Strauss dedicated the work to the pianist and composer Alfred Grünfeld. The famous coloratura soprano Bertha Schwarz (stage name Bianca Bianchi) sang this concert aria at a grand matinée charity performance at the Theater an der Wien in aid of the "Emperor Franz Joseph and Empress Elisabeth Foundation for Indigent Austro-Hungarian subjects in Leipzig". The waltz was not a great success at its premiere, but was more successful when performed on Strauss' tour of Russia in 1886. A piano arrangement by the composer contributed much to its success beyond Vienna. Grünfeld, the work's dedicatee and a pianist and composer in his own right, also wrote and recorded his own concert transcription of the work for solo piano.
Bianca Bianchi was then a famous member of the Vienna Court Opera Theatre and Strauss was sufficiently inspired to compose a new work, a waltz for solo voice, for the acclaimed singer. The result was his world-renowned "Frühlingsstimmen" waltz which celebrated spring and remained one of the classical repertoire's most famous waltzes. The piece is sometimes used as an insertion aria in the act 2 ball scene of Strauss' operetta Die Fledermaus.
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The waltz makes a grand entry in the key of B-flat major with loud chords preceded with the waltz's three beats to the bar ushering the first waltz's gentle and swirling melody. The second waltz section, in E-flat major invokes the joys of spring with the flute imitating birdsong and a pastoral scene. The plaintive and dramatic third section in A-flat major and later in C minor probably suggests spring showers whereas the fourth section that follows breaks out from the pensive mood with another cheerful melody in A-flat major. Without a coda, the familiar first waltz melody makes a grand entrance before its breathless finish, strong chords and the usual timpani drumroll and warm brass flourish. A performance lasts between seven and nine minutes.
The lyrics were created by Richard Genée (1823–1895).
Die Lerche in blaue Höh entschwebt,
The lark rises into the blue,
Frühlingsstimmen in popular culture
- "Frühlingsstimmen" is probably best known today from its use by the American slapstick comedy team The Three Stooges in their short films Micro-Phonies and Brideless Groom. In the former short, it is sung by Christine McIntyre. The idea for using it probably came from her, as she had sung it in an earlier 'soundie' sing-a-long short in which she featured. The audience was encouraged to keep quiet when McIntyre was singing the 'Voices of Spring' number.
- Musical films with the name Frühlingsstimmen were made in Austria in 1933 (with music by Oscar Straus) and in 1952 (with music by Alfred Uhl).
- The piece is featured in Oshare Majo: Love and Berry/Love and Berry Dress Up and Dance in the "Ball" stage.
- Gloria Jean sings the song in her operatic style during a scene in the 1941 film, Never Give a Sucker an Even Break, attempting to complete the song as a variety of soundstage mayhem occurs.
- The song serves as a theme for Elmer Fudd playing the title role in The Stupid Cupid (Warner Brothers 1944).
- The waltz was choreographed as a ballet by Sir Frederick Ashton, under the name Voices of Spring.
- In the 1994 Looney Tunes short "Chariots of Fur", "Frühlingsstimmen" is on the soundtrack for a gag featuring a giant coil spring.
- Brian May samples part of the waltz for "The Millionaire Waltz", on Queen's 1976 album A Day at the Races.
- Alongside several other pieces such as When the Saints Go Marching In, the waltz is prominently used for background music in the secret Out of This Dimension level in the SNES video game Star Fox.
- It is heard in the background in an early scene of the 1937 Jean Renoir film La Grande Illusion.
- An excerpt from this piece can be heard in the Tom and Jerry films Little Runaway (1952) and Mice Follies (1954). Also, the fourth section is heard in the episode Johann Mouse.
- Disney used the waltz for a Fantasia-esque clip entitled "Dance of the Goofys" in the 2002 film Mickey's House of Villains.
- "Frühlingsstimmen-Walzer" at Klassika.info
- Palmer, John. "Frühlingsstimmen", Op. 410 at AllMusic
- C. M. Gruber: "Österreichisches Biographisches Lexikon 1815–1950 (ÖBL). Vol. 11, Austrian Academy of Sciences, Vienna 1999, ISBN 3-7001-2803-7, p. 426 f. (Direct links to " ", " ") ". In:
- Frühlingsstimmen (1933) on IMDb
- Frühlingsstimmen (Voices of Spring) (1952) on IMDb
- The Stupid Cupid (1944) on IMDb
Based on original text by Peter Kemp, The Johann Strauss Society of Great Britain. Used with permission.