|Created by||J. R. R. Tolkien|
|Book(s)||The Lord of the Rings|
She was a royal Elf of both the Noldor and the Teleri, being a grandchild of both King Finwë and King Olwë. She was also close kin of King Ingwë of the Vanyar through her grandmother Indis. Galadriel was a leader during the rebellion of the Noldor, and present in their flight from Valinor during the First Age. Towards the end of her stay in Middle-earth, she was joint ruler of Lothlórien with her husband, Celeborn, when she was known as the Lady of Lórien, the Lady of the Galadhrim, the Lady of Light, or the Lady of the Golden Wood. Her daughter Celebrían was the wife of Elrond and mother of Arwen, Elladan, and Elrohir. Tolkien describes Galadriel as "the mightiest and fairest of all the Elves that remained in Middle-earth" (after the death of Gil-galad)[T 1] and the "greatest of elven women".[T 2]
The Tolkien scholar Tom Shippey has written that Galadriel represented Tolkien's attempt to re-create the kind of elf hinted at by surviving references in Old English. He has compared his elves also to those in a Christian Middle English source, The Early South English Legendary, where the elves were angels. Another scholar, Marjorie Burns, compares Galadriel in multiple details to Rider Haggard's heroine Ayesha, and to Tennyson's The Lady of Shalott, both being reworked figures of Arthurian legend. Galadriel, lady of light, assisting Frodo on his quest to destroy the One Ring, opposed to Shelob, the giant and evil female spider of darkness, have been compared to Homer's opposed female characters in the Odyssey: Circe and Calypso as Odysseus's powerful and wise benefactors on his quest, against the perils of the attractive Sirens, and the deadly Scylla and Charybdis.
Modern songwriters have created songs about Galadriel; Tolkien's Quenya poem "Namárië" has been set to music by Donald Swann. Galadriel has appeared in both animated and live-action films; in Peter Jackson's film series, she was portrayed by Cate Blanchett.
Stories of Galadriel's life prior to the War of the Ring appear in both The Silmarillion and Unfinished Tales.[T 3][T 1] She was the only daughter and youngest child of Finarfin, prince of the Noldor, and of Eärwen, daughter of Olwë and cousin to Lúthien. Her elder brothers were Finrod Felagund, Angrod, and Aegnor. She was born in Valinor. She had the ability to peer into the minds of others to judge them fairly. She was a member of the royal house of Finwë. Galadriel was often called the fairest of all Elves, whether in Aman or Middle-earth.[T 3]
According to the older account of her story, sketched by Tolkien in The Road Goes Ever On and used in The Silmarillion, Galadriel was an eager participant and leader in the rebellion of the Noldor and their flight from Valinor; she was the "only female to stand tall in those days".[T 4][T 5] She had, however, long since parted ways with Fëanor and his sons. In Beleriand she lived with her brother Finrod Felagund at Nargothrond and the court of Thingol and Melian in Doriath. In this account, she met Celeborn, a kinsman of Thingol, in Doriath.[T 6] She carried some dark secrets from those times; she told Melian part of the violent story of the Silmarils and Morgoth's killing of Finwë, but did not mention the kinslaying of elves by elves.[T 7]
Galadriel and Celeborn travelled first to Lindon, where they ruled over a group of Elves, as a fiefdom under Gil-galad. According to Concerning Galadriel and Celeborn, they then removed to the shores of Lake Nenuial (Evendim) and were accounted the Lord and Lady of all the Elves of Eriador. Later, they moved eastward and established the realm of Eregion (Hollin). They made contact with a Nandorin settlement in the valley of the River Anduin, which became Lothlórien. At some point, Celeborn and Galadriel left Eregion and settled in Lothlórien. According to some of Tolkien's accounts, they became rulers of Lothlórien for a time during the Second Age; but in all accounts they returned to Lórien to take up its rule after Amroth was lost in the middle of the Third Age.[T 3]
During the Second Age, when the Rings of Power were forged, Galadriel distrusted Annatar, the loremaster who taught the craft of the Rings to Celebrimbor. Again according to some of the accounts, Celebrimbor rebelled against her view and seized power in Eregion. As a result, Galadriel departed to Lórien via the gates of Moria, but Celeborn refused to enter the dwarves' stronghold and stayed behind. Her distrust was justified, for Annatar turned out to be the Dark Lord, Sauron. When Sauron attacked Eregion, Celebrimbor entrusted Galadriel with one of the Three Rings of the Elves. Celeborn joined up with Elrond, whose force was unable to relieve Eregion but managed to escape back to Imladris. Celeborn reunited with Galadriel when the war ended; according to one text, after some years in Imladris (during which Elrond first saw and fell in love with Celebrían) Galadriel's sea-longing became so strong that the couple removed to Belfalas and lived at the place later called Dol Amroth.[T 3]
'And now at last it comes. You will give me the Ring freely! In place of the Dark Lord you will set up a Queen. And I shall not be dark, but beautiful and terrible as the Morning and the Night! Fair as the Sea and the Sun and the Snow upon the Mountain! Dreadful as the Storm and the Lightning! Stronger than the foundations of the earth. All shall love me and despair!' [Galadriel] lifted up her hand and from the ring that she wore there issued a great light that illuminated her alone and left all else dark... Then she let her hand fall, and the light faded, and suddenly she laughed again, and lo! she was shrunken: a slender elf-woman, clad in simple white, whose gentle voice was soft and sad. 'I pass the test', she said. 'I will diminish, and go into the West and remain Galadriel'.
In The Fellowship of the Ring, Galadriel welcomed the Fellowship to Lothlórien after their escape from Moria.[T 8] When she met the Fellowship in her tree-dwelling she gave each member a searching look, testing their resolve—though Boromir interpreted this test as a temptation. She was in turn tested when Frodo Baggins offered to place the Ring in her keeping. Knowing that its corrupting influence would make her "great and terrible", and recalling the ambitions that had once brought her to Middle-earth, she refused the Ring. She accepted that her own ring's power would fail, that her people would diminish and fade with the One Ring's destruction, and that her only escape from the fading of the Elves and the dominion of Men would be to return at last to Valinor.[T 9] It is implied, backed up by other writings, that in acknowledgement of this renunciation of power her personal ban from Valinor was lifted.[T 1][T 3]
When the Fellowship left Lothlórien, she gave each member a gift and an Elven cloak, and furnished the party with supplies, both as practical support and as a symbol of faith, hope and goodwill. Her husband Celeborn likewise provided the Fellowship with Elven-boats.[T 10] On the day that the Fellowship left Lórien, but unknown to them, Gandalf arrived, carried by the eagle Gwaihir. Galadriel healed his wounds and re-clothed him in white, signalling his new status as head of the Istari, the order of wizards.[T 11]
After Sauron perished, Celeborn led the host of Lórien across the Anduin and captured Dol Guldur. Galadriel came forth and "threw down its walls and laid bare its pits".[T 2] She travelled to Minas Tirith for the wedding of her granddaughter Arwen to King Aragorn Elessar after the end of the war. Galadriel passed over the Great Sea with Elrond, Gandalf, and the Ring-bearers Bilbo and Frodo, marking the end of the Third Age.[T 12] Celeborn remained behind, and Tolkien writes that "there is no record of the day when at last he sought the Grey Havens".[T 13]
The Dúnedain said that her height was two rangar, or "man-high" – some 6 feet 4 inches (193 cm).[T 14] However, Galadriel's most striking feature was her beautiful long silver-golden hair. The Elves of Tirion said it captured the radiance of the Two Trees Laurelin and Telperion themselves.[T 15]
Even among the Eldar she was accounted beautiful, and her hair is held a marvel unmatched. It is golden like the hair of her father and of her foremother Indis, but richer and more radiant, for its gold is touched by some memory of the starlike silver of her mother; and the Eldar say that the light of the Two Trees, Laurelin and Telperion, has been snared in her tresses.[T 15]
Many thought that this saying first gave to Fëanor the thought of imprisoning and blending the light of the Trees that later took shape in his hands as the Silmarils. For Fëanor beheld the hair of Galadriel with wonder and delight.[T 15]
Nevertheless, Galadriel never repaid Fëanor's admiration. Fëanor "had begged her thrice for a tress and thrice she refused to give him even one hair. It is said that these two kinsfolk, being considered the greatest of the Eldar of Valinor, remain unfriends forever."[T 15]
Her character was a blend of characteristics of the Eldar from whom she was descended. She had the pride and ambition of the Noldor, but in her they were tempered by the gentleness and insight of the Vanyar. She shared the latter virtues of character with her father Finarfin and her brother Finrod.[T 15]
She was proud, strong, and self-willed, as were all the descendants of Finwë save Finarfin; and like her brother Finrod, of all her kin the nearest to her heart, she had dreams of far lands and dominions that might be her own to order as she would without tutelage. Yet deeper still there dwelt in her the noble and generous spirit of the Vanyar, and a reverence for the Valar that she could not forget. From her earliest years she had a marvellous gift of insight into the minds of others, but judged them with mercy and understanding, and she withheld her goodwill from none save only Fëanor. In him she perceived a darkness that she hated and feared, though she did not perceive that the shadow of the same evil had fallen upon the minds of all the Noldor, and upon her own.[T 15]
|Family tree[T 15]|
Reconstructed Old English elf
The critic Tom Shippey notes that in creating Galadriel, Tolkien was attempting to reconstruct the kind of elf hinted at by elf references in Old English (Anglo-Saxon) words. The hints are, he observes, paradoxical: while ælfscyne, "elf-beautiful", suggests a powerful allure, ælfsogoða, "lunacy", implies that getting too close to elves is dangerous. In Shippey's view, Tolkien is telling the literal truth that "beauty is itself dangerous", as Chaucer did in The Wife of Bath's Tale where both elves and friars are sexually rapacious. So when Faramir says to Sam Gamgee in Ithilien that Galadriel must be "perilously fair", Shippey comments that this is a "highly accurate remark"; Sam replies that "folk takes their peril with them into Lorien... But perhaps you could call her perilous, because she's so strong in herself."
Shippey also considers the Christian Middle English attitude of the South English Legendary, a hagiographic work which he supposes Tolkien must have read, that elves were angels. In Shippey's view, Tolkien's elves are much like fallen angels, above Men but below the angelic Maiar and the godlike Valar. He comments at once that Galadriel is in one way certainly not "fallen", as the elves avoided the war on Melkor in the First Age; but all the same, "Galadriel has been expelled from a kind of Heaven, the Deathless land of Valinor, and has been forbidden to return." Shippey suggests that the Men of Middle-earth might have thought the fall of Melkor and the expulsion of Galadriel added up to a similar fallen status; and he praises Tolkien for taking both sides of the story of elves into account.
The Tolkien scholar Marjorie Burns compares Galadriel to Rider Haggard's heroine Ayesha in his 1887 novel She: A History of Adventure, a book that Tolkien acknowledged as an important influence, and to Tennyson's The Lady of Shalott, which recast the Arthurian legend of Elaine of Astolat; she notes that Ayesha was herself an Arthurian figure, transposed to 19th century Africa.
|Attribute||Galadriel||Ayesha (She)||The Lady of Shalott|
Edward Killingworth Johnson, 1887
John William Waterhouse, 1888
|Life||immortal Elf||immortal human after
entering the flame
long blonde hair
|men fall to their knees
long raven-black hair
very long dark hair
|sees more than any man||dangerous and strange|
|Work||weaving, and overseeing weaver-maidens||weaves continually|
|Place||isolated realm, sheltered from change||enchanted island|
|Healing||heals and preserves||enchanted|
(dish of water)
|sees past, present,
"things that may yet be"
denies it is magic
|sees past and present
denies it is magic
|"the mirror's magic|
|Ending||her ring loses power
elves leave and diminish
|re-enters the flame
shrivels up and dies
The Tolkien scholar Mac Fenwick compares Galadriel and what he sees as her monstrous opposite, the giant and evil spider Shelob, with the struggle between the good and the monstrous female characters in Homer's Odyssey. Like Galadriel, Circe and Calypso are rulers of their own secluded magical realms, and both offer help and advice to the protagonist. They help Odysseus to avoid destruction by the female monsters, the Sirens who would lure his ship on to the rocks, and Scylla and Charybdis who would smash or drown his ship; Galadriel gives Frodo the Phial of Galadriel, which by her power contains the light of Eärendil's star, able to blind and ward off Shelob in her darkest of dark lairs. Galadriel's gifts, too, are Homeric, including cloaks, food, and wisdom as well as light, just like those of Circe and Calypso.
Legacy in music
Tolkien wrote a poem "Namárië" that Galadriel sings in farewell to the departing Fellowship, and to Frodo in particular. The song is in Quenya, and "spoke of things little-known in Middle-earth," but Frodo is said to have remembered the words and translated them long afterward. It is a lament in which Galadriel describes her separation from the Blessed Realm and the Valar, her longing to return there, and at the end a wish or hope that even though she herself is forbidden (by the Ban) to return, that Frodo might somehow come in the end to the city of Valimar in Valinor. The poem was set to music by Donald Swann with Tolkien's assistance. The sheet music and an audio recording are part of the song-cycle of The Road Goes Ever On. In a recording, Tolkien sings it in the style of a Gregorian chant.
On their album Once Again, the band Barclay James Harvest featured a song called "Galadriel". It gained notability because guitarist John Lees played John Lennon's Epiphone Casino guitar on this track, an event later recounted in a song on the band's 1990 album Welcome To The Show titled "John Lennon's Guitar".
Hank Marvin and John Farrar wrote a song "Galadriel", recorded by Cliff Richard; the four five-line stanzas include the couplet "Galadriel, spirit of starlight / Eagle and dove gave birth to thee". An Australian band named Galadriel released a self-titled album in 1971 which "became a highly sought-after collectors' item among European progressive rock circles".
In 2003, Fran Walsh, Howard Shore, and Annie Lennox co-wrote the Oscar-winning song "Into the West" for the closing credits of The Lord of the Rings: The Return of the King. Originally sung by Lennox, the song was conceived as Galadriel's bittersweet lament for those who have sailed across the Sundering Seas. The lyrics include phrases from the final chapter of the original novel. The song has since been covered by Yulia Townsend and Will Martin.
In Peter Jackson's Lord of the Rings and The Hobbit trilogies, Galadriel is played by Cate Blanchett. In The Lord of the Rings: The Fellowship of the Ring, Galadriel narrates the prologue that explains the creation of the One Ring, as well as appearing in Lothlórien.
On stage, Galadriel was portrayed by Rebecca Jackson Mendoza in the costly three-hour-long 2006 Toronto musical production of The Lord of the Rings; Mendoza's dress was hand-embroidered with some 1800 beads. The musical was revised and moved to London's Theatre Royal, Drury Lane in 2007, with Laura Michelle Kelly in the "glittering" role.
Galadriel appears in video games such as The Lord of the Rings: The Battle for Middle-earth II, where she is voiced by Lani Minella.
- This list identifies each item's location in Tolkien's writings.
- The Silmarillion, "Of the Rings of Power and the Third Age"
- The Return of the King, Appendix B, "The Tale of Years"
- Unfinished Tales, 4. "The History of Galadriel and Celeborn", "Concerning Galadriel and Celeborn"
- The Silmarillion, "Quenta Silmarillion", ch. 9 "Of the Flight of the Noldor"
- Unfinished Tales, part 2, ch. 4 "The History of Galadriel and Celeborn" discusses "the reasons and motives given for Galadriel's remaining in Middle-earth", citing The Road Goes Ever On.
- The Silmarillion, "Quenta Silmarillion", ch. 13 "Of the Return of the Noldor"
- The Silmarillion, "Quenta Silmarillion", ch. 15 "Of the Noldor in Beleriand"
- The Fellowship of the Ring, book 2 ch. 6 "Lothlórien"
- The Fellowship of the Ring, book 2 ch. 7 "The Mirror of Galadriel"
- The Fellowship of the Ring, book 2 ch. 8 "Farewell to Lórien"
- The Two Towers, book 3, ch. 5 "The White Rider"
- The Return of the King, book 6, ch. 9 "The Grey Havens"
- The Fellowship of the Ring, "Prologue", "Note on the Shire Records"
- Unfinished Tales, part 3, ch. 1 "The Disaster of the Gladden Fields: Appendix (Númenórean Linear Measures)"
- Unfinished Tales, part 2, ch. 4 "The History of Galadriel and Celeborn"
- Shippey, Tom (1982). The Road to Middle-Earth. Grafton (HarperCollins). pp. 54–55. ISBN 0261102753.
- Shippey, Tom (1982). The Road to Middle-Earth. Grafton (HarperCollins). pp. 212–214. ISBN 0261102753.
- Burns, Marjorie (2005). Perilous Realms: Celtic and Norse in Tolkien's Middle-earth. Toronto, Ontario, Canada: University of Toronto Press. pp. 114–116, footnote 33 (page 194). ISBN 978-0-8020-3806-7.
- Fenwick, Mac (1996). "Breastplates of Silk: Homeric Women in The Lord of the Rings". Mythlore. 21 (3). article 4.
- Hargrove, Gene (January 1995). "Music in Middle-Earth". University of North Texas. Retrieved 8 July 2012.
- "Galadriel". Barclay James Harvest. Retrieved 12 May 2020.
- Library of Congress Copyright Office (1977). Catalog of Copyright Entries: Third series. p. 1618.
- Gramophone. 61. C. Mackenzie. 1983. p. 541.
- McFarlane, Ian (1999). "Broderick Smith". Encyclopedia of Australian Rock and Pop. Allen & Unwin. ISBN 1-86508-072-1. Archived from the original on 3 August 2004. Retrieved 23 August 2019.
- Roberts, David (2006). British Hit Singles & Albums (19th ed.). Guinness World Records. p. 137. ISBN 978-1904994107.
- Beck, Jerry (2005). The Animated Movie Guide. Chicago Review Press. p. 154. ISBN 978-1-56976-222-6.
- "Riel Radio Theatre — The Lord of the Rings, Episode 2". Radioriel. 15 January 2009. Retrieved 18 May 2020.
- "Torn Exclusive: Cate Blanchett, Ken Stott, Sylvester McCoy, Mikael Persbrandt join cast of Peter Jackson's "The Hobbit"". 7 December 2010. Retrieved 7 December 2010.
- Harl, Allison (Spring–Summer 2007). "The monstrosity of the gaze: critical problems with a film adaptation of The Lord of the Rings". Mythlore. Article 7. 25 (3).CS1 maint: location (link)
- Brantley, Ben (24 March 2006). "Tolkien's 'Lord of the Rings,' Staged by Matthew Warchus in Toronto". The New York Times. Retrieved 29 May 2020.
- Child, Ben. "Peter Jackson tinkers with Tolkien to hand Cate Blanchett Hobbit role". The Guardian. Retrieved 29 May 2020.
- Billington, Michael (19 June 2007). "Guardian review, "The Lord of the Rings"". The Guardian. Retrieved 22 April 2012.
- "Galadriel". Behind the Voice Actors. Retrieved 29 May 2020.
- Kroll, Justin (17 December 2019). "'Lord of the Rings' Series Taps Morfydd Clark as Young Galadriel". Variety. Retrieved 17 December 2019.