Grisi as Donna Anna in Don Giovanni
|Born||22 May 1811
|Died||29 November 1869 (aged 58)
|Occupation||Opera singer (soprano)|
|Spouse(s)||Giovanni Matteo Mario|
Giulia Grisi (22 May 1811 – 29 November 1869) was an Italian opera singer. She performed widely in Europe, the United States and South America and is widely considered to be one of the leading sopranos of the 19th century.
Her second husband was Giovanni Matteo Mario de Candia (also known as "Mario the Tenor"), scion of a noble family of the Kingdom of Sardinia. She is buried at Père Lachaise Cemetery in Paris. Her grave is marked "Juliette de Candia", using the de Candia name.
Born in Milan, Giulia Grisi was the daughter of Gaetano Grisi (c1810–1871), one of Napoleon's Italian officers, and Giovanna née Grassini. She came from a musically gifted family, her maternal aunt Giuseppina Grassini (1773–1850) being a favourite opera singer both on the continent and in London. Her older sister, Giuditta and her cousin Carlotta were both artistes, the former as a singer and the latter as a ballet dancer. Giuditta was the creator of the pants role of Romeo in Bellini's I Capuleti e i Montecchi.
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Rossini and Bellini both took an interest in her, she was the first to play the part of Adalgisa in Bellini's Norma in Milan, in which the dramatic soprano Giuditta Pasta took the title role. Grisi appeared in Paris in 1832 in the title role of Semiramide in Rossini's opera and was a great success; in 1834 she made her debut in London as Ninetta in La gazza ladra; and, again in Paris, in 1835 she created the role of Elvira in the premiere of Bellini's final opera, I puritani at the Théâtre-Italien. In 1842, Donizetti wrote the parts of Norina and Ernesto in Don Pasquale for Grisi and Giovanni Matteo De Candia, usually known by his stage-name of Mario, who was to become the love of her life.
Her voice was described as a dramatic soprano which, during her prime, was praised by music critics for its exceptional beauty, evenness and smoothness. Her career spanned 30 years in total. She was a noted actress, appearing regularly in London with such eminent singers as Luigi Lablache, Giovanni Battista Rubini and Antonio Tamburini, not to mention her husband, Mario. Indeed, the prickly press commentator Henry Chorley praised both her and Mario for their success in establishing Italian opera as an important component of the London music scene.
In 1854, after they were married, Giulia and Mario undertook a lucrative tour of the United States of America, where they were treated as major international celebrities.
Grisi married Count Gérard de Melcy in 1836. The marriage was unhappy but he refused her a divorce for some years. In 1838, her husband discovered a letter written to her by Frederick Stewart, 4th Marquess of Londonderry (then Lord Castlereagh) and the two men fought a duel on 16 June of that year. Lord Castlereagh was wounded in the wrist; the Count was uninjured. After the duel, Grisi left her husband and began an affair with Lord Castlereagh. Their son, George Frederick Ormsby, was born in November 1838 and brought up by his father, who had no legitimate children by his wife. After Grisi and Lord Castlereagh's relationship ended, he brought their son to see her whenever she was in England.
Whilst living with "Mario" Count Giovanni de Candia before their marriage, Giulia and Mario kept homes in Paris and London. Eventually, Grisi obtained her divorce and married Mario, with whom she had six daughters. Once married, they returned to Italy and lived at the Villa Salviati in Florence, a property Mario had purchased in 1849. Grisi wrote in her diary of the exciting times spent there with distinguished guests drawn from the world of opera and the aristocracy.
During a trip to Saint Petersburg, Russia, while travelling by train with her family, Grisi was involved in an accident after having crossed the border into Germany. She was taken to a hotel in Berlin, where she spent her last days under the care of a Dr. Isabell. She died there on 29 November 1869, aged 58. Her husband took her body to Paris, where she was buried at Père Lachaise Cemetery. Her tomb stands before that of Molière, marked with a plain white stone with the inscription "Juliette de Candia".
Cecilia Maria de Candia, one of her daughters with Mario, became a recognized writer and married an English gentleman, Godfrey Robarts Pearse, Lord Pearse, and in 1910 published the book The Romance of a Great Singer – A Memoir of Mario.
- "Grisi, Giulia" by Elizabeth Forbes, Grove Music Online; 28 July is occasionally reported as her birthday; that date is the birthday of her sister Giuditta.
- Chisholm 1911, p. ?
- Encyclopaedia and the The New Grove Dictionary of Opera contain some errors about the tenor "Mario". See also: Beale 1890; De Candia and Hird 1910; Engel 1886, pp. 332 and 336–337; and Floris and Serra 1986.
- Grisi as Semiramide. Lithograph by Rigo frères et Cie after A. Lacauchie, Paris, c. 1832, Museum of Music History
- Henry Sutherland Edwards (1900). Grove, George, ed. A Dictionary of Music and Musicians: Grisi, Giulia. Macmillan & Co. Retrieved 4 March 2017.
- Kendall-Davies 2003, pp. 60—61
- Mrs Godfrey Pearse; Frank Hird (1910). The Romance of a Great Singer. London: Smith, Elder & Co.
- Find-A-Grave profile, findagrave.com; accessed 20 November 2015.
- Beale, Thomas Willert (1890), The Light of Other Days, London: Richard Bentley and Son
- Chisholm, Hugh (ed.) (1911), Encyclopædia Britannica (Eleventh edition). Cambridge University Press
- De Candia, Cecilia Pearse; Frank Hird (1910), The Romance of a Great Singer. A Memoir of Mario, London: Smith and Elder & Co.
- Engel, Louis (1886), From Mozart to Mario, London: Richard Bentley and Son, 1886, pp. 332 and 336–337;
- Floris, Francesco; Sergio Serra (1986), Storia della nobiltà in Sardegna, Cagliari, Ed, della Torre .
- Kendall-Davies, Barbara (2003), The Life and Work of Pauline Viardot Garcia: The years of fame, 1836–1863, ed. Cambridge Scholars Press.
- Media related to Giulia Grisi at Wikimedia Commons