|Directed by||George Stevens|
by Edna Ferber
|Cinematography||William C. Mellor|
|Music by||Dimitri Tiomkin|
|Distributed by||Warner Bros. Pictures|
|Box office||$39 million|
The film stars Elizabeth Taylor, Rock Hudson and James Dean and features Carroll Baker, Jane Withers, Chill Wills, Mercedes McCambridge, Dennis Hopper, Sal Mineo, Rod Taylor, Elsa Cárdenas and Earl Holliman.
Giant was the last of Dean's three films as a leading actor, and earned him his second and last Academy Award nomination – he was killed in a car crash before the film was released. His friend Nick Adams was called in to do some voice dubbing for Dean's role.
In the mid-1920s, wealthy Texas rancher Jordan "Bick" Benedict Jr. travels to Maryland on a horse-buying trip. He meets socialite Leslie Lynnton, who quickly ends a budding relationship with a British diplomat. After a whirlwind romance, Leslie and Bick marry and return to the Benedicts' Texas cattle ranch, Reata. Leslie has difficulty adjusting to her new life. Bick's older sister, Luz, runs the household and resents Leslie's intrusion. Leslie soon learns that she, like the other women, is expected to be subservient in the male-dominated Texas culture. Jett Rink, a ranch hand, becomes infatuated with Leslie. When Jett drives her around the ranch, Leslie observes the Hispanic workers' terrible living conditions. She presses Bick to help improve their situation, and oversees the treatment of Angel Obregon, the infant son of Bick's ranch hand. Bick, however, is not persuaded to change the status quo which views Hispanics as inferior.
Luz is killed while riding Leslie's horse, War Winds, being bucked off after digging in her spurs as a hostile act towards Leslie. Luz's will leaves a small piece of Benedict land to Jett. Bick, who despises Jett, offers to buy the property at twice its value, but Jett refuses to sell and names his land 'Little Reata'.
Leslie and Bick have twins, Jordan III ("Jordy") and Judy, and later have another daughter, Luz II. Bick pushes Jordy into pursuits that will make Jordy a rancher, which he resists. The marriage becomes strained, and Leslie takes the children to her parents for an extended visit, which includes her sister wedding Leslie's former beau. Bick goes to Maryland, and he and Leslie reconcile at the wedding and return to Texas.
Jett continues working his land, eventually striking oil. Jett flaunts his new found fortune at the ranch house, insulting Bick and making a vulgar pass at Leslie. Jett prospers over the years. He tries to persuade Bick to let him drill for oil on Reata. Bick, determined to preserve his family's cattle ranching legacy, refuses.
Years later, in 1941, tensions arise regarding the now-grown Benedict children. Bick intends that Jordy will succeed him and run the ranch, but Jordy wants to become a doctor. Leslie plans for Judy to attend finishing school in Switzerland, but she wants to study animal husbandry at Texas Tech. Each sibling successfully convinces one parent to persuade the other to allow them to pursue their own goals.
At the family Christmas party, following the attack on Pearl Harbor, Bick offers Judy's new husband, Bob Dace, the opportunity to work on the ranch after the war ends. Dace declines, wanting to build his own life with Judy. Realizing that his children will not take over the ranch when he retires, Bick finally accepts Jett's offer to allow drilling on Reata. Once oil production starts on the ranch, the Benedicts grow wealthier and more powerful. The war ends with Bob’s safe return. Angel Obregon, however, is killed in action. Jordy marries Juana, the daughter of the ranch’s Hispanic doctor who treated Angel as a baby.
At his Austin hotel, Jett hosts a huge party in his own honor, and invites the Benedicts. Jett and Luz II have developed a flirtatious relationship which ends after Luz rejects Jett's awkward proposal. Jett becomes drunk. Jett prohibits his staff from serving Hispanics; consequently, Juana is ignored at the hotel beauty shop. Enraged, Jordy starts and loses a fight with Jett, who then has Jordy thrown out. Bick challenges Jett but, seeing that the drunken Jett is in no state to defend himself, he and the other Benedicts leave. Jett staggers into the banquet hall and sits in the seat of honor. He passes out as he attempts to give his speech in front of the packed ballroom. The guests leave with Jett unconscious. Later, Luz II hears the slumped-over Jett bemoaning his unrequited love for Leslie and leaves heartbroken; Jett topples over in a stupor and falls onto the floor.
Driving home the next day, the Benedicts stop at a diner. Sarge, the owner, insults Juana and her and Jordy's young son with a racial slur. When Sarge tries to eject a Hispanic family from the diner, Bick intervenes and a fight ensues. Sarge prevails and then tosses a sign onto Bick which says the diner has the right to refuse service to anyone. Back at Reata, Bick laments failing to preserve the Benedict family legacy. Leslie replies that, after the diner fight, he was her hero for the first time. She considers their own family legacy a success. They look at their two grandsons, one Caucasian and one Hispanic.
- Elizabeth Taylor as Leslie Lynnton Benedict
- Rock Hudson as Jordan "Bick" Benedict Jr.
- James Dean as Jett Rink
- Jane Withers as Vashti Hake Snyth, the Benedicts' neighbor
- Robert Nichols as Mort "Pinky" Snyth, Vashti's husband
- Chill Wills as Uncle Bawley, Bick's uncle
- Mercedes McCambridge as Luz Benedict, Bick's sister
- Carroll Baker as Luz Benedict II, Leslie and Bick's younger daughter
- Dennis Hopper as Jordan "Jordy" Benedict III, Leslie and Bick's son
- Fran Bennett as Judy Benedict, Leslie and Bick's older daughter
- Earl Holliman as Robert "Bob" Dace, Judy's husband
- Elsa Cárdenas as Juana Villalobos Benedict, Jordan III's wife
- Paul Fix as Dr. Horace Lynnton, Leslie's father
- Judith Evelyn as Mrs. Nancy Lynnton, Leslie's mother
- Carolyn Craig as Lacy Lynnton, Leslie's sister
- Rod Taylor as Sir David Karfrey, Lacy's husband
- Sal Mineo as Ángel Obregón II
- Noreen Nash as Lona Lane
Ferber's character of Jordan Benedict II and her description of the Reata Ranch were based on Robert "Bob" J. Kleberg Jr. (1896–1974) and the King Ranch in Kingsville, Texas. Like the over half-million-acre Reata, King Ranch comprises 825,000 acres (3,340 km2; 1,289 sq mi) and includes portions of six Texas counties, including most of Kleberg County and much of Kenedy County, and was largely a livestock ranch before the discovery of oil. The fictional character Jett Rink was inspired partly by the extraordinary rags-to-riches life story of the wildcatter oil tycoon Glenn Herbert McCarthy (1907–1988). Author Edna Ferber met McCarthy when she was a guest at his Houston, Texas, Shamrock Hotel (known as the Shamrock Hilton after 1955), the fictional Emperador Hotel in both the book and the film.
After James Dean's death late in production, Nick Adams overdubbed some of Dean's lines, which were nearly inaudible, as Rink's voice. George Stevens had a reputation as a meticulous film editor, and the film spent an entire year in the editing room.
The film begins with Jordan "Bick" Benedict, played by Hudson, arriving at Ardmore, Maryland, to purchase a stallion from the Lynnton family. The first part of the picture was actually shot in Albemarle County, Virginia, and used the Keswick, Virginia, railroad station as the Ardmore railway depot. Much of the subsequent film, depicting "Reata", the Benedict ranch, was shot in and around the town of Marfa, Texas, and the remote, dry plains found nearby, with interiors filmed at the Warner Bros. studios in Burbank, California. The "Jett Rink Day" parade and airport festivities were filmed at the Burbank Airport.
The Oscar-nominated musical score was by Russian-born composer and conductor Dimitri Tiomkin, who conducted the Warner Brothers Studio Orchestra.
During the restaurant fight scene at the film's end, the jukebox plays "The Yellow Rose of Texas" by Mitch Miller. This version of the song happened to be the #1 pop single on the Billboard Magazine Best Sellers chart at the time of James Dean's death.
The movie is an epic portrayal of a powerful Texas ranching family challenged by changing times and the coming of big oil. A major subplot concerns the racism of many Anglo-European Americans in Texas during the mid-twentieth century, and the discriminatory social segregation enforced against Mexican Americans. In the first third of the film, Bick and Luz treat the Mexicans who work on their ranch condescendingly, which upsets the more socially conscious Leslie. Bick eventually comes to realize his moral shortcomings – in a climactic scene at a roadside diner he loses a fistfight to the racist owner, but earns Leslie's respect for defending the human rights of his brown-skinned daughter-in-law and grandson. Another subplot involves Leslie's own striving for women's equal rights as she defies the patriarchal social order, asserting herself and expressing her own opinions when the men talk. She protests being expected to suppress her beliefs in deference to Bick's; this conflict leads to their temporary separation.
Giant is Edna Ferber's third novel dealing with racism; the first was Show Boat (1926), which was adapted into the legendary Broadway musical Show Boat (1927); her second was Cimarron (1929), which was adapted to film twice, in 1931 and 1960. Ferber's Giant was a blockbuster, selling 52 million books by 1956.
Giant premiered in New York City on October 10, 1956, with the local DuMont station, WABD, televising the arrival of cast and crew, as well as other celebrities and studio chief Jack L. Warner. The picture was released to nationwide distribution on November 24, 1956.
Capitol Records, which had issued some of Dimitri Tiomkin's music from the soundtrack (with the composer conducting the Warner Brothers studio orchestra) on an LP, later digitally remastered the tracks and issued them on CD, including two tracks conducted by Ray Heindorf. Both versions used a monaural blend of the multi-channel soundtrack recording.
The film was released on DVD on June 10, 2003. The DVD includes more than three hours of documentaries. The out of print Blu-ray was released on November 5, 2013, as part of the James Dean Ultimate Collector's Edition set, and as an individual DigiBook release followed by a non-DigiBook Blu-ray on March 11, 2014. Those releases contained three discs including two DVDs with all the extras from the 2004 release. The full length George Stevens: A Filmmaker's Journey documentary is also included on one of the DVD discs. The manufacture-on-demand 4K Ultra HD release of the film released on June 21, 2022, through Warner Archive Collection.
Giant won praise from both critics and the public, and according to the Texan author Larry McMurtry, was especially popular with Texans, even though it was sharply critical of Texan society. Bosley Crowther of the New York Times wrote that "George Stevens takes three hours and seventeen minutes to put his story across. That's a heap of time to go on about Texas, but Mr. Stevens has made a heap of film." He continued to write that "Giant, for all its complexity, is a strong contender for the year's top-film award."
Variety claimed that Giant was "for the most part, an excellent film which registers strongly on all levels, whether it's in its breathtaking panoramic shots of the dusty Texas plains; the personal, dramatic impact of the story itself, or the resounding message it has to impart."
In the 21st century, TV Guide gave the film four stars out of five, writing of James Dean's performance: "This was the last role in Dean's all-too-brief career – he was dead when the film was released – and his presence ran away with the film. He performs his role in the overwrought method manner of the era, and the rest of the cast seems to be split between awe of his talent and disgust over his indulgence."
The film received an 88% approval rating on Rotten Tomatoes based on 51 reviews, with an average rating of 7.80/10. The consensus reads, "Giant earns its imposing name with a towering narrative supported by striking cinematography, big ideas, and powerful work from a trio of legendary Hollywood leads."
Less complimentary was director and critic Francois Truffaut, who, in an early review, called Giant a ”silly, solemn, sly, paternalistic, demagogic movie without any boldness, rich in all sorts of concessions, pettiness, and contemptible actions.”
Giant was a huge box-office success. The film earned $35 million in ticket sales during its original studio release in 1956, a record for a Warner Brothers film until that time. This record was not surpassed until the Warner film Superman in the late 1970s.
The movie earned $12 million in rentals in the United States and Canada during its initial release. It did not perform as well in other markets where it made around half as much, but it was one of the biggest hits of the year in France, with admissions of 3,723,209.
- American Film Institute recognition
Giant is considered to be the inspiration for the hit 1980s television drama Dallas. Both productions focus on the struggle between wealthy oilmen and cattlemen in Texas in the mid to late 20th century. In addition, both productions have an antagonist with the initials J.R.
In 1978, Martin Scorsese wrote about the movie as a guilty pleasure:
I've seen this film over forty times. I don't like the obvious romanticism, and it's very studied, but there's more here than people have seen. It has to do with the depiction of a life style through the passage of so many years. You see people grow. I like James Dean; I like the use of music, even though Dimitri Tiomkin did it; I like Boris Leven's image of the house, and the changes in the house; I like the wide image of Mercedes McCambridge riding the bronco, then cut to an extreme closeup of her hitting the bronc with her spur, then back to the wide image. As far as filmmaking goes, Giant is an inspiring film. I don't mean morally, but visually. It's all visual.
In 1981, in a Levi Strauss ad campaign and television commercial that launched the 501 Jeans for women, an actress says, "Travis, you're years too late", evoking a scene from the movie with James Dean.
- Tied with Richard III.
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- "Giant: Summary and Notes". Catalog of Feature Films. American Film Institute. Retrieved November 17, 2022.
According to modern and contemporary sources, Grace Kelly was sought for the role of Leslie Benedict. Modern sources claim that once her engagement to Prince Rainier of Monaco was announced, however, M-G-M decided not to loan her out for Giant. Elizabeth Taylor, who ultimately received the highly desirable role, was also under to M-G-M, which loaned her out to Warner Bros. Modern sources also claim that Hudson, when given the choice of his leading lady by Stevens, chose Taylor.
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- McMurtry, Larry (September 29, 1996). "Men Swaggered, Women Warred, Oil Flowed". New York Times. Retrieved August 21, 2012.
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- Indvik, Kurt (April 10, 2003). "WHV Pays Special Edition Homage to Four Major Titles in June". hive4media.com. Archived from the original on May 4, 2003. Retrieved September 29, 2019.
- Erik Gruenwedel (April 15, 2022). "Turner Classic Movies Readies 'Giant' 4K Restoration Movie Release on Blu-ray Disc, HBO Max". Media Play News. Retrieved April 23, 2022.
- Crowther, Bosley (October 11, 1956). "Movie Review: Giant (1956). Screen: Large Subject; The Cast". The New York Times.
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- "Giant (1956)". TV Guide. Retrieved November 17, 2022.
- "Giant (1956)". Rotten Tomatoes. Fandango Media. Retrieved April 10, 2022.
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- "Vagaries of Overseas Playoff". Variety. May 27, 1959. p. 3. Retrieved June 16, 2019 – via Archive.org.
- Soyer, Renaud (November 9, 2014). "Box Office France 1957". Box Office Story. Retrieved March 21, 2018.
- "Giant (1956): Awards". Movies & TV Dept. The New York Times. 2009. Archived from the original on May 19, 2009. Retrieved August 1, 2012.
- Gary M. Cramer, "'Giant': A giant book about a giant film," Philadelphia Inquirer, May 3, 2018.
- Martin Scorsese's Guilty Pleasures Scorsese, Martin. Film Comment; New York Vol. 14, Iss. 5, (Sep/Oct 1978): 63-66
- "Buy the Seat of Our Pants". fyi. Forbes. Retrieved January 22, 2023.
A young ad man channels James Dean, and scores the biggest number in the denim business.
- Schleier, Merrill (December 31, 2019). "3. Postwar Hollywood, 1947–1967". Art Direction and Production Design: 73–96. doi:10.36019/9780813564371-005. ISBN 9780813564371. S2CID 233514628. Retrieved January 22, 2023.
... 1981 Levis commercial for women's 501 jeans, in which a cowgirl dressed like ...
- Fischer, Lucy (March 6, 2015). Art Direction and Production Design. Rutgers University Press. p. 107. ISBN 978-0-8135-7280-2.
- "GEORGE STEVENS 1956 'GIANT'". The Selvedge Yard. December 29, 2010. Archived from the original on October 20, 2013. Retrieved January 22, 2023.
Button fly. Shrink-to-fit. Cut for women. Levi's Womenswear. 1981– Levi's "Giant" inspired ad campaign launching the iconic 501 jean for women.
- "Levi's: "Travis" Film". AdsSpot Advertising Archive. Archived from the original on January 22, 2023. Retrieved January 22, 2023.
- "Celebrating 40 Years of the Women's 501® Jean". Levi Strauss & Co. May 13, 2021. Retrieved January 22, 2023.
- "Levis History of Women's Jeans: Levi Strauss & Co". apparel search. Retrieved January 22, 2023.
- Tibbetts, John C., and James M. Welsh, eds. The Encyclopedia of Novels Into Film (2nd ed. 2005) pp 151–152.
- Giant at AllMovie
- Giant at the American Film Institute Catalog
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- Giant at IMDb
- Giant at Rotten Tomatoes
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- Giant essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010 ISBN 0826429777, pages 515-516