Shirley was born in Indianapolis, Indiana, and raised in Detroit, Michigan. He earned a bachelor's degree in music education from Wayne State University in 1955 and then was drafted into the Army, where he became the first black member of the United States Army Chorus. He was also the first African American hired to teach music in Detroit high schools.
After continuing voice studies with Therny Georgi, he moved to New York and began his professional career as a singer. His debut was with a small opera group in Woodstock as Eisenstein in Strauss's Die Fledermaus in 1959, and his European debut in Italy as Rodolfo in Puccini's La Bohème. In 1960, at 26, he won a National Arts Club scholarship competition, and the following April he was the first Black singer to win the Metropolitan Opera National Council Auditions scholarship competition. Shirley is the first Black tenor and the second Black male to sing leading roles for the Metropolitan Opera. He sang there for 11 seasons.
Shirley has also appeared at the Royal Opera, London, the Deutsche Oper in Berlin, the Teatro Colón in Buenos Aires, the Netherlands Opera in Amsterdam, Opéra de Monte-Carlo, the New York City Opera, the Scottish Opera, the Chicago Lyric Opera, the Washington Opera, the Michigan Opera Theatre, the San Francisco Opera, and the Santa Fe Opera and Glyndebourne Festival summer seasons, as well as with numerous orchestras in the United States and Europe. He has sung more than 80 roles.
He was on the faculty of the University of Maryland from 1980 to 1987, when he moved to the University of Michigan School of Music, Theatre & Dance, where he was Director of the Vocal Arts Division. He currently serves as the Joseph Edgar Maddy Distinguished University Professor of Music, and still maintains a studio at the school.
Awards and recognition
Shirley's recording of Ferrando in Mozart's Così fan tutte won a Grammy Award. He has three times been a master teacher in the National Association of Teachers of Singing Intern Program for Young NATS Teachers, and taught for ten years at the Aspen Music Festival and School. Shirley produced a series of programs for WQXR-FM radio in New York on Classical Music and the Afro-American and hosted a four-program series on WETA-FM radio in Washington, D.C. called Unheard, Unsung. Shirley has been awarded honorary degrees by Wilberforce University, Montclair State College, Lake Forest College, and the University of Northern Iowa. He is a National Patron of Delta Omicron, an international professional music fraternity. Shirley is a member of Phi Mu Alpha Sinfonia and was named a Signature Sinfonian in 2013, an award recognizing exceptional accomplishment in that brother's chosen field. In 2015, Shirley received the National Medal of Arts, bestowed upon him by US President Barack Obama, and in 2016, he was a recipient of the Lifetime Achievement Award from the National Opera Association at their annual convention.
[Composer: work (other singers; ensembles; conductor), label, recording or pub date.]
- Cherubini: Mass in D minor (Patricia Wells, Maureen Forrester, Justino Diaz; Chorus & Orchestra of the Clarion Concerts; Newell Jenkins), Vanguard, 1971
- Debussy: Pélléas et Mélisande (Elisabeth Söderström, Yvonne Minton, Donald McIntyre, David Ward; Chorus & Orchestra of the Royal Opera House, Covent Garden; Pierre Boulez), Columbia Records (CBS), December 1969 & January 1970
- Haydn: Orlando Paladino (Arleen Auger, Elly Ameling, Gwendolyn Killebrew, Claes Ahnsjö, Benjamin Luxon, Domenico Trimarchi; Orchestre de Chambre de Lausanne; Antal Dorati), Philips Records, June 1976
- Mozart: Così fan tutte (Leontyne Price, Tatiana Troyanos, Judith Raskin, Sherrill Milnes, Ezio Flagello; Ambrosian Opera Chorus; New Philharmonia Orchestra; Erich Leinsdorf) RCA, 1967
- Mozart: Idomeneo (Margherita Rinaldi, Pauline Tinsley, Ryland Davies, Robert Tear; BBC Symphony Orchestra & Chorus; Colin Davis) Philips, 1968
- Mozart: Requiem (Edith Mathis, Grace Bumbry, Marius Rintzler; New Philharmonia Orchestra & Chorus; Rafael Frühbeck de Burgos) HMV & other labels, (P) 1968
- Rachmaninov: The Bells (Phyllis Curtin, Michael Devlin; Temple University Concert Choir; Philadelphia Orchestra; Eugene Ormandy) RCA, March 24, 1973
- Strauss: Friedenstag (Alessandra Marc, Roger Roloff, William Wilderman; New York City Gay Men’s Chorus; Collegiate Chorale & Orchestra; Robert Bass) Koch, live, Carnegie Hall, November 19, 1989
- Stravinsky: Oedipus Rex (Shirley Verrett, Loren Driscoll, Donald Gramm, John Reardon, Chester Watson; John Westbrook, narrator; Chorus & Orchestra of the Washington Opera Society; Igor Stravinsky), Columbia Records (CBS), January 20, 1961
- Stravinsky: Pulcinella (Irene Jordan, Donald Gramm; Columbia Symphony Orchestra; Igor Stravinsky), Columbia Records (CBS), August 23, 1965
- Stravinsky: Renard (Loren Driscoll, Donald Gramm, William Murphy; Columbia Chamber Ensemble, Igor Stravinsky) Columbia Records (CBS), January 26, 1962
- Klaus Ulrich Spiegel: "Bin ich ein Gott?" - George Shirley. Der wissende Sänger / HAfG Edition Hamburger Archiv
- Randye Jones, "George Shirley (b. 1934)", Afrocentric Voices, retrieved June 10, 2014.
- "George Shirley: Tenor and Narrator", Ann Summers International, Archived July 16, 2011, at the Wayback Machine..
- "Surviving Odds to Become a Star: George Shirley", Baltimore Afro-American, March 3, 1981, p. 17.
- "Tenor Gets $500 Award; George Shirley Wins National Arts Club Competition", The New York Times, November 15, 1960.
- Allen Hughes, "George Shirley, Tenor, Wins 'Met' Auditions and a Contract", The New York Times, April 7, 1961.
- "George Shirley", Opera Music Theater International, retrieved June 10, 2014.
- George Shirley: Joseph Edgar Maddy Distinguished University Emeritus Professor of Voice, University of Michigan, retrieved June 10, 2014.
- "Welcome". delta-omicron.org. Retrieved 23 September 2015.
- Phi Mu Alpha Sinfonia, "Signature Sinfonian". Retrieved September 12, 2015.
- Perfect Pitch: Highest Honor, . Retrieved January 12, 2016.
- National Opera Association, . Retrieved January 12, 2016.
- George Shirley interview by Bruce Duffie