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Franz Friedrich Grünbaum
7 April 1880
|Died||14 January 1941|
|Occupation||Cabaret artist, operetta and pop song writer, director, actor and master of ceremonies|
Fritz Grünbaum (7 April 1880 in Brno, Moravia as Franz Friedrich Grünbaum – 14 January 1941 at the Dachau concentration camp, Germany) was an Austrian Jewish cabaret artist, operetta and pop song writer, director, actor and master of ceremonies.
During his childhood and adolescence Grünbaum lived with his family in Brünn which were dealing in art. At an age of 18 years, he attended law school in Vienna which he concluded, in fact, as a doctor, but more and more he began to show interest for literature.
After the law studies, he began as a master of ceremonies at Vienna Cabaret Die Hoelle, where he had his first performance in the operetta "Phryne" in 1906. From 1903 on he composed first libretti, among others with Robert Bodanzky and made his appearance as an actor in the most different minor parts on many Vienna Cellar Stages and Revue Theatres.
Until the beginning of World War I (in which he enlisted himself as a voluntary in 1915) again and again he travelled to Berlin – the first time in 1907 in order to perform at "Chat Noir" – to act as master of ceremonies at Rudolf Nelson's theatres. In 1914, Grünbaum acted for the first time at Kabarett Simpl, the legendary Vienna Cabaret where he also acted time and again in the time to come. Together with Karl Farkas he developed in 1922 the so-called "Doppelconférence" originated from Hungary and presented at the "Budapester Orpheum" of Vienna, and led it to its highest spot.
In fact, Grünbaum was described by acquaintances as an "adorable contemporary", but this fact did not impede him to slap an imperial and royal officer in 1910 at the "Hölle" restaurant when he proclaimed anti-Semitic slogans during the programme. After that, he continued with his performance. Later the officer challenged Grünbaum to a duel during which Grünbaum was injured. In 1914, Grünbaum was infected by the war frenzy and in 1914 he joined military service. In spring of 1916 he fought at the Italian front, but he returned disenchanted and from that time he attracted attention by pacifistic slogans.
From 1926, Grünbaum was working at Vienna Bürgertheater. In 18 stage settings he and Karl Farkas had beautiful girls show their legs with the music of Egon Neumann in "Journal der Liebe" and Rita Georg parade in a breeches part. The guest performance of the Marischka revue which began on 1 October 1927 fully fit into this schema. Performance no. 430 of "Wien lacht wieder" took place. In thirty stage settings, Grünbaum and Karl Farkas (music by Ralph Benatzky) performed last year's pop song revue which had not lost its popularity with 120 players and 900 fancy dresses.
He again and again commuted between Berlin and Vienna. In Berlin he acted in films and wrote pop songs, he wrote scripts, in Vienna he was working at different cabarets. In 1933, his texts became more political in Vienna. On the occasion of one of his last performances at Vienna's Cabaret Simpl during the programme of "Metro Grünbaum – Farkas tönende Wochenschau", he was still joking: "I see nothing, absolutely nothing, I think I got astray in national socialist culture."
Last years and death
On 10 March 1938, the day German troops marched into the alpine republic, together with Karl Farkas he was acting for the last time in Simplicissimus. After that, they were put under stage ban. The next day, he tried to flee to Czechoslovakia, but he and his wife were sent back at the border. He hid quite a while in Vienna, but then he was betrayed and transported to the Dachau concentration camp. Later he was taken to Buchenwald and subsequently returned to Dachau. He died at the Dachau concentration camp on 14 January 1941 after having acted for a last time on New Year's Eve for his fellow-sufferers. A star was dedicated to him on the cabaret Walk of Fame.[where?] He is buried at Vienna Central Cemetery, Old Israelite Part, Gate 1.
Fritz Grünbaum was married three times. After his first marriage with Karolina Nagelmüller (1908–1914), he married a colleague Mizzi Dressl and in 1919 he married Lilli Herzl with whom he stayed until her deportation to Minsk in 1942.
Fritz Grünbaum´s art collection
During his lifetime, Fritz Grünbaum was a well-known art collector, especially of Austrian modernist art, whose artworks were featured in famous catalogues and exhibitions. His collection extended to over 400 pieces, 80 of them works by Egon Schiele (1890–1918). This collection disappeared during the Nazi period and 25% of the collection appeared on the art market in the early 1950s through Swiss art dealer Eberhard Kornfeld. The fate of the rest is unknown.
- Die Dollarprinzessin (Operetta by Leo Fall, 1907, with A. M. Willner)
- Der Liebeswalzer (Operetta by Karl Michael Ziehrer, 1908, with Robert Bodanzky)
- Der Zigeunerprimas (Operetta by Emmerich Kálmán, 1912, with Julius Wilhelm)
- Sturmidyll (Comedy, 1914, with Wilhelm Sterk)
- Die Csikósbaroness (Operetta by Georg Jarno, 1920)
- Dorine und der Zufall (Musical comedy by Jean Gilbert, 1922, with Wilhelm Sterk)
- Traumexpress (Operetta by Robert Katscher, 1931, with Karl Farkas)
- "Die Schöpfung" (Cabaret)
- "Die Hölle im Himmel" (Cabaret)
- "Der leise Weise"
- "Draußen in Schönbrunn"
- "Ich hab das Fräuln Helen baden sehn"
- Rich, Young and Beautiful, directed by Fritz Freisler (1928, based on the musical comedy Dorine und der Zufall)
- The Gypsy Chief, directed by Carl Wilhelm (1929, based on the operetta Der Zigeunerprimas)
- Die Csikósbaroness, directed by Jacob Fleck and Luise Fleck (1930, based on the operetta Die Csikósbaroness)
- Everyone Asks for Erika, directed by Frederic Zelnik (1931)
- Liebeskommando, directed by Géza von Bolváry (1931)
- Ein Lied, ein Kuss, ein Mädel, directed by Géza von Bolváry (1932)
- The Theft of the Mona Lisa (1931)
- My Wife, the Impostor (1931), as Silbermann
- The Virtuous Sinner (1931), as Kalapka
- Poor as a Church Mouse (1931), as Schünzl
- Einmal möcht' ich keine Sorgen haben (1932)
- Ein Lied, ein Kuss, ein Mädel (1932), as Adolph Münzer
- Man Without a Name (1932), as Erwin Gablinky
- Things Are Getting Better Already (1932), as Justizrat Feldacker
- Girls to Marry (1932), as Sigurd Bernstein
Literature and Sources
Translated from de:Fritz Grünbaum, which lists as references:
- Christoph Wagner-Trenkwitz und Marie-Theres Arnbom, Grüß mich Gott! Fritz Grünbaum 1880–1941, Brandstätter, 2005, ISBN 3-85498-393-X
- Walter Fritz: Im Kino erlebe ich die Welt – 100 Jahre Kino und Film in Österreich. Wien, 1996, S. 146, ISBN 3-85447-661-2
- Viktor Rotthaler: Frühling für Hitler. Dani Levys historische Vorbilder Frankfurter Rundschau, 13. 1. 2007, S. 15
- "Das Cabaret ist mein Ruin" – 2 CDs (CD1: Chansons, Conferencen und Texte von (und mit) Fritz Grünbaum. CD2: Feature über Fritz Grünbaum von Volker Kühn), Ed. Mnemosyne, Verl. für Alte Hüte & Neue Medien, Neckargemünd/Wien, Februar 2005 – ISBN 3-934012-23-X
- Hans Veigl, "Entwürfe für ein Grünbaum-Monument. Fritz Grünbaum und das Wiener Kabarett", ÖKA, Graz/Wien, 2001 – ISBN 3-9501427-0-3
- Fritz Grünbaum, "Hallo, hier Grünbaum!", Löcker Verlag, Wien/München, 2001 – ISBN 3-85409-330-6
- Fritz Grünbaum, "Die Schöpfung und andere Kabarettstücke. Mit einer kabarettistischen Vorrede von Georg Kreisler", Löcker Verlag, Wien/München, 1984 – ISBN 3-85409-071-4
- Fritz Grünbaum, Der leise Weise. Gedichte und Monologue aus dem Repertoire. Herausgegeben von Hans Veigl. Wien 1992 – ISBN 3-218-00552-3
- Ernst Federn, (1999): Fritz Grünbaums 60. Geburtstag im Konzentrationslager. In: Roland Kaufhold (Hg.) (1999): Ernst Federn: Versuche zur Psychologie des Terrors. Gießen (Psychosozial-Verlag), S. 95–97.