George Woodbridge

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For the British actor, see George Woodbridge.
George Woodbridge
George Woodbridge
Born George Woodbridge
1930 (1930)
Flushing, Queens, New York City
Died January 19, 2004 (2004-01-20)
New York City
Nationality American
Education School of Visual Arts, New York City
Known for Illustration
George Woodbridge's drawing of a Bacon's Rebellion soldier in 1675

George Woodbridge (1930 – January 19, 2004) was an American illustrator known for his exhaustive research and historical accuracy, and for his 44-year run as a contributor to MAD Magazine. He was sometimes referred to as "America's Dean of Uniform Illustration" because of his expertise in drawing military uniforms.[1][2]

Born in Flushing, Queens, Woodbridge studied illustration at Manhattan's School of Visual Arts.[3] In later years, he lived on Staten Island, where he created his detailed drawings of military uniforms, insignia and equipment.


Military history[edit]

He illustrated many military history books, including the Time/Life Civil War history, George Neumann's Collector's Illustrated Encyclopedia of the American Revolution and Frederick P. Todd's three-volume American Military Equipage, 1851–1872: A Description by Word and Picture of What the American Soldier, Sailor and Marine of These Years Wore and Carried. He was named a fellow of the Company of Military Historians in 1961.[4]

Woodbridge was an early advocate for and participant in the hobby of historical reenacting, particularly that of the American Revolution which was always a special interest of his. During the American Revolution Bicentennial of 1975 - 1981, he served as commander of the association of reenactors known as the Brigade of the American Revolution which participated in many events during the period.[5]


In March 1957, Woodbridge began as a freelancer to Mad when Al Feldstein was the editor. Feldstein observed, "George's strong points were many. He was especially adept at delineating amusing street scenes with crowds and signs and outlandish going-ons, as well as depicting humorous interpretations of just plain people in comedic human situations. The articles he was assigned to illustrate were chosen with those superb talents in mind." Woodbridge remained with Mad for five decades. Later Mad editor John Ficarra noted, "He had a tremendous eye for detail that showed up in his drawings. We especially played to his history knowledge. When we gave him a piece on World War I, he would draw the exact gun and belt buckle they were using then."

For Mad No. 95 (June 1965), he drew the sports satire, "43-Man Squamish," prompting Ficarra to comment, "It's arguably our most requested piece to reprint. It struck a chord. Colleges all over formed teams and played this crazy game, with these ridiculous-looking helmets. George captured that lunacy."

Woodbridge also illustrated Mad books, such as Dick DeBartolo's A Mad Guide to Leisure Time and Mad's Cradle to Grave Primer (Warner Books, 1973), written by Larry Siegel and edited by Nick Meglin. When Bhob Stewart edited the Mad Style Guide in 1994, he gave Woodbridge the assignment of drawing the Mad Zeppelin from three different angles as a detailed guide for any company that might one day market a miniature model of the airship.

Woodbridge was color blind, yet he worked in color, as noted by cartoonist Sergio Aragonés, "He was such a good friend. He knew everything about history and he knew everything about artwork. When I was starting out and they gave me assignments that had to be in color, George was the one who helped me. Even though he was color blind, he did the most remarkable work in color. He was a wonderful man, and I will miss him very much."

Woodbridge told Mark Evanier (Mad Art): "I regard myself as an illustrator of historical subjects. When I'm not working for Mad, that's the field in which I work, though I'm damned proud to be part of Mad. I don't consider one field superior to the other and, in fact, the challenges are altogether different. In historical illustration, the goal is to be accurate. In Mad, the goal is to be funny." This included Woodbridge's brief stint as the artist for "Spy vs. Spy," the long-running Mad feature originally created and drawn by Cuban artist Antonio Prohias. Woodbridge illustrated just two installments, signing them as "Jorge Puente de Madera."

Woodbridge died of emphysema at age 73, on January 19, 2004, in a Staten Island hospital. He was survived by his second wife, Deborah, and by his first wife Ines and their sons, George, Curtis (also a professional illustrator), and Christopher Woodbridge.[3]


  1. ^ The Art of George Woodbridge at the Wayback Machine (archived April 7, 2005),
  2. ^ Jones, William B. Classics Illustrated: A Cultural history. McFarland, 2006.
  3. ^ a b Nash, Eric. "George Woodbridge, 73, Artist For Mad Magazine Since 1950's", The New York Times, January 22, 2004. Accessed November 25, 2007.
  4. ^ List of Fellow of the Company of Military Historians
  5. ^ Living History Magazine, Spring, 1985

External links[edit]