# Gateway Arch

Gateway Arch
Alternative names
• Gateway to the West
• St. Louis Arch
General information
Architectural styleStructural expressionism[1]
Location100 Washington Avenue
St. Louis, Missouri, 63102, U.S.
Coordinates38°37′28″N 90°11′05″W﻿ / ﻿38.6245°N 90.1847°W
Construction startedFebruary 12, 1963; 59 years ago
CompletedOctober 28, 1965; 57 years ago
InauguratedJune 10, 1967; 55 years ago
Cost$13 million (c.$83 million in 2020)[2]
Height630 ft (192 m)
Dimensions
Other dimensions630 ft (192 m) width
Design and construction
Architect(s)Eero Saarinen
Architecture firmEero Saarinen and Associates
Structural engineerSeverud Associates
Main contractorMacDonald Construction Co.
Website
www.gatewayarch.com
Gateway Arch
NRHP reference No.87001423
Significant dates
Added to NRHPMay 28, 1987[3]
Designated NHLMay 28, 1987[4]

The Gateway Arch is a 630-foot-tall (192 m) monument in St. Louis, Missouri, United States. Clad in stainless steel and built in the form of a weighted catenary arch,[5] it is the world's tallest arch[4] and Missouri's tallest accessible building. Some sources consider it the tallest human-made monument in the Western Hemisphere.[6] Built as a monument to the westward expansion of the United States[5] and officially dedicated to "the American people", the Arch, commonly referred to as "The Gateway to the West", is a National Historic Landmark in Gateway Arch National Park and has become an internationally recognized symbol of St. Louis, as well as a popular tourist destination.

The Arch was designed by Finnish-American architect Eero Saarinen in 1947; construction began on February 12, 1963, and was completed on October 28, 1965,[7][8] at an overall cost of $13 million[9] (equivalent to$83 million in 2018).[2] The monument opened to the public on June 10, 1967.[10] It is located at the site of the founding of St. Louis on the west bank of the Mississippi River.[11][12][13]

## Historical background

### Inception and funding (1933–1935)

Around late 1933, civic leader Luther Ely Smith, returning to St. Louis from the George Rogers Clark National Historical Park in Vincennes, Indiana, saw the St. Louis riverfront area and envisioned that building a memorial there would both revive the riverfront and stimulate the economy.[14][15] He communicated his idea to mayor Bernard Dickmann, who on December 15, 1933, raised it in a meeting with city leaders. They sanctioned the proposal, and the nonprofit Jefferson National Expansion Memorial Association (JNEMA—pronounced "Jenny May")[16] was formed. Smith was appointed chairman and Dickmann vice chairman. The association's goal was to create:[14]

A suitable and permanent public memorial to the men who made possible the western territorial expansion of the United States, particularly President Jefferson, his aides Livingston and Monroe, the great explorers, Lewis and Clark, and the hardy hunters, trappers, frontiersmen and pioneers who contributed to the territorial expansion and development of these United States, and thereby to bring before the public of this and future generations the history of our development and induce familiarity with the patriotic accomplishments of these great builders of our country.

Many locals did not approve of depleting public funds for the cause. Smith's daughter SaLees related that when "people would tell him we needed more practical things", he would respond that "spiritual things" were equally important.[16]

The association expected that $30 million would be needed to undertake the construction of such a monument (about$488 million[17] in 2020 dollars). It called upon the federal government to foot three-quarters of the bill ($22.5 million).[16] The St. Louis riverfront after demolition The suggestion to renew the riverfront was not original, as previous projects were attempted but lacked popularity. The Jefferson memorial idea emerged amid the economic disarray of the Great Depression and promised new jobs.[14] The project was expected to create 5,000 jobs for three to four years.[18] Committee members began to raise public awareness by organizing fundraisers and writing pamphlets. They also engaged Congress by planning budgets and preparing bills, in addition to researching ownership of the land they had chosen, "approximately one-half mile in length ... from Third Street east to the present elevated railroad." In January 1934, Senator Bennett Champ Clark and Representative John Cochran introduced to Congress an appropriation bill seeking$30 million for the memorial, but the bill failed to garner support due to the large amount of money solicited. In March of the same year, joint resolutions proposed the establishment of a federal commission to develop the memorial. Although the proposal aimed for only authorization, the bill incurred opposition because people suspected that JNEMA would later seek appropriation. On March 28 the Senate bill was reported out, and on April 5 it was turned over to the House Library Committee, which later reported favorably on the bills. On June 8, both the Senate and House bills were passed. On June 15, President Franklin D. Roosevelt signed the bill into law, instituting the United States Territorial Expansion Memorial Commission. The commission comprised 15 members, chosen by Roosevelt, the House, the Senate, and JNEMA. It first convened on December 19 in St. Louis, where members examined the project and its planned location.[14]

Meanwhile, in December, the JNEMA discussed organizing an architectural competition to determine the design of the monument. Local architect Louis LeBeaume had drawn up competition guidelines by January 1935.[14] On April 13, 1935, the commission certified JNEMA's project proposals, including memorial perimeters, the "historical significance" of the memorial, the competition, and the $30 million budget.[14] Between February and April, the Missouri State Legislature passed an act allowing the use of bonds to facilitate the project. On April 15, then Governor Guy B. Park signed it into law. Dickmann and Smith applied for funding from two New Deal agencies—the Public Works Administration (headed by Harold Ickes) and the Works Progress Administration (headed by Harry Hopkins). On August 7, both Ickes and Hopkins assented to the funding requests, each promising$10 million, and said that the National Park Service (NPS) would manage the memorial.[19] A local bond issue election granting $7.5 million (about$122 million[17] in 2020 dollars) for the memorial's development was held on September 10 and passed.[14][18]

On December 21, President Roosevelt signed Executive Order 7253[15] to approve the memorial,[20] allocating the 82-acre area as the first National Historic Site.[15][16][19] The order also appropriated $3.3 million through the WPA and$3.45 million through the PWA[21] ($6.75 million in total).[18] The motivation of the project was two-fold—commemorating westward expansion and creating jobs.[14] Some taxpayers began to file suits to block the construction of the monument, which they called a "boondoggle".[16] ### Initial planning (1936–1939) Using the 1935 grant of$6.75 million and $2.25 million in city bonds,[18] the NPS acquired the historic buildings within the historic site—through condemnation rather than purchase—and demolished them. By September 1938, condemnation was complete. The condemnation was subject to many legal disputes which culminated on January 27, 1939, when the United States Circuit Court of Appeals ruled that condemnation was valid. A total of$6.2 million was distributed to land owners on June 14.[15] Demolition commenced on October 9, 1939, when Dickmann extracted three bricks from a vacant warehouse.[22]

Led by Paul Peters, adversaries of the memorial delivered to Congress a leaflet titled "Public Necessity or Just Plain Pork". The JNEMA's lawyer, Bon Geaslin, believed that the flyers did not taint the project, but motivated members of Congress to find out more about the same. Although Representative John Cochran wanted to ask Congress to approve more funds, Geaslin believed the association should "keep a low profile, maintaining its current position during this session of Congress". He advised the association to "get a good strong editorial in one of the papers to the effect that a small group of tenants ... is soliciting funds [to fight] the proposed improvement, and stating that these efforts do not represent the consensus of opinion in St. Louis ... , and pointing out that such obstructions should be condemned".[22]

Congress's reduction in spending made it impossible for the allocated funds to be obtained. NPS responded that the city would reduce its contribution if the federal government did. It also asserted that the funds were sanctioned by an executive order, but superintendent John Nagle pointed out that what "one Executive Order does, another can undo". In March 1936, Representative Cochran commented during a House meeting that he "would not vote for any measure providing for building the memorial or allotting funds to it". Geaslin found Cochran's statements to be a greater hindrance to the project than Paul Peters' opposition, for Congress might have Cochran's opinions as representative of public opinion.[22]

Peters and other opponents asked Roosevelt to rescind Executive Order 7253 and to redirect the money to the American Red Cross. Smith impugned their motives, accusing them of being "opposed to anything that is ever advanced in behalf of the city."[22] In February 1936, an editorial written by Paul W. Ward in The Nation denounced the project.[23] Smith was infuriated, fearing the impact of attacks from a prestigious magazine, and wanted "to jump on it strong with hammer and tongs". William Allen White, a renowned newspaper editor, advised Smith not to fret.[22]

Because the Mississippi River played an essential role in establishing St. Louis's identity as the gateway to the west, it was felt that a memorial commemorating it should be near the river. Railroad tracks that had been constructed in the 1930s on the levee obstructed views of the riverfront from the memorial site.[15] When Ickes declared that the railway must be removed before he would allocate funds for the memorial,[22] President of the St. Louis Board of Public Service Baxter Brown suggested that "a new tunnel ... conceal the relocated tracks and re-grading of the site to elevate it over the tunnel. These modifications would eliminate the elevated and surface tracks and open up the views to the river."[15] Although rejected by NPS architect Charles Peterson, Brown's proposal formed the basis for the ultimate settlement.[22]

By May 1942, demolition was complete.[20] The Old Cathedral and the Old Rock House, because of their historical significance, were the only buildings retained within the historic site.[24][25] The Old Rock House was later dismantled in 1959 with the intention of reassembling it at a new location, but pieces of the building went missing. Part of the house has been reconstructed in the basement of the Old Courthouse.[26]

### Design competition (1945–1948)

... [T]he steel monument one sees today—carbon steel on the interior, stainless steel on the exterior, and concrete in-filling, with an equilateral-triangle-shaped section that tapers from 54 to 17 feet at the top, and the concept of a skin that is also structure—is in essence [Saarinen's] competition design.[27]

Eero Saarinen: Shaping the Future, 2006

In November 1944, Smith discussed with Newton Drury, the National Park Service Director, the design of the memorial, asserting that the memorial should be "transcending in spiritual and aesthetic values", best represented by "one central feature: a single shaft, a building, an arch, or something else that would symbolize American culture and civilization."[28]

The idea of an architectural competition to determine the design of the memorial was favored at the JNEMA's inaugural meeting. They planned to award cash for the best design.[16] In January 1945, the JNEMA officially announced a two-stage design competition that would cost $225,000 to organize. Smith and the JNEMA struggled to raise the funds, garnering only a third of the required total by June 1945.[a] Then mayor Aloys Kaufmann feared that the lack of public support would lead officials to abandon hope in the project. The passage of a year brought little success, and Smith frantically underwrote the remaining$40,000 in May 1946. By June, Smith found others to assume portions of his underwriting, with $17,000 remaining under his sponsorship. In February 1947, the underwriters were compensated, and the fund stood at over$231,199.[28]

Local architect Louis LaBeaume prepared a set of specifications for the design, and architect George Howe was chosen to coordinate the competition. On May 30, 1947, the contest officially opened. The seven-member jury that would judge the designs comprised Charles Nagel Jr., Richard Neutra, Roland Wank, William Wurster, LaBeaume, Fiske Kimball, and S. Herbert Hare.[30] The competition comprised two stages—the first to narrow down the designers to five and the second to single out one architect and his design.[28] The design intended to include:[31]

(a) an architectural memorial or memorials to Jefferson; dealing (b) with preservation of the site of Old St. Louis—landscaping, provision of an open-air campfire theater, reerection or reproduction of a few typical old buildings, provision of a Museum interpreting the Westward movement; (c) a living memorial to Jefferson's 'vision of greater opportunities for men of all races and creeds;' (d) recreational facilities, both sides of the river; and (e) parking facilities, access, relocation of railroads, placement of an interstate highway.

Saarinen working with a model of the arch in 1957

Saarinen's team included himself as designer, J. Henderson Barr as associate designer, and Dan Kiley as landscape architect, as well as Lily Swann Saarinen as sculptor and Alexander Girard as painter. In the first stage of the competition, Carl Milles advised Saarinen to change the bases of each leg to triangles instead of squares. Saarinen said that he "worked at first with mathematical shapes, but finally adjusted it according to the eye." At submission, Saarinen's plans laid out the arch at 569 feet (173 m) tall and 592 feet (180 m) wide from center to center of the triangle bases.[27]

On September 1, 1947, submissions for the first stage were received by the jury. The submissions were labeled by numbers only, and the names of the designers were kept anonymous. Upon four days of deliberation, the jury narrowed down the 172 submissions, which included Saarinen's father Eliel,[29] to five finalists, and announced the corresponding numbers to the media on September 27. Eero Saarinen's design (#144) was among the finalists, and comments written on it included "relevant, beautiful, perhaps inspired would be the right word" (Roland Wank) and "an abstract form peculiarly happy in its symbolism" (Charles Nagel). Hare questioned the feasibility of the design but appreciated the thoughtfulness behind it.[28] Local St. Louis architect Harris Armstrong was also one of the finalists.[32] The secretary who sent out the telegrams informing finalists of their advancement mistakenly sent one to Eliel rather than Eero. The family celebrated with champagne, and two hours later, a competition representative called to correct the mistake. Eliel "'broke out a second bottle of champagne' to toast his son."[29] They proceeded to the second stage, and each was given a $10,069 prize (about$93,340[17] in 2020 dollars). Saarinen changed the height of the arch from 580 feet to 630 feet (190 m)[b] and wrote that the arch symbolized "the gateway to the West, the national expansion, and whatnot."[27] He wanted the landscape surrounding the arch to "be so densely covered with trees that it will be a forest-like park, a green retreat from the tension of the downtown city," according to The New York Times architectural critic Aline Bernstein Louchheim.[c] The deadline for the second stage arrived on February 10, 1948, and on February 18, the jury chose Saarinen's design unanimously,[28] praising its "profoundly evocative and truly monumental expression."[35] The following day,[30] during a formal dinner at Statler Hotel that the finalists and the media attended, Wurster pronounced Saarinen the winner of the competition and awarded the checks—$40,000 to his team[27] and$50,000 to Saarinen.[36] The competition was the first major architectural design that Saarinen developed unaided by his father.[28]

On May 25, the United States Territorial Expansion Memorial Commission endorsed the design.[30] Later, in June, the NPS approved the proposal.[27] Representative H. R. Gross, however, opposed the allocation of federal funds for the arch's development.[37]

The design drew varied responses. In a February 29, 1969, The New York Times article, Louchheim praised the arch's design as "a modern monument, fitting, beautiful and impressive."[38] Some local residents likened it to a "stupendous hairpin and a stainless steel hitching post." The most aggressive criticism emerged from Gilmore D. Clarke,[39] whose February 26, 1948,[16] letter compared Saarinen's arch to an arch imagined by fascist Benito Mussolini, rendering the arch a fascist symbol. This allegation of plagiarism ignited fierce debates among architects about its validity. Douglas Haskell from New York wrote that "The use of a common form is not plagiarism ... [T]his particular accusation amounts to the filthiest smear that has been attempted by a man highly placed in the architectural profession in our generation."[16] Wurster and the jury refuted the charges, arguing that "the arch form was not inherently fascist but was indeed part of the entire history of architecture."[35] Saarinen considered the opposition absurd, asserting, "It's just preposterous to think that a basic form, based on a completely natural figure, should have any ideological connection."[39]

By January 1951, Saarinen created 21 "drawings, including profiles of the Arch, scale drawings of the museums and restaurants, various parking proposals, the effect of the levee-tunnel railroad plan on the Arch footings, the Arch foundations, the Third Street Expressway, and the internal and external structure of the Arch." Fred Severud made calculations for the arch's structure.[40]

### Railroad agreement (1949–1958)

Several proposals were offered for moving the railroad tracks, including:

• Bates-Ross. Tracks would cross the memorial site diagonally in a tunnel.
• Bowen. Similar to Bates-Ross proposal.[how?]
• Hill-Tunnel. Supported by Saarinen and NPS engineer Julian Spotts, it would route the tracks in a tunnel below Second and First Streets. Saarinen further said that if the tracks passed between the memorial and the river, he would withdraw his participation.
• La Beaume-Terminal. Opposed by Saarinen and the NPS, it would lay "three tracks on a contained fill along the lines of the elevated tracks."
• Levee-Tunnel. Proposed by Frank J. McDevitt, president of the St. Louis Board of Public Service, it would lower the tracks into a tunnel concealed by walls and landscaping.

On July 7, 1949, in Mayor Joseph Darst's office, city officials chose the Levee-Tunnel plan, rousing JNEMA members who held that the decision had been pressed through when Smith was away on vacation. Darst notified Secretary of the Interior Julius Krug of the city's selection. Krug planned to meet with Smith and JNEM but canceled the meeting and resigned on November 11. His successor, Oscar L. Chapman, rescheduled the meeting for December 5 in Washington with delegates from the city government, JNEMA, railroad officials, and Federal government. A day after the conference, they ratified a memorandum of understanding about the plan: "The five tracks on the levee would be replaced by three tracks, one owned by the Missouri Pacific Railroad (MPR) and two by the Terminal Railroad Association of St. Louis (TRRA) proceeding through a tunnel not longer than 3,000 feet. The tunnel would be approximately fifty feet west of the current elevated line." It would also have an overhead clearance of 18 feet (5.5 m), lower than the regular requirement of 22 feet (6.7 m). Chapman approved the document on December 22, 1949, and JNEM garnered the approval of the Missouri Public Service Commission on August 7, 1952.[40]

Efforts to appropriate congressional funds began in January 1950 but were delayed until 1953 by the Korean War's depletion of federal funds.[40]

In August 1953, Secretary of the Interior Fred A. Seaton declared that the Department of the Interior and the railroads should finalize the agreement on the new route. In October, NPS and the TRRA decided that the TRRA would employ a surveyor endorsed by Spotts "to survey, design, estimate, and report on" the expenses of shifting the tracks. They chose Alfred Benesch and Associates, which released its final report on May 3, 1957. The firm estimated that the two proposals would cost more than expected: more than $11 million and$14 million, respectively. NPS director Conrad Wirth enjoined Saarinen to make small modifications to the design. In October, Saarinen redrafted the plans, suggesting:[41]

[the placement of] the five sets of railroad tracks into a shortened tunnel 100 feet west of the trestle, with the tracks being lowered sixteen feet. This did not mean that the memorial would be cut off from the river, however, for Saarinen provided a 960-foot-long (290 m) tunnel to be placed over the railroad where a "grand staircase" rose from the levee to the Arch. At the north and south ends of the park, 150-foot tunnels spanned the tracks, and led to the overlook museum, restaurant, and stairways down to the levee. Saarinen designed a subterranean visitor center the length of the distance between the legs, to include two theaters and an entrance by inward-sloping ramps.

On October 26, 1965, the International Association of Ironworkers delayed work to ascertain that the arch was safe. After NPS director Kenneth Chapman gave his word that conditions were "perfectly safe," construction resumed on October 27.[60] After the discovery of 16 defects, the tram was also delayed from running. The Bi-State Development Agency assessed that it suffered losses of $2,000 for each day the trains were stagnant.[61] On January 7, 1966, members of AFL–CIO deserted their work on the visitor center,[61] refusing to work with plumbers affiliated with Congress of Industrial Unions (CIU), which represented black plumbers. A representative of AFL–CIO said, "This policy has nothing to do with race. Our experience is that these CIU members have in the past worked for substandard wages."[62] CIU applied to the National Labor Relations Board (NLRB) for an injunction that required the AFL–CIO laborers to return to work. On February 7, Judge John Keating Regan ruled that AFL–CIO workers had participated in a secondary boycott. By February 11, AFL–CIO resumed work on the arch, and an AFL–CIO contractor declared that ten African Americans were apprenticed for arch labor. The standstill in work lasted a month.[57] Considering how large Federal projects often "go haywire", Secretary of War Newton D. Baker said, "This memorial will be like a cathedral; built slowly but surely."[18] ### Topping out and dedication The dedication plaque President Lyndon B. Johnson and Mayor Alfonso J. Cervantes decided on a date for the topping-out ceremony, but the arch had not been completed by then. The ceremony date was reset to October 17, 1965; workers strained to meet the deadline, taking double shifts, but by October 17, the arch was still not complete. The chairman of the ceremony anticipated the ceremony to be held on October 30, a Saturday, to allow 1,500 schoolchildren, whose signatures were to be placed in a time capsule, to attend. Ultimately, PDM set the ceremony date to October 28.[16] The time capsule, containing the signatures of 762,000 students and others, was welded into the keystone before the final piece was set in place.[63] On October 28, the arch was topped out as then Vice President Hubert Humphrey observed from a helicopter.[64] A Catholic priest and a rabbi prayed over the keystone,[36] a 10-short-ton (9.1 t), eight-foot-long (2.4 m) triangular section.[65] It was slated to be inserted at 10:00 a.m. local time but was done 30 minutes early[36] because thermal expansion had constricted the 8.5-foot (2.6 m) gap at the top[65] by 5 inches (13 cm).[64] To mitigate this, workers used fire hoses to spray water on the surface of the south leg to cool it down[55] and make it contract.[64] The keystone was inserted in 13 minutes[36] with only 6 inches (15 cm) remaining. For the next section, a hydraulic jack had to pry apart the legs six feet (1.8 m). The last section was left only 2.5 feet (0.76 m).[65] By noon, the keystone was secured.[36] Some filmmakers, in hope that the two legs would not meet, had chronicled every phase of construction.[66] The Gateway Arch was expected to open to the public by 1964, but in 1967 the public relations agency stopped forecasting the opening date.[61] The arch's visitor center opened on June 10, 1967, and the tram began operating on July 24.[10] The arch was dedicated by Humphrey on May 25, 1968.[67] He declared that the arch was "a soaring curve in the sky that links the rich heritage of yesterday with the richer future of tomorrow"[68] and brings a "new purpose" and a "new sense of urgency to wipe out every slum." "Whatever is shoddy, whatever is ugly, whatever is waste, whatever is false, will be measured and condemned" in comparison to the Gateway Arch. About 250,000 people were expected to attend, but rain canceled the outdoor activities.[67] The ceremony had to be transferred into the visitor center.[68][f] After the dedication, Humphrey crouched beneath an exit as he waited for the rain to subside so he could walk to his vehicle.[67] ### After completion The project did not provide 5,000 jobs as expected—as of June 1964, workers numbered fewer than 100. The project did, however, incite other riverfront restoration efforts, totaling$150 million. Building projects included a 50,000-seat sports stadium, a 30-story hotel, several office towers, four parking garages, and an apartment complex.[18] The idea of a Disneyland amusement park that included "synthetic riverboat attractions" was considered but later abandoned.[69][70] The developers hoped to use the arch as a commercial catalyst, attracting visitors who would use their services.[18] One estimate found that since the 1960s, the arch has incited almost $503 million worth of construction.[71] In June 1976, the memorial was finalized by federal allocations—"the statue of Thomas Jefferson was unveiled, the Museum of Westward Expansion was previewed, a theater under the Arch was dedicated in honor of Mayor Raymond Tucker and the catenary-like curving staircases from the Arch down to the levee were built."[16] ## Characteristics ### Physical characteristics The windows of the observation deck are located around the apex of the arch. Both the width and height of the arch are 630 feet (192 m).[7][64] The arch is the tallest memorial in the United States[4] and the tallest stainless steel monument in the world.[72] The cross-sections of the arch's legs are equilateral triangles, narrowing from 54 feet (16 m) per side at the bases to 17 feet (5.2 m) per side at the top.[73] Each wall consists of a stainless steel skin covering a sandwich of two carbon-steel walls with reinforced concrete in the middle from ground level to 300 feet (91 m), with carbon steel to the peak.[49][74] The arch is hollow to accommodate a unique tram system that takes visitors to an observation deck at the top.[11] The structural load is supported by a stressed-skin design.[75] Each leg is embedded in 25,980 short tons (23,570 t) of concrete 44 feet (13 m) thick[64] and 60 feet (18 m) deep.[76] Twenty feet (6.1 m) of the foundation is in bedrock.[76] The arch is resistant to earthquakes[77] and is designed to sway up to 18 inches (46 cm) in either direction,[78] while withstanding winds up to 150 miles per hour (240 km/h).[79] The structure weighs 42,878 short tons (38,898 t), of which concrete composes 25,980 short tons (23,570 t); structural steel interior, 2,157 short tons (1,957 t); and the 6.3mm thick grade 304 stainless steel panels that cover the exterior of the arch, 886 short tons (804 t).[67][80] This amount of stainless steel is the most used in any one project in history.[72][79] The base of each leg at ground level had to have an engineering tolerance of 164 inch (0.40 mm) or the two legs would not meet at the top.[7] ### Mathematical elements The arch is a weighted catenary—its legs are wider than its upper section. The geometric form of the structure was set by mathematical equations provided to Saarinen by Hannskarl Bandel. Bruce Detmers and other architects expressed the geometric form in blueprints with this equation:[81] ${\displaystyle y=A\left(\cosh {\frac {Cx}{L}}-1\right)\quad \Leftrightarrow \quad x={\frac {L}{C}}\cosh ^{-1}\left(1+{\frac {y}{A}}\right)}$, with the constants ${\displaystyle A={\frac {f_{c}}{Q_{b}/Q_{t}-1}}=68.7672}$ ${\displaystyle C=\cosh ^{-1}{\frac {Q_{b}}{Q_{t}}}=3.0022}$ where fc = 625.0925 ft (191 m) is the maximum height of centroid, Qb = 1,262.6651 sq ft (117 m2) is the maximum cross sectional area of arch at base, Qt = 125.1406 sq ft (12 m2) is the minimum cross sectional area of arch at top, and L = 299.2239 ft (91 m) is the half width of centroid at the base. The triangular cross sectional area varies linearly with the vertical height of its centroid. This hyperbolic cosine function describes the shape of a catenary. A chain that supports only its own weight forms a catenary; the chain is purely in tension.[82][83] Likewise, an inverted catenary arch that supports only its own weight is purely in compression, with no shear. The catenary arch is the stablest of all arches since the thrust passes through the legs and is absorbed in the foundations, instead of forcing the legs apart.[16] The Gateway Arch itself is not a common catenary, but a more general curve of the form y=Acosh (Bx).[84] This makes it an inverted weighted catenary.[48][85] Saarinen chose a weighted catenary over a normal catenary curve because it looked less pointed and less steep. In 1959, he caused some confusion about the actual shape of the arch when he wrote, "This arch is not a true parabola, as is often stated. Instead it is a catenary curve—the curve of a hanging chain—a curve in which the forces of thrust are continuously kept within the center of the legs of the arch." William V. Thayer, a professor of mathematics at St. Louis Community College, later wrote to the St. Louis Post-Dispatch calling attention to the fact that the structure was a weighted catenary.[86] ### Lighting The arch illuminated in pink in honor of Breast Cancer Awareness Month The arch's lighting system The first proposal to illuminate the arch at night was announced on May 18, 1966, but the plan never came to fruition.[10] In July 1998, funding for an arch lighting system was approved by St. Louis's Gateway Foundation,[87] which agreed to take responsibility for the cost of the equipment, its installation, and its upkeep.[88] In January 1999, MSNBC arranged a temporary lighting system for the arch so the monument could be used as the background for a visit by Pope John Paul II.[87] Since November 2001, the arch has been bathed in white light between 10 p.m. and 1 a.m. via a system of floodlights.[89] Designed by Randy Burkett, it comprises 44 lighting fixtures situated in four pits just below ground level.[87][88] On October 5, 2004, the U.S. Senate, at the pressing of Senators Jim Talent and Kit Bond, approved a bill permitting the illumination in pink of the arch in honor of breast cancer awareness month.[90] Both Estee Lauder and May Department Store Co. had championed the cause.[91] One employee said that the arch would be a "beacon ... for the importance of prevention and finding a cure."[92] While the National Park Service took issue with the plan due to the precedent it would set for prospective uses of the arch, it yielded due to a realization that it and Congress were "on the same team" and because the illumination was legally obligatory; on October 25, the plan was carried out.[93] The previous time the arch was illuminated for promotional purposes was on September 12, 1995,[94] under the management of local companies Fleishman-Hillard and Technical Productions when a rainbow spectrum was shone on the arch to publicize the debut of Ringling Bros. and Barnum & Bailey Circus' Wizard of Oz on Ice at the Kiel Center.[91][95] ## Public access Southern entrance to the subterranean visitor center In April 1965, three million tourists were expected to visit the arch annually after completion;[13] 619,763 tourists visited the top of the arch in its first year open. On January 15, 1969, a visitor from Nashville, Tennessee, became the one-millionth person to reach the observation area; the ten-millionth person ascended to the top on August 24, 1979.[10] In 1974, the arch was ranked fourth on a list of "most-visited man-made attraction[s]".[16] The Gateway Arch is one of the most visited tourist attractions in the world with over four million visitors annually,[96] of which around one million travel to the top.[97] The arch was listed as a National Historic Landmark on June 2, 1987, and is also listed on the National Register of Historic Places.[4] On December 8, 2009, sponsored by nonprofit CityArchRiver2015, the international design competition "Framing a Modern Masterpiece: The City + The Arch + The River 2015" commenced.[98] It aimed to "design a plan to improve the riverfront park landscape, ease access for pedestrians across Memorial Drive and expand onto the East St. Louis riverfront,"[99] as well as to attract visitors.[100] The contest consisted of three stages—portfolio assessment (narrowed down to 8–10 teams), team interviews (narrowed down to 4–5 teams), and review of design proposals.[101] The competition received 49 applicants,[102] which were narrowed down to five in the first two stages. On August 17, 2010, the designs of the five finalists were revealed to the public and exhibited at the theater below the arch.[103] On August 26, the finalists made their cases to an eight-member jury,[104][105] and on September 21,[106] the winner was revealed—Michael Van Valkenburgh Associates. The initiative's plans include updating Kiener Plaza and the Old Courthouse, connecting the city to the Arch grounds with a park over Interstate 70, a re-imagined museum and improved accessibility. The budget for the project is$380 million and was set to be completed in 2018.[102]

Ground broke on the "Park over the Highway" project, the first component of the CityArchRiver project, on August 2, 2013. This project features a landscaped structure over Interstate 70 and rerouted surface traffic that had previously formed a moat separating the Gateway Arch from the Old Courthouse. This project was completed in December 2014.[107]

### Visitor center

Inside the visitor center

The underground visitor center for the arch was designed as part of the National Park Service's Mission 66 program.[108] The 70,000-square-foot (6,500 m2) center is located directly below the arch,[109] between its legs. Although construction on the visitor center began at the same time as construction for the arch itself, it did not conclude until 1976 because of insufficient funding;[110] however, the center opened with several exhibits on June 10, 1967.[10] Access to the visitor center is provided through ramps adjacent to each leg of the arch.[110]

The center houses offices, mechanical rooms, and waiting areas for the arch trams, as well as its main attractions: the Museum of Westward Expansion and two theaters displaying films about the arch.[110] The older theater opened in May 1972;[10] the newer theater, called the Odyssey Theatre, was constructed in the 1990s and features a four-story-tall screen. Its construction required the expansion of the underground complex, and workers had to excavate solid rock while keeping the disruption to a minimum so the museum could remain open.[110] The museum houses several hundred exhibits about the United States' westward expansion in the 19th century[73] and opened on August 10, 1977.[10]

#### Incidents

A young boy is looking out one of the observation windows at the city of St. Louis. Busch Stadium can be seen through the window.

On July 8, 1970, a six-year-old boy, his mother, and two of her friends were trapped in a tram in the arch's south leg after the monument closed. According to the boy's mother, the group went up the arch around 9:30 p.m. CDT, but when the tram reached the de-boarding area, its doors did not open. The tram then reportedly traveled up to a storage area 50 feet (15 m) above the ground, and the power was switched off.[118] One person was able to pry open the tram door and the four managed to reach a security guard for help after being trapped for about 45 minutes.[10]

On July 21, 2007, a broken cable forced the south tram to be shut down, leaving only the north tram in service until repairs were completed in March 2008.[97] Around 200 tourists were stuck inside the arch for about three hours because the severed cable contacted a high-voltage rail, causing a fuse to blow. The north tram was temporarily affected by the power outage as well, but some passengers were able to exit the arch through the emergency stairs and elevator. It was about two hours until all the tram riders safely descended, while those in the observation area at the time of the outage had to wait an additional hour before being able to travel back down. An arch official said the visitors, most of whom stayed calm during the ordeal, were not in any danger and were later given refunds.[119] The incident occurred while visitors in the arch were watching a fireworks display, and no one was seriously injured in the event. However, two people received medical treatment; one person needed oxygen and the other was diabetic.[120] Almost immediately after the tram returned to service in 2008, however, it was closed again for new repairs after an electrical switch broke. The incident, which occurred on March 14, was billed as a "bad coincidence."[121]

A view of the Mississippi River from the observation room of the St. Louis Arch.

On the morning of February 9, 2011, a National Park Service worker was injured while performing repairs on the south tram. The 55-year-old was working on the tram's electrical system when he was trapped between it and the arch wall for around 30 seconds, until being saved by other workers. Emergency officials treated the injured NPS employee at the arch's top before taking him to Saint Louis University Hospital in a serious condition.[122]

On March 24, 2011, around one hundred visitors were stranded in the observation area for 45 minutes after the doors of the south tram refused to close. The tourists were safely brought down the arch in the north tram, which had been closed that week so officials could upgrade it with a new computer system. The National Park Service later attributed the malfunction to a computer glitch associated with the new system, which had already been implemented with the south tram. No one was hurt in the occurrence.[123][124]

Around 2:15 p.m. local time on June 16, 2011, the arch's north tram stalled due to a power outage.[125] The tram became stuck about 200 feet (61 m) from the observation deck, and passengers eventually were told to climb the stairs to the observation area.[126] It took National Park Service workers about one hour to manually pull the tram to the top, and the 40 trapped passengers were able to return down on the south tram, which had previously not been operating that day because there was not an abundance of visitors. An additional 120 people were at the observation deck at the time of the outage and also exited via the south tram. During the outage, visitors were stuck in the tram with neither lighting nor air conditioning.[125] No one was seriously injured in the incident, but one visitor lost consciousness after suffering a panic attack,[127] and a park ranger was taken away with minor injuries. The cause of the outage was not immediately known.[125]

### Stunts and accidents

The arch in September 2007

On June 16, 1965, the Federal Aviation Administration cautioned that aviators who flew through the arch would be fined and their licenses revoked.[128] At least ten pilots have disobeyed this order,[10] beginning on June 22, 1966.[16]

In 1973, Nikki Caplan was granted an FAA exception to fly a hot air balloon between the arch's legs as part of the Great Forest Park Balloon Race.[129] During the flight, on which the St. Louis park director was a passenger, the balloon hit the arch and plummeted 70 feet before recovering.[130]

In 1976, a U.S. Army exhibition skydiving team was permitted to fly through the arch as part of Fourth of July festivities,[131] and since then, numerous skydiving exhibition teams have legally jumped onto the Arch grounds, after having flown their parachutes through the legs of the Arch.

The arch has been a target of various stunt performers, and while such feats are generally forbidden, several people have parachuted to or from the arch regardless. In June 1980, the National Park Service declined a request by television producers to have a performer jump from the arch; a similar appeal by stuntman Dan Koko was also turned away in February 1986.[10] Koko, who was a stunt double for Superman, wanted to perform the leap during Fourth of July celebrations.[132] In 2013 Alexander Polli, a European BASE jumper, planned to fly a wingsuit under the arch but had his demo postponed by the FAA.

1980 accident

On November 22, 1980, at about 8:45 a.m. CST, 33-year-old Kenneth Swyers of Overland, Missouri, parachuted onto the top of the arch. His plan was to release his main parachute and then jump off the arch using his reserve parachute to perform a base jump. Unfortunately, after landing the wind blew him to the side, and he slid down the north leg to his death.[133] The accident was witnessed by several people, including Swyers' wife, also a parachutist. She said her husband "was not a hot dog, daredevil skydiver" and that he had prepared for the jump two weeks in advance. Swyers, who had made over 1,600 jumps before the incident, was reported by one witness to have "landed very well" on the top of the arch, but "had no footing."[131] Swyers was reportedly blown to the top of the arch by the wind and was unable to save himself when his reserve parachute failed to deploy.[133] The Federal Aviation Administration said the jump was unauthorized and investigated the pilot involved in the incident.[131]

On December 27, 1980, St. Louis television station KTVI reported receiving calls from supposed witnesses of another stunt landing. The alleged parachutist, who claimed to be a retired professional stuntman, was said to be wearing a Santa Claus costume when he jumped off an airplane around 8:00 a.m. CST, parachuted onto the arch, grasped the monument's beacon, and used the same parachute to glide down unharmed. KTVI said it was told the feat was done as an act of homage to Swyers, and "apparently was a combination of a dare, a drunk, and a tribute."[134] On the day after the alleged incident, authorities declared the jump a hoax. A spokesperson for the St. Louis Metropolitan Police Department said no calls were received about the jump until after it was broadcast on the news, and the Federal Aviation Administration said the two calls it had received were very similar. One caller also left an out-of-service phone number, while the other never followed up with investigators.[135] Arch officials said they did not witness any such jump, and photos provided by the alleged parachutist were unclear.[134]

1992 stunt

Aerial shot of the arch

On September 14, 1992, 25-year-old John C. Vincent climbed to the top of the Gateway Arch using suction cups and proceeded to parachute back to the ground. He was later charged with two misdemeanors: climbing a national monument and parachuting in a national park. Federal prosecutor Stephen Higgins called the act a "great stunt" but said it was "something the Park Service doesn't take lightly."[136] Vincent, a construction worker and diver from Harvey, Louisiana,[137] said he did it "just for the excitement, just for the thrill," and had previously parachuted off the World Trade Center in May 1991. He said that scaling the arch "wasn't that hard" and that he had considered a jump off the monument for a few months. In an interview, Vincent said he visited the arch's observation area a month before the stunt, to see if he could use a maintenance hatch for accessing the monument's peak. Due to the heavy security, he instead decided to climb up the arch's exterior using suction cups, which he had used before to scale shorter buildings. Dressed in black, Vincent began crawling up the arch around 3:30 a.m. CST on September 14 and arrived undetected at the top around 5:45 a.m., taking an additional 75 minutes to rest and take photos before finally jumping. During this time, he was seen by two traffic reporters inside the One Metropolitan Square skyscraper.[138]

Vincent was also spotted mid-air by Deryl Stone, a Chief Ranger for the National Park Service. Stone reported seeing Vincent grab his parachute after landing and run to a nearby car, which quickly drove away. However, authorities were able to detain two men on the ground who had been videotaping the jump.[139] Stone said 37-year-old Ronald Carroll and 27-year-old Robert Weinzetl, both St. Louis residents, were found with a wireless communication headset and a video camera, as well as a still camera with a telephoto lens. The two were also charged with two misdemeanors: disorderly conduct and commercial photography in a national park.[138] Vincent later turned himself in and initially pleaded not guilty to the charges against him.[137] However, he eventually accepted a guilty plea deal in which he testified against Carroll and Weinzetl, revealing that the two consented to record the jump during a meeting of all three on the day before his stunt occurred.[140] Federal magistrate judge David D. Noce ruled on January 28, 1993, that Carroll had been involved in a conspiracy and was guilty of both misdemeanor charges; the charges against Weinzetl were dropped by federal prosecutors. In his decision, Noce stated, "There are places in our country where the sufficiently skilled can savor the exhilaration and personal satisfaction of accomplishing courageous and intrepid acts, of reaching dreamed-of heights and for coursing dangerous adventures," but added that other places are designed for "the exhilaration of mere observation and for the appreciation of the imaginings and the works of others. The St. Louis Arch and the grounds of the Jefferson National Expansion Memorial are in the latter category."[141]

After his guilty plea, Vincent was sentenced to a $1,000 fine, 25 hours of community service, and a year's probation. In December 1992, Vincent was sentenced to ninety days in jail for violating his probation.[142] ### Security Two years after the 1995 Oklahoma City bombing, a little over$1 million was granted to institute a counterterrorism program. Park officials were trained to note the activity of tourists, and inconspicuous electronic detection devices were installed. After the September 11 attacks in 2001, security efforts became more prominent and security checkpoints moved to the entrance of the visitor center.[143] At the checkpoints, visitors are screened by magnetometers and x-ray equipment,[144] devices which have been in place since 1997.[145]

The Arch also became one of several U.S. monuments placed under restricted airspace during 2002 Fourth of July celebrations.[146][147] In 2003, 10-foot-long (3.0 m), 32-inch-high (81 cm), 4,100-pound (1,900 kg)[148] movable Jersey barriers[149] were installed to impede terrorist attacks on the arch. Later that year, it was announced that these walls were to be replaced by concrete posts encased in metal to be more harmonious with the steel color of the arch.[150] The movable bollards can be manipulated from the park's dispatch center, which has also been upgraded.[151]

In 2006, arch officials hired a "physical security specialist," replacing a law enforcement officer. The responsibilities of the specialist include risk assessment, testing the park's security system, increasing security awareness of other employees, and working with other government agencies to improve the arch's security procedures.[151]

## Symbolism and culture

The Gateway Arch packs a significant symbolic wallop just by standing there. But the Arch has a mission greater than being visually affecting. Its shape and monumental size suggest movement through time and space, and invite inquiry into the complex, fascinating story of our national expansion.[152]

—Robert W. Duffy of the St. Louis Post-Dispatch, October 4, 2003

Built as a monument to the westward expansion of the United States, the arch typifies "the pioneer spirit of the men and women who won the West, and those of a latter day to strive on other frontiers." The arch has become the iconic image of St. Louis,[65] appearing in many parts of city culture. In 1968, three years after the monument's opening, the St. Louis phone directory contained 65 corporations with "Gateway" in their title and 17 with "Arch". Arches also appeared over gas stations and drive-in restaurants.[128] In the 1970s, a local sports team adopted the name "Fighting Arches"; St. Louis Community College would later (when consolidating all athletic programs under a single banner) name its sports teams "Archers". Robert S. Chandler, an NPS superintendent, said, "Most [visitors] are awed by the size and scale of the Arch, but they don't understand what it's all about ... Too many people see it as just a symbol of the city of St. Louis."[71]

The Gateway Arch as seen from southern leg

The arch has also appeared as a symbol of the State of Missouri. On November 22, 2002, at the Missouri State Capitol, Lori Hauser Holden, wife of then Governor Bob Holden uncovered the winning design for a Missouri coin design competition as part of the Fifty States Commemorative Coin Program. Designed by watercolorist Paul Jackson,[153] the coin portrays "three members of the Lewis and Clark expedition paddling a boat on the Missouri River upon returning to St. Louis" with the arch as the backdrop.[154] Holden said that the arch was "a symbol for the entire state ... Four million visitors each year see the Arch. [The coin] will help make it even more loved worldwide."[155] [h] A special license plate designed by Arnold Worldwide[157] featured the arch, labeled with "Gateway to the West."[158] Profits earned from selling the plates would fund the museum and other educational components of the arch.[159]

The Arch viewed from one of two reflecting pools

Louchheim wrote that although the arch "has a simplicity which should guarantee timeliness", it is entirely modern as well because of the innovative design and its scientific considerations.[38] In The Dallas Morning News, architectural critic David Dillon opined that the arch exists not as a functional edifice but as a symbol of "boundless American optimism". He articulates the arch's multiple "moods"—"reflective in sunlight, soft and pewterish in mist; crisp as a line drawing one moment, chimerical the next"—as a way the arch has "paid for itself many times over in wonder".[66]

Some have questioned whether St. Louis really was—as Saarinen said[27]—the "Gateway to the West". Kansas City-born "deadline poet" Calvin Trillin wrote,[160]

I know you're thinking that there are considerable differences between T.S. Eliot and me. Yes, it is true that he was from St. Louis, which started calling itself the Gateway to the West after Eero Saarinen's Gateway Arch was erected, and I'm from Kansas City, where people think of St. Louis not as the Gateway to the West but as the Exit from the East.

With renovations in the 2010s of the visitor center, the message of the arch has been more inclusive in its historic perspective, highlighting the impact of colonialism and particularly Manifest Destiny of American frontierism on the environment, land and people of First Americans, as well as Native Mexicans.[161][162] Furthermore exhibiting the urban history of the site and the struggle of its people, as well as of its construction workers for more rights, during the civil rights movement era.[161]

Its futuristic style has been seen as a symbol for the automobile age and the surrounding automobile centric urban and interstate infrastructure, promising a technological future of a new accessible frontier.[161] This outlook has seen continuation, lending the Gateway Arch's iconic shape and meaning to the name and logo of the future Lunar Gateway, with its purpose as a gateway to the Moon and Mars.[163]

### Awards and recognitions

In 1966, the arch was given a Special Award for Excellence from the American Institute of Steel Construction for being "an outstanding achievement in technology and aesthetics."[164][165] On February 9, 1967, the arch received the Outstanding Civil Engineering Achievement Award of 1967 from the American Society of Civil Engineers.[166] The arch was once among Travel + Leisure's unofficial rankings for the most-visited attraction in the world, after Lenin's Tomb, Disney World, Disneyland, and the Eiffel Tower.[167] On February 22, 1990,[168] the arch received the American Institute of Architects' (AIA) Twenty-Five Year Award[46] for its "enduring significance that has withstood the test of time." It was declared "a symbolic bridge between East and West, past and future, engineering and art" that "embodies the boundless optimism of a growing nation."[169] In 2007, the arch was ranked fourteenth on the AIA's "America's Favorite Architecture" list.[170]

### Cultural references

• Dutch composer Peter Schat wrote a 1997 work, Arch Music for St. Louis, Op. 44.[171][172] for the St. Louis Symphony Orchestra. It premiered on January 8, 1999, at the Powell Symphony Hall. Since Schat did not ascend the arch due to his fear of heights, he used his creativity to depict in music someone riding a tram to the top of the arch.[172]
• Paul Muldoon's poem, "The Stoic", is set under the Gateway Arch. The work, "an elegy for a miscarried foetus",[173] describes Muldoon's ordeal standing under the Gateway Arch after his wife telephoned and informed him that the baby they were expecting had been miscarried.
• Percy Jackson encounters Echidna and the Chimera in the Gateway Arch in The Lightning Thief, after he, Grover Underwood, and Annabeth Chase visit the Arch during their trip to California to recover the Master Bolt. Percy faces the Chimera, jumps out of the Arch, and falls into the Mississippi River.[174]
• A damaged Gateway Arch is prominently featured in Defiance, a science fiction television series. The apex is used as a radio station studio, with the arch itself acting as the station's antenna.[175]

## Maintenance

Welds on the arch's skin seal gaps between 4-by-8-foot sheets of stainless steel. Graffiti is scratched on the lower five to seven feet of the monument.

The first act of vandalism was committed in June 1968: the vandals etched their names on various parts of the arch. In all, $10,000 was spent that year to repair damage from vandalism.[16] The arch was first targeted by graffiti artists on March 5, 1969.[10] In 2010, signs of corrosion were reported at the upper regions of the stainless steel surface. Carbon steel in the north leg has been rusting, possibly a result of water accumulation, a side effect of leaky welds in an environment that often causes rain to enter the skin of the structure. Maintenance workers use mops[176] and a temporary setup of water containers to ease the problem.[177] According to NPS documents, the corrosion and rust pose no safety concerns.[176] A more comprehensive study of the corrosion had been suggested as early as 2006 by architectural specialists studying the Arch, and reiterated in a 2010 Historic Structure Report. In September 2010, the NPS granted Wiss, Janney, Elstner Associates, Inc. a contract for a structural study that would "gather data about the condition of the Arch to enable experts to develop and implement the right long-term solutions."[178] Stain samples were taken from the west face of the Arch on October 21, 2014, to determine the best way to clean it. The cleaning will cost about$340,000.[179]

In 1984, structural engineer Tibor Szegezdy told Smithsonian Magazine that the Arch could stand "considerably less than a thousand years" before collapsing in a wind storm.[180]

## Brickline Greenway

The Brickline Greenway Project is a major public-private partnership that aims to connect Forest Park and the Washington University in St. Louis Danforth Campus to the Gateway Arch grounds. Among the partners leading this project are Great Rivers Greenway, the Arch to Park Collaborative, St. Louis City, and Washington University in St. Louis.[181][182] The Brickline Greenway was known as the Chouteau Greenway prior to March 10, 2020.[183]

## Notes

1. ^ Once he revisited a generous sponsor, requesting more money: "Now you have to protect your investment".[29]
2. ^ He would also change the width of the arch to match its height.
3. ^ In 1954, Louchheim married Saarinen.[33][34]
4. ^ Built in 1818 by Manuel Lisa, it was St. Louis' oldest standing building when Roosevelt approved the memorial in 1935.[43]
5. ^ This deferral delayed the construction's ultimate completion, which had been slated for St. Louis' bicentennial.[42]
6. ^ When Stuart Udall, then Secretary of the Interior, discussed the story of the arch, an African American person rose and hollered, "[Y]ou're all racists  ... we want jobs, not arches."[67] Behind him, a man wearing a veteran's hat jostled him,[68] and Secret Service personnel removed him from the room. Udall resumed his speech, unperturbed.[67]
7. ^ Some locals wrote letters to the St. Louis Post-Dispatch accusing Bi-State of "gouging".[16]
8. ^ The U.S. Mint altered Jackson's design to make it less "off balance," however, with three people in the canoe instead of just Lewis and Clark. A Mint representative said the third person was Clark's slave, York.[153] The finalized coin entered circulation on August 4, 2003.[156]

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