|Birth name||Eugene Bertram Krupa|
January 15, 1909|
Chicago, Illinois, U.S.
|Died||October 16, 1973
Yonkers, New York, U.S.
|Genres||Jazz, swing, dixieland|
|Occupation(s)||Musician, composer, bandleader|
|Associated acts||Eddie Condon, Benny Goodman, Louie Bellson, Anita O'Day|
He was born in Chicago, the youngest of Anna (née Oslowski) and Bartłomiej Krupa's nine children. Krupa's father was an immigrant from Poland, and his mother, Anna, was born in Shamokin, Pennsylvania, also of Polish descent. His parents were very religious Roman Catholics and had groomed Gene for the priesthood. He spent his grammar school days at various parochial schools and upon graduation, attended Saint Joseph's College for a year, but later decided it was not his vocation. He studied with Sanford A. Moeller and began playing drums professionally in the mid-1920s with bands in Wisconsin. He broke into the Chicago scene in 1927, when he was picked by MCA to become a member of "Thelma Terry and Her Playboys", the first notable American jazz band (except all-girl bands) to be led by a female musician. The Playboys were the house band at The Golden Pumpkin nightclub in Chicago and also toured extensively throughout the eastern and central United States.
Krupa made his first recordings in 1927, with a band under the leadership of guitarist Eddie Condon and Red McKenzie: along with other recordings beginning in 1927 by musicians known in the "Chicago" scene such as Bix Beiderbecke, these sides are examples of "Chicago Style" jazz. The numbers recorded at that session were: "China Boy", "Sugar", "Nobody's Sweetheart" and "Liza". The McKenzie-Condon sides are also notable for being some early examples of the use of a full drum kit on recordings. Krupa's big influences during this time were Tubby Hall and Zutty Singleton. In Chicago, one drummer to influence Krupa in this period was Baby Dodds, whose use of press rolls was highly reflected in Krupa's playing.
Krupa also appeared on six recordings made by the Thelma Terry band in 1928. In December 1934, he joined Benny Goodman's band, where his featured drum work made him a national celebrity. His tom-tom interludes on their hit "Sing, Sing, Sing" were the first extended drum solos to be recorded commercially. "artistic and personal disputes" with Goodman, however, prompted Krupa to leave the group and form his own orchestra shortly after the famous Carnegie Hall concert in January 1938. He appeared in the 1941 film Ball of Fire, in which he and his band perform an extended version of the hit "Drum Boogie", sung by Barbara Stanwyck (whose singing was dubbed by Martha Tilton), which he had composed with trumpeter Roy Eldridge. As an 'encore', he then plays a 'tamer' version of the same song using matchsticks as drumsticks and a matchbox as a drum, while Stanwyck and audience sing along. His arrest for possession of marijuana (see below) forced the breakup of his own orchestra in 1943 and he rejoined Goodman's for a year.
As the 1940s ended, large orchestras fell by the wayside: Count Basie closed his large band and Woody Herman reduced his to an octet. Krupa gradually cut down the size of the band in the late 1940s, and from 1951 on led a trio or quartet, often featuring the multi-instrumentalist Eddie Shu on tenor sax, clarinet and harmonica. He appeared regularly with the Jazz at the Philharmonic shows. Along with Ball of Fire, he made a cameo appearance in the 1946 film The Best Years of Our Lives. His athletic drumming style, timing methods and cymbal technique evolved during this decade to fit in with changed fashions and tastes, but he never quite adjusted to the bebop period.
In 1954, Krupa returned to Hollywood to appear in such films as The Glenn Miller Story and The Benny Goodman Story. In 1959, the movie biography The Gene Krupa Story was released; Sal Mineo portrayed Krupa, and the film had a cameo appearance by Red Nichols.
During the 1950s he often appeared at the Metropole, near Times Square in Manhattan. He continued to perform in famous clubs in the 1960s including the Show Boat Lounge in NW Washington DC. Increasingly troubled by back pain, he retired in the late 1960s and opened a music school. One of his pupils was KISS drummer Peter Criss, whilst Jerry Nolan from The New York Dolls was another, as evidenced by the drumming similarities between KISS's "100,000 years" and The New York Dolls' "Jet Boy".
He occasionally played in public in the early 1970s until shortly before his death. One such late appearance occurred in 1972 at a jazz concert series sponsored by the New School in New York. Krupa appeared onstage with other well-known musicians including trumpeter Harry James and the younger jazz saxophonist Gerry Mulligan. A presumption was that the 500 or so audience members were drawn by Mulligan's contemporary appeal. Nevertheless, when, during the second tune, Krupa took a 16-bar break, the room essentially exploded, the crowd leaping to its feet creating a deafening roar of unanimous affection; in effect, he remained a seminal performer up to his death, even while playing for a huge audience perhaps half his age.
One of Krupa's most unique techniques was his uncanny ability to execute rim shots (hitting the rim and drumhead at the same time) with distinct precision. His precise control over the rim shots has been widely influential and imitated. This technique gave his sound a more tribal and powerful feel.
Krupa-Rich 'drum battles'
Norman Granz recruited Krupa and fellow drummer Buddy Rich for his Jazz at The Philharmonic concerts. It was suggested that the two perform a 'drum battle' at the Carnegie Hall concert in September 1952, which was recorded and later issued on vinyl (a CD edition called The Drum Battle at JATP appeared courtesy of Verve in 1999).
Further drum battles took place at subsequent JATP concerts; the two drummers also faced off in a number of television broadcasts and other venues. During the 1950s he often appeared at the Metropole in these drum battles with Rich, near Times Square in Manhattan, and often played similar duets with drummer Cozy Cole.
Krupa married Ethel Maguire twice: the first marriage lasted from 1934–1942; the second one dates from 1946 to her death in 1955. Their relationship was dramatized in the biopic about him. Krupa remarried in 1959 to Patty Bowler.
In 1943, Krupa was arrested for possession of two marijuana cigarettes and was given a 90 day jail sentence, of which he served 84 days. He was also charged with, but acquitted of, contributing to the delinquency of a minor.
In the 1930s, Krupa became the first endorser of Slingerland drums. At Krupa's urging, Slingerland developed tom-toms with tuneable top and bottom heads, which immediately became important elements of virtually every drummer's setup. Krupa developed and popularized many of the cymbal techniques that became standards. His collaboration with Armand Zildjian of the Avedis Zildjian Company developed the modern hi-hat cymbals and standardized the names and uses of the ride cymbal, the crash cymbal, the splash cymbal, the pang cymbal and the swish cymbal. He is also credited with helping to formulate the modern trap kit, being the first drummer to use a bass drum in a recording session in December of 1927.  One of his bass drums, a Slingerland inscribed with Benny Goodman's and Krupa's initials, is preserved at the Smithsonian museum in Washington, D.C.
In 1959, The Gene Krupa Story was released theatrically in America.
In 1978, Krupa became the first drummer inducted into the Modern Drummer Hall of Fame.
Rhythm, the UK's best-selling drum magazine voted Gene Krupa the third most influential drummer ever, in a poll conducted for its February 2009 issue. Voters included over 50 top-name drummers.
Actor Gary Burghoff, of the TV series M*A*S*H, had been a friend of Krupa. In the episode "Showtime", the finale to Season One recorded in March 1973, Burghoff played a drum solo on the kit using a playing style modeled after Krupa. When Krupa died, he left a drum kit to Burghoff.
For the 100th Anniversary of Krupa's birth Richard Pite staged the only UK concert celebrating the life and work of the artist.
|This section requires expansion. (December 2009)|
- Benny Goodman: The Complete RCA Victor Small Group Recordings (RCA Victor, 1935-39 )
- Benny Goodman: The Famous Carnegie Hall Concert 1938 (Columbia)
- Drummin´ Man (Charly, 1938–41) with Roy Eldridge, Anita O'Day, Benny Carter, Charlie Ventura
- Drum Boogie (Columbia, 1940–41)
- Uptown (Columbia, 1941–1949)
- Lionel Hampton/Gene Krupa (Forlane, 1949) with Don Fagerquist, Frank Rehak, Frank Rosolino, Roy Eldridge
- The Exciting Gene Krupa (Enoch's Music, 1953) with Charlie Shavers, Bill Harris, Willie Smith, Ben Webster, Teddy Wilson, Herb Ellis, Ray Brown, Israel Crosby
- Krupa and Rich (Verve, 1955) with Roy Eldridge, Dizzy Gillespie, Illinois Jacquet, Flip Phillips, Oscar Peterson, Herb Ellis, Ray Brown, Buddy Rich
- Gene Krupa Big Band: Drummer Man featuring Anita O'Day & Roy Eldridge (Verve, 1956)
- Gene Krupa Plays Gerry Mulligan Arrangements (Verve, 1959)
- Big Noise From Winnetka (Live at the London House (Verve 1959)
- Guard Sessions-Tony Bennett and The Gene Krupa Quartet (60´s)
- Burnin' Beat: Gene Krupa – Buddy Rich (Verve, 1962)
- Gene Krupa / Louis Bellson – The Mighty Two (EMI Columbia 1963)
- The Great New Gene Krupa Quartet featuring Charlie Ventura (Verve, 1964) also Nabil Totah and John Bunch
- Book Revue, the 1945 Warner Brothers' Looney Tunes cartoon, included a rendition of "It Had To Be You," featuring caricatures of Harry James, Benny Goodman, and Gene Krupa.
- Gene Krupa Quartet- Live At The New School (1973)
- Gene Krupa-Charlie Ventura Trio (3 selections) Town Hall Jazz Concert 1945 (Commodore Records: re-issue Atlantic, 1973 SD2-310)
Gene Krupa wrote or co-wrote the following songs: "Some Like It Hot" (1939) with Frank Loesser and Remo Biondi, "Disc Jockey Jump" with Gerry Mulligan, "Manhattan Transfer" with Elton Hill, "Drum Boogie" with Roy Eldridge, "Drummin' Man", "Bolero at the Savoy" with Jimmy Mundy, "Feelin' Fancy", "He's Gone", "Wire Brush Stomp", "Jam on Toast", "The Big Do", "Murdy Purdy" with Jimmy Mundy, "Hard, Hard Roxy", pt. 2, "Full Dress Hop", "Swing is Here" with Chu Berry, "To Be or Not to Be-Bop", "Quiet and Roll 'Em" with Sam Donahue, "Sweetheart, Honey, Darlin' Dear", "Boogie Blues", "I Should Have Kept on Dreaming","Apurksody", "The Babe Takes a Bow", "Blues of Israel", "Blues Krieg". "Some Like It Hot" has been recorded by Charlie Barnet, Red Norvo, Nat King Cole, and Judy Ellington.
- Yanow, *****. "Gene Krupa". AllMusic.com. Retrieved 2011-10-20.
- "Gene Krupa profile". Drummerman.net. Retrieved 2011-10-20.
- "Thelma Terry and her Playboys". Redhotjazz.com. Retrieved 2011-10-20.
- Bruce H. Klauber, World of Gene Krupa: that legendary drummin' man, p. 13
- KISS – Behind the Mask, David Leaf and Ken Sharp, 2003
- "Gene Krupa's Biography". Drummerman.net. Retrieved 2011-10-20.
- Tobler, John (1992). NME Rock 'N' Roll Years (1st ed.). London: Reed International Books Ltd. p. 255. CN 5585.
- United Press International (October 17, 1973). "Gene Krupa". St. Petersburg Times. Retrieved 2012-10-16.
Drummer Gene Krupa, whose flying sticks symbolized the swing era, died Tuesday after a lengthy illness. He was The cause of death was not ...
- "Drummer World: Gene Krupa". Retrieved 2015-01-28.
- ""Gene Krupa: a Drummer with Star Power" by Owen Edwards". Smithsonianmag.com. Retrieved 2012-06-25.
- Gene Krupa. IMDB.
|Wikimedia Commons has media related to Gene Krupa.|
- Gene Krupa at the Internet Movie Database
- Gene Krupa at traditional-jazz.com
- America's Ace Drummer Man Gene Krupa
- The Gene Krupa Reference Page
- Gene Krupa Drummerworld Page
- Let Me Off Uptown: A Gene Krupa Biography by John Twomey
- Gene Krupa at Find a Grave