Gian Biagio Conte
||This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. (December 2011) (Learn how and when to remove this template message)|
Conte completed his studies in classical philology at the Scuola Normale Superiore of Pisa, where he was influenced by scholars such as Antonio La Penna, Sebastiano Timpanaro and Alfonso Traina. In particular with the first of these, he first had a fruitful period of collaboration, but then broke contact abruptly in an exchange of letters. Conte also went abroad to study in Munich with Friedrich Klingner and in Paris. At the age of 30, he was made professor of Latin Literature at the University of Siena, later at the University of Pisa and finally, in 2001, at the Scuola Normale Superiore. He enjoys high esteem outside Italy, in particular in the Anglo-Saxon world where he has been invited as guest professor to Oxford, Cambridge, Princeton, Berkeley, and Stanford. In 2007, he ran for the office of director of the Scuola Normale Superiore, but was second to the preceding director Salvatore Settis, who received his third mandate in succession. In 2014 he was elected a Corresponding Fellow of the British Academy.
Conte confines his work basically to Latin literature, mainly to the poetry of the late republic, the Augustan period, and the early empire (Virgil, Lucan, Catullus, the elegiacs, Ovid, Lucretius), but also works on prose writers such as Pliny the Elder and on the novel of Petronius. Conte’s approach to Latin literature is characterized by a combination of traditional philology and the innovations of literary theory of the 1970s, in particular structuralism. In his most successful pieces of work, for the most part articles which he later put together to form thematic volumes, Conte breaks with Croce’s historicism and develops the concept of a literary system and of genre based on codes. Conte’s approach has been picked up in the last thirty years in particular in the Anglo-Saxon world and successfully elaborated in combination with the theory of intertextuality. Conte has just published a new Teubner edition of Virgil’s Aeneid and continues working, together with a group of researchers and students, on a commentary to go with it, on a commentary on the Satyrica of Petronius and on allegory as a literary and hermeneutical form.
Conte is co-founder and director of the periodical Materiali e discussioni per l'analisi dei testi classici as well as a regular member of the Accademia Nazionale Virgiliana in Mantua.
Books and collections of articles
- Memoria dei poeti e sistema letterario, Einaudi Torino 1974, 2nd ed. 1985 (engl. The Rhetoric of Imitation, tr. Glenn W. Most, Cornell U. P. Ithaca/London 1987)
- Virgilio: il genere e i suoi confini, Garzanti Milano 1984
- Letteratura latina: manuale storico dalle origini alla fine dell'impero romano, Le Monnier Firenze 1987, 2nd ed. 1989, 3rd enl. ed. 1993 (engl. Latin Literature: A History, tr. Joseph B. Solodow, rev. Don Fowler and Glenn W. Most. Baltimore & London: The Johns Hopkins University Press, 1994 (rev. Peter Davis, Scholia Reviews ns 5 (1996) 3)
- Generi e Lettori: saggi su Lucrezio, l'elegia d'amore, l'enciclopedia di Plinio, Mondadori Milano 1991 (engl. Genres and Readers, tr. Glenn W. Most, Johns Hopkins U.P., Baltimore)
- L'Autore nascosto: Un'interpretazione del Satyricon di Petronio, Il Mulino Bologna 1997 (engl. The Hidden Author, California University Press, 1996)
- (with E. Pianezzola und G. Ranucci) Il Dizionario della Lingua Latina, Le Monnier, Firenze 2000
- Virgilio: l'epica del sentimento, Einaudi Torino 2002
- The Poetry of Pathos: Studies in Virgilian Epic. Ed. by S. J. Harrison. Oxford: Oxford University Press 2007, ISBN 0-19-928701-5
- P. Vergilius Maro, Aeneis, ed. Gian Biagio Conte (Bibliotheca scriptorum Graecorum et Romanorum Teubneriana), Berlin, New York: Walter de Gruyter 2009, ISBN 978-3-11-019607-8
- "British Academy announces 42 new fellows". Times Higher Education. 18 July 2014. Retrieved 18 July 2014.