Give 'Em Enough Rope
|Give 'Em Enough Rope|
|Studio album by|
|Released||10 November 1978|
|Recorded||March–April 1978, Basing Street Studios, London; and August–September 1978 at The Automatt, San Francisco|
|Genre||Punk rock, hard rock|
|The Clash chronology|
|Singles from Give 'Em Enough Rope|
Give 'Em Enough Rope is the second studio album by the English punk rock band the Clash. It was released on 10 November 1978 through CBS Records. It was their first album released in the United States, preceding the U.S. version of The Clash. The album was well received by critics and fans, peaking at number two in the United Kingdom Albums Chart, and number 128 in the Billboard 200.
The album's cover art was designed by Gene Greif, the front of which was based on a postcard titled "End of the Trail", photographed by Adrian Atwater and featuring Wallace Irving Robertson. The cover of the first US pressings showed the band's name written in block capital letters. Subsequent U.S. pressings used a faux-oriental style font, which was then replaced with the more ornate faux-oriental style font used on the UK release. The original American issue of the album also retitled "All the Young Punks" as "That's No Way to Spend Your Youth". This was revised on later editions. "Tommy Gun" and "English Civil War" were released as the album's singles, either side of Christmas 1978. They entered the UK charts at numbers 19 and 25, respectively.
Though the opening track of side two, "Guns on the Roof", is ostensibly about global terrorism, war and corruption, it was partly inspired by an incident that resulted in the Metropolitan Police's armed anti-terrorist squad raiding the Clash's Camden Market base. Paul Simonon and Topper Headon were arrested and charged with criminal damage (and later fined £750) for shooting racing pigeons with an air-gun from the roof of their rehearsal building.
The band continued to include contemporary subjects in their lyrics on the album; "Tommy Gun" deals with Middle Eastern terrorism, specifically the hi-jacking of aircraft, while "Julie's Been Working for the Drug Squad" is a commentary on the infamous "Operation Julie" drug bust that saw the largest LSD production ring in the world, based in Wales, dismantled by an undercover police operation. The song also makes a reference to the Beatles' song "Lucy in the Sky with Diamonds" in the opening line, "It's Lucy in the sky and all kinds of apple pie". "Julie's Been Working for the Drug Squad" was originally titled "Julie's in the Drug Squad", as listed on the original pressing of the album. The song's title was changed when Give 'Em Enough Rope was released on CD.
During recording of the album, Joe Strummer's trademark Telecaster guitar needed to be taken in for repairs, so he played a hired semi-hollow Gibson ES-345 for most of the sessions. Sandy Pearlman, who produced the original album, was not a big fan of Joe Strummer's voice, to the point that he ensured the drums were mixed louder than the lead singer's vocals on the entire album.
Other songs recorded during the sessions included the single "(White Man) In Hammersmith Palais", as well as B-sides "Pressure Drop", "1-2 Crush on You" and "The Prisoner". Four more songs were recorded: "One Emotion", "Groovy Times", "Ooh Baby Ooh (It's Not Over)" (AKA "Rusted Chrome", later reworked and released as "Gates of the West") and "RAF 1810."
|The Baltimore Sun|||
|Christgau's Record Guide||A|
|Encyclopedia of Popular Music|||
|The Great Rock Discography||8/10|
|The Rolling Stone Album Guide|||
|Spin Alternative Record Guide||7/10|
In a contemporary review for Rolling Stone, Greil Marcus hailed Give 'Em Enough Rope as a poised, unpretentious record of "straight English punk with a grip on the future" and "accessible hard rock" showcasing the Clash's unyielding, humorous "vision of public life": "The band's vision of a world strangling on its own contradictions hasn't changed, but their idea of their place in that world has." Robert Christgau wrote in The Village Voice that the album's pessimistic mood and a couple of bad songs or moments made it less listenable than the band's debut record, but concluded that most of the songs were "effective melodically as anything on The Clash, and even the band's ruminations on the star as culture hero become more resonant as you hear them over and over again. This isn't among the greatest rock albums ever, but it is among the finest of the year." He named it the fourth best album of 1978 in his list for the Pazz & Jop, an annual poll of American critics in which Give 'Em Enough Rope also finished fourth. Sounds magazine named it the year's best record.
In 1993, Give 'Em Enough Rope was named the 87th greatest album of all time in NME magazine. Q included the record in their "100 Best Punk Albums" list, and wrote in retrospect, "...no more punk than Blondie...[it] shined of quality....their drumming problems were over with the arrival of jazz-trained [Topper] Headon."
All tracks written by Joe Strummer and Mick Jones, except where noted. All lead vocals by Strummer, except "Stay Free" by Jones. The original American issue of the album retitled "All the Young Punks" to "That's No Way to Spend Your Youth". This was revised on later editions.
|1.||"Safe European Home"||3:50|
|2.||"English Civil War"||Traditional; arranged by Jones and Strummer||2:35|
|4.||"Julie's Been Working for the Drug Squad"||3:03|
|5.||"Last Gang in Town"||5:14|
|1.||"Guns on the Roof"||Topper Headon, Jones, Paul Simonon, Strummer||3:15|
|5.||"All the Young Punks (New Boots and Contracts)" (known as "That's No Way to Spend Your Youth" on original American release)||4:55|
- Joe Strummer – lead and backing vocals, rhythm guitar
- Mick Jones – lead guitar, backing vocals, lead vocals on "Stay Free"
- Paul Simonon – bass guitar, backing vocals
- Topper Headon – drums
- Allen Lanier – piano on "Julie's Been Working for the Drug Squad" (uncredited)
- Stan Bronstein (of Elephant's Memory) – saxophone on "Drug Stabbing Time" (uncredited)
- Bob Andrews – keyboards on "Stay Free" (uncredited)
- Sandy Pearlman – producer
- Corky Stasiak – engineer
- Paul Subblebine – mastering engineer
- Dennis Ferrante – sound engineer
- Gregg Caruso – sound engineer
- Kevin Dallimore – sound engineer
- Chris Mingo – sound engineer
- Gene Greif – cover designer
- Hugh Brown – concept designer, cover photograph
|1978||Swedish Albums Chart||36|
|1978||UK Albums Chart||2|
|1979||Billboard Pop albums||126|
|United Kingdom (BPI)||Gold||100,000^|
*sales figures based on certification alone
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- Sounds Magazine 17 June 1978
- NME Magazine 16 March 1991
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- Pazz & Jop 1978
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- (Fletcher: The Clash: The Music That Matters)
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