which contained a chorus with "striking pronunciations", Manfredini was inspired to recreate a similar sound. He came up with the sound "ki ki ki, ma ma ma" from the final reel when Mrs. Voorhees arrives and is reciting "Kill her, mommy!" The "ki" comes from "kill", and the "ma" from "mommy". To achieve the unique sound he wanted for the film, Manfredini spoke the two words "harshly, distinctly and rhythmically into a microphone" and ran them into an echo reverberation machine. Manfredini finished the original score after a couple of weeks, and then recorded the score in a friend's basement. Victor Miller and assistant editor Jay Keuper have commented on how memorable the music is, with Keuper describing it as "iconographic". Manfredini says, "Everybody thinks it's cha, cha, cha. I'm like, 'Cha, cha, cha? What are you talking about?'"
In 1982, Gramavision Records released a LP record of selected pieces of Harry Manfredini's scores from the first three Friday the 13th films. On 13 January 2012, La-La Land Records released a limited edition 6-CD boxset containing Manfredini's scores from the first six films. It sold out in less than 24 hours.
Paramount bought Friday the 13th's distribution rights for $1.5 million, after seeing a screening of the film. They spent approximately $500,000 in advertisements for the film, and then an additional $500,000 when the film began performing well at the box office. Friday the 13th opened theatrically on 9 May 1980 across the United States, ultimately expanding its release to 1,100 theaters. It took in $5,816,321 in its opening weekend, before finishing domestically with $39,754,601. It was the 18th highest grossing film that year, facing stiff horror film competition from such high-profile releases as The Shining, Dressed To Kill, The Fog and Prom Night. The worldwide gross was $59,754,601. Friday the 13th was released internationally, which was unusual for an independent film with, at the time, no well-recognized or bankable actors; aside from well-known television and movie actress Betsy Palmer. The film would take in approximately $20 million in international box office receipts. Not factoring in international sales, or the cross-over film with A Nightmare on Elm Street's Freddy Krueger, the original Friday the 13th is the highest grossing film of the film series. To provide context with the box office gross of films in 2014, the cost of making and promoting Friday the 13th—which includes the $550,000 budget and the $1 million in advertisement—is approximately $4.5 million. With regard to the domestic box office gross, the film would have made $114,572,585.15 in adjusted 2014 dollars. In terms of recent box office performance, Friday the 13th would be the highest grossing horror film of 2008 using the adjusted figures. On 13 July 2007, Friday the 13th was screened for the first time on Blairstown's Main Street in the very theater which appears shortly after the opening credits. Overflowing crowds forced the Blairstown Theater Festival, the sponsoring organization, to add an extra screening at 11:00 PM. The event was covered by local media and New York City's Channel 11, WPIX. A 30th Anniversary Edition was released on 10 March 2010. The 25-year anniversary, will be held in the Griffith Park Zoo as part of the Great Horror Campout on March 13, 2015.
Rotten Tomatoes reports that 58% of critics gave the film a positive review, based on 50 reviews. Its most vocal detractor was Gene Siskel, who in his review called Cunningham "one of the most despicable creatures ever to infest the movie business". He also published the address for Charles Bluhdorn, the chairman of the board of Gulf+Western, which owned Paramount, as well as Betsy Palmer's home city and encouraged fellow detractors to write to them and express their contempt for the film. Siskel and Roger Ebert spent an entire episode of their TV show berating the film (and other slasher films of the time) because they felt it would make audiences root for the killer. Leonard Maltin initially awarded the film one star, or 'BOMB', but later changed his mind and awarded the film a star and-a-half stating "...simply because it's slightly better than Part 2" and called it a "...gory, cardboard thriller". Variety claimed the film was "low budget in the worst sense—with no apparent talent or intelligence to offset its technical inadequacies—Friday the 13th has nothing to exploit but its title. "
Later on, retrospective reviews were much more positive regarding the film. Dave Kehr said that "For all its shoddiness, the film manages, just barely, to achieve its ignoble goals -- it delivers what it promises". James Kendrick gave the film a 3 out of 4, calling it "a campfire boogeyman story designed to do little more than build tension and deliver a few well-timed shocks, which it does with precision and even a bit of artistry". Kevin Carr said that "what makes the movie work is that the slasher genre hadn't been set in stone yet, and some choices that director Sean S. Cunningham makes in the film that work against type". The film was nominated for AFI's 100 Years...100 Thrills.
On 3 February 2009, Paramount Home Entertainment released Friday the 13th on an unrated uncut home video version for the first time in the United States (all previous VHS and DVD releases were the rated theatrical version). It is available on both DVD and Blu-ray Disc. The uncut version of the film contains approximately 10 seconds of previously unreleased footage. In 2011, the uncut version of Friday the 13th was released in a 4-disc DVD collection with the first three sequels.
Australia DVD/Blu-ray Release
|DVD/Blu-ray name||Discs #||Region 4/B (Australia)||DVD Special Features|
|Friday the 13th||2||July 1, 2009||
Commentary by Director Sean S. Cunningham,
Return to Crystal Lake: The Making of Friday the 13th,
A Friday the 13th Reunion With Original Cast Members,
Fresh Cuts: New Tales from Friday the 13th,
The Man Behind the Legacy: Sean S. Cunningham,
Lost Tales from Camp Blood Part 1
As of 2009, Friday the 13th has spawned nine sequels, including a crossover film with A Nightmare on Elm Street villain Freddy Krueger. Friday the 13th Part 2 (1981) introduced Jason Voorhees, the son of Mrs. Voorhees, as the primary antagonist, which would continue for the remaining sequels (with exception of the fifth movie) and related works. Most of the sequels were filmed on larger budgets than the original. In comparison, Friday the 13th had a budget of $550,000, while the first sequel was given a budget of $1.25 million. At the time of its release, Freddy vs. Jason had the largest budget, at $25 million. All of the sequels repeated the premise of the original, so the filmmakers made tweaks to provide freshness. Changes involved an addition to the title—as opposed to a number attached to the end—like "The Final Chapter" and "Jason Takes Manhattan", or filming the movie in 3-D, as Miner did for Friday the 13th Part III (1982). One major addition that would affect the entire film series was the addition of Jason's hockey mask in the third film; this mask would become one of the most recognizable images in popular culture. Cunningham did not direct any of the film's sequels, though he did act as producer on the later installments; he initially did not want Jason Voorhees to be resurrected for the sequel.
A reboot to Friday the 13th came to theaters in February 2009, with Freddy vs. Jason writers Damian Shannon and Mark Swift hired to script the new film. The film focused on Jason Voorhees, along with his trademark hockey mask. The film was produced by Michael Bay, Andrew Form and Brad Fuller through Bay's production company Platinum Dunes, for New Line Cinema. In November 2007, Marcus Nispel, director of the 2003 remake of The Texas Chainsaw Massacre, was hired to direct. The film had its United States release on 13 February 2009.
In 1987, seven years after the release of the motion picture, Simon Hawke produced a novelization of Friday the 13th. One of the few additions to the book was Mrs. Voorhees begging the Christy family to take her back after the loss of her son; they agreed.Another addition in the novel is more understanding in Mrs. Voorhees' actions. Hawke felt the character had attempted to move on when Jason died, but her psychosis got the best of her. When Steve Christy reopened the camp, Mrs. Voorhees saw it as a chance that what happened to her son could happen again. Her murders were against the counselors, because she saw them all as responsible for Jason's death.
A number of scenes from the film were recreated in Friday the 13th: Pamela's Tale, a two-issue comic book prequel released by WildStorm in 2007.
- Grove 2005, pp. 11–12.
- Grove 2005, p. 60.
- McCarty, John (July 1984). Splatter Movies: Breaking the Last Taboo of the Screen. St. Martin's Press. p. 2. ISBN 0-312-75257-1.
- Grove 2005, pp. 15–16.
- Bracke 2006, p. 17.
- "Blairstown Theater Festival". Blairstown Theater. Archived from the original on 2007-07-12. Retrieved 2008-03-02.
- Miller, Victor. "Frequently Asked Questions". victormiller.com. Retrieved 11 July 2012.
I have a major problem with all of them because they made Jason the villain. I still believe that the best part of my screenplay was the fact that a mother figure was the serial killer—working from a horribly twisted desire to avenge the senseless death of her son, Jason. Jason was dead from the very beginning. He was a victim, not a villain.
- "Interview with Tom Savini". New York: NY Daily News. Archived from the original on 2006-11-14. Retrieved 11 December 2006.
- Grove, David, pp.21–28
- Bracke, Peter, pg.19-21
- Grove, David, pp.36–39
- Grove, David, pg.41
- Grove, David, pg.34–35
- Grove, David, pp.49–50
- Grove, David, pg.52
- "Slasherama interview with Harry Manfredini". Slasherama. Archived from the original on 2006-05-11. Retrieved 2007-10-28.
- Bracke 2006, p. 39.
- Miller, Victor; Keuper, Jay; Manfredini, Harry (1980). "Return to Crystal Lake: Making of Friday the 13th" Friday the 13th DVD (DVD – region 2). United States: Warner Bros.
- Bracke 2006, p. 94.
- "LA LA LAND RECORDS, Friday the 13th". lalalandrecords.com. Retrieved 11 July 2012.
- Grove 2005, p. 59.
- Box Office Information for Friday the 13th. The Numbers. Retrieved November 15, 2013.
- "1980". boxofficemojo.com. Retrieved 11 July 2012.
- Rockoff 2002, p. 18.
- "Friday the 13th - Box Office Data, DVD Sales, Movie News, Cast Information". the-numbers.com. Retrieved 11 July 2012.
- "Friday the 13th Moviesat the Box Office". boxofficemojo.com. Retrieved 11 July 2012.
- "Tom's Inflation Calculator". halfhill.com. Retrieved 19 February 2009.
- "2008 Yearly Box Office Results". boxofficemojo.com. Retrieved 11 July 2012.
- "Blairstown Theater screensFriday the 13th". The CW 11. Retrieved 2008-06-21.[dead link]
- "Fantastic Friday the 13th Anniversary Item Coming". dreadcentral.com. Retrieved 2013-12-22.
- "Fantastic Friday the 13th Anniversary Movie Night Under the Stars March 13th in Los Angeles". dreadcentral.com. Retrieved 2013-12-22.
- Ron Kurz. "Friday the 13th". Rotten Tomatoes. Retrieved 2015-02-13.
- Bracke 2006, p. 45.
- Siskel, Gene (12 May 1980). "'Friday the 13th': More bad luck". Chicago Tribune (Chicago, Ill). p. A3.
- Hewitt, Chris; Smith, Adam. "Freddy V Jason". Empire (March 2009).
- Maltin, Leonard (2000). Leonard Maltin's Movie Guide. Signet Books. p. 491. ISBN 0-451-19837-9.
- "Friday the 13th". Variety. 31 December 1979. Retrieved 11 July 2012.
- "List of top 400 heart-pounding thrillers" (PDF). American Film Institute. Retrieved 11 July 2012.
- "Buy Movies at Movies Unlimited - The Movie Collector's Site". moviesunlimited.com. Retrieved 11 July 2012.
- Bracke 2006, pp. 314–15.
- "Freddy Vs. Jason (2003)". boxofficemojo.com. Retrieved 11 July 2012.
- Bracke 2006, p. 73–74.
- Gary Kemble (2006-01-13). "Movie Minutiae: the Friday the 13th series (1980-?)". ABC. Archived from the original on 2006-01-15. Retrieved 2007-05-21.[dead link]
- Kit, Borys (2 October 2007). "Duo pumps new blood into 'Friday the 13th'". hollywoodreporter.com. Archived from the original on 11 October 2007. Retrieved 11 July 2012.
- "Platinum Confirmations: Near Dark, Friday the 13th Remakes". The Hollywood Reporter. 3 October 2007. Archived from the original on 2012-10-04. Retrieved 11 July 2012.
- Kit, Borys (14 November 2007). "Nispel scores a date with next 'Friday'". hollywoodreporter.com. Archived from the original on 2 May 2008. Retrieved 11 July 2012.
- "Young Jason Cast in Friday the 13th remake". FearNet. 2008-05-15. Archived from the original on 2008-12-19. Retrieved 2008-05-28.[dead link]
- Hawke 1987, pp. 164–168.
- Grove 2005, p. 50.
- Grove, David (February 2005). Making Friday the 13th: The Legend of Camp Blood. United Kingdom: FAB Press. ISBN 1-903254-31-0.
- Bracke, Peter (11 October 2006). Crystal Lake Memories. United Kingdom: Titan Books. ISBN 1-84576-343-2.
- Rockoff, Adam (2002). Going to Pieces: The Rise and Fall of the Slasher Film. Jefferson, North Carolina: McFarland and Company. ISBN 0-7864-1227-5.
- Hawke, Simon (1987). Friday the 13th. New York: Signet. ISBN 0-451-15089-9.
|Wikiquote has quotations related to: Friday the 13th (1980 film)|
- Friday the 13th at the Internet Movie Database
- Friday the 13th at AllMovie
- Friday the 13th at Rotten Tomatoes
- Friday the 13th at Box Office Mojo
- Film page at Friday The 13th: The Franchise
- Film page at the Camp Crystal Lake web site
- Film page at Fridaythe13thfilms