|Temple of Garni|
|Status||Museum (part of a larger protected area),|
occasional Hetanist (neopagan) shrine
|Type||Pagan temple or tomb|
|Architectural style||Ancient Greek, Ancient Roman|
|Location||Garni, Kotayk Province, Armenia|
|Elevation||1,400 m (4,600 ft)|
|Completed||1st or 2nd century AD|
|Management||Armenian Ministry of Culture|
|Height||10.7 metres (35 ft)[a]|
|Size||15.7 by 11.5 m (52 by 38 ft)|
|Design and construction|
|Architect(s)||Alexander Sahinian (reconsutrction, 1969–75)|
The Temple of Garni (Armenian: Գառնիի տաճար, Gaṙnii tačar)[b] is the only standing Greco-Roman colonnaded building in Armenia and the former Soviet Union. Built in the Ionic order, it is located in the village of Garni, in central Armenia, around 30 km (19 mi) east of Yerevan. It is the best-known structure and symbol of pre-Christian Armenia.
The structure was probably built by king Tiridates I in the first century AD as a temple to the sun god Mihr. After Armenia's conversion to Christianity in the early fourth century, it was converted into a royal summer house of Khosrovidukht, the sister of Tiridates III. According to some scholars it was not a temple but a tomb, and thus survived the destruction of pagan structures. It collapsed in a 1679 earthquake. Renewed interest in the 19th century led to excavations at the site in the early and mid-20th century, and its eventual reconstruction between 1969 and 1975, using the anastylosis method. It is one of the main tourist attractions in Armenia and the central shrine of Hetanism (Armenian neopaganism).
The temple is at the edge of a triangular cliff which overlooks the ravine of the Azat River and the Gegham mountains. It is a part of the fortress of Garni,[c] one of Armenia's oldest, that was strategically significant for the defense of the major cities in the Ararat plain. It is mentioned as castellum Gorneas in the first-century Annals of Tacitus. The site is in the village of Garni, in Armenia's Kotayk Province and includes the temple, a Roman bath with a partly preserved mosaic floor with a Greek inscription, a royal summer palace, other "paraphernalia of the Greco-Roman world", the seventh century church of St. Sion and other objects (e.g., medieval khachkars).
Date and function
The date and the identity of the building as temple are still subjects of ongoing debate and scholarly discussion. Christina Maranci calls it an Ionic structure with an "unclear function." She writes that "while often identified as temple, it may have been a funerary monument, perhaps serving as a royal tomb."
The dominant view in Armenian historiography postulates that it was built in 77 AD, during the reign of king Tiridates I of Armenia. Brady Kiesling stated that this view has been accepted by some scholars, while according to Zhores Khachatryan, who accepted the dating, wrote that most scholars agree with it. The date is calculated based on a Greek inscription,[d] discovered by the painter Martiros Saryan in July 1945 at the Garni cemetery, recently brought from a nearby water mill. It names Tiridates the Sun (Helios Tiridates) as the founder of the temple. Early medieval historian Movses Khorenatsi incorrectly attributed the inscription to Tiridates III. Most scholars now attribute the inscription to Tiridates I. Considering that the inscription says the temple was built in the eleventh year of reign of Tiridates I, the temple is believed to have been completed in 77 AD.[e] The date is primarily linked to Tiridates I's visit to Rome in 66 AD, where he was crowned by Roman emperor Nero.[f] To rebuild the city of Artaxata, destroyed by the Roman general Gnaeus Domitius Corbulo, Nero gave Tiridates 50 million drachmas and provided him with Roman craftsmen. Upon his return to Armenia, Tiridates began a major project of reconstruction, which included rebuilding the fortified city of Garni. It is during this period that the temple is thought to have been built. Some scholars argue that the temple may have been built on top of a Urartian temple.
The following includes an image of the inscription as it stands near the temple today, its textual reconstruction by Ashot G. Abrahamian, an English translation by James R. Russell, and an alternative reading and translation by Poghos Ananian, translated into English by Vrej Nersessian.
|Image||Greek text||Translation by Russell||Reading by Ananian|
|Ἣλιος Τιριδάτης [ὁ μέγας]
μεγάλης Ἀρμενίας ἄνα[κτος]
ὡς δεσπότης. Αἴκτισε ναΐ[διον]
βασιλίσ[σ]α τὸν ἀνίκητον κασ[ιν ἐνι]
αιτούς. Αι. Τῆς βασιλεί[ας αὐτου]
με[γαλείας]. Ὑπὸ ἐξουσίᾳ στεγάν[ου]
λίτουργος τῷ μεγάλῳ σπ[ῆι εὔχεσθε]
μετὰ ματήμι καὶ εὐχαρ[ιστίαν εὐχήν]
|The Sun Tiridatēs
of Greater Armenia, lord
as despot, built a temple
for the queen; the invincible...
in the eleventh year of his reign.
...Under the protection of the...
may the priest to the great cave (?)
in the vain (?) of the witness and thanks.
|The Sun God Tiridates,|
uncontested king of Great Armenia
built the temple
and the impregnable fortress
in the eleventh year of his reign
when Mennieay was hazarapet [chiliarch]
and Amateay was sparapet [commander].
In Armenian historiography, the temple is commonly believed to have been dedicated to Mihr, the sun god in the Zoroastrian-influenced Armenian mythology and the equivalent of Mithra. Tiridates, like other Armenian monarchs, considered Mihr their patron. Some scholars have argued that, given the historical context during which the temple was built, i.e. after returning from Rome as king, it would seem natural that Tiridates dedicated the temple to his patron god. Furthermore, in 2011 white marble sculptures of bull hooves were discovered some 20 metres (66 ft) from the temple which could possibly be the remains of a Mihr sculpture, who was often portrayed in a fight with a bull.
Vrej Nersessian argues that while the "design and ornament are typically Roman, the workmen were local, with experience of carving basalt." Maranci notes that its entablature is similar to that of the temple of Antoninus Pius at Sagalassos in western Asia Minor and to the columns of Attalia and concludes that imperial Roman workmen may have been involved in its construction.
Mausoleum or tomb
Not all scholars are convinced that the structure was a temple. Arshak Fetvadjian described the temple as an "edifice of Roman style for the pantheistic idol cult fashionable in the days of the Arshakists." In 1950 Kamilla Trever reported that according to a different interpretation of the extant literature and the evidence provided by coinage, the erection of the temple started in 115 AD. The pretext for its construction would have been the declaration of Armenia as a Roman province and the temple would have housed the imperial effigy of Trajan.
In 1982 Richard D. Wilkinson suggested that the building is a tomb, probably constructed circa 175 AD. This theory is based on a comparison to Graeco-Roman buildings of western Asia Minor (e.g. Nereid Monument, Belevi Mausoleum, Mausoleum at Halicarnassus), the discovery of nearby graves that date to about that time, and the discovery of a few marble pieces of the Asiatic sarcophagus style. Wilkinson furthermore states that there is no direct evidence linking the structure to Mithras or Mihr, and that the Greek inscription attributed to Tiridates I probably refers to a former fortress at the Garni site and not to the colonnaded structure now called the Temple of Garni. He also notes that it is unlikely that a pagan temple would survive destruction during Armenia's 4th-century conversion to Christianity when all other such temples were destroyed. Wilkinson suggests that the structure may be a tomb erected in honor of one of the Romanized kings of Armenia of the late 2nd century.
Felix Ter-Martirosov also believed it was built in the latter half of the 2nd century. Robert H. Hewsen, too, argued, based on the construction of a church in the 7th century next to it rather than in its place, that the building was "more likely the tomb of one of the Roman-appointed kings of Armenia," such as Tiridates I or Sohaemus (r. 140–160). James R. Russell finds the view of the structure being a temple of Mihr baseless. He is also skeptical that the Greek inscription refers to the temple. He opines that the "splendid mausoleum" was erected by Romans living in Armenia. He writes that "Wilkinson convincingly argues [that it] was a tomb of the second century, possibly of one of the Romanized kings of Armenia," possibly Sohaemus, and that it is "unique for the country and testifies to a particularly strong Roman presence."
In the early fourth century,[g] when Armenian King Tiridates III adopted Christianity as a state religion, virtually all known pagan places of worship were destroyed. The Temple of Garni is the only pagan,[h] Hellenistic, or Greco-Roman structure to have survived the widespread destruction. Scholars continue to debate why it was exempted from destruction. Zhores Khachatryan argues that it underwent depaganization and was thereafter seen as a fine structure within the royal palace complex. Tananyan believes its status as a "masterpiece of art" possibly saved it from destruction.
According to Movses Khorenatsi a "cooling-off house" (տուն հովանոց) was built within the fortress of Garni for Khosrovidukht, the sister of Tiridates III. Some scholars believe the temple was thus turned into a royal summer house. The structure presumably underwent some changes. Cult statue(s) in the cella were removed, the opening in the roof for skylight was closed, and the entrance was transformed and adjusted for residence. Ter-Martirosov argued that after Armenia's Christianization, it was initially a royal shrine, but after Khosrovidukht's death c. 325/326 it was transformed into a Christian mausoleum dedicated to her. Hamlet Petrosyan and Zhores Khachatryan rejected the postulated Christianization of the temple.
There is a series of Arabic inscriptions on the walls of the temple, dated 9th-10th centuries, possibly indication of an effort to convert it into a mosque. There is also an Armenian inscription on the entrance wall of the temple. Dated 1291, it was left by princess Khoshak of Garni, the granddaughter of Ivane Zakarian (commander of Georgian-Armenian forces earlier in the 13th century) and Khoshak's son, Amir Zakare. It tells about the release of the population of Garni from taxes in forms of wine, goats, and sheep. Simeon of Aparan, a poet and educator, made the last written record about the temple before its collapse in his 1593 poem titled "Lamentation on the throne of Trdat" («Ողբանք ի վերայ թախթին Տրդատայ թագաւորին»). The Garni fort was damaged when it was captured twice during the Ottoman–Persian Wars, in 1604 and 1638.
Collapse and decline
The entire colonnade of the temple collapsed in a devastating earthquake on June 4, 1679, the epicenter of which was located in the gorge of Garni. Most of the original building blocks remained scattered at the site, allowing the building to be reconstructed. As much as 80% of the original masonry and ornamental friezes were at the site by the late 1960s.
European travelers mentioned the temple in their works as early as the 17th century. Jean Chardin (1673, who visited Armenia before the earthquake) and James Morier (1810s) both incorrectly described it through local informants since they never actually visited the site. Upon Robert Ker Porter's visit the fortress was called "Tackt-i-Tiridate" ("throne of Tiridates" in Persian) by the locals. Ker Porter described what he saw as follows: "a confused pile of beautiful fragments; columns, architraves, capitals, friezes, all mingled together in broken disorder." Another European to visit and document the ruins of the temple was DuBois de Montpereux, who referred to the fortress as "Takh Terdat". In his 1839 book he proposed a reconstruction plan.
J. Buchan Telfer, Captain in the Royal Navy and Fellow of the Society of Antiquaries, visited the site in the 1870s and removed a fragment of the architrave bearing a lion head. He bequeathed it to the British Museum in 1907. Telfer described the site as follows:
...a large heap of hewn and sculpted grey porphyry piled in utter confusion [...] it is a temple rather than a palace that is indicated by these superb remains; and their Grecian style of architecture may have been due to a desire on the part of the monarch to introduce a taste for higher art among his people [...] portions of the entablature, of the pediment, of cornices, the bases, etc, lie tumbled in marvellous disorder.
The ruins in 1947
The archaeologist Aleksey Uvarov proposed putting de Montpereux's reconstruction plan into action at the fifth All-Russian Archaeological Congress in 1880. He proposed that the temple's stones be moved to Tiflis (in Georgia) and be reconstructed there according to de Montpereux's plan. Lori Khatchadourian suggests that the proposal "could be read as an attempt at co-opting Armenia's Roman past to the glory of Russia through the relocation of its most iconic monument to the nearest administrative center." The governor of Erivan, citing technical difficulties with moving its parts, did not implement the plan.
In the subsequent decades scholars such as Nikoghayos Buniatian, Babken Arakelyan, and Nikolay Tokarsky studied the temple. In 1909–11, during an excavation led by Nicholas Marr, the temple ruins were uncovered. Buniatian sought to reconstruct the temple in the 1930s. In 1949 the Armenian Academy of Sciences began major excavations of the Garni fortress site led by Babken Arakelyan. Architectural historian Alexander Sahinian focused on the temple itself. It was not until almost twenty years later, on December 10, 1968, that the Soviet Armenian government approved the reconstruction plan of the temple. A group led by Sahinian began reconstruction works in January 1969. It was completed by 1975, 296 years after it was destroyed in an earthquake. The temple was almost entirely rebuilt using its original stones, except the missing pieces which were filled with blank (undecorated) stones. In 1978 a fountain-monument dedicated to Sahinian's reconstruction was erected near the temple.
The temple follows the general style of classical Ancient Greek architecture which originated in the seventh century BC. Scholars have variously described the structure as Greek, Roman or Greco-Roman and have usually linked it to Hellenistic art, often pointing out its distinct features and local Armenian influence. Natalie Kampen noted that it "shares a Graeco-Roman vocabulary with the use of basalt rather than marble." Toros Toramanian stressed the singularity of the temple as a Roman-style building on the Armenian Highlands and "remarked that the Garni construction essentially had no influence on contemporary or subsequent Armenian architecture." Hewsen posited that the building "has no parallel elsewhere in the country." Sirarpie Der Nersessian argued that the temple, of a Roman type, "lies outside the line of development of Armenian architecture." Sahinian, the architect who oversaw its reconstruction, emphasized the local Armenian influence on its architecture, calling it an "Armenian-Hellenic" monument. He further insisted that it resembles the 9th century BC Urartian Musasir temple.
The temple is a peripteros built on an elevated podium. The podium is 2.8 m (9 ft 2 in) to 3 m (9.8 ft) high. There is a 8 m (26 ft)–8.5 m (28 ft) wide stairway with nine steps on the northern side leading to the chamber. The temple is constructed of grey basalt quarried locally and without the use of mortar. The blocks are instead bound together by iron and bronze clamps. The temple is composed of a portico (pronaos) and a cella (naos). The temple is supported by a total of twenty-four 6.54-metre (21.5 ft) high columns of the Ionic order: six in the front and back and eight on the sides (the corner columns are listed twice). Based on a comparative analysis, Sahinian proposed that the design of the columns have their origins in Asia Minor. In its proportions, the temple has been compared to the Roman temples of Maison carrée in Nîmes, and Temple of Augustus and Livia in Vienne, France.
The triangular pediment depicts sculptures of plants and geometrical figures. The stairway has nine unusually high steps—30 centimetres (12 in) high, about twice as high as the average height of steps. Tananyan suggests that the unusually high steps compel a person ascending the steps to feel humbled and make physical effort to reach the altar. On both sides of the stairway there are roughly square pedestals. Atlas, the Greek mythological Titan who held up the earth, is sculpted on both pedestals in a way seemingly trying to hold the entire temple on its shoulders. It is assumed that, originally, pedestals held up altars (sacrificial tables).
The exterior of the temple is richly decorated. The frieze depicts a continuous line of acanthus. Furthermore, there are ornaments on the capital, architrave, and soffit. The stones in the front cornice have projecting sculptures of lion heads. Sirarpie Der Nersessian argued that its "rich acanthus scrolls, with interposed lion masks and occasional palmettes, the fine Ionic and acanthus capitals, the other floral and geometric ornaments, are typical of the contemporary monuments of Asia Minor."
Fragment of frieze
The cella of the temple is 7.132 metres (23.40 ft) high, 7.98 metres (26.2 ft) long, and 5.05 metres (16.6 ft) wide. No more than 20 people can fit inside the cella. Due to the relatively small size of the cella, it has been proposed that a statue once stood inside and the ceremonies were held in the outside. The cella is lit from two sources: the disproportionately large entrance of 2.29 by 4.68 metres (7 ft 6 in by 15 ft 4 in) and the opening in the roof of 1.74 by 1.26 metres (5.7 by 4.1 ft).
Current state and use
The temple is widely considered the most important monument of ancient and pre-Christian Armenia.[i] It is the sole standing[j] Greco-Roman colonnaded building in Armenia and the former Soviet Union.[k] Art historian Antony Eastmond has described it as the "easternmost building of the Graeco-Roman world."
It became a tourist destination even before its reconstruction in the 1970s. Today, it is, along with the nearby medieval monastery of Geghard, one of Armenia's most visited sites. Most people visit the two sites, collectively known as Garni–Geghard, together. In 2013 some 200,000 people visited the temple. The number of visitors almost doubled by 2019, prior to the COVID-19 pandemic, when Garni received almost 390,000 visitors, including 250,000 Armenians and 137,400 foreigners.
Notable individuals who have visited the temple include presidents of Greece (Karolos Papoulias), Cyprus (Demetris Christofias), and Austria (Heinz Fischer), the Spanish opera singer Montserrat Caballé, American TV personalities Khloé and Kim Kardashian, and Conan O'Brien, Michaëlle Jean, Secretary-General of the Francophonie, Japan's Foreign Minister Taro Kono, Russian pop star Philipp Kirkorov.
The temple and the fortress are part of the Garni Historical and Cultural Museum Reserve («Գառնի» պատմա-մշակութային արգելոց-թանգարան), which occupies 3.5 hectares (8.6 acres) and is supervised by the Service for the Protection of Historical Environment and Cultural Museum Reservations, an agency attached to the Ministry of Culture of Armenia. The government-approved list of historical and cultural monuments includes 11 objects within the site.
In a 2006 survey the state of conservation of Garni was rated by over three-quarters of the visitors as "good" or "very good". In 2011 UNESCO awarded the Museum-Reservation of Garni the Melina Mercouri International Prize for the Safeguarding and Management of Cultural Landscapes for "measures taken to preserve its cultural vestiges, and the emphasis placed on efforts to interpret and open the site for national and international visitors."
On September 25, 2014 a Russian tourist in his early 20s, defaced the temple by spray painting "В мире идол ничто" (literally translating to "In the world, idol is nothing"). The painting was cleaned days later. The Armenian state service for protection of historical and cultural reserves filed a civil lawsuit against him in February 2015, in which the agency requested 839,390 AMD (~$1,760) to recover the damage resulting from vandalism. In an April 2015 decision the Kotayk Province court ruled to fine him the requested amount.
On September 4, 2021 a sanctioned private wedding ceremony took place at the site causing much controversy. The site was closed for visitors that day. The local authorities of Garni said they had opposed it in a written statement to the Culture Ministry. The Culture Ministry said the agency responsible for the preservation of the site had acted independently in allowing the event to take place.
Since 1990, the temple has been the central shrine of the small number of followers of Armenian neopaganism (close to Zoroastrianism) who hold annual ceremonies at the temple, especially on March 21—the pagan New Year. On that day, which coincides with Nowruz, the Iranian New Year, Armenian neopagans celebrate the birthday of the god of fire, Vahagn. Celebrations by neopagans are also held during the summer festival of Vardavar, which has pre-Christian (pagan) origins.
The square in front of the temple has been occasionally used as a venue for concerts:
- A concert of classical music was held near the temple on July 2, 2004 by the National Chamber Orchestra of Armenia, conducted by Aram Gharabekian. The orchestra played the works of Aram Khachaturian, Komitas, Edvard Mirzoyan, Strauss, Mozart, and other composers.
- On May 6, 2019 Acid Pauli performed a live concert of electronic music in front of the temple.
- On July 14, 2019 Armenia's National Chamber Orchestra performed a concert in front of the temple dedicated to the 150th anniversaries of Komitas and Hovhannes Tumanyan.
- On September 8, 2022 a Star Party within the Starmus VI festival took place at the temple featuring the rock band Nosound, Sebu Simonian from the band Capital Cities, and the festival's speakers, including Charlie Duke, Charles Bolden, Kip Thorne, Brian Greene, Michel Mayor, George Smoot, John C. Mather as special guests.
In film and television
- The ruins of the temple are depicted in the 1962 Soviet Armenian film Rings of Glory («Кольца славы»), featuring the Olympic gymnast Albert Azaryan.
- The pre-reconstructed temple is featured prominently in the second segment of the 1966 Soviet Armenian anthology film People of the Same City («Նույն քաղաքի մարդիկ») titled "Garni".
- In 1985 an episode of the Soviet televised music festival Pesnya goda ("Song of the Year") was recorded near the temple. It was noted for Alla Pugacheva's performance.
- Some scenes of the 1985 Polish film Podróże Pana Kleksa (Travels of Mr. Kleks) were shot at the temple.
- Several scenes of the 1986 Soviet musical film A Merry Chronicle of a Dangerous Voyage (Весёлая хроника опасного путешествия) were shot at the temple.
- Garni features prominently in the 2007 Vigen Chaldranyan film The Priestess (Քրմուհին), where the priestess of the temple (portrayed by Ruzan Vit Mesropyan) commits adultery and is consequently expelled from it.
- American comedian Conan O'Brien and his Armenian-American assistant Sona Movsesian filmed part of an episode dancing at the temple of Garni during their visit in October 2015. The episode aired on his late-night talk show on November 17, 2015 and scored 1.3 million viewers.
- In episode 6 ("Let the Good Times Roll") of the American reality television show The Amazing Race 28, first aired on April 1, 2016, the contestants make a pit stop at the temple.
- «2.8 մ բարձրության ... հիմնապատվանդանի (պոդիումի) կենտրոնում տեղավորված աղոթատեղին (ցելլան կամ նաոսը), որն ունի ... 7.9 մ բարձրություն (ներառյալ թաղածածկը)»
- Also called Գառնու/Գառնիի հեթանոսական տաճար, Gaṙnu/Gaṙnii het’anosakan tačar, lit. "pagan temple of Garni".
- Armenian: Գառնիի ամրոց, Gařnii amrots or Գառնու ամրոց, Gařnu amrots
- "on a block of basalt 165 cm long, 50 cm high, and 79–80 cm thick; the letters are about 5 x 5.5 cm in size."
- This date was proposed by Alexander Sahinian and has since gained general acceptance in Armenian historiography.
- After the Roman–Parthian War over Armenia (58–63) a peace treaty was signed according to which Tiridates would be crowned by Nero and thus became an ally of Rome. In exchange, Rome recognized Armenia's independence.
- The traditional date is 301 AD, first calculated by historian Mikayel Chamchian. A growing number of authors argue that the correct date is 314 by citing the Edict of Milan. Elizabeth Redgate writes that "the scholarly consensus is to prefer c. 314."
- "The monuments of Garni are the only vestiges of the pagan architecture of Armenia known to us. [...] The most important ruins are those of the temple"
"...on the threshold of adopting Christianity as state religion, all pagan cultic structures (except the temple of Garni) were mercilessly destroyed..."
"Armenia's only remaining pagan temple, at Garni"
"Գառնիի ճարտարապետական համալիրի անգին զարդն է տաճարը՝ հեթանոս հայության ճարտարապետական ժառանգությունից պահպանված միակ հիշատակարանը"
"The obliteration of pagan vestiges was so complete that almost no architectural remains or temple records have survived ... The only exception is the Temple of Garni"
- «Գառնիի տաճարը [...] անտիկ Հայաստանի ճարտարապետական կարևորագույն հուշարձանն է»
- At the Olbia site, on Ukraine's Black Sea coast, there is an ruined Ionic temple of Apollo (dated 4th-2nd centuries BC).
- Variously described as:
- Adam T. Smith: "the only Greco-Roman colonnaded building anywhere in the Soviet Union"
- Kamilla Trever: "...the fortress of Garni with its walls and towers, and most importantly, with its temple, the like of which we do not yet know on the territory of our Union."
- "It was restored in the 1970s and has the distinction of being the only Greco-Roman temple standing above ground in the entire Soviet Union."
- Khatchadourian 2008, p. 251.
- Smith, Adam T. (2012). "'Yerevan, My Ancient Erebuni': Archaeological Repertoires, Public Assemblages, and the Manufacture of a (Post-)Soviet Nation". In Charles W. Hartley; G. Bike Yazicioğlu; Adam T. Smith (eds.). The Archaeology of Power and Politics in Eurasia: Regimes and Revolutions. Cambridge University Press. p. 65. ISBN 9781107016521.
the unique temple-tomb at Garni, just east of Yerevan – the only Greco-Roman colonnaded building anywhere in the Soviet Union.
- Հայաստանի Հանրապետության բնակավայրերի բառարան [Dictionary of Settlements of the Republic of Armenia] (PDF) (in Armenian). Yerevan: Centre of Geodesy and Cartography, Cadastre Committee of the Republic of Armenia. 2008. p. 51. Archived from the original (PDF) on 2018-03-11.
ԳԱՌՆԻ- գյուղ Կոտայքի մարզում ... Բնակավայրը գտնվում է ծովի մակերևույթից 1400 մ բարձրության վրա...
- Harutyunyan 1992, p. 57.
- Arakelyan, Babken (1968). "Excavations at Garni, 1949–1950". In Alekseyev, Valery (ed.). Contributions to the archaeology of Armenia. Cambridge, Massachusetts: Peabody Museum of Archaeology and Ethnology. p. 22.
The temple is peripteral, built on a high podium, with 24 Ionic columns, 6 in front and back and 8 at each side; the corner columns are listed twice. It is constructed of gray basalt quarried at Garni.
- Hakobian, T. Kh.; Melik-Bakhshian, St. T. [in Armenian]; Barseghian, H. Kh. [in Armenian] (1986). "Գառնիի տաճար [Temple of Garni]". Հայաստանի և հարակից շրջանների տեղանունների բառարան [Dictionary of Toponyms of Armenia and Surrounding Regions] Volume I (in Armenian). Yerevan University Press. p. 704.
- Russell 1987, p. 269.
- Hewsen 2001, p. 62.
- Khatchadourian 2008, p. 252.
- Kiesling 2000, p. 52.
- Roller, Duane W. (1998). The Building Program of Herod the Great. University of California Press. p. 268. ISBN 9780520209343.
- "Հայաստանի Հանրապետության Կոտայքի մարզի պատմության և մշակույթի անշարժ հուշարձանների պետական ցուցակ". arlis.am (in Armenian). Armenian Legal Information System. 24 December 2003. Archived from the original on 12 January 2015.
- Kampen, Natalie (2015). "Roman Art and Architecture in the Provinces and Beyond the Roman World". In Marconi, Clemente (ed.). The Oxford Handbook of Greek and Roman Art and Architecture. Oxford University Press. p. 398. ISBN 9780199783304.
- Maranci, Christina (2018). The Art of Armenia: An Introduction. Oxford University Press. pp. 26–27. ISBN 978-0190269005.
- Eremian, S. T., ed. (1971). Հայ Ժողովրդի Պատմություն, Հ. 1 [History of the Armenian People Vol. 1] (in Armenian). Yerevan: Armenian SSR Academy of Sciences. p. 925.
77թ.—Գառնի ամրոցի և տաճարի շինարարության ավարտը։
- Kiesling 2000, p. 51.
- Khachatryan 2001, pp. 244–245.
- Abrahamian 1947, p. 61.
- Manandian, Hakob (1946). Գառնիի հունարեն արձանագրությունը և Գառնիի հեթանոսական տաճարի կառուցման ժամանակը [The Greek inscription of Garni and the construction date of the pagan temple of Garni] (in Armenian). Yerevan: State University Press. (PDF)
- Tananyan 2014, pp. 31–32.
- Nersessian 2001, p. 101.
- Sahinian 1983.
- Tananyan 2014, pp. 33–34.
- Dando-Collins, Stephen (2010). The Great Fire of Rome: The Fall of the Emperor Nero and His City. Cambridge, Massachusetts: Da Capo Press. p. 15. ISBN 978-0306818905.
- Tananyan 2014, p. 34.
- Khachatryan 2001, p. 245.
- Tananyan 2014, p. 35.
- "Garni 6: The Temple to Mythra". armenianheritage.org. Armenian Monuments Awareness Project (via ICOMOS Armenia). Archived from the original on 29 January 2022.
- Trever 1953, p. 38.
- Abrahamian 1947, p. 66.
- Russell 1987, pp. 269–270.
- Ananian, Poghos (1994). "Գառնիի Յունարէն արձանագրութիւնը [The Greek inscription of Garni]". Bazmavēp (in Armenian). San Lazzaro degli Armeni: Mekhitarist Order. 152: 111. cited and translated in Nersessian 2001, p. 103
- Russell 1987, pp. 269-270.
- Khachatryan 2001, p. 254.
- Petrosyan, Hamlet (2001). "Symbols of Armenian Identity: The Temple". In Abrahamian, Levon; Sweezy, Nancy (eds.). Armenian Folk Arts, Culture, and Identity. Bloomington: Indiana University Press. p. 43. ISBN 9780253337047.
The only surviving Hellenistic temple, the wonderful ionic-columned temple of Garni was built in the 1st century AD and dedicated to the sun god, Mithra (Mihr in Armenian).
- Bauer-Manndorff 1981, p. 72.
- "Գառնիում կցուցադրվի Միհր Աստծո արձանախմբի մաս հանդիսացող մարմարե "Ցլի գլուխը"" (in Armenian). Armenpress. 11 March 2021. Archived from the original on 16 March 2021.
- Tananyan 2014, p. 39.
- Fetvadjian, Arshag (1964) . "Architecture in Armenia". In Kurkjian, Vahan (ed.). A History of Armenia. New York: Armenian General Benevolent Union of America. p. 426.
- Report by Kamilla Trever cited in Field, Henry; Price, Kathleen (1950). "Archaeological News, Russia". American Journal of Archaeology. 54 (4): 427. doi:10.2307/501010. JSTOR 501010. S2CID 191409715.
- Wilkinson 1982, pp. 221–244.
- Khachatryan 2001, p. 244.
- Russell 1987, p. 270.
- "Carmina Vahagni", originally published in Acta Antiqua 32.3-4, Budapest, 1989, p. 319; reproduced in Russell, James R. (2004). Armenian and Iranian Studies. Cambrdige, Massachusetts: Harvard University Press. p. 359.
- "On the Armeno-Iranian Roots of Mithraism", originally published in Studies in Mithraism, J. Hinnells, ed., Rome: Bretschneider, 1994, p. 188; reproduced in Russell, James R. (2004). Armenian and Iranian Studies. Cambrdige, Massachusetts: Harvard University Press. p. 558.
- Balakian, Peter (2009). The Burning Tigris. New York: HarperCollins. p. 29. ISBN 978-0-06-186017-1.
- Panossian 2006, p. 106.
- Panossian 2006, p. 42.
- Hastings, Adrian; Mason, Alistair; Pyper, Hugh, eds. (2000). The Oxford Companion to Christian Thought. Oxford University Press. p. 39. ISBN 978-0-19-860024-4.
- Redgate, A. E. (2000). The Armenians. Oxford: Blackwell Publishing. p. 314. ISBN 9780631220374.
- Hacikyan, Agop Jack; Basmajian, Gabriel; Franchuk, Edward S.; Ouzounian, Nourhan (2000). The Heritage of Armenian Literature: From the Oral Tradition to the Golden Age. Detroit: Wayne State University Press. p. 80. ISBN 9780814328156.
The obliteration of pagan vestiges was so complete that almost no architectural remains or temple records have survived ... The only exception is the Temple of Garni...
- Der Nersessian 1969, p. 99.
- Grigoryan, Vahagn (2014). "Հայաստանի ճարտարապետության պատմության հիմնովին վերանայման խնդիրը [The Problem of Fundamental Revising the History of Armenian Architecture]". Patma-Banasirakan Handes (in Armenian). № 1 (1): 20.
- Berman, Michael (2008). The Shamanic Themes in Armenian Folktales. Newcastle upon Tyne: Cambridge Scholars Publishing. p. 34. ISBN 9781847186218.
- Tananyan 2014, p. 31.
- Nersessian 2001, p. 100: "The pagan temple of Garni, dedicated to the god Mihr, is the only surviving Hellenistic building built by King Trdat I about 77 BC."
- Holding, Deirdre (2014) . Armenia: with Nagorno Karabagh (4th ed.). Bradt Travel Guides. p. 40. ISBN 9781841625553.
By far the best known pre-Christian building is the sole-surviving example of Graeco-Roman architecture in Armenia, built at Garni...
- Khachatryan 2001, p. 251.
- Tananyan 2014, p. 32.
- Arakelian, B.N.; Karakhanian, G.H. (1962). Գառնի. 1949-1956 պեղումների արդյունքները [Garni. Volume III: Results of excavations of 1949-1956] (in Armenian). Yerevan: Armenian SSR Academy of Sciences Publishing. p. 45.
- Tananyan 2014, p. 44.
- Ghazinyan, A. A. (1974). "Դիմառնությունը միջնադարյան հայ բանաստեղծության մեջ [Impersonation in medieval Armenian literature]". Lraber Hasarakakan Gitutyunneri (in Armenian). № 5 (5): 40.
- Harutyunyan 1992, p. 56.
- Hakobyan, Tadevos (1979). Երևանի պատմությունը (1500–1800 ԹԹ.) [History of Yerevan (1500-1800)] (in Armenian). Yerevan State University Press. p. 327.
...երկրաշարժը տեղի է ունեցել 1679 թվականի հունիսի 4-ին։
- Piruzyan, S. A. (2011). "Effects of multifocus earthquakes on seismic motion". Seismic Instruments. 47 (2): 118. doi:10.3103/S0747923911020071. S2CID 129102658.
- Guidoboni, E.; Haroutiunian, R.; Karakhanian, A. (2003). "The Garni (Armenia) large earthquake on 14 June 1679: a new analysis". Journal of Seismology. Kluwer Academic Publishers. 7 (3): 302. doi:10.1023/A:1024561622879. S2CID 126868275.
- Hasrat'yan, Mourad (1995). "The medieval earthquakes of the Armenian Plateau and the historic towns of Ayrarat and Shirak (Dvin, Ani, Erevan)". Annali di Geofisica. Italian National Institute of Geophysics. 38 (5–6): 721.
- Lang 1970, p. 146.
- Morier, James (1818). A second journey through Persia, Armenia, and Asia Minor, to Constantinople, between the year 1810 and 1816. London: Longman. p. 339–340.
- Porter 1821, p. 626.
- "Fragment of a carved black basalt frieze". British Museum. Archived from the original on 5 September 2021.
Described on the plinth and in WAA Transfer book for 11.12.52 as "From the palace of Tiridates", but actually from the temple (now restored)...
- Telfer, J. Buchan (1876). The Crimea and Transcaucasia, being the narrative of a journey in the Kouban, in Gouria, Georgia, Armenia, Ossety, Imeritia, Swannety, and Mingrelia, and in the Tauric Range. Volume I. London: Henry S. King & Co. p. 222.
- Porter 1821, p. 624.
- Strzygowski 1918, p. 13.
- Color pictures from before reconstruction can be found here.
- Strzygowski 1918, p. 344.
- "Լուսանկար՝ Գառնիի հեթանոսական տաճար, տեսքը՝ հյուսիսային ճակատից". treasury.am (in Armenian). Archived from the original on 12 February 2022.
Ստեղծման/Արտադրման ժամանակը՝ 1947թ.
- Khatchadourian 2008, p. 256.
- Tananyan 2014, p. 33.
- Trever 1953, p. 30.
- Donabédian, Patrick (2012). "Les architectes de l'Arm´enie m´edi´evale usaient-ils de dispositifs parasismiques ?". Revue des Études Arméniennes (in French): 172.
On pourrait en dire autant du temple antique de Garni, dont une partie des maçonneries a été jetée dans le ravin lors du séisme de 1679 (puis remontée avant sa reconstruction en 1969-75 par Alek'sandr Sahinyan).
- ""Գառնի" պատմա- մշակութային արգելոց-թանգարան ["Garni" Historical-Cultural Museum-Reservation]". hushardzan.am (in Armenian). Service for the Protection of Historical Environment and Cultural Museum-Reservations, Ministry of Culture of the Republic of Armenia.
- Tananyan 2014, p. 37.
- Bauer-Manndorff 1981, p. 65: "Although at first glance the temple of Garni would seem alien to Armenian architecture, it is not purely Hellenistic for it also follows ancient local traditions."
- Khatchadourian 2008, p. 272.
- Hewsen 2001, p. 20.
- Der Nersessian 1969, pp. 99, 108.
- Tananyan 2014, pp. 41–42.
- Sahinyan, Alekʻsandr (1983). Gaṛnii antik kaṛuytsʻneri chartarapetutʻyuně [Architecture of the ancient structures of Garni]. Armenian SSR Academy of Sciences Publishing. p. 235.
- Tananyan 2014, p. 41.
- Schmidt, Joël [in French] (2004). Roman Mythology. Grange Books. p. 88. ISBN 9781840136890.
- Etudes soviétiques, (1968), issues 238-249, p. 79. "L'antique temple de Garni ( 1er siècle ) ressemblant au temple de Nîmes ( France ) est l'unique monument d'origine hellénique conservé sur le territoire de l'U.R.S.S."
- Tananyan 2014, p. 38.
- Der Nersessian 1969, p. 119.
- "Храм Гарни и монастырь Гехард, Армения". ru-travel.livejournal.com (in Russian). 31 October 2013. Archived from the original on 19 January 2022.
Если здесь когда-то и проводились кровавые ритуалы, то больше 20 человек внутри храма при этом не присутствовали.
- Tananyan 2014, pp. 38–39.
- Stokes, Jamie, ed. (2009). "Armenians". Encyclopedia of the Peoples of Africa and the Middle East. Infobase Publishing. p. 62. ISBN 9781438126760.
Despite the dearth of surviving pre-Christian architecture, several sites have allowed archaeologists to learn something about the general pattern of pre-Christian building in Armenia. The most important of these is the site at Garni...
- Bernhard, M. L. [in Polish]; Sztetyłło, Z. (1976). "OLBIA Ukraine". The Princeton Encyclopedia of Classical Sites.
...a temple of Apollo Delphinios (30-35 x 16 m) of the 4th-2d c. completely surrounded by porticos of Ionian columns...
- Wilson, Nigel (2013). "Olbia". Encyclopedia of Ancient Greece. Routledge. p. 510. ISBN 9781136788000.
...the Ionic temple of Apollo Delphinios...
- Trever 1953, p. 23.
- "Temple of Garni". fresnostate.edu. Armenian Studies Program, California State University, Fresno. Archived from the original on 5 February 2022.
- Eastmond, Antony (2017). "Tamta and the Khwarazmians: The Battle of Garni". Tamta's World: The Life and Encounters of a Medieval Noblewoman from the Middle East to Mongolia. Cambridge University Press. p. 322. ISBN 9781107167568.
Garni possesses the easternmost building of the Graeco-Roman world.
- Lang 1970, p. 144.
- Karanian, Matthew (8 May 2013). "Beyond Geghard And Garni". Asbarez.
First-time travelers to Armenia seem to always end up at Echmiadzin, Khor Virap, Geghard, and Garni.
- "The number of foreign tourists visiting Armenia expected to surge to one million". ARKA News Agency. 30 June 2014.
Foreign tourists usually visit the pagan temple of Garni, Geghard Monastery, Holy Etchmiadzin and Lake Sevan.
- "Գառնի-Գեղարդ. Հայաստանի մարգարիտները՝ իրենց գույներով". azatutyun.am (in Armenian). Radio Free Europe/Radio Liberty. 16 May 2012.
- Alberini, Anna; Longo, Alberto (2006). "Combining the travel cost and contingent behavior methods to value cultural heritage sites: Evidence from Armenia". Journal of Cultural Economics. Springer Science+Business Media. 30 (4): 293. doi:10.1007/s10824-006-9020-9. JSTOR 41810931. S2CID 131869170.
- Petrosyan, Sara (21 February 2014). "Crime of Culture: Government Neglect and New Café Ensure that Garni Will Never Become a UNESCO World Heritage Site". Hetq Online.
- Nazaretyan, Hovhannes (10 February 2022). "Զբոսաշրջությունը հաղթահարում է կորոնավիրուսային շոկը [Tourism overcoming coronavirus shock]". civilnet.am. Archived from the original on 21 May 2023.
- "Greek President arriving in Armenia on state visit". ArmeniaNow. 29 September 2014. Archived from the original on 18 May 2019. Retrieved 16 January 2015.
- "With warm feelings and bright impressions". Hayastani Hanrapetutyun. 8 July 2009. Archived from the original on 16 January 2015.
- Mehrabyan, Tigran (27 June 2012). "Ավստրիայի նախագահ Հեյնց Ֆիշերի այցը Գառնու տաճար և Գեղարդի վանք" (in Armenian). PanARMENIAN.Net.
- Ghazanchyan, Siranush (12 June 2013). "Montserrat Caballe visits Garni Temple and Geghard Monastery". Public Radio of Armenia. Archived from the original on 18 June 2013.
- "International Press Coverage of Kim Kardashian's Visit to Armenia". civilnet.am. 10 April 2015. Archived from the original on 18 April 2015. Retrieved 30 December 2015.
- "Conan O'Brien visits Armenia". news.am. 13 October 2015. Facebook photo
- "Ֆրանկոֆոնիայի միջազգային կազմակերպություն գլխավոր քարտուղարը "Գառնի"-ից հեռացել է ոգեշնչված". hushardzan.am (in Armenian). Service for the Protection of Historical Environment and Cultural Museum-Reservations. 13 September 2018. Archived from the original on 27 January 2020.
- "Japan's Minister of Foreign Affairs visited Garni museum". hushardzan.am. Service for the Protection of Historical Environment and Cultural Museum-Reservations. 3 September 2018. Archived from the original on 22 January 2022.
- Kirkorov, Philipp (July 4, 2022). "Вчера, 3 июля 2022 года, мы вернулись назад на 37 лет…". fkirkorov on Instagram (in Russian). Archived from the original on 4 July 2022.
- "Armenian and Palestinian sites share 2011 cultural landscape prize". unesco.org. UNESCOPRESS. 12 May 2011. Archived from the original on 21 September 2021.
- Турист из Москвы исписал языческий храм в Армении. Gazeta.ru (in Russian). 26 September 2014. Archived from the original on 28 September 2014.
- ՌԴ քաղաքացին պղծել է Գառնու տաճարը. A1plus (in Armenian). 26 September 2014. Archived from the original on 16 March 2021.
- Գառնիի տաճարի վրա ռուս զբոսաշրջիկի գրառումը մաքրվել է. Tert.am (in Armenian). 1 October 2014. Archived from the original on 24 February 2021.
- "Армения потребовала более $1700 c осквернившего языческий храм россиянина" (in Russian). Interfax. 11 February 2015. Archived from the original on 25 February 2021.
- "Гражданин России, исписавший краской храм в Армении, отделался штрафом" (in Russian). REGNUM News Agency. 17 April 2015. Archived from the original on 24 February 2021.
- "Գառնիի տաճարում փակ միջոցառման հետ կապված բազմաթիվ բողոքներ են ստացվել․ Տուրիզմի կոմիտե". The Armenian Times (in Armenian). 5 September 2021. Archived from the original on 21 September 2021.
- "Գառնիի հեթանոսական տաճարը փակ է զբոսաշրջիկների համար. այնտեղ հարսանիք է". news.am (in Armenian). 4 September 2021. Archived from the original on 21 September 2021.
- "Գառնիի համայնքապետարանը, համայնքի ավագանին և բնակիչները դեմ են եղել Գառնիի տաճարի տարածքում միջոցառման անցկացմանը. հայտարարություն". factor.am (in Armenian). 5 September 2021. Archived from the original on 21 September 2021.
- Hayrapetyan, Satenik (7 September 2021). ""ՊՈԱԿ-ը գործել է ինքնուրույն"․ ԿԳՄՍՆ-ն ուսումնասիրում է Գառնու տաճարում տեղի ունեցածը, համապատասխան միջոցառումներ կձեռնարկի". azatutyun.am (in Armenian). RFE/RL. Archived from the original on 21 September 2021.
- "Ամանորը և Վահագնի ծնունդը՝ մարտի 21-ին". Aravot (in Armenian). 19 March 2011.
Արորդիների ուխտը 1990–ից ի վեր Ամանորն ավանդաբար տոնում է Գառնիի տաճարում: Այս տարի նույնպես Ամանորի ծիսակատարությունը կսկսվի մարտի 21-ի կեսօրին՝ Գառնիում:
- Antonyan, Yulia. ""Արորդիների ուխտ"' նեոհեթանոսությունը Հայաստանում [Neopaganism in Armenia]". religions.am (in Armenian). Religions in Armenia. Archived from the original on 2017-03-30. Retrieved 2015-12-25.
Հայաստանում պահպանված և 1975թ. վերականգնված մինչքրիստոնեական Միհր աստծու տաճարը Գառնիում վերածվեց նեոհեթանոսների ծիսակատարությունների հիմնական վայրի:
- Aitamurto, Kaarina; Simpson, Scott (2014). "Sacred Landscapes". Modern Pagan and Native Faith Movements in Central and Eastern Europe. Routledge. ISBN 978-1844656622.
- Antonyan, Yulia (2010). ""Reconstituting" Religion: Neo-Paganism in Armenia. Summary". Laboratorium: Russian Review of Social Research. Saint Petersburg (1). ISSN 2078-1938. Archived from the original on January 11, 2015.
- Melkumian, Hrach (21 March 2002). "Pagan Cult Marks Ancient Festival". azatutyun.am. RFE/RL.
- Melkumian, Hrach (21 March 2002). "Pagan Cult Marks Ancient Festival". RFE/RL.
- Krikorian, Onnik (26 July 2007). "Armenian Festival Combines Paganism and Nationalism". Eurasianet. Archived from the original on 14 June 2018. Retrieved 15 January 2015.
- "Vardavar Celebrations in Garni". Hetq Online. 8 July 2013.
- "Banknotes out of Circulation - 5000 drams". Central Bank of Armenia. Archived from the original on 28 September 2021.
- "First Pan Armenian Game's Torch to Be Lit in Garni". Asbarez. 28 August 1999. Archived from the original on 27 September 2021.
- Abrahamyan, Gayane (2 July 2004). "Nature Worship: Sounds and sights make a special night in Garni". ArmeniaNow. Archived from the original on 16 October 2013.
- "Բացօթյա համերգ Գառնիում". Aravot (in Armenian). 26 June 2004. Archived from the original on 25 February 2021.
- "Acid Pauli at Garni Temple near Yerevan, Armenia for Cercle". Cercle on YouTube. May 9, 2019. Archived from the original on 2021-12-21.
- Sukiasyan, Mariam. "Vivaro ընկերությունը, Cercle-ը, The Triângûlum-ը, ՀՀ մշակույթի նախարարությունը, ՀՀ Զբոսաշրջության կոմիտեն և ոչ միայն՝ մայիսի 6-ին Գառնիում". vnews.am (in Armenian). Archived from the original on 27 September 2021.
- Baghdassarian, Anna. "Une grande fête de musique électronique au temple de Garni". Le Courrier d’Erevan (in French). Archived from the original on 27 September 2021.
- "Komitas & Hovhannes Tumanyan-150. Garni Temple". chambermusiccenter.am. 22 June 2019. Archived from the original on 11 December 2019.
- "Starmus will bring stars closer this September at the Star Party in Garni Temple". starmus.com. Starmus Festival. 11 August 2022. Archived from the original on 6 September 2022.
- "Кольца славы (1962) драма". YouTube (in Russian). RVISION. March 9, 2021. Retrieved 11 February 2022.
- Hambardzumyan, Hayk (23 November 2021). "Գառնի. սերը անցյալի ավերակների վրա [Garni. love over the ruins of the past]". art365.am (in Armenian). Art 365. Archived from the original on 9 February 2022.
- "Նույն քաղաքի մարդիկ 1966 - ԳԱՌՆԻ - Հայկական Ֆիլմ / Nuyn qaghaqi mardik - GARNI - Haykakan film". YouTube (in Armenian). National Cinema Center of Armenia. 13 November 2021. Archived from the original on 9 February 2022.
- "Песня - 85. Очередной выпуск. Ереван (1985)" (in Russian). Gosteleradiofond on YouTube. Archived from the original on 2021-12-21.
Съемка в Армении у стен древнего армянского языческого храма в поселке Гарни.
- Kozachenko, Tatyana (7 February 2012). "Древние храмы из камня в Каменной стране [Ancient stone temples in the Stone country]". Vokrug sveta (in Russian). Archived from the original on 27 September 2021.
- "Garni, klasyczna świątynia w Armenii". filmowe-szlaki.pl (in Polish). 5 February 2021. Archived from the original on 5 February 2021.
- "Witajcie w naszej bajce. Akademia Pana Kleksa ma 30 lat!". Gadżetomania.pl (in Polish). Archived from the original on 13 June 2017.
...a np. świątynię króla Aptekarii zagrał zabytek klasy zerowej – tajemnicza pogańska budowla w Garni koło Erewania.
- "Веселая хроника опасного путешествия (1986) [A Merry Chronicle of a Dangerous Journey (1986)]" (in Russian). Russian State Fund for Television and Radio Programs. March 29, 2021.
- ""Քրմուհին" ԵՊՀ-ում [The Priestess at YSU]". ysu.am (in Armenian). Yerevan State University. Archived from the original on 11 April 2021.
Գառնիի տաճարի միակ քրմուհին, որ Միհր աստծո կինն էր, դավաճանում է ամուսնուն եւ պատժվում դրա համար:
- Chaldranyan, Vigen (February 27, 2019). ""Քրմուհին" [The Priestess]". YouTube (in Armenian). © ARMENFILM © Hollywood Studio Symphony.
- "Conan Dances At The Garni Temple – CONAN on TBS". Team Coco on YouTube. 18 November 2015. Archived from the original on 2021-12-21.
- "Show Schedule". teamcoco.com. 17 November 2015. Archived from the original on 17 November 2015.
- "#ConanArmenia Scores 1.3 Million Viewers". Asbarez. 19 November 2015. Archived from the original on 25 December 2015. Retrieved 14 January 2016.
- "The Amazing Race. Episode Title: (#2806) "Let The Good Times Roll"". The Futon Critic. Archived from the original on 20 January 2022.
- Walker, Jodi (April 1, 2016). "The Amazing Race recap: Let the Good Times Roll". Entertainment Weekly. ew.com. Archived from the original on 4 December 2021.
- Panossian, Razmik (2006). The Armenians: From Kings and Priests to Merchants and Commissars. New York: Columbia University Press. ISBN 9780231139267.
- Nersessian, Vrej (2001). Treasures from the Ark: 1700 Years of Armenian Christian Art. Los Angeles: J. Paul Getty Museum. ISBN 9780892366392.
- Bauer-Manndorff, Elisabeth (1981). Armenia: Past and Present. Lucerne: Reich Verlag.
- Russell, James R. (1987). Zoroastrianism in Armenia. Cambridge, Massachusetts: Harvard University Press. ISBN 978-0-674-96850-9.
- Strzygowski, Josef (1918). Die Baukunst der Armenier und Europa [The Architecture of the Armenians and of Europe] Volume 1 (in German). Vienna: Kunstverlag Anton Schroll & Co.
- Porter, Robert Ker (1821). Travels in Georgia, Persia, Armenia, ancient Babylonia, &c. &c. Volume II. London: Longman, Hurst, Rees, Orme, and Brown.
- Kiesling, Brady (2000). Rediscovering Armenia: An Archaeological/Touristic Gazetteer and Map Set for the Historical Monuments of Armenia (PDF). Yerevan/Washington DC: Embassy of the United States of America to Armenia. Archived from the original (PDF) on 2006-05-03.
- Lang, David Marshall (1970). Armenia: Cradle of Civilization. London: Allen & Unwin.
- Sahinian, Alexander (1983). Գառնիի անտիկ կառույցների ճարտարապետությունը [Architecture of antique constructions of Garni] (in Armenian). Yerevan: Armenian SSR Academy of Sciences Publishing.
- Harutyunyan, Varazdat (1992). Հայկական ճարտարապետության պատմություն [History of Armenian Architecture] (PDF) (in Armenian). Yerevan: Luys. ISBN 5-545-00215-4. Archived from the original (PDF) on 2 January 2022. Alt URL
- Trever, Kamilla (1953). Orbeli, I. A. (ed.). Очерки по истории культуры древней Армении (II в. до н. э. — IV в. н. э.) [Essays on the history of the culture of ancient Armenia (II century BC - IV century AD)] (PDF) (in Russian). Moscow: Soviet Academy of Sciences Press. Archived from the original (PDF) on 19 November 2021.
- Der Nersessian, Sirarpie (1969). The Armenians. London: Thames & Hudson.
Khachatryan, Zhores (2001). "Գառնիի տաճարը հերեո՞ն, վկայարա՞ն". Հայոց սրբերը և սրբավայրերը [Armenian Saints and Sanctuaries] (PDF) (in Armenian). Yerevan: Hayastan. pp. 244–254. ISBN 5-540-01771-4. Archived from the original (PDF) on 2022-08-07.
- Hewsen, Robert H. (2001). Armenia: A Historical Atlas. Chicago: University of Chicago Press. ISBN 978-0-226-33228-4.
- Journal articles
- Abrahamian, A. G. (1947). Գառնիի հունարեն արձանագրությունը [The Greek inscription of Garni]. Etchmiadzin (in Armenian). 4 (3–4): 61–72. Archived from the original on 2021-02-25. Retrieved 2018-09-26.
- Khatchadourian, Lori (2008). "Making Nations from the Ground up: Traditions of Classical Archaeology in the South Caucasus". American Journal of Archaeology. 112 (2): 247–278. doi:10.3764/aja.112.2.247. JSTOR 20627449. S2CID 163627047.
- Tananyan, Grigor (2014). Գառնի պատմամշակութային կոթողը (տաճարի վերականգման 40-ամյակի առթիվ) [The Historic & Cultural Monument of Garni (to the 40th anniversary of the restoration of the temple)]. Patma-Banasirakan Handes (in Armenian). № 2 (2): 25–45. Archived from the original on 2016-03-04. Retrieved 2014-12-05.
- Wilkinson, R. D. (1982). "A Fresh Look at the Ionic Building at Garni". Revue des Études Arméniennes (XVI): 221–244.
- Manandyan, Hakob (1951). "Новые заметки о греческой надписи и языческом храме Гарни". Bulletin of the Academy of Sciences of the Armenian SSR: Social Sciences (in Russian). № 4 (4): 9–36. Archived from the original on 2015-12-08. Retrieved 2015-11-29.
- Bartikian, Hrach (1965). "Գառնիի հունարեն անձանագրությունը և Մովսես Խորենացին [The Greek Inscription of Garni and Movses Khorenatsi]". Patma-Banasirakan Handes (in Armenian). № 3 (3): 229–234. Archived from the original on 2016-11-11. Retrieved 2014-12-05.
- Mouradian, G. S. (1981). "Греческая надпись Трдата I, найденная в Гарни [Tiridates I's Greek Inscription Discovered in Garni]". Patma-Banasirakan Handes (in Russian). № 3 (3): 81–94. Archived from the original on 2016-11-11. Retrieved 2014-12-05.
- Sahinian, Alexander (1979). "Գառնիի անտիկ տաճարի կառուցման ժամանակը [The Time of the Construction of the Antique Temple of Garny]". Patma-Banasirakan Handes (in Armenian). № 3 (3): 165–181.
- Sahinian, Alexander (1979). "Գառնիի անտիկ տաճարի վերակազմության գիտական հիմունքները [Scientific Foundations of the Reconstruction of the Ancient Temple of Garny]". Patma-Banasirakan Handes (in Armenian). № 4 (4): 135–155. Archived from the original on 2016-11-10. Retrieved 2014-07-17.
- Sahinian, Alexander (1979). "Գառնիի անտիկ տաճարի վերականգնումը [The Reconstruction of the Ancient Temple of Garni]". Lraber Hasarakakan Gitutyunneri (in Armenian). № 10 (10): 59–74. ISSN 0320-8117. Archived from the original on 2016-03-04. Retrieved 2014-07-17.
- Sahinian, Alexander (1979). "Գառնիի անտիկ տաճարի համաչափական համակարգը [Proportional System of the Ancient Temple of Garni]". Lraber Hasarakakan Gitutyunneri (in Armenian). № 12 (12): 76–92. ISSN 0320-8117.
- Sargsian, Harma (1982). "Գառնիի հեթանոսական տաճարի վերականգնման ճարտարագիտական հարցերը [Engineering questions of the restoration of paganish temple of Garni]". Lraber Hasarakakan Gitutyunneri (in Armenian). № 12 (12): 70–76. ISSN 0320-8117.
- Sahinian, Alexander (1983). Գառնիի անտիկ կառույցների ճարտարապետությունը [Architecture of ancient structures of Garni] (in Armenian). Yerevan: Armenian SSR Academy of Sciences Publishing.
- Sahinian, Alexander (1988). Архитектура античных сооружений Гарни [Architecture of ancient structures of Garni] (in Russian). Yerevan: Sovetakan Grogh.
- "Arménie : Le temple de Garni au son du duduk". Le Monde (in French). 14 June 2011.
- "Лекция "Храм в Гарни и искусство эллинистической Армении"" (in Russian). State Museum of the Orient. 29 September 2015.
- Garni at Armenica.org