This article does not cite any sources. (November 2019) (Learn how and when to remove this template message)
|Relative key||B major|
|Parallel key||G-sharp major|
enharmonic: A-flat major
|Dominant key||D-sharp minor|
enharmonic: E-flat minor
|G♯, A♯, B, C♯, D♯, E, F♯|
The G-sharp natural minor scale is:
Its relative major is B major. Its parallel major, G-sharp major, is usually replaced by its enharmonic equivalent of A-flat major, since G-sharp major features an F in the key signature and A-flat major only has four flats, making it rare for G-sharp major to be used. A-flat minor, its enharmonic, with seven flats, has a similar problem, thus G-sharp minor is often used as the parallel minor for A-flat major. (The same enharmonic situation occurs with the keys of D-flat major and C-sharp minor).
Music in G-sharp minor
Despite the key rarely being used in orchestral music other than to modulate, it is not entirely uncommon in keyboard music, as in Piano Sonata No. 2 by Alexander Scriabin, who actually seemed to prefer writing in it. It is also found in the second movement in Shostakovitch's 8th String quartet. If G-sharp minor is used, composers generally write B♭ wind instruments in the enharmonic B-flat minor, rather than A-sharp minor to facilitate reading the music (or A instruments used instead, giving a transposed key of B minor). Where available, instruments in D♭ can be used instead, giving a transposed key of the enharmonic G minor, rather than F minor, while the E horns would have parts written in the key of E minor.
Few symphonies are written in G-sharp minor; among them are Nikolai Myaskovsky's 17th Symphony, Elliot Goldenthal's Symphony in G-sharp minor (2014) and an abandoned work of juvenilia by Marc Blitzstein.
|The table indicates the number of sharps or flats in each scale. Minor scales are written in lower case.|