|Gentlemen Take Polaroids|
|Studio album by|
|Released||7 November 1980|
|Recorded||2 July – 2 October 1980|
|Singles from Gentlemen Take Polaroids|
Gentlemen Take Polaroids was the band's first album for the Virgin Records label after leaving Hansa-Ariola, which had released their first three albums. It continued in the vein of their previous album Quiet Life, drawing on its elegant Euro-disco stylings coupled with more ambitious arrangements. In a 1982 interview, David Sylvian commented that by the time of this album, he had become a "paranoid perfectionist" and that he had come to dominate the band's recording sessions, forcing the other members to comply with his vision which ultimately led to the band's break up - a situation he took some responsibility for (he considers 1979's Quiet Life to be the only album which the band worked on in a truly collaborative manner). This was the last Japan album to feature guitarist Rob Dean, who left the band in spring 1981. Dean took little part in the recording of the album and was only occasionally called in by the band to add guitar.
Lyrically the songs were also a continuation of themes on the previous album, such as travel and escape to foreign climes in the song "Swing", while the lyrics of "Nightporter" introduced a more introspective nature of Sylvian's songwriting. "Taking Islands in Africa", the title of which was taken from a line in "Swing", was a collaboration with Ryuichi Sakamoto, who was given a songwriting credit for the track.
The album was completed in two months. The band and producer John Punter worked meticulously on the arrangements with multiple takes on each instrument and the master edited from different takes. Some of the songs such as "My New Career" and "Taking Islands in Africa" were written in the studio.
There was an unreleased song still sitting in the vaults from the sessions for this album; "Some Kind Of Fool" (which Sylvian re-recorded the vocals for and released on "Everything and Nothing"). Rob Dean remembers in an interview by Chi Ming Lai and Paul Boddy 2019:
Ann O'Dell's strings were added and it was at that point that David decided not to pursue recording it further, the main reason being I believe, that with the strings, it began to resemble "The Other Side of Life" too closely arrangement-wise which actually I can see was a very valid point. Ironically the JAPAN version with a couple of embellishments and a re-recorded vocal eventually found its way onto the Sylvian compilation "Everything and Nothing" but under his name alone, rather unfairly. Surprisingly, the guitar parts which I struggled over remain intact too. Anyone listening to this is essentially listening to an updated version of the original JAPAN band version.
At the beginning of the recording sessions the band also rehearsed an unfinished song called "Angel in Furs", but it is unclear if a recording exists. The guitar melody of the song is said to have been used as the vocal melody of "My New Career".
The album itself was moderately successful in the UK on its release. It peaked at number 51, but re-entered the chart in 1982 and was later certified gold by the British Phonographic Industry in 1986 for 100,000 copies sold.
No further singles were immediately taken from the album, though "Nightporter" (influenced by the works of French composer Erik Satie, most particularly his Gymnopedies) was remixed and released as a single in November 1982, just after the band announced that they were breaking up. It peaked at number 29 in the UK Singles Chart, though both the edited 7" version and the full-length 12" remix remain unreleased on CD to this day.
The album was reissued in 2003, with slightly different cover art (taken from the same photo session as the original cover) and three bonus tracks; the instrumentals "The Width of a Room" (the only track in the band's catalogue composed by guitarist Rob Dean) and "The Experience of Swimming", composed by Richard Barbieri. Both tracks were originally B-sides to the "Gentlemen Take Polaroids" double 7" single, but were also used on later singles. The third bonus track was "Taking Islands In Africa", a Steve Nye-remixed version from 1981 originally released as the B-side of the "Visions Of China" 7" single.
On 24 August 2018, two new half-speed-mastered vinyl pressings were released; a single 33rpm version and a deluxe double 45rpm version, both mastered by Miles Showell at Abbey Road Studios. For the first time all lyrics were printed inside the gatefold of the deluxe version and the cover art had cropped the band name and title with the original photograph now covering the whole surface.
|Encyclopedia of Popular Music|||
Gentlemen Take Polaroids has been well received by some critics. Writing in Smash Hits magazine in November 1980, Steve Taylor said: "If Brian Eno, rather than Bryan Ferry, had rerouted the original direction of Roxy Music, this might well have been the result..."
However, other contemporary critics were unimpressed. NME's Paul Du Noyer and Melody Maker's Patrick Humphries both saw Japan as Roxy Music imitators. Du Noyer said: "If only Japan's music was as eloquent as it's elegant... they lavish tender loving care on the surface sound – a beautifully polished, empty shell of a sound." Humphries expressed a similar opinion: "There's something infinitely unsatisfying about this album. From the false image of the band to the hollow songs they perform."
In his retrospective review, Ned Raggett of AllMusic called it "unquestionably the album in which Japan truly found its own unique voice and aesthetic approach." Joseph Burnett of The Quietus wrote that the album "took the sound of Quiet Life and refined it into a series of oblique, almost cinematic avant-pop creations that exquisitely surround the frontman's woozy post-Bryan Ferry croon in layers of pop textures that sounded like little else by Japan's contemporaries." Trouser Press called it an "excellent" album whose "technically exquisite and musically adventurous sound is loaded with atmosphere, yet displays a very light touch."
All tracks are written by David Sylvian, except as noted
|1.||"Gentlemen Take Polaroids"||7:08|
|4.||"My New Career"||3:52|
|5.||"Methods of Dance"||6:53|
|6.||"Ain't That Peculiar"||Smokey Robinson, Warren "Pete" Moore, Marvin Tarplin, Bobby Rogers||4:40|
|8.||"Taking Islands in Africa"||Ryuichi Sakamoto, Sylvian||5:12|
† The track "Burning Bridges" was put on the album as a last-minute replacement for a track titled "Some Kind of Fool", with quite a lot of UK and German pressings of the album listing the latter song on the inner sleeve and on the track listings. "Some Kind of Fool" was also going to be released as a single in 1982, but was replaced by "Nightporter". An overdubbed version with new lyrics was released on Sylvian's solo album Everything and Nothing in 2000, but the original Japan version has never been released.
|9.||"The Experience of Swimming"||Richard Barbieri||4:04|
|10.||"The Width of a Room"||Rob Dean||3:14|
|11.||"Taking Islands in Africa" (Steve Nye Remix)||4:53|
|Year||Song||UK Chart||Additional information|
|1980||"Gentlemen Take Polaroids"||60||released as a double single pack: "Gentlemen Take Polaroids" (edit)/"The Experience of Swimming" and "The Width Of A Room"/"Burning Bridges" (a Sylvian-produced version unavailable elsewhere)|
|1982||"Nightporter"||29||released edited and remixed with "Ain't That Peculiar" (remix) on the 7" single and "Methods of Dance" on the 12" single|
- David Sylvian – vocals, synthesizers (ARP Omni, Oberheim OB-X, Minimoog, Roland System 700), piano, electric guitar
- Mick Karn – fretless bass guitar, oboe, saxophone, recorder
- Steve Jansen – drums, synthesizer (Roland System 700, Sequential Circuits Prophet 5), percussion
- Richard Barbieri – synthesizers (Roland System 700, Micromoog, Polymoog, Prophet 5, Oberheim OB-X, Roland Jupiter 4), sequencer, piano
- Rob Dean – guitar, ebow
- Additional personnel
- Ryuichi Sakamoto – synthesizers
- Simon House – violin on "My New Career"
- Cyo – vocals on "Methods of Dance"
- Barry Guy – double bass
- Andrew Cauthery – oboe
- John Punter – production, mixing, recording, engineering
- Colin Fairley – recording, engineering
- Nigel Walker – recording, engineering
- Steve Prestage – recording, engineering
- Nicola Tyson – back cover
- Stuart McLeod – front cover
|Australian Albums (Kent Music Report)||86|
|Canada Top Albums/CDs (RPM)||39|
|Japanese Albums (Oricon)||51|
|UK Albums (OCC)||51|
|United Kingdom (BPI)||Gold||100,000^|
^ Shipments figures based on certification alone.
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- Ham, Robert (9 March 2021). "Japan - Quiet Life". Pitchfork. Retrieved 6 August 2023.
...their glam-influenced early years into the experimental electronic pop of their final two LPs.
- Raggett, Ned. "Gentlemen Take Polaroids – Japan". AllMusic. Retrieved 20 December 2014.
- Birch, Ian (25 November 1982). "Setting Sons". Smash Hits. Vol. 4, no. 24. p. 8.
- Anthony Reynolds Classic album. Japan Gentlemen Take Polaroids 1980 anthonyreynolds.net
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- "missing-in-action-rob-dean". 1 July 2021.
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- Larkin, Colin (2011). The Encyclopedia of Popular Music (5th concise ed.). Omnibus Press.
- Sweeting, Adam (5 September 2003). "Pop on the verge of a nervous breakdown". The Guardian.
- "Albums" (PDF). Record Mirror: 16. 8 November 1980. Retrieved 2 March 2021.
- Taylor, Steve (13–26 November 1980). "Japan: Gentlemen Take Polaroids". Smash Hits. Vol. 2, no. 23. p. 29.
- Robbins, Ira; Aswad, Jem. "Japan". Trouser Press. Retrieved 1 June 2016.
- "Gentlemen Take Polaroids – Japan". Nightporter. Retrieved 29 August 2016.
- Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 153. ISBN 0-646-11917-6.
- "Top RPM Albums: Issue 0298". RPM. Library and Archives Canada. Retrieved 24 November 2020.
- Okamoto, Satoshi (2006). Oricon Album Chart Book: Complete Edition 1970–2005. Roppongi, Tokyo: Oricon. ISBN 4-87131-077-9.
- "Official Albums Chart Top 100". Official Charts Company. Retrieved 24 November 2020.