Gary Frank at a convention in 2008
1969 (age 48–49)|
Bristol, South West England, United Kingdom
The Incredible Hulk
Superman: Secret Origin
Gary Frank (born 1969) is a British comics artist, notable for pencilling on Midnight Nation and Supreme Power, both written by J. Michael Straczynski. He has also worked with author Peter David on The Incredible Hulk and Supergirl. He had a creator-owned series, Kin, which he wrote himself, published by Top Cow Productions in 2000.
Writer Geoff Johns, who has collaborated with Frank, has opined that Frank's rendition of Superman is the best of his generation and that the only other artist in the same league with Frank in this regard is Curt Swan.
Gary Frank began his professional career in 1991, illustrating covers and interior short stories for publications such as Doctor Who Magazine and Toxic!. This led to a stint at Marvel UK in 1992 as regular series' artist on Motormouth & Killpower. It was on that series that he began a long-running collaboration with inker Cam Smith, who would continue to ink Frank's work for many years. In 1992, Frank was recruited by Marvel Comics to illustrate covers for The Incredible Hulk, beginning with issue No. 400. Shortly thereafter, he was hired as the series' ongoing artist beginning with issue No. 403 (March 1993) and ending with No. 425 (Jan. 1995).
During his initial time at Marvel, Frank contributed covers, interiors and pin-up illustrations for various series, such as X-Men Unlimited, the Sabretooth Special, X-Men Classic, X-Men Prime, and Doctor Strange, Sorcerer Supreme, among others. He drew covers for Acclaim Comics' Ninjak and Harris Comics' Vampirella.
In 1996, Frank and Smith were hired as the art team on DC Comics' new Supergirl ongoing series, which re-teamed Frank with writer Peter David. Frank's run as penciller ended with issue No. 9 (May 1997), although he continued to provide covers for the series until issue No. 21. Other assignments for DC included a Birds of Prey one-shot and the DC/Marvel Amalgam Comics one-shot, Bullets and Bracelets.
In 1997, Frank and Smith moved to Image Comics, where they, along with writer John Arcudi, were hired as the new creative team on the Wildstorm title Gen¹³, beginning with the epilogue story in issue No. 25. Their run on the series was praised for its dark, realistic style in both writing and art; however, the drastic change in tone and style alienated many longtime fans who had grown accustomed to the more fantastical and cartoonish approach of the Brandon Choi/J. Scott Campbell run. The Arcudi/Frank/Smith tenure on the series lasted two years, until issue No. 41 (July 1999). It was during this run, in 1998, that Wildstorm head Jim Lee moved his studio and all its properties to DC Comics. Therefore, issues No. 25–36 were published by Image and issues No. 37–41 were published by DC/Wildstorm.
In 2000, Frank worked on various assignments for both DC and Marvel, including issue No. 7 of Tom Strong under DC's America's Best Comics imprint and writing and penciling a two-page X-Men story in X-Men: Millennial Visions, his final collaboration to date with inker Cam Smith. Kin, a six-issue miniseries created, written and penciled by Frank, was published under Image's Top Cow imprint. The story tells of a secret government agency named S.I.A. who discovers that a race of neanderthal men exists in the mountains of Alaska and proceed to eliminate them to obtain their technology, which developed differently from that of the rest of the world. The book's protagonist, S.I.A. agent Trey McAloon, is opposed to the agency's plans and confronts them about it, while the book's other main character, Alaskan Park Ranger Elizabeth Leaky, establishes contact with one of the neanderthals.
The miniseries' conclusion was open-ended, with questions left unanswered, but so far no sequel or continuation of the story has been announced. The trade paperback collection of Kin entitled Kin: Descent of Man includes six pages of additional story that were not featured in the original issues.
In 2000, Frank began his first collaboration with J. Michael Straczynski, the television writer and creator of Babylon 5. Frank served as penciller on Straczynski's Midnight Nation, a 12-issue limited series published by Top Cow from 2000 to 2002 under their now-defunct Joe's Comics imprint. The first issue of the series included a five-page interview with Frank and Straczynski. One of the inkers on the series was Jon Sibal, with whom Frank would begin a long-running artistic collaboration that continues to this day.
On 16 July 2002, it was announced that Frank had signed an exclusive contract with Marvel. His first work under this contract was a two-issue story arc on The Avengers issues No. 61–62, written by Geoff Johns and inked by Jon Sibal. In 2003, Frank re-teamed with Straczynski on Supreme Power, a revamp of Marvel's superhero team Squadron Supreme, published under their mature-audience Marvel MAX imprint. With its realism and mature storytelling, the series became Marvel's first MAX title to sell over 100,000 copies, making it their best-selling mature-readers series of all time. The series ran for 18 issues from October 2003 to October 2005.
During his run on Supreme Power, Frank provided covers for a diverse number of Marvel series such as Silver Surfer No. 7; Wolverine/Punisher No. 2; The Incredible Hulk No. 75; issues No. 4 and 6 of the Supreme Power spin-off miniseries, Doctor Spectrum; The Amazing Spider-Man No. 515 and 517; Black Panther No. 10; and numerous others, as well as two pages of interior art for the Avengers: Finale one-shot.
On 10 May 2007, having worked several years on a Marvel exclusive contract, Frank signed a new one with DC Comics. He served as the artist on Action Comics with writer Geoff Johns. The creative team produced the "Brainiac" storyline in which Superman's adopted father Jonathan Kent was killed. Frank and Johns continued to work on Superman in the Superman: Secret Origin six-issue mini-series. The story features what Johns and DC Executive Editor Dan DiDio called a "definitive" telling of the origin story of Superman, dealing with his life in Smallville, his first adventure with the Legion of Super-Heroes as Superboy, and his arrival in Metropolis and at the Daily Planet.
In 2012, Frank and Johns collaborated on Batman: Earth One, an out-of-continuity original graphic novel. The novel is the first in a series of graphic novels that redefines Batman. As of 2017, Johns and Frank are collaborating on Doomsday Clock, a limited series featuring Superman and Doctor Manhattan.
Work in other media
In 1990, prior working in the comics industry, Gary Frank produced a book titled Rovers: Portrait of a Football Team, which featured caricatures of a number of Bristol Rovers F.C. players from the 1989–90 season. He wrote it in conjunction with then-Rovers player Geoff Twentyman.
Comics work (interior pencil art) includes:
- Action Comics #858–863, 866–870, 900, Annual #10 (2007–11)
- The Batman Chronicles #10 (1997)
- Batman: Dark Knight Dynasty (among other artists) (1998)
- Batman: Earth One (2012)
- Batman: Earth One - Volume Two (2015)
- Black Canary/Oracle: Birds of Prey, one-shot (1996)
- Bullets and Bracelets #1 (Amalgam Comics, 1996)
- Countdown #30 (2007)
- DC Universe: Legacies, limited series, (Blue Beetle) #10 (2011)
- DC Rebirth, one shot (among other artists) (2016)
- Doomsday Clock , #1-6 (2017-present)
- Gen¹³ vol. 2 #37–41 (Wildstorm, (1999)
- JLA #15 (1998)
- Just Imagine Stan Lee With Gary Frank Creating Shazam (2002)
- Justice League, vol. 2, (Shazam!) #7–11, No. 0, #14–16, #18–21 (2012–13)
- Supergirl, vol. 4, #1–9 (1996–97)
- Superman: New Krypton Special, one-shot (among other artists) (2008)
- Superman: Secret Origin, miniseries, #1–6 (2009–10)
- Tangent Comics: The Flash #1 (1997)
- Tom Strong #7 (America's Best Comics, 2000)
- War of the Supermen #0 (among other artists) (2010)
- Wonder Woman Annual #1 (2007)
- The Avengers, vol. 3, #61–62 (2003)
- Avengers Finale (among other artists) (2005)
- Dark Angel #6 (1992)
- Doctor Strange Sorcerer Supreme #82–83 (1995)
- The Incredible Hulk, vol. 2, #403–411, 413–418, 420–423, 425 (1993–95)
- The Incredible Hulk, vol. 3, #100–101, 106–107 (2007)
- Motormouth #1-4 (1992)
- Motormouth & Killpower #6 (1992)
- Sabretooth Special # 1 (1995)
- Squadron Supreme, miniseries, #1–5, 7 (2006)
- Supreme Power #1–18 (2003–05)
- X-Men: Prime (among other artists) (1995)
- "Geoff Johns Conquers the Universe". Comic-Con Magazine. San Diego Comic-Con International: 11. Winter 2010.
- Gary Frank at the Grand Comics Database
- "Gary Frank". Lambiek Comiclopedia. 18 December 2006. Archived from the original on 19 July 2012. Retrieved 28 December 2013.
- Manning, Matthew K.; Gilbert, Laura, ed. (2008). "1990s". Marvel Chronicle A Year by Year History. London, United Kingdom: Dorling Kindersley. p. 274. ISBN 978-0756641238.
- Manning, Matthew K.; Dolan, Hannah, ed. (2010). "1990s". DC Comics Year By Year A Visual Chronicle. London, United Kingdom: Dorling Kindersley. p. 274. ISBN 978-0-7566-6742-9.
The Girl of Steel flew back into an ongoing series at long last, courtesy of fan-favorite writer Peter David and artist Gary Frank.
- Manning "1990s" in Dolan, p. 275: "Writer Chuck Dixon and artist Gary Frank paired two birds of a feather in December 's special Black Canary/Oracle: Birds of Prey No. 1."
- Weiland, Jonah (16 July 2002). "Artist Gary Frank exclusive to Marvel". Comic Book Resources. Archived from the original on 27 September 2013.
- Manning "2000s" in Gilbert (2008), p. 316: "Writer J. Michael Straczynski and artist Gary Frank took a surprisingly dark reassessment of the Squadron Supreme."
- "JMS Speaks about Supreme Power". Abyss.hubbe.net. 9 August 2003. Archived from the original on 1 October 2013.
- "Gary Frank Signs Exclusive With DC". Newsarama. 10 May 2007. Archived from the original on 29 December 2013.
- Cowsill, Alan "2000s" in Dolan, p. 335: "In Action Comics story arc 'Brainiac', writer Geoff Johns and artist Gary Frank added another definitive chapter to one of the most iconic runs in the history of the comic."
- Cowsill "2000s" in Dolan, p. 339: "Writer Geoff Johns and artist Gary Frank approached the story from a different angle than previous envisioners."
- Brady, Matt (28 November 2008). "Geoff Johns: Telling Superman's Secret Origin". Newsarama. Archived from the original on 9 June 2013.
- "DCU in 2010: Welcome to Earth One". DC Comics. 7 December 2009. Archived from the original on 19 December 2013.
- Johns, Geoff; Frank, Gary (July 2012). Batman: Earth One. DC Comics. p. 144. ISBN 978-1401232085.
- Manning, Matthew K.; Dougall, Alastair, ed. (2014). "2010s". Batman: A Visual History. London, United Kingdom: Dorling Kindersley. p. 328. ISBN 978-1465424563.
The Batman mythos was reimagined in this alternate take on the hero's origin in this hardcover special. It brought together writer Geoff Johns and artist Gary Frank for their first Batman story.
- "AICN Comics STM Exclusive Q&@ w JMS & Geoff Johnson on DC Earth One!". Ain't It Cool News. 7 December 2009. Archived from the original on 12 May 2013.
- Wickline, Dan (14 May 2017). "Johns and Frank's Doomsday Clock Pits Superman vs. Dr. Manhattan in 4–Part Stand–Alone Series". Bleeding Cool. Archived from the original on 17 May 2017.
- Schedeen, Jesse (14 May 2017). "Geoff Johns Continues DC Rebirth Saga in Doomsday Clock". IGN. Archived from the original on 19 June 2017.
Johns, artist Gary Frank and colorist Brad Anderson will chronicle the long-awaited meeting between Superman and Watchmen's Doctor Manhattan in a mini-series entitled Doomsday Clock.
- Gary Frank at the Comic Book DB
- Gary Frank at Mike's Amazing World of Comics
- Gary Frank at the Unofficial Handbook of Marvel Comics Creators
- Gary Frank at 2000 AD online
| The Incredible Hulk artist
| Supergirl vol. 4 artist
| Gen¹³ vol. 2 artist
| Action Comics artist