Gallery of Modern Art, Glasgow
|Location||Royal Exchange Square|
|Owner||Glasgow City Council|
|Public transit access||Buchanan Street|
|Designated||6 July 1966|
GoMA offers a programme of temporary exhibitions and workshops. GoMA displays work by local and international artists as well as addressing contemporary social issues through its major biannual projects.
Opened in 1996, the Gallery of Modern Art is housed in a neoclassical building in Royal Exchange Square in the heart of Glasgow city centre. Built in 1778 as the townhouse of William Cunninghame of Lainshaw, a wealthy Glasgow Tobacco Lord who made his fortune through the triangular slave trade, the building has undergone a series of different uses. It was bought in 1817 by the Royal Bank of Scotland who later moved onto Buchanan Street; it then became the Royal Exchange. Reconstruction for this use was undertaken by David Hamilton between 1827 and 1832 and resulted in many additions to the building, namely the Corinthian pillars to the Queen Street facade, the cupola above and the large hall to the rear of the old house.
In 1954, Glasgow District Libraries moved the Stirling's Library into the building. When the library returned to Miller Street, the building was refurbished to house the city's contemporary art collection.
Since its opening in 1996, the gallery has hosted several million visitors. It has a dedicated Education and Access studio, facilitating workshops and artists talks and in the basement a Learning Library. The building also contains a café, free Internet access terminals, multimedia, art, and general book-lending facilities. Exhibits include works by David Hockney, Sebastião Salgado, and Andy Warhol as well as Scottish artists such as John Bellany and Ken Currie.
In front of the gallery, on the Queen Street pavement, stands an equestrian statue of the Duke of Wellington sculpted by Carlo Marochetti in 1844. The statue usually has a traffic cone on its head; for many years the authorities regularly removed cones, only for them to be replaced. The jauntily placed cone has come to represent, particularly in tourist guidebooks, the city's light-hearted attitude to authority. Two exceptions were on the occasion of Glasgow hosting the 2002 UEFA Champions League final, when the cone was replaced by a football-patterned hat bearing the logo of one of the tournament sponsors, Amstel, and in June 2010, on the run-up to the opening of hotel chain citizenM in Glasgow, when the cone was replaced with a 'feel free' branded glitter cone. Around the time of the Independence Referendum, a saltire was attached to the cone.
The cone was painted gold during the 2012 Olympics as a celebration of Scotland's contribution to the record haul of gold medals won by Team GB. A gold cone was again placed on the statue for the 2014 Commonwealth Games.
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- Dailyrecord.co.uk (10 August 2012). "Duke of Wellington is awarded gold in honour of Scotland's success at the Olympics". Daily Record. Retrieved 23 February 2022.
- Limited, Alamy. "Glasgow, Scotland, UK. 31st July, 2014. In celebration of the success of the Commonwealth Games, the regular and iconic red and white traffic cone on the head of the Duke of Wellington statue (normally put there as a student prank) has been replaced by one painted gold. The statue, with a traffic cone on top, outside the Gallery of Modern Art in Royal Exchange Square has been used as an example of Glaswegian humour and is a continuing interest to tourists and locals alike. Credit: Findlay/Alamy Live News Stock Photo - Alamy". www.alamy.com. Retrieved 23 February 2022.
- "Scottish statue given pro-European makeover for Brexit Day". The National. Retrieved 23 February 2022.